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Raven Symone....took my daughter to see her. Nothing like spending a scorching day with thousands of screaming pre-teens....aagghhh!
Alice Merton interview and performance live at the ALT 98.7 FM Penthouse, on the rooftop of the Altana Apartment Homes in Glendale, Los Angeles, California, on Wednesday, December 13, 2017.
[in] Cômodo
No significado de seu nome, São Paulo já mostra sua história.
São Paulo é santo, é fé e esperança.
É pequeno, disposto e demonstra um otimismo contagiante.
Leva o dia-dia como degraus para chegar ao desenvolvimento.
São Paulo planeja, não erra.
São Paulo é vista no mundo, e perdida aos que nela moram.
É pobre e feia. É desumana e vergonhosa.
São Paulo é nação, feito coração de mãe.
No santo dia de São
Paulo deixa de lado tudo pela ambição.
São Paulo não olha pro lado.
São Paulo falta educação.
No coração de Paulo a vontade de dias melhores,
sem preocupação.
São Paulo reza.
São Paulo acredita.
São Paulo tem cultura própria, miscigenada na multidão.
É por isso que é São.
São Paulo fala diversas línguas. São Paulo não se comunica.
São Paulo sobrevive.
Na cidade clichê, tudo parece bobagem
Fecham os olhos aqueles que não querem ver
Fazer o que?
Não podemos obrigar ninguém a ouvir os gritos abafados no silêncio mascarado.
Silêncio que incomoda, mas não movimenta ninguém.
Ninguém, uma cidade de alguém que não sabemos quem.
Nenhum santo faz milagre sozinho, somos discípulos.
E se Paulo é assim é porque permitimos chegar nisso.
Texto: Felícia Pilli
Cia. Vulnerável de Arte
Amanda Carvalho
Felícia Pilli
Letícia Perroud
Lívia Goiano
Paula Godinho
Vanessa Costa
Foto: Marcio Carrasco
Short interactive dance performance made special for film "Inspired by Shukhov" directed by Natasha Arshavskaya, 2013
Art Direction: Eduard Haiman
Visual & Sound: Vlad Nakoryakov
Dance: Anna Norina
Performed by Nanjing Little Red Flower Performance Troupe at the North Atrium, Suntec City Mall during the Blessings of Spring for the Chinese New Year Festive celebrations.
Son Lux @ Pitchfork Music Festival - Paris, France - 31 octobre 2014
All rights reserved - Do not use © Sarah Bastin www.sarahbastin.net / www.facebook.com/sarahbastin
+ Ricard SA Live Live www.facebook.com/ricardsalive
Emily Rose Michaud
Living armour (dress/undress series), Maguire Meadow, Montréal, May 2008. www.emilyrosemichaud.com
Credit photographer: Melissa Campbell
From left, junior Travis Kaller, sophomore Jason Peterson,and junior Cody Ripa sing during the concert Satruday evening. Peterson performs the lead vocals in a cover of "Superstition."
Kelsey Martin/The Ithacan
"Melt" / "Wool Glacier": performance by Sara Osebold & Vaughn Bell at Gallery4Culture, Seattle, Washington, September 3, 2009. See www.4culture.org/publicart/gallery/ for more information.
The Saab Performance Team equipped with the new Saab 9-3 BioPower.
These guys had some extraordinary driving skills.
Koodiyattam or Kutiyattam (pronounced [kuːʈijaːʈːam]) is a form of theatre traditionally performed in the state of Kerala, India. Performed in the Sanskrit language in Hindu temples, it is believed to be at least two thousand years old. It is officially recognised by UNESCO as a Masterpiece of the Oral and Intangible Heritage of Humanity.
From Wikipedia..
Composed of a concentrated load of data, creativity and innovation, the Night Performances in Deep Space 8K on the evening of Futurelab Day provided new impulses as valuable resources for a collective creative resilience: Between stunning visuals, data-driven performances and electric noise from the rendering engines of artists and deep neural networks, Futurelab Day approached its zenith with a veritable fireworks of creativity.
Photo showing:
Polychoros – Georgios Tsampounaris (GR), Ariathney Coyne (GR), Vahid Ghaderi (IR)
Photo: Ars Electronica Futurelab / Birgit Cakir
Some photos from a dance performance last week... The season ending show by Fineza Flamenco Dance... www.flamencocalgary.com
Photo by Julian Paul www.julian-paul.com
RecPlay was initiated in 2001 by a group of students from the former Interfaculty Image and Sound department and the Royal Academy and Royal Conservatory in Den Haag. The goal was for students interested in live improvisation to come together and experiment with self-built or customized audio-visual instruments. Research topics addressed include multi-player interfaces, improvisation, noise art, feedback, real-time composition, and interaction with architecture. During the past fourteen years more than 70 members have been active in the lab, with the character of each performance dependent on the current members. Every session is archived, and soon the complete archive will be available online.