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www.originalartbroker.com/blog/artwork/original_art/olivi...
Olivia De Berardinis is one of the most commercially successful artists in recent American history. Her pin-up style art has been featured on the pages of Playboy as well as on numerous original paintings and posters.
Often referred to as “Cheesecake art,” Olivia De Berardinis’ art features erotically styled women with exaggerated silhouettes. Her art is sexy, provocative, but also showcases a beautiful, classically trained technique. She fell into this niche by accident, as she was a classically trained artist who focused on minimalist paintings in her early career. Her minimalist work gained her a lot of attention among the art community, including being introduced in the Second Annual Contemporary Reflections in 1972, and being named one of the 18 new artists in the “Tenth Anniversary, the Larry Aldrich Museum of Commercial art work.”
Despite her minimalist art’s critical acclaim, Olivia De Berardinis’ art did not gain the commercial she craved. She started to supplement her fine art with commercial work in order to pay the bills. As a child, Olivia De Berardinis had loved drawing women, and she returned to her skill while working for periodicals, magazines, movie posters, and advertisements. Soon her work garnered the attention of men’s magazines. Originally, Olivia De Berardinis did not consider her work for Playboy a “real” art career. The partnership started out of a financial need and not an artistic pursuit. She thought it would be a temporary, part time job, until her art career took off. But ultimately, Olivia De Berardinis’ “cheesecake” art became so popular that it was a full-fledged career in of itself. Her temporary job eventually turned into her artistic pursuit. She continued creating art for Playboy, as well as creating original artwork of pin-up girls for individual sales. She also put together a number of successful books, including Let them Eat Cheesecake, Second Slice, Malibu Cheesecake, and Bettie Page.
With art that is as skillful as it is erotic, it is no wonder that Olivia De Berardinis has become one of the most commercially successful artists in the world. The artist acknowledges that people she meets often think it’s strange to find a successful woman making erotic art for the primary pleasure of men. But Olivia De Berardinis is as smart as she is talented, and she feels the type of art she produces is only natural. After all, men have been sexualizing women forever, and her artwork is following step in a tradition as old as religious iconography and as commonplace as the popular Hollywood movies of today. If anything, Olivia De Berardinis feels that being a woman gives her an edge in her field.
Contemporary artists often have to find the balance between commercial success and critical acclaim, often having to choose one over the other. Although Olivia De Berardinis created critically successful art, she aimed to have mainstream financial success and set out on a new path to do so. Ultimately, Olivia De Berardinis choice paid off, as she is one of the most unique and commercially successful artists today.
Story by Wikipedia
Central Campus Hiring Fair hosted approximately 30 Des Moines area businesses to interview seniors looking to enter the workforce. Seniors have participated in resume writing and mock interviews in preparation for the Hiring Fair to find full-time and part-time jobs.
The goal is to secure a job in a career path they trained for at Central Campus and to provide seniors with employment opportunities after high school graduation that lead to a life sustainable wage with benefits.
Hi,
I Have Done This Projects an a Part Time Job for
a Construction Company Which is Target Construction
Shazwany Aziz
Photo: Geraldine Kang
Artists: Faiz Bin Zohri, Shazwany Aziz, Euginia Tan, Teow Yue Han and Ezekiel Wong Kel Win
Curated by Hyrol Sami’on and Sufian Samsiyar
'Every move you make' explored how urban environments and conditions of work affect artists and artmaking.
The exhibition presented works by five emerging artists who, as is typical in Singapore, maintain full or part-time jobs alongside their artistic practice. Often perceived as limiting artists’ time and capacity, here work is used as a source for ideas and materials. Collages by Shazwany Aziz are made from stationery stocked in her office. The collages' diminutive size reflects the short amount of time she has to produce them each morning. An installation by Faiz Bin Zohri represents a hollowed niche that provides natural seating underneath a bridge, and references his practice as a landscape architect.
Other works in the exhibition look at transactional relationships between people and things. Euginia Tan highlights the reciprocal nature of social interaction through a text that loosely transcribes a conversation between an artist and a curator. A suspended sculpture by Ezekiel Wong Kel Win of black trousers commonly worn by blue-collar workers depicts ‘the fabric of society and mechanisms of social ecological systems’.
During the opening, Teow Yue Han presented a performance that used algorithmic software to stream live footage of dancers Chia Poh Hian and Norhaizad Adam moving around the gallery. Documentation of the performance was displayed in the exhibition.
Hyrol Sami’on (born Singapore, 1986) and Sufian Samsiyar (born Singapore, 1987) are artists and members of the Exhibitions team at the Institute of Contemporary Arts Singapore. They are both LASALLE alumni.
As Audrey Charles looked around, something seemed eerily familiar about the park she was visiting with three of her classmates.
It was the park benches and the descending staircase that carried visitors down into the park space that kept her wheels spinning, trying to imagine where she had seen it all before.
Except the park was 4,300 miles farther away from home than she had traveled her entire life prior to that day.
Then it struck her.
“Those were the same seats I saw on ‘Cheetah Girls 2’ when they were in Barcelona,” Charles said. “I went, ‘Oh my God, I’m here.”
It was an epiphany shared at some level by her classmates and chaperone Beth Shoemaker, as the five ladies traversed along the Mediterranean as part of a European tour including stops in Spain, France and Italy at the end of March.
The trip was the product of DHS becoming International Baccalaureate certified, according to Shoemaker.
“They thought it would be great, since we’re IB, to offer an international trip,” said Shoemaker, who also serves as Dublin High’s media specialist.
When Shoemaker took over as advisor for the trip, she began investigating options and leaned toward Spain as a potential stop.
“Since we offer Spanish courses on campus, I thought a Spanish-speaking country would be a good idea,” Shoemaker said, “then I noticed how close Spain was to France and Italy so we turned it into a Roman Conquest tour.”
The 10-day trip carried the five from DHS, and a sister school from Maryland, to the Spanish and French countryside still holding onto relics from the Roman Empire, the watering hole of Vincent van Gogh, Monaco and the Coliseum, to name a few.
“It was an experience of a lifetime,” Charles said.
Charles was joined by Kamisha Miles, Lauren Price and Samaya Dupree, along with Shoemaker, who began their “Roman Conquest” tour in Barcelona, stopping at Park Guell; the aforementioned site from the movie.
By Day 3, the quintuplet stopped in the walled city of Carcassone, camping out at the Hotel Forum in Arles France: the once home of van Gogh.
“Our hotel was directly across from the Yellow Café where van Gogh used visit,” Shoemaker said. “It was a quiet, quaint little town. It all rolled up at 9 p.m.”
The trip continued through France with a visit to Cote d’Azur and the Roman-era Nimes-Maison Carree and Arena before heading east to a Roman aqueduct called the Pont du Gard.
Then Monaco.
“It was so beautiful,” Shoemaker said, showing a selfie that included the building-filled hills of the Riviera coastline in the background. It was in Monaco where the students broke from touring to take part in a cooking class where they constructed their own Mediterranean-stylized meals.
“All the food was amazing,” Miles said.
“My favorite part was the chocolate,” Price said with a smile. “Chocolate mousse, chocolate mocha.”
“Even at the truck stops,” Shoemaker added. “It was unbelievable. It was food you’d find in a regular restaurant in America.”
From Grace Kelly’s former home, the group headed to Florence and finally to Rome for two days touring the Spanish Steps, the Trevi Fountain and the Piazza Navona, as well as the Ostia Antica (a large archaeological site).
“And we went to the Vatican,” added Charles, who took on a part-time job in order to cover the expense of the trip. “The ceilings there were really pretty.”
“The beauty of the Vatican Museum really struck me,” Miles said.
Every one of the women, both young and old, said the trip is one that will live on in their memories indefinitely.
“I wanted to go because I had been places before with my parents and I wanted to try it for myself,” Miles said. “When I look back on my phone I realize how great it all was.”
“I feel more confident in trying new things because of the trip,” Charles added.
“It was amazing to see them grow and mature in such a short period,” Shoemaker said. “They were a pleasure and I’d take them anywhere. I can’t wait to go back.”
After serving 19 years, 9 months and 4 days in prison, Charles Rivers, 48, returned to Syracuse in 2012 to start again. He worked part-time jobs and started earning his bachelor’s degree. In 2016, he started his first full-time job when PEACE, Inc. hired him to run the South Side PEACE center.
For the full story, visit mysouthsidestand.com/more-news/former-parolees-lead-re-en...
| Zachary Krahmer, Staff Photo
Ok, I know the bag is yellow, but go with me here...
New Things:
1. Like I said, I quit my old job of 10 years and yesterday I started a new part-time job. I feel like the Nemo Musical song "In the Big Blue World" is playing on repeat; I feel like some great things are finally happening in my life and it's a wonderful feeling!
2. I also started blogging at the aforementioned The Glass Slipper Blog with Kristin and Kristi. Which I went out today and took this photo for.
3. Although I live 1.2 miles from the coastline of the Gulf of Mexico, I've NEVER been to this, this closest access to the water by my house. I really have no idea why I never have, but this spot was totally new to me! As I was taking these photos, I also saw 2 other photographers with some SERIOUS zoom lenses photographing the seagulls, so I think I'll keep coming back and try some wildlife photography soon!
So, here's to new things!
Please come join us at The Glass Slipper Blog in our Bibbidi Bobbidi Fifty-Two if you are looking for a weekly theme to participate in. The themes are fun and the contributors have so much inspiration to offer for the group.
Also, please come visit and read our blog post today. It's a review of this and another Epiphanie bag!
John came straight to Dan from his part time job at Sears modelling fall apparel for those still rugged baby boomer types.
_DSC3112
"August, 1986
Tennant's
St. Johns
Saying a wet "goodbye"
to my Grand Kids
who helped make my
stay a joyful one
Joi sent this (xmas)"
-Grandma June Cheney
(I'm wearing my referee shirt, my part time job at MSU was refereeing football, softball, and inner tube water polo games)
Left to right: Teow Yue Han, Shazwany Aziz, Faiz Bin Zohri, Euginia Tan
Photo: Geraldine Kang
Artists: Faiz Bin Zohri, Shazwany Aziz, Euginia Tan, Teow Yue Han and Ezekiel Wong Kel Win
Curated by Hyrol Sami’on and Sufian Samsiyar
'Every move you make' explored how urban environments and conditions of work affect artists and artmaking.
The exhibition presented works by five emerging artists who, as is typical in Singapore, maintain full or part-time jobs alongside their artistic practice. Often perceived as limiting artists’ time and capacity, here work is used as a source for ideas and materials. Collages by Shazwany Aziz are made from stationery stocked in her office. The collages' diminutive size reflects the short amount of time she has to produce them each morning. An installation by Faiz Bin Zohri represents a hollowed niche that provides natural seating underneath a bridge, and references his practice as a landscape architect.
Other works in the exhibition look at transactional relationships between people and things. Euginia Tan highlights the reciprocal nature of social interaction through a text that loosely transcribes a conversation between an artist and a curator. A suspended sculpture by Ezekiel Wong Kel Win of black trousers commonly worn by blue-collar workers depicts ‘the fabric of society and mechanisms of social ecological systems’.
During the opening, Teow Yue Han presented a performance that used algorithmic software to stream live footage of dancers Chia Poh Hian and Norhaizad Adam moving around the gallery. Documentation of the performance was displayed in the exhibition.
Hyrol Sami’on (born Singapore, 1986) and Sufian Samsiyar (born Singapore, 1987) are artists and members of the Exhibitions team at the Institute of Contemporary Arts Singapore. They are both LASALLE alumni.
A DOMINOS pizza chain is set to open in Halsingden after planning chiefs approved a change of use at the site.
Proposals for to turn a vacant shop 67 Deardengate into a takeaway were granted by Rossendale Borough Council.
In his supporting statement, the applicant Mr Josh Rose said a 20 year lease had been agreed with the landlord and it would be occupied by their franchisee Dominos subletting.
The fit out of the shop is expected to cost in the region of £250,000 with around 30 full and part time jobs created.
Speaking at a meeting of Rossendale’s development control committee, planning manager Nicola Hopkins said: “The applicant will close between 3 and 5pm when children are going home from school and it will bring an empty unit back into use.”
At my part-time-job,customers who were born in October can get a special gift every time they visit our store until the end of this month
Young Ho Chi Minh City
Portrait: Quản Thị Tuyền
- 20 years old
- Student at Vietnam Aviation Academy, having a part-time job at the toy company Doki World
- Home: Tan Binh District, in the North of HCMC
Foto & Interview: Henning Hilbert 2019 (Aufnahme vor Obststand in der Straße ihrer Firma)
Shazwany Aziz
Photo: Geraldine Kang
Artists: Faiz Bin Zohri, Shazwany Aziz, Euginia Tan, Teow Yue Han and Ezekiel Wong Kel Win
Curated by Hyrol Sami’on and Sufian Samsiyar
'Every move you make' explored how urban environments and conditions of work affect artists and artmaking.
The exhibition presented works by five emerging artists who, as is typical in Singapore, maintain full or part-time jobs alongside their artistic practice. Often perceived as limiting artists’ time and capacity, here work is used as a source for ideas and materials. Collages by Shazwany Aziz are made from stationery stocked in her office. The collages' diminutive size reflects the short amount of time she has to produce them each morning. An installation by Faiz Bin Zohri represents a hollowed niche that provides natural seating underneath a bridge, and references his practice as a landscape architect.
Other works in the exhibition look at transactional relationships between people and things. Euginia Tan highlights the reciprocal nature of social interaction through a text that loosely transcribes a conversation between an artist and a curator. A suspended sculpture by Ezekiel Wong Kel Win of black trousers commonly worn by blue-collar workers depicts ‘the fabric of society and mechanisms of social ecological systems’.
During the opening, Teow Yue Han presented a performance that used algorithmic software to stream live footage of dancers Chia Poh Hian and Norhaizad Adam moving around the gallery. Documentation of the performance was displayed in the exhibition.
Hyrol Sami’on (born Singapore, 1986) and Sufian Samsiyar (born Singapore, 1987) are artists and members of the Exhibitions team at the Institute of Contemporary Arts Singapore. They are both LASALLE alumni.
Closeup of a little square design done with layered crayons from nearly 10 years ago. As work at my part-time job was a bit slow, my boss asked me to take a couple of months off, so I used the time to attend a weekly art class at a local community centre. Among other things, they taught me this interesting technique using oil crayons. First I coloured a pink square with a thick orange outline as the under layer. Then on top of that I coloured in a purple square and and thick black outline top layer. The I scratched off the top layer in an impromptu pattern. Whallah!
Day 86 of 365 Days in Colour - Day 28 of January, Purple.
Taken with iPhone 4S.
I got the most awesome job recently! It's at the largest vintage/costume store in Portland and i LOVE IT! I'd been wishing i had a reason to dressed up more and my wish was granted. :) :) :) I met the owner in my sewing class and one thing let to another and now i've got a part time job mending costumes and doing retail in pretty much the coolest store ever! Oh, and these are my new vintage glasses frames that i got there yesterday. :D
In Japanese, a Yamamba is a ghost or an evil spirit. This is the name that most Japanese people use when they refer to a certain type of girl. First of all, these girls are EVERYWHERE, especially in major cities like Tokyo and Osaka. In all my travels, I have never seen anything like them. When I first got to Japan I was shocked to see so many young highschool and university girls wearing very short miniskirts, huge boots, and painted with makeup. But when I began asking my students at the senior highschool where I teach what all the fuss was about, they explained the secret of the Japanese Yamamba to me. It was really fascinating. First of all, about ninety percent of the girls who are classified as Yamamba are covered in sparkles and have bleached blond hair. They also frequent the tanning salons up to four times a week!in order to have very dark skin. Now, from what I understand, there are different types of Yamambas, usually classified by the amount of makeup they paint on. For instance, a high school girl called a 'Garu' usually does not wear so much makeup; however, a Yamamba would paint her WHOLE face with white makeup and flashy lip stick. The girls in the first picture would be considered 'Garu' whereas the bottom picture would be more Yamamba.
They also wear massive fake eyelashes. They dress in very short skirts or revealing cloths (always showing their legs) and wear massive platform boots and shoes. They sometimes wear what I refer to as 'hooker' boots that lace up to the top of their knees and have huge heels. I read an article in Japan Times that the amount of ankle injuries has increased ten-fold since these shoes were introduced to the Japanese fashion world.
Their purpose, it seems, is to congregate in large groups and hang around train stations and video arcades. There are video arcades everywhere in Japan that sell what we call in English PRINT CLUBS. These are small digital picture stickers that these girls collect and trade with their friends.
As you can see by the pictures, their uniforms are all pretty much the same. Everything is brandname from Gucci, to handbags from Paris. They seem to be very colourful individuals. If they are not at the video arcades, they are ALWAYS shopping. They spend huge amounts of money on clothes and makeup to fit their appearance. Dress is of the utmost importance, because for them to be seen is what it is all about.
The most important media tool for these young women is in Japanese called a 'k-tie', or what we refer to as a cell phone. Every single girl has one and they always send text messages and use their phones to speak to their friends.
In terms of rights of passage, you need money to be a part of the Yamamba scene. It seems everything is centered around money. For instance, the Yamaba perform a kind of ritual dance called the para para. In Tokyo there are expensive nightclubs where these girls congregate and practice their para para. This type of dance uses hand movements and steps to Japanese j-pop songs. Each para para song has its own steps and movements, kind of like a mutated Macarana. When they are dancing, every one of the girls follows the steps together all at the same time. I'm telling you, it's a sight to behold!
Now, getting a little more serious, I would like to talk about the education system in Japan. I teach at a very high level highschool. Usually highschool kids in Japan wear uniforms to school. However, at my school they do not (which is quite rare). There are no Yamamba at my school, just a few Garu. It seems that most Yamamba attend lower level schools in terms of education. These are for students who will not be going to University. Some of my other English teaching friends work at these lower level schools. They tell me that Yamamba usually sleep in school and really don't care what is going on around them. If they are awake, they are usually disturbing the class by speaking very loudly. Some lower level schools actually allow cell phones in the school, and Yamamba sometimes talk on them in class! My students tell me that Yamamba are what we might stereotypically refer to as 'dumb blondes' or 'airheads.' But I tend to disagree. When I am on the train or in a large urban center and a group of Yamamba come on, they are always very loud, giggling, yelling, and creating havoc. It's important for them to stand out, or rebel against the formal way to do things in Japan. Which is very rare. It seems they are a kind of outcast by the rest of Japanese society, kind of a joke or something to laugh at. They are quite alone in their world. For instance, I have never seen a plain-looking girl hanging around with a Yamamba before. In Japan, highschool life is culturally mainstream. It isn't cool to be different. But the Yamamba are.
Life isn't all that it is made to be. Outside of the glitz and glamour of Yamamba life, there is a very dark world. For example, sex is seen quite differently in Japan. First of all, high school kids are not allowed to have part time jobs. If a teacher finds out, they could get in big trouble. Highschool is a time for study, not play. In order to keep up with their lifestyles, high school girls need HUGE amounts of money. Japan is such a materialistic society. In the news, there are always stories of Japanese businessmen being caught paying for sex from highschool girls. There is even a word in Japanese: these men are referred to as ero gigi (dirty old man). But this is not necessarily seen as a horrible thing. Just disgraceful. Most of these men would never spend time in jail. It is just a part of life. Moreover, this is not just a problem with Yamamba but all highschool girls in Japan.
Finally, it seems that no real hierarchy between the Yamamba exist. They are bound by strength in numbers, always together in groups. There is also a type of Japanese slang or speech that is used between the girls (that I have yet to figure out). I had a difficult time finding out what goes on. Everyting in Japan is never what it seems. Because of my communication problem or lack of Japanese, I have never really met a Yamamba. Hopefully, my study will continue in the future. But in the end, if you ever decide to come to Japan, to visit or work, be prepared for the weird and wonderful Yamamba!
...is what I need.
Oh hello, haven't updated for almost a month. :D
I don't know what happened. Don't ask, it was a combination of little things that eventually became a huge daunting task of catching up. So I'm not gonna bother.
I'll upload when I please but I do take photos daily.
For the past few weeks, I, who have never celebrated Halloween ever my whole life, went to TWO halloween nights. First night I dressed up as a ventriloquist doll and the second as a zombie/abused housewife/whatever, made tons of new friends, laughed more than I should, attained a more permanent shift at my new/old part time job and am now happily ignoring two assignments which are due next week.
Oh my design lecturer thinks I should do freelance. :) I'm so flattered.
Oh flickr, I miss you.
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My mum landed a part-time job through my dad. She doesn't look back on it too enthusiastically.
I don't recall my wine bar days at all...
五香醤チキンセットat KFC
maybe meaning five spicy soy-sauce tasted chicken
2005.10.18 dinner
this day after this dinne, i went to go to FMA for a part time job.
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it's just a motiongraphy homework....
sometimes i do this kind of work as part time job. i hope you can see my short film on TV some day.^_^
www.ipsnews.net/2013/03/zimbabwe-struggling-to-pay-laid-o... As former Reserve Bank of Zimbabwe employees went to the Labour Court in Harare this week hoping for a ruling in favour of the finalisation of their retrenchment packages, the country’s public and private sectors continue to lay off workers without paying the promised compensation.
Day 10.
Randy gets lucky and lands a job as a data entry clerk at a local accounting firm. Randy may be small, but he's quick. Typing with all four hoofs at a time, Randy is twice as efficient as some of the full-time data entry clerks at the firm. Go Randy!
Today has been a very baaaad day.
I failed an exam, pathology (no not the House M.D one LOL, that one I passed it). It's another one, a beeep beeeep beeeep and beeeep difficult one. It is consider to be the toughest exam along together with medical clinic (if that is the correct english term).
Owww well, I feel like crap. So I was in the mood to upload a picture just to give up with the sadness...shit it's a never ending study, medicine that is off course.
On the other hand I got also a great news today. One part-time job I do is selling medical/physiatric/rehabilitation devices for the factory of my father. Actually I'm a scouter for possible sales (since I know lots of people in the segment of medicine/dental medicine), my job is looking for possible new clients. If the sale (after having given the contact) goes well I get a commission on it.
3 months ago I nailed one, and now that the client payed the stuff I got my commission and I'll be buying some stuff, yay!!!
Probably I'll invest into a good manfrotto boom, which are crazy good but also crazy expensive LOL.
Anyway, another one for the "shallow DoF portrait" series.
This is Omar, a very cool and easy dude I met 2 weeks ago. He was kind enough to let me shoot him for the project :D
Cheers mate
Hope you enjoy
Hopefully I'll have something fresh in the next weeks.
----------------------
Exif:
Canon 5D mk II
FL 50mm @ f1.2
ISO 800
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PS Edit:
RAW editing as usual
Vintage Action 1 @60%
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Enjoy
Cheers
Great WeekEnd To All!!
.. Tomorrow the last day of my mini week vacation.Although I don't really feel like it, which I been working on my part time job, almost everyday but at least I spent few extra hrs. with my bff.. flower. ehhh my little doggie.
This is the iconic Queensborough Bridge. Also called the 59th Street Bridge. Today, it's been renamed the Edward Koch Bridge in recognition of the late NYC mayor.
It's unique design, unlike the other steel cable suspension bridges throughout the city. It also has snaking on and off ramps after decades of modifying it for various traffic.
I coin it as my freedom bridge, because it represented a great part of my childhood, my teen-aged years. I was an enthusiastic cyclist, and by accessing closed roadway, one can ride over the East River between the two boroughs. This allowed me to commute across it all summer in 1981 to ride to my job in uptown Manhattan. My first part time job as a teen. It afforded me to indulge in my HiFi stereo hobby, and to build my very first high performance road bike, which I still have today. The bridge also allowed access to Manhattan, and Central Park. It was a great escape every Sunday morning to ride into the Park with friends to spend the day riding with other road bike riders and racers. It was a splendid time and I believe it kept most of my friends and I out of trouble. No smoking, no drinking, and no drugs.
Looking back at the bridge after all these decades away, at that STOP sign where I would ride down the ramp next to that line of cars and then turn left to head west down 60th St....
Fond memories of a very good period of my life.
PRODUK KESIHATAN PALING LARIS BIOASLI PUNCA KAMI KEKAL TEGUH BERTAHAN
SBG BIZ ON9 NO 1 MALAYSIA
Assalamualaikum*akan dilancarkan=deodorant/pewangi ketiak halal pertama! Jana RM3555 seminggu dgn pay per klik*=
Biz Online No 1 Malaysia~3,892,970 pelawat terkini! Semakin banyak klik semakin MASYUKK income anda=
jana RM300 harian!~Daftar free di:
www.bio-asli.com/daftar.asp?id=altromenz
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www.prepaid.bioasli.com/?ref=altromenz
AGEN PREPAID LUMAYAN BIOASLI=JANA RM8.8 JUTA SETAHUN!
www.tvbioasli.com/?ref=altromenz
>TV BUAT DUIT $$$=Jana RM35,000 bulanan*Pay Per Klik=setiap kali link anda di klik komisen anda RM50~
maksima income RM3,000,000! Vip GRAB now!
www.bio-asli.com/members/e_email_pro.asp?id=altromenz >english version.
> You can at anytime check your commissions, as it is always updated.
>MILIKI BLOG DIAMOND=JANA RM24,000,000 SETAHUN AUTO~“30 mobile stokis diperlukan hari ini=
jana RM1OK sebulan dari rumah anda”!
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Seminar Bioasli+TEKNIK PENCEN AWAL BONUS RM35,000 SEBULAN > Shah Alam 9am!
Seminar Bioasli di Stokis Subg Bestari setiap selasa-9pm.
KEPADA YANG BERMINAT MEMBELI PRODUCT
SECARA ONLINE SILA KLIK URL BERIKUT :
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BELIAN ONLINE : www.blogbioasli.com/altromenz
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UNTUK BERHUBUNG DENGAN SAYA SECARA ONLINE
SILA HUBUNGI SAYA MELALUI TALIAN :
Skype ID : mr.z_bioasli
Ym ID : anda_bioasli
Online : (60) 0193217307 ym/skype
Email : anda_bioasli@yahoo.com
Untuk mendaftar sebagai ahli Percuma
sila klik alamat website berikut :
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www.bio-asli.com/daftar.asp?id=altromenz
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*Sponser anda adalah Altromenz<
To register as a lifetime member-Free,
please click the following website address :
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www.bio-asli.com/eng.asp?id=altromenz
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*Your sponser by Altromenz <
Any enquiries or questions can be post directly to my Yahoo Messenger
whenever I am online or my email when I am not available.
Sebarang pertanyaan atau soalan boleh diajukan di Yahoo Messenger
saya pada masa saya di talian atau sila hantar ke email sewaktu saya tiada di talian.
(Bio-Asli) GOLOBAL BUSINESS,
MINYAK KELAPA DARA
PRODUK BERTARAF DUNIA
Baik Untuk Kesihatan Dalaman Dan luaran Tubuh Badan Anda
Desaku Maju Marketing
(SA0012702-A)
NO 1 Bangunan IKS, Tmn Seri Nakhoda
45200 Sabak Bernam Selangor Malaysia
These are my favorite shoes ever. I also love how tall the grass is. As soon as I took this picture though the mowing guy came by and cut it :-(
I quit the job at walgreens that I just started yesterday. I felt so sick by the time I got home after 8 hours of being in the coldest building in my life. The manager said that he was warm natured and if I didn't like it then bring a sweater. I decided it wouldn't be worth putting my heath at risk for a part time job.
They say a sleeping dragon is one of the most beautiful things and yet one of the most dangerous. Even in sleep the tendrils of smoke curl from their nostrils and even the most gentle cough can cause a forest fire.
Today was good. I finally called back who's hobby to see if anything had come of my application. And YES they wanted an interview. So I went in and interviewed. I also found out that today was the last day for the application so I ran to find Nick to get his application in... I really hope he at least gets a part time job there... it would help a lot... I know it will help me.