View allAll Photos Tagged PERSPECTIVE
This is from an assignment on Dyxum.com. Dyxum is a website dedicated the Minolta and Sony A-Mount cameras and lenses. One of the nice things about the site is that they have some truly knowledgeable and dedicated photographers there who are willing to take the time to craft assignments for other photographers to shoot to better their trade.
This assignment was entitled 'Perspective.'
It's a three part assignment and in the first part, you were supposed to take a telephoto shot, and then a wide angle shot, and crop the wide angle shot in Post to be the same framing and size as the original.
The second part is to take a wide angle lens, a telephoto lens, and a 'normal' lens. Shoot your subject with the Wide and the Tele lenses, and then put the normal lens on the camera. Move forward and back on foot until the size and framing of the original is duplicated in the 'normal' lens. I shot that part with a Tamron 28-75mm, so I used 28mm and 75mm as my wide and tele, and then 55mm as my 'normal' and moved front and back. I should have moved further back for the wide part.
Finally, Part C is walk around until you find something you want to shoot, and STOP and SHOOT IT. Then, look at the photo, and see how it can be improved by moving the camera up or down, and left to right. I moved five feel left, and reframed and shot You can see the difference a mere 5' makes.
Here's the drawing teacher in me:
Notice that the corner of the lowest step in the photo is higher in the picture plane than each of the subsequent, ascending steps. But the corners of the four highest stairs don't follow that pattern--each corner is slightly lower than the corner of the step above it, as you might expect. What a wicked perspective conundrum.
I may use this photo to torture my students next semester.
I am seriously contemplating whether or not I should contact the shopping center management that owns the land that this is on and asking them if I could trespass onto their property to look for some photo ops...
This is one chain that is attached to the drawbridge entrance. Please View On Black
I sat on the mosque floor, hair once again tucked under a surprisingly comfortable hijab. From my viewpoint on the ground I reveled in the patterns of the mosque found in the carpet, the rings of lights, and the tiled walls. I watched as this man completed his prayers and began to leave, his shoeless feet patting across the floor.
Aerial perspective or atmospheric perspective refers to the effect the
atmosphere has on the appearance of an object as it is viewed from a
distance. As the distance between an object and a viewer increases, the
contrast between the object and its background decreases, and the
contrast of any markings or details within the object also decreases.
The colors of the object also become less saturated and shift towards
the background color.
Quick, snap a shot of the beautiful Vung Tau bridge architecture. And boy did I. No Photoshop/editing on this one. :)
Love the linear perspective ...heading towards a common point... No matter where they come from, all journeys will end at a common finishing point
People wonder about how big these Pelicans are!
Well I waited for this Little Egret to walk into frame and took this shot. I hope it puts the size of these birds into perspective. D&J.
The new suburban trains here consist of several flexibly joined cars, and you can walk through half the train. That of course gives a fantastic perspective when you look along the aisle. Today I had the luck of standing at one end and not too many passengers, so I couldn't resist taking a snapshot.
Die neuen S-Bahnen im RMV bestehen aus Waggons, die mit flexiblen Bälgen verbunden sind, so dass man innen durch den halben Zug laufen kann und die Nahtstellen fast nicht bemerkt. Die Symmetie und der Fluchtpunkteffekt reizen mich daran schon seit einiger Zeit, und heute habe ich endlich einen brauchbaren Schnappschuss machen können.
An unusual view of a mini - this one has been rotated to show the mini in the correct plane - it was actually affixed to a vertical wall in Stavanger, Norway.
Taking into consideration perspective, i've used this angle of frame to create an interesting effect on the image
I need practice developing perspectives of the geometric shapes I see when I'm doing figure drawings. These are doodles. (See the Nose Bridge to Nowhere?)
Drawing #110, Perspective, July 6, 2012 Ball Point Pen & Crayon on Paper 8.5" x 11"
Surreal Automatism - I do a big squiggle and find something in it
2 people: 2 perspectives. Allowing God to be the Artist. Not having to see the whole thing palnned out before you to take the first step. Following in faith. Doing the most obvious thing in front of you to do even if you think you don't want to -and the subject 2 people who both fit togehter perfectly but who are also, in a slight shift of the eye- alone at the same moment that they are together.
This is from an assignment on Dyxum.com. Dyxum is a website dedicated the Minolta and Sony A-Mount cameras and lenses. One of the nice things about the site is that they have some truly knowledgeable and dedicated photographers there who are willing to take the time to craft assignments for other photographers to shoot to better their trade.
This assignment was entitled 'Perspective.'
It's a three part assignment and in the first part, you were supposed to take a telephoto shot, and then a wide angle shot, and crop the wide angle shot in Post to be the same framing and size as the original.
The second part is to take a wide angle lens, a telephoto lens, and a 'normal' lens. Shoot your subject with the Wide and the Tele lenses, and then put the normal lens on the camera. Move forward and back on foot until the size and framing of the original is duplicated in the 'normal' lens. I shot that part with a Tamron 28-75mm, so I used 28mm and 75mm as my wide and tele, and then 55mm as my 'normal' and moved front and back. I should have moved further back for the wide part.
Finally, Part C is walk around until you find something you want to shoot, and STOP and SHOOT IT. Then, look at the photo, and see how it can be improved by moving the camera up or down, and left to right. I moved five feel left, and reframed and shot You can see the difference a mere 5' makes.
This is from an assignment on Dyxum.com. Dyxum is a website dedicated the Minolta and Sony A-Mount cameras and lenses. One of the nice things about the site is that they have some truly knowledgeable and dedicated photographers there who are willing to take the time to craft assignments for other photographers to shoot to better their trade.
This assignment was entitled 'Perspective.'
It's a three part assignment and in the first part, you were supposed to take a telephoto shot, and then a wide angle shot, and crop the wide angle shot in Post to be the same framing and size as the original.
The second part is to take a wide angle lens, a telephoto lens, and a 'normal' lens. Shoot your subject with the Wide and the Tele lenses, and then put the normal lens on the camera. Move forward and back on foot until the size and framing of the original is duplicated in the 'normal' lens. I shot that part with a Tamron 28-75mm, so I used 28mm and 75mm as my wide and tele, and then 55mm as my 'normal' and moved front and back. I should have moved further back for the wide part.
Finally, Part C is walk around until you find something you want to shoot, and STOP and SHOOT IT. Then, look at the photo, and see how it can be improved by moving the camera up or down, and left to right. I moved five feel left, and reframed and shot You can see the difference a mere 5' makes.
The Rutgers Race and the Law Review held a Symposium, An Affront on Civil Rights: A Multicultural Perspective on the LGBT Struggle for Equality. This FREE event was held on Tuesday, March 9th and was open to the public. The symposium, held in the Baker Trial Courtroom at the Center for Law & Justice, as leading scholars, attorneys, and activists discuss the effects of current laws and social policies on LGBT communities of color.
1st Panel: Andrew J. Rothman (Moderator), Senior Assistant Dean for Student Affairs Rutgers School of Law, Newark; June Dowell-Burton, LGBT Partnership Specialist, US Census Bureau – NYRCC; Darnell Moore, Newark LGBTQ Mayor’s Advisory Commission; Perris Straughter, Secretary of the Newark LGBTQ Mayor’s Advisory Commission
2nd Panel: Carlos Ball (Moderator), Professor of Law and Judge Fredreick Lacey Scholar, Rutgers School of Law, Newark; Carlene Jadusingh, Representative, Lesbian & Gay Law Association of Greater New York; Flor Bermudez, Youth in Out-of-Home Care Attorney, Lambda Legal; Kenyon Farrow, Executive Director, Queers for Economic Justice; Arelene Stein, Associate Professor of Sociology, Rutgers University-New Brunswick.
Photography by Tamara Fleming/ComeUnity Wire