View allAll Photos Tagged PERSPECTIVE
Week 5 - extreme perspective photography task.
Middlesex University: Product Design and Engineering first year undergraduates...
Taken through the glass inside, I loved how the trees framed the tractor pulling its trailer through the agricultural landscape. I also liked the typical 'countryside colours' and the bright contrast of the red trailer and yellow wheels.
Week 5 - extreme perspective photography task.
Middlesex University: Product Design and Engineering first year undergraduates...
Bilder vom perspective playground
BERLIN 2017
01. - 24.09.2017
Kraftwerk Berlin
Köpenicker Straße 70
So - Mi 11:00 - 21:00 Uhr
Do - Sa 11:00 - 23:00 Uhr
Weitere Informationen :
perspectiveplayground.com/playgrounds/perspective-playgro...
Global Perspectives 2016
'The Future of Civic Space' was the theme for this year's Global Perspectives - our annual conference that brings together civil society leaders, activists, and trend-setters to discuss, debate, and collaborate on some of the biggest issues affecting the sector. The 8th annual Global perspectives was held at the Heinrich Böll Stiftung in Berlin (Germany) on 26 - 28 October 2016. Participants and speakers came from across the globe. Image credit: www.seesaw-foto.com
It's a well known fact that using a longer focal length lens, and then stepping backwards so you can still fit your subject in frame, will "compress" the perspective in your image (i.e. make background objects appear a lot closer to your foreground).
What I haven't been able to find out until today was the effect of using different focal lengths, but keeping the same shooting position and cropping the image down to the same field of view. Seems that this has no (or very little) effect on perspective.
Any slight differences in the image above are probably due to the effect of lens distortion (barrelling, pin cushioning), or me forgetting to focus on the same point for each frame.
Taken on a Canon EOS 7d (1.6x FOVCF), using a 28mm f/2.8, 50mm f/1.8 and the awesome 70-200mm f/4.0 USM. All shots taken at f/4.0
the famous old "skunk train" arrives on these tracks from the redwoods of the coast mountain ranges in to the old town of willits, in northern california.
Ana Lorena Bolaños De Pachecho, Senior Program Officer, Copyright Development Division, WIPO, speaks at the "Film Industry: A Woman’s Perspective" event at WIPO to mark World Intellectual Property Day.
The theme of World Intellectual Property Day 2023 was “Women and IP: Accelerating Innovation and Creativity”.
The event, hosted by WIPO and organized in collaboration with the Permanent Mission of Peru to the International Organizations in Geneva, presented a screening of award-winning film, “Un Mundo para Julius / A World for Julius” and invited the director, Rosanna Díaz Costa, to discuss the film industry from a woman’s perspective.
Copyright: WIPO. Photo: Emmanuel Berrod. This work is licensed under a Creative Commons Attribution 4.0 International License.
Sometimes it's just how you look at things, it's all about perspective, the art of representing three-dimensional objects on a two-dimensional surface so as to give the right impression of their height, width, depth, and position in relation to each other.
The next step is equally simple. Click the "Automatic correction" button. Don't you love things that are automatic?
The image on the left is the perspective corrected image and the image on the right shows the reference points used to make the corrections.
Anybody who has ever tried to shoot the redwoods knows...them some tall ass trees. Short of a fish-eye, it's a chore to get it all in frame. So...best I could do was to lay with my back on the ground looking up and with my camera laying on my face and flip the image in post then crop to taste. 3 shot bracket combined in LR and with no tripod and shooting upside down, I was really happy that the trees didn't ghost out.
"Perspectives" is a series of free conversations with DCPA Theatre Company cast and crew on the evening of each show's first preview performance (except A Christmas Carol). On Sept. 30, DCPA Senior Arts Journalist John Moore was joined by 10 members of the Frankenstein team, including Sam Buntrock (director), Kevin Copenhaver (costumes), Jason Sherwood (scenic design), Kevin Tovar (lighting), Curtis Craig (sound), Topher Blair (projections) and actors Max Woertendyke,
Molly Carden and Thaddeus Fitzpatrick. All photos by By McKenzie Kielman
For the DCPA NewsCenter.