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Week 5 - extreme perspective photography task.
Middlesex University: Product Design and Engineering first year undergraduates...
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
Nicolette Gray documents this face as "Perspective, Figgins 1845."¹
The earliest specimen personally examined is shown as Claro y Oscuro [Light and Dark] by Fundiçion de J.B. Clement (Valencia) dated 1840.
Kelly illustrates it and other chromatic reverses shown by George Nesbitt in 1841,² and Bullen writes that the design originated in France.³
This letterpress typeface has not been digitally archived for posterity.
More THP revival projects: forums.typeheritage.com/status/
More cool undigitized fonts: forums.typeheritage.com/undigitized/
More updates of Nicolette Gray's research of 19th-century type trends in Great Britain: forums.typeheritage.com/gray-chart/
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¹Gray, N. (1938): XIXth Century Ornamented Types and Title Pages, page 184. Faber and Faber Limited, London.
²Kelly, R.R. (1977): American Wood Type, 1828–1900|Notes on the Evolution of Decorated and Large Types, page 75. Litton Educational Publishing, Inc./Van Nostrand Reinhold Company (New York 1969). Reprinted by DaCapo Press, Inc. (New York 1977).
³Bullen, H.L. [pen-name Quadrat](1906-1908): Discursions of a Retired Printer. In The Inland Printer, March 1907.
At an artexibition in Berlin an old jewish school had been opened up to the puplic. After the compulsory security check you have to go through this giant exibition were at your feet. This room the artist had taken fotos of a russian school classroom and put 'em on the wall in one of the many classrooms. He'd then painted som paintings and cut these so they fit into the perspective of the foto. Look at the ceeling for refrence on the perspective.
I like the contrast between the black/white foto and the more colorful girl in the foreground.
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
Viewers make an assumption, in photos, that objects in the front are taller because you are closer to them and objects in the back are smaller because they are further away. Therefore, when subjects of familiar size are included in a photograph, they help to establish the scale of the picture so the viewer can visualize the approximate size of the objects in the picture.
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
The alleyway was bulging all around, and there was this long bump in the middle of it. With the bricks and the plants growing out of it, and the way the bump makes the perspective all weird just really pleased me.
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
Perspectives’ is a series of free panel discussions held just before the first public performance of each DCPA Theatre Company staging. The 'Anna Karenina’ panel included, from left: Literary Director Douglas Langworthy, Dramaturg Allison Horsley, Voice and Dialect Director Kathy Maes, actor Timothy McCracken (Stiva), Scenic Designer Tony Cisek and actor Kate Gleason (Mother Scherbatsky). The next ‘Perspectives’ will be held before the first preview of The Whistlebower' at 6 p.m. on Friday, February 8, in the Jones Theatre. Photo by John Moore for the DCPA NewsCenter.
Interior perspective of a building i designed for semester 2. The brief was to design a wetland centre which engaged the people of manchester with the wetland environment.
Mosccow. Gusyatnikov lane, perspective. Apartment Houses, architect A.Sokolov (1911) and last building 3/1 architect B.Nilus (1910 -1911)
Rifle gallery covering the dry moat.
The Advanced Redoubt is a brick fort constructed between 1845 and 1870 to support Fort Barrancas in covering the land approach to the US Navy Yard, which had been built nearby. Obsolete by the end of the American Civil War in 1865, but completed anyway because military engineers could not yet offer a better design. The fort never received its cannon or get a formal name. It's only action was a Confederate skirmish with the Union garrison in 1863. Now a historical relic and museum. Inside Pensacola Naval Air Station, Pensacola, Florida.
Global Perspectives 2016
'The Future of Civic Space' was the theme for this year's Global Perspectives - our annual conference that brings together civil society leaders, activists, and trend-setters to discuss, debate, and collaborate on some of the biggest issues affecting the sector. The 8th annual Global perspectives was held at the Heinrich Böll Stiftung in Berlin (Germany) on 26 - 28 October 2016. Participants and speakers came from across the globe. Image credit: www.seesaw-foto.com
It's a well known fact that using a longer focal length lens, and then stepping backwards so you can still fit your subject in frame, will "compress" the perspective in your image (i.e. make background objects appear a lot closer to your foreground).
What I haven't been able to find out until today was the effect of using different focal lengths, but keeping the same shooting position and cropping the image down to the same field of view. Seems that this has no (or very little) effect on perspective.
Any slight differences in the image above are probably due to the effect of lens distortion (barrelling, pin cushioning), or me forgetting to focus on the same point for each frame.
Taken on a Canon EOS 7d (1.6x FOVCF), using a 28mm f/2.8, 50mm f/1.8 and the awesome 70-200mm f/4.0 USM. All shots taken at f/4.0