View allAll Photos Tagged PERSPECTIVE
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
The body of Christ in "The Lamentation" by Ambrosius Benson is foreshortened in a way that makes his legs look a lot smaller then they really would be. The foreshortening used makes him look unrealistic, a tactic used in many old paintings. There is also atmospheric perspective used through the window in the back. You can see all the other buildings that are surrounding them. Of course all the women seem so sad and depressed, and that is really shown through their facial expressions that are all the same. He is shown with a very odd body in that his legs and torso are small. If He was standing upright, he would be very tiny. The women all look very normal. I really like the fabric on the women to the right because of the slight light shining on it. His face is also not very detailed. The shadows on his stomach no not look normal.
I've been experimenting with the Sigma Fisheye Lens I bought months ago. I cloned away the corners to fill the frame. Photo taken in downtown Columbus.
Click
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for a larger view.
Perspectives’ is a series of free panel discussions held just before the first public performance of each DCPA Theatre Company staging. The 'Anna Karenina’ panel included, from left: Literary Director Douglas Langworthy, Dramaturg Allison Horsley, Voice and Dialect Director Kathy Maes, actor Timothy McCracken (Stiva), Scenic Designer Tony Cisek and actor Kate Gleason (Mother Scherbatsky). The next ‘Perspectives’ will be held before the first preview of The Whistlebower' at 6 p.m. on Friday, February 8, in the Jones Theatre. Photo by John Moore for the DCPA NewsCenter.
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
Screenshots from upcoming op art maker called Tunnel - you get to fly through these tunnels - looks nice.
A woman watches the waterfalls this morning in Great Falls Park in Great Falls, Virginia. At first I didn't realize she was in the picture but it turned out to really lead the eye towards the falls. I especially love how her hat points right to the main subject in the photo.
this was shot at 15mm. usually the perspective distortion is pretty bad at that focal length. i'm not sure if it's better to correct or simply shoot level and then crop.
At the National Stud paddocks in Kildare. To either side of the walk are stallions... Amazingly good looking horses. I wish I was rich!
Harvard's Lucas Stanczyk was invited onto the Jan. 10 panel to share perspectives from his paper "The Basic Income Illusion," where he and Alex Gourevitch of Brown University refute the idea "that a generous basic income could empower workers to better resist their capitalist bosses."
Week 5 - extreme perspective photography task.
Middlesex University: Product Design and Engineering first year undergraduates...
The students and teachers of Perspectives Middle Academy (located in Auburn Gresham) are making tremendous academic and social emotional learning growth. Just this past year SY 2013-2014, they made almost two (2) grade levels of growth in both math and reading.
Photos by David Terry
History
See also: Hanbury, Worcestershire § History; and History of Worcestershire
Hanbury Hall was built by the wealthy chancery lawyer Thomas Vernon in the early 18th century. Thomas Vernon was the great-grandson of the first Vernon to come to Hanbury, Worcestershire, Rev Richard Vernon (1549–1628). Rev Richard and his descendants slowly accumulated land in Hanbury, including the manor, bought by Edward Vernon in 1630, but it was Thomas, through his successful legal practice, who added most to estates, which amounted to nearly 8,000 acres (3,200 ha) in his successor Bowater Vernon’s day.
Hanbury Hall is thought to stand on the site of the previous mansion, Spernall Hall, and Thomas Vernon first describes himself as ‘of Hanbury Hall’ in 1706, and this and other evidence leads to a likely completion date of about 1706. The date of 1701 above the front door is thought to be a Victorian embellishment, but no building accounts are known to exist.
Although Hanbury Hall appears to be of a very uniform style, the rear wall is clearly of a different and rather earlier style, and may mark the first phase of a building campaign when Thomas Vernon and his wife Mary first came into possession of Spernall Hall in 1692 when his bachelor uncle John Vernon died.
A notable feature of Hanbury Hall is the painting of the staircase, hall ceiling, and other rooms by the English painter Sir James Thornhill. They include a small representation of Rev Henry Sacheverell being cast to the furies – this relates to an incident in 1710 when Sacheverell, a Tory, was put on trial for sedition by the Whig government, and dates the paintings to that year. The focus of the paintings around the stairwell is the life of the Greek hero Achilles, as told by a range of classical sources. They are surmounted by a large representation of the Olympian gods on the ceiling.
The original plan of the Hall had a large undivided central hall with the main staircase leading off it, with many rather small rooms in the corner pavilions and north range – the south range was given over mainly to service rooms. The 18th century Worcestershire historian Treadway Nash, in his Collections for the History of Worcestershire, wrote “Here is a large handsome house built by Counsellor Vernon about the year 1710 when a bad style of architecture prevailed; many windows and doors, rooms small, many closets, few arched cellars, large stables and offices in full view, are marks of that time”.[4]
When the heiress Emma Vernon (1754–1818) married Henry Cecil, 1st Marquess of Exeter in 1776, Cecil clearly was of the same opinion, as he remodelled the interior (other than the great hall) creating larger rooms and enlarging the north east pavilion. On the south façade, having removed a doorway he repositioned all the windows to lie under their first floor equivalent. On the south side there had been large formal gardens, clearly shown in Dougharty’s perspective drawing contained in the estate maps of the 1730s, and Cecil swept all these away (including the farm buildings in front of the Hall) and landscaped the park in the fashion of the time – he would have had contact with Capability Brown when being brought up by his uncle 9th Earl of Exeter at Burghley House.
Following Henry and Emma’s divorce in 1791 the contents were all sold, and the house remained empty until Henry’s death in 1804, when Emma and her third husband, John Phillips, were able to regain possession. As the house had lain unoccupied for so long, many repairs had to be carried out at that time. Emma died in 1818 and left her second cousin, Thomas Shrawley Vernon (1759-1825), as the heir to her estate after the death of her husband John Phillips. Phillips married again and had two daughters in Hanbury before finally moving out in 1829. From then, the eldest son of Emma's heir, Thomas Tayler Vernon (1792–1835), was able to occupy it. His grandson Harry Foley Vernon (1834–1920) MP, was created 1st Baronet of Hanbury in 1885, and was succeeded by his son Sir (Bowater) George Hamilton Vernon (1865–1940), 2nd Baronet. Sir George led an unhappy life, separating from his wife Doris, and spending his last 10 years living with his secretary and companion Ruth Horton, who later changed her name by deed poll to Vernon. During this time the agricultural depression led to a reduction in rental income, and Hanbury Hall suffered a lack of care.
In poor health, Sir George Vernon took his own life in 1940. There were no further heirs to the Baronetcy which became extinct. Sir George's estranged wife was able to move back in after his death, dying there in 1962. In the meantime, negotiations had led to the National Trust having the reversion, and after making essential repairs on Lady Vernon’s death, the hall was let to tenants and opened to the public on a restricted basis. In recent years the hall has been managed more commercially and is now open daily.wikipedia