View allAll Photos Tagged PERSPECTIVE
"Perspectives" is a series of free conversations with DCPA Theatre Company cast and crew on the evening of each show's first preview performance (except A Christmas Carol). On Sept. 30, DCPA Senior Arts Journalist John Moore was joined by 10 members of the Frankenstein team, including Sam Buntrock (director), Kevin Copenhaver (costumes), Jason Sherwood (scenic design), Kevin Tovar (lighting), Curtis Craig (sound), Topher Blair (projections) and actors Max Woertendyke,
Molly Carden and Thaddeus Fitzpatrick. All photos by By McKenzie Kielman
For the DCPA NewsCenter.
Please do not download, copy, edit, reproduce, blog or publish any of my images. They are all my own work and are not for use without my express written permission
London
Around my neighborhood,
and yeah i was sitting on the corner of the road thinking of getting rich when i took this,
but then the plan failed miserably, still on the look for another spot
One of my favorite drawings for my final Design review for this semester.
The structure is placed within the landscape and this is the first time I've used hidden construction lines in a drawing which I think is quite interesting.
First year of college is almost over. I have another four years to go, unless I make a decision to transfer to a different school.
My future goal: Get my masters at Columbia or top/Ivy-league college!!!
Wish me luck!!!
Software:
Rhino V4 w/ V-Rays
Adobe Photoshop CS5
Adobe Illustrator CS5
Week 5 - extreme perspective photography task.
Middlesex University: Product Design and Engineering first year undergraduates...
Festival Perspectives 2024 / Programm-Heft
> Cirquons Flex / Radio Maniok
ex libris MTP
Perspectives’ is a series of free panel discussions held just before the first public performance of each DCPA Theatre Company staging. The 'Anna Karenina’ panel included, from left: Literary Director Douglas Langworthy, Dramaturg Allison Horsley, Voice and Dialect Director Kathy Maes, actor Timothy McCracken (Stiva), Scenic Designer Tony Cisek and actor Kate Gleason (Mother Scherbatsky). The next ‘Perspectives’ will be held before the first preview of The Whistlebower' at 6 p.m. on Friday, February 8, in the Jones Theatre. Photo by John Moore for the DCPA NewsCenter.
Nicolette Gray documents this face as "Perspective, Figgins 1845."¹
The earliest specimen personally examined is shown as Claro y Oscuro [Light and Dark] by Fundiçion de J.B. Clement (Valencia) dated 1840.
Kelly illustrates it and other chromatic reverses shown by George Nesbitt in 1841,² and Bullen writes that the design originated in France.³
This letterpress typeface has not been digitally archived for posterity.
More THP revival projects: forums.typeheritage.com/status/
More cool undigitized fonts: forums.typeheritage.com/undigitized/
More updates of Nicolette Gray's research of 19th-century type trends in Great Britain: forums.typeheritage.com/gray-chart/
____
¹Gray, N. (1938): XIXth Century Ornamented Types and Title Pages, page 184. Faber and Faber Limited, London.
²Kelly, R.R. (1977): American Wood Type, 1828–1900|Notes on the Evolution of Decorated and Large Types, page 75. Litton Educational Publishing, Inc./Van Nostrand Reinhold Company (New York 1969). Reprinted by DaCapo Press, Inc. (New York 1977).
³Bullen, H.L. [pen-name Quadrat](1906-1908): Discursions of a Retired Printer. In The Inland Printer, March 1907.
At an artexibition in Berlin an old jewish school had been opened up to the puplic. After the compulsory security check you have to go through this giant exibition were at your feet. This room the artist had taken fotos of a russian school classroom and put 'em on the wall in one of the many classrooms. He'd then painted som paintings and cut these so they fit into the perspective of the foto. Look at the ceeling for refrence on the perspective.
I like the contrast between the black/white foto and the more colorful girl in the foreground.
Viewers make an assumption, in photos, that objects in the front are taller because you are closer to them and objects in the back are smaller because they are further away. Therefore, when subjects of familiar size are included in a photograph, they help to establish the scale of the picture so the viewer can visualize the approximate size of the objects in the picture.