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All rights reserved. © copyright by Seung Kye Lee
- Website: www.leeseungkye.com
- Blog: seungkyelee.wordpress.com/
- Not often do I upload two versions of the same image here on flickr,
but this time I really liked both versions and couldn`t help myself.
Also, I know many of you like viewing wide landscapes, especially when earth and sky comes so nicely together as here, and this is for you.
- I believe every living being has some kind of special place where we feel at "home".
It can not always be found when looking for it, and for those who might find it, the strong feeling may be utterly difficult to describe and the sense of logic exceeds our everyday way of thinking.
Such strong and personal emotions, can prove to be a challenge to try to share with someone.
Not everyone can identify with your thoughts and feeling on this matter and many has no clue what the heck you are talking about either.
For me, landscapes of ice and snow and majestic mountains are like beacons to me, I cannot wait long before I go and I miss it too much when I return.
Since I was a small boy, dreams of flying through Arctic landscape has had a very strong influence on me and there is no other place I`d rather be. I find it magical and dramatic yet so perfectly serene and beautiful.
Maybe that`s why I love the flying sequence with the boy and The Snowman in the animated movie from the book by Raymond Briggs, 1972.
Again, I believe that many will identify with their own dreams, if they are only reminded about it and take the time to ponder.
- Ranten Peak (1419 m./4655 ft.), Norway, January 2, 2009.
The morning starting off with clear (boring) blue sky, I used the hours to ski around on front of the mountain to find a way to shoot it right on. When observing cloud formations in the western horizon I waited till they sweeped over Ranten Peak and shot 8 images with different compositions.
Canon 5D, 17-40mm f/4, polarizer, gnd filter.
Photo André Knoerr, Genève. Reproduction autorisée avec mention de la source.
Utilisation commerciale soumise à autorisation spéciale préalable.
La composition de l'association Historische Mittel Thurgau Bahn ABDe 4/4 12 + As "Bodan" + BDt 205 transite en gare de Frauenfeld.
La voiture salon "Bodan" ex-SOB, ex-BT a été remise en livrée d'origine BT.
La BDt 205 est un compromis: le MThB disposait des Bt du type EW I 201-204. La 205 est une ex-CFF du type EW II.
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Full Wave 1 Gallery at the Toyark: news.toyark.com/2014/03/21/dc-collectibles-arkham-origins... - DC Collectibles Arkham Origins Wave 1
In origine era il PCI..poi abbiamo avuto il Pds, i Ds, ed infine il Pd..che ora, per fermare l'emorragia, per contenere la frana, che fa? Si allea con l'Udc, gli ex-Dc, coloro che hanno accompagnato il nostro paese sull'orlo del baratro e a volte anche dentro, per 50 anni, coloro che, collusi coi fascisti ed i mafiosi, hanno fatto saltare treni e banche, autostrade e macchine...coloro che hanno reintegrato i fascisti nei posti di potere nemmeno 10 anni dopo la vittoria Partigiana con la scusa della pacificazione, coloro che coi fascisti ci hanno fatto un governo nel '60...non provate ancora vergogna? Allora continuo, coloro che prendevano e prendono ordini dalla santa sede, i rappresentanti della quale, dai pulpiti, nel dopo-guerra, chiamavano i Partigiani assassini..E ora? Vergogna?
Lo diceva anche il Che, che esser coerenti comporta grandi sofferenze..non pensavo, però, si sarebbe arrivati così in basso...
IMGP4937
The cathedral has its origins in AD 672 when St Etheldreda built an abbey church. The present building dates back to 1083, and cathedral status was granted it in 1109. Until the Reformation it was the Church of St Etheldreda and St Peter, at which point it was refounded as the Cathedral Church of the Holy and Undivided Trinity of Ely, continuing as the principal church of the Diocese of Ely, in Cambridgeshire. It is the seat of the Bishop of Ely and a suffragan bishop, the Bishop of Huntingdon. Architecturally it is outstanding both for its scale and stylistic details. Having been built in a monumental Romanesque style, the galilee porch, lady chapel and choir were rebuilt in an exuberant Decorated Gothic. Its most notable feature is the central octagonal tower, with lantern above, which provides a unique internal space and, along with the West Tower, dominates the surrounding landscape. Ely Cathedral is a major tourist destination, receiving around 250,000 visitors per year, and sustains a daily pattern of morning and evening services.
The origins of Carnival of Sciacca are going back to the Roman Empire! Well-known for its beautiful papier-mâché creations realized by local pottery masters, the Carnival is characterized by floats parading through the old part of the city while accompanied by masked groups dancing to the rhythm of themed music. Every year the Sciacca Carnival ends with the burning of the mask of the king of Carnival, Peppe Nappa, and his float.
Went to the comic book store again today, picked up a lot of new comics like the 1st issue of Future State: Superman of Metropolis & the 1st issue of Future State: The Flash anyways...
From L-R: Killer Croc (Batman: No Man's Land), Anarky (Batman: Arkham Origins), Doctor Sivana, Captain Atom (Updated), Mary Marvel, The Reverse-Flash (Daniel West: The New 52), The Cheetah (Wonder Woman 1984), Cyborg (Teen Titans Go!), & Victor Zsasz (Batman: Arkham Asylum)
Below are my design inspirations
Killer Croc (Batman: No Man's Land) - (external-preview.redd.it/E750hSZNaWL_dQSEaZE6js6WXNi6Ny6n...)
Anarky (Batman: Arkham Origins) - (i.pinimg.com/originals/0c/bb/1a/0cbb1a71ef9087c672bd57a75...)
Doctor Sivana - (static.wikia.nocookie.net/marvel_dc/images/6/65/SivanaEar...)
Captain Atom - (static.wikia.nocookie.net/marvel_dc/images/d/d8/Justice_L...)
Mary Marvel - (comicvine1.cbsistatic.com/uploads/scale_medium/6/66303/31...)
The Reverse-Flash (Daniel West: The New 52) - (cdn3.whatculture.com/images/2019/10/f3164087d03deda7-600x...)
The Cheetah (Wonder Woman 1984) - (static1.cbrimages.com/wordpress/wp-content/uploads/2020/0...)
Cyborg (Teen Titans Go!) - (i.pinimg.com/originals/c1/6f/2b/c16f2bdc728ceaf0f3e124189...)
Victor Zsasz (Batman: Arkham Asylum) - (i.pinimg.com/originals/7d/01/15/7d01152720b24f35ae5d299d6...)
Credit to HaphazardPanda on the design for Zsasz and credit to Roman on the design for Reverse-Flash (Daniel West). Peace out, gonna continue reading. Fave & comment to let me know what you think
For those that know this album, it is instantly recognisable. Otherwise there are no clues in the cover!
The second album by a Super Massive (that is a clue) band. I had the first album which I was stunned by. This was released in 2001 and that was it - hooked again. My son was born the same year and nearly 17 years later he is a bigger fan than I. We have every album by them. They are quite possibly the best band I have ever seen live, although it took me a while, with 2 attempts foiled by life events! With the first album release in 1999 whilst pregnant with number 2, this band have formed the backdrop to having the 4 kids and our child rearing years. Its hard not to relate any track by this band to some holiday / birthday or another event.
the boy and I both agree that this is stunning album, even though it is not their most commercial success.
Les origines du carnaval dunkerquois remontent au début du XVII e siècle. Les armateurs offraient aux marins-pêcheurs, avant de partir pour 6 mois de pêche à la Hareng en Islande, un repas et une fête (la « Foye »), ainsi que la moitié de leur solde
Le origini del Teatro risalgono all’inizio del XVIII secolo quando Vittorio Amedeo II decise di commissionare all’architetto Filippo Juvarra la progettazione e la costruzione di un nuovo grande teatro nell’ambito del più generale riassetto urbano della Piazza Castello.
L’intento venne però perfezionato solo qualche anno più tardi da Carlo Emanuele III (incoronato re nel 1730) il quale, in seguito alla morte di Juvarra, scelse di affidare il progetto all’architetto Benedetto Alfieri con la richiesta di progettare un teatro di grande prestigio. Il «Regio Teatro» di Torino, edificato nel tempo record di due anni, venne inaugurato il 26 dicembre del 1740 con l’Arsace di Francesco Feo, diventando subito un punto di riferimento internazionale per la capienza – circa 2.500 posti tra platea e cinque ordini di palchetti –, le magnifiche decorazioni della sala fra le quali spiccava la volta dipinta da Sebastiano Galeotti, gli imponenti scenari e le attrezzature tecniche, nonché la qualità delle rappresentazioni.
Ogni stagione aveva inizio il 26 dicembre, si concludeva con la fine del Carnevale e comprendeva due nuove opere serie composte appositamente per il Teatro: nel corso del XVIII secolo scrissero per il Regio celebri compositori italiani come Galuppi, Jommelli, Cimarosa, Paisiello e autori stranieri come Gluck, Johann Christian Bach e Hasse; vi cantarono inoltre i più celebri castrati e prime donne dell’epoca, contribuendo in modo determinante al successo degli spettacoli. Non minore interesse suscitavano i danzatori, che si esibivano nei due balli entr’acte e nell’azione coreografica finale che corredavano ogni opera.
1790-1814
Manfiesto della Fête de la St. Napoleon, 1813 Par ordre de S.A.I. le Prince Camilleur, Dimanche 15 Août Théâtre Imperial Entrée gratis TurinIn seguito a cinque anni di chiusura (1792/1797) il Regio cambia nome più volte, rispecchiando gli eventi storici: nel 1798 diviene Teatro Nazionale, nel 1801 Grand Théâtre des Arts e nel 1804 Théâtre Impérial.
Nel clima moralizzatore degli anni repubblicani è abolito il gioco d’azzardo e viene proibito l’ingaggio dei castrati (che torneranno in epoca imperiale). In repertorio continuano a esserci opere italiane, con libretti rimaneggiati più o meno superficialmente in senso giacobino. Napoleone presenzia agli spettacoli in tre occasioni e giungono a Torino interpreti di prima grandezza, come il soprano Isabella Colbran, il tenore Nicola Tacchinardi e il coreografo Salvatore Viganò.
1815-1870
Architettura neoclassicaCon la Restaurazione, il teatro rientra in possesso dei Savoia. All’epoca di Carlo Felice, grande appassionato di musica, calcano le scene del Regio virtuosi come Giuditta Pasta e Domenico Donzelli, ma nell’Ottocento Torino perde importanza rispetto a Milano, Napoli e Venezia.
Sotto Carlo Alberto la sala riceve un’impronta neoclassica (sottolineata dai lavori di rifacimento affidati a Ernesto Melano e Pelagio Palagi). Alla metà del secolo vengono introdotte alcune novità nella programmazione: si passa alla stagione di Carnevale-Quaresima, articolata in cinque o più opere, ora prevalentemente di repertorio (e non più scritte appositamente per il Teatro). Inoltre a partire dal Barbiere di Siviglia rossiniano (1855), il Regio si apre all’opera buffa.
Un nuovo restauro, realizzato da Angelo Moja nel 1861, cancella le modifiche palagiane conferendo alla sala una veste “neobarocca”.
1870-1936
Programma illustrato del decimottavo Concerto Popolare sotto la direzione del Maestro Cavalier Carlo Pedrotti, Teatro Vittorio Emanuele, 1876Nel 1870 la proprietà del Regio passa al Comune di Torino; in questi anni la storia del Teatro si intreccia con quella dell’Orchestra Civica e dei Concerti Popolari ideati da Carlo Pedrotti, il quale apporta forti innovazioni nel repertorio introducendo nella programmazione la musica di Wagner e Massenet. Nel nome di Wagner è pure l’esordio in Teatro di Arturo Toscanini, che collabora con l’Orchestra dal 1895 al 1898 e che il 26 dicembre 1905, dopo i lavori di ristrutturazione guidati da Ferdinando Cocito, inaugura la nuova sala con il Sigfrido.
Altri autori significativi nella storia del Regio sono Giacomo Puccini, che tiene a battesimo a Torino Manon Lescaut (1893) e La bohéme (1896), e Richard Strauss, che nel 1906 dirige Salome in “prima” italiana. L’ultima grande “prima” ospitata dal Regio antico è Francesca da Rimini di Riccardo Zandonai, su libretto di Gabriele D’Annunzio (1914). Dopo la chiusura nel periodo bellico, il Teatro si dedica a opere di repertorio.
Nella notte tra l’8 e il 9 febbraio 1936 il Teatro viene distrutto da un violento incendio: saranno necessari quasi quarant’anni per la sua ricostruzione.
1936-1973
ConcorsoDopo l’incendio del 1936, si pone il problema di stabilire a chi affidare il progetto di ricostruzione del Teatro. Il bando di concorso, pubblicato nel 1937, viene vinto dagli architetti Aldo Morbelli e Robaldo Morozzo della Rocca.
Il loro progetto, tuttavia, non si sarebbe mai concretizzato: nel 1965, infatti, l’amministrazione civica promuove una nuova soluzione con l’affidamento dell’incarico all’architetto Carlo Mollino e all’ingegner Marcello Zavelani Rossi. I lavori hanno inizio nel settembre 1967 per concludersi nei primissimi mesi del 1973.
Dal 1973 a oggi
Cancello Teatro Regio, OdisseaIl nuovo Teatro Regio viene inaugurato il 10 aprile 1973 con l’opera di Giuseppe Verdi I vespri siciliani, per la regia di Maria Callas e Giuseppe Di Stefano. Da quella data l’attività produttiva si è progressivamente incrementata, fino alle ricorrenze che hanno segnato la storia degli ultimi anni del Regio: nel 1990 il 250° anniversario dalla sua fondazione, nel 1996 il centenario dalla “prima” assoluta della Bohème in diretta tv, nel 1998 i 25 anni del nuovo teatro (con un importante restauro acustico), nel 2006 la straordinaria avventura dei XX Giochi Olimpici Invernali e delle Olimpiadi della Cultura.
Alla Stagione d’Opera e Balletto, che prevede almeno dieci titoli da ottobre a giugno, si affiancano molte altre attività: concerti sinfonico-corali e cameristici che vedono impegnati l’Orchestra e il Coro del Teatro Regio; una serie di spettacoli allestiti al Piccolo Regio e destinati al nuovo pubblico e alle famiglie; manifestazioni organizzate in collaborazione con le istituzioni locali come Torino Settembre Musica, Torinodanza, RegioneInTour, Punto Verde Giardini Reali e altre; La Scuola all’Opera, fitto calendario di attività e spettacoli destinati a bambini e ragazzi; e poi conferenze, visite guidate e mostre. Tutte manifestazioni che pongono il Teatro Regio al centro della vita culturale e artistica di Torino e del Piemonte ma non solo.
The Withlacoochee River is a 141-mile-long waterway in central Florida that flows south to north, originating in the Green Swamp and emptying into the Gulf of Mexico near Yankeetown. It is an Outstanding Florida Water, famous for fishing, kayaking, and its shaded cypress canopy.
Key Facts (Central Florida River)
Origin: Green Swamp (east of Polk City)
Length: 141 to 160 miles (varying slightly based on meandering curves).
The river winds through highly protected conservation lands that attract millions of visitors annually. It is a premier destination for the following activities:
Paddling & Boating: Scenic trails shaded by grand cypress trees.
Recreation & Wildlife
The river winds through highly protected conservation lands that attract millions of visitors annually. It is a premier destination for the following activities.
Paddling & Boating: Scenic trails shaded by grand cypress trees.
Fishing: Popular for largemouth bass, bluegill, redear sunfish, and channel catfish.
Wildlife Viewing: Habitats support hundreds of species, including alligators, turtles, and diverse birdlife.
Trails: The paved Withlacoochee State Trail runs parallel to portions of the river and is popular for biking and hiking.
Credit for the data above is given to the following websites:
www.google.com/search?q=withlacoochee+river&sca_esv=5...
www.google.com/maps/place/Centennial+Park/@29.0466497,-82...
en.wikipedia.org/wiki/Withlacoochee_River_(Florida)
www.google.com/search?q=how+deep+is+the+withlacoochee+riv...
www.google.com/search?q=how+wide+is+the+withlacoochee+riv...
© All Rights Reserved - you may not use this image in any form without my prior permission.
The build used in my Deadpool vs the Fourth Wall creation.
The build here was heavily inspired by X-Men Origins: Wolverine; and while it’s small and cute, I think it depicts the scene fairly well, considering that depicting the scene was not really the point of the build anyways. Originally, for my Deadpool vs the Fourth Wallbuild, I wanted to have Deadpool blasting out a wall on the back of a build, landing into the film production (Somewhat seen in the final build), but hah, well it’s not the “Fourth Wall” unless he’s jumping out of the invisible viewable wall in the front—required to do that made the overall build less “action-ey” but still nice in the end.
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In other J-No news, I’ve got a few things on the list to be made as well as released. Tuesday, October 1st, arrives Batman: Arkham Origins, Deathstroke. There are currently no Batman Animated Series builds scheduled to be released soon; I’m currently searching for episodes to create next, and then any pieces I may need to acquire for them as well. Potential Wonder Woman build coming, along with a possible Superman build as well as another Marvel build I’ve wanted to do for a while.
Origin is an interactive sound and light installation that functions through the use of the electricity naturally produced from the bodies of the participants. Through this we are given the opportunity to experience a world of light and sound created by our own physicality. Photo by Kelvin Trundle : Facebook - www.facebook.com/KelvinTrundlephotography/
On our planet, water is life. But how did it get here? Are there similar environments around other stars?
Webb has us one step closer to the answers. In a still-developing “solar system,” Webb detected water in the zone where rocky planets like Earth may form.
PDS 70 is a K-type star cooler than our Sun. Around it is a huge disk made up of planet-forming materials, including 2 known gas giant planets in the making. Webb found water vapor in the inner disk of PDS 70, within 100 million miles of the star.
Though we’ve seen water in similar disks, Webb’s discovery is the first detection of water in the “rocky planet zone” of a system known to have 2 or more developing planets. That means if rocky planets someday form around PDS 70, they’ll have water ready and waiting.
Follow-up observations will dive deeper into new mysteries, such as the origins of the water around PDS 70. In turn, studying other worlds will help us gain insight into our own. More: go.nasa.gov/3O8NL2j
This image: ARTIST ILLUSTRATION
This artist concept portrays the star PDS 70 and its inner protoplanetary disk. New measurements by NASA’s James Webb Space Telescope have detected water vapor at distances of less than 100 million miles from the star – the region where rocky, terrestrial planets may be forming. This is the first detection of water in the terrestrial region of a disk already known to host two or more protoplanets, one of which is shown at upper right.
Credits
Image
NASA, ESA, CSA, Joseph Olmsted (STScI)
Image description: Left of center, a bright light source illuminates a surrounding disk colored dusky red. The disk has spiral features and a scattering of small, rocky objects. At upper right, there is a gap through which background stars can be seen. At the outer edge of the gap is a dusky globe representing a gas giant planet. Beyond it is additional disk material, some of which is falling onto the planet.
The Origins and Purpose of Street Art and Graffiti — A Historical Essay.
Prehistoric and Ancient Beginnings (40,000 BCE – 500 CE)
Graffiti’s origins stretch back to humanity’s earliest visual culture. Prehistoric cave paintings — including hand stencils created by blowing pigment through tubes — functioned as some of the earliest “tags,” marking presence and identity. These date from 40,000–10,000 years ago.
By the classical era, graffiti was widespread across Ancient Greece and Rome, where people scratched messages, jokes, political commentary, and personal boasts into walls. The oldest known written graffito dates to around 500 BCE.
In Pompeii, graffiti served as advertising, satire, political slogans, and everyday communication, revealing the lives of ordinary people rather than elites.
Purpose in this era:
1. Marking presence (“I was here”)
2. Social commentary
3. Recording daily life
4. Religious or political expression
5. Communication by non‑elites otherwise absent from written history
Medieval to Early Modern Graffiti (500–1800 CE)
Graffiti continued through the medieval period, especially in religious and rural landscapes. In the Middle East, the Safaitic inscriptions — scratched onto rocks across Syria, Jordan, and Arabia — are the only surviving record of an ancient Arabic dialect.
In Europe, travellers, workers, and even antiquarians carved names and messages into castles, churches, and monuments. At Stonehenge, 18th‑century visitors left carved signatures, showing graffiti as a record of presence and identity.
Purpose in this era:
1. Recording travel or pilgrimage
2. Personal memorialisation
3. Folk expression by ordinary people
4. Documentation of labourers and craftsmen
The Birth of Modern Graffiti (1950s–1970s)
Modern graffiti culture emerged in Philadelphia in the 1950s, led by figures like Cornbread, who pioneered tagging as a form of self‑promotion and identity.
By the late 1960s and early 1970s, graffiti exploded in New York City, especially on subway trains. Writers such as TAKI 183 and others transformed tagging into a competitive, stylised art form.
This era marks the shift from simple inscriptions to complex lettering, murals, and large-scale public visibility.
Purpose in this era:
1. Personal identity and fame (“getting up”)
2. Reclaiming public space
3. Youth expression in marginalised communities
4. Resistance to social and economic exclusion
The Rise of Street Art (1980s–2000s)
Street art evolved from graffiti but expanded into stencils, wheat‑paste posters, stickers, installations, and murals. Artists like Keith Haring, Jean‑Michel Basquiat, and later Banksy brought street art into global consciousness.
Street art differed from graffiti by focusing less on lettering and more on imagery, political messages, and public commentary.
According to The Art Story, street art grew from the belief that art should be:
1. Accessible to everyone
2. Outside traditional institutions
3. Democratic and empowering
4. A counter‑attack against advertising and corporate messaging
5. Purpose in this era:
6. Political protest
7. Social commentary
8. Challenging authority and capitalism
9. Beautification and community identity
Artistic experimentation outside galleries
Contemporary Street Art and Graffiti (2000s–Present)
Today, graffiti and street art occupy a complex space between vandalism, public art, activism, and cultural heritage.
Graffiti remains illegal in many contexts, yet it is also recognised as a vital form of urban storytelling, especially for marginalised voices.
Street art, meanwhile, is often commissioned by cities, festivals, and cultural institutions, blurring the line between rebellion and acceptance.
Current purposes:
1. Urban regeneration
2. Tourism and cultural branding
3. Community identity
4. Political resistance
5. Artistic innovation
Street art and graffiti are not modern inventions — they are part of a 40,000‑year human tradition of marking presence, expressing identity, and challenging power. From Roman jokes to New York subway tags to global street murals, they remain one of the most democratic and immediate forms of public expression.
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InGame Photomode
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Sorge sui resti dell’originaria chiesa di Sant’Andrea, del X secolo.
Le forme attuali sono quelle dettate dal progetto (1678) dell’architetto Guarino Guarini (1624-1683) e dagli interventi dei secoli successivi; la seconda trasformazione barocca avvenne tra il 1729 e il 1740 ad opera dell'architetto di corte Filippo Juvarra; l'aspetto attuale si deve all'ultimo rimaneggiamento avvenuto tra il 1899 e il 1904, su progetto dell'architetto Carlo Ceppi.
Il santuario fu bombardato dalla RAF il 13 agosto 1943.
La grande devozione che lega la città al santuario ha origine da un quadro raffigurante la Madonna (di cui si conserva tuttora una copia postuma all'interno dell'attuale cripta del santuario), che era andato perduto. Secondo la tradizione, l'immagine della beata Vergine della Consolata fu ritrovata il 20 giugno 1104 nei sotterranei dell'antica chiesa di Sant'Andrea da un giovane cieco proveniente da Briançon e qui giunto a seguito di una visione. Grazie al ritrovamento il giovane riacquistò la vista, conferendo all'immagine un valore taumaturgico, in quanto dispensatrice di grazie e miracoli. L’immagine venne collocata nella cappella della chiesa, attirando un numero sempre crescente di fedeli e devoti (le pareti del santuario sono coperte di ex-voto, a testimonianza delle grazie ricevute).
La sua posizione geografica sfavorevole, in quanto a ridosso delle mura di cinta della città, rese il santuario particolarmente vulnerabile ai pesanti bombardamenti dell'assedio di Torino del 1706 ma, malgrado le cannonate, rimase in gran parte intatto: un proiettile che colpì la base della cupola si può notare ancora oggi da via della Consolata (VEDERE LA NOTA SULLA FOTO), dove si trova una lapide commemorativa (con la data sbagliata! :-) recante la scritta «PROIETTILE ASSEDIO 1704» (Fonti: www.laconsolata.org, www.museotorino.it, wikipedia)
1953 Porsche 550 #550-001
This car is the first 550 and the first pure race car ever built by Porsche.
It won Nurburgring 1000 km 1953 (Helm Glöckler), finished 2nd in class at Le Mans 1953 (Hans Herrmann / Helm Glöckler), DNF at the Carrera Panamericana 1953 (Jaroslav Juhan) and won 1000 km Buenos Aires 1953 (Jaroslav Juhan)
Porsche Rennsport Reunion V
Mazda Raceway Laguna Seca