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Young members of the climbers' new generation, in Shimshal. This village is situated at an altitude of 3100mt, in Upper Hunza region.
Over 50% of its population is involved in the mountaineering tourism.
Pakistan, Shimshal Valley, on Thursday August 21 2008.///
August 1st 2008. The tragedy occurred on the K2 in which 11 climbers were killed has turned the media lights on the Shimshal Valley… but not on it’s people.
Nearly 1 month after that tragic date, no international authority, or climbing association, or specialized media has, in fact, paid homage to the families, to the young wives and little sons of the two local climbers, Jahan Beig e Meherban Karim, killed in the same deadly expedition.
This was the case also with a German climber who died in early august on a track right above Shimshal after deliberately ignoring the advises of the locals who had declared his attempt "suicidal".
A concerned warning comes from the older guides and climbers of this pakistan valley, who are witnessing more and more expeditions,lead by competitive young local guides and foreign team leader, underestimate dangers and disrespect the environment just to claim a peak.
Check out photos from our March 20 Multi-Chamber Business Expo & Taste of Okaloosa County! Thank you to the Greater Fort Walton Beach Chamber of Commerce and Niceville Valparaiso Chamber of Commerce for partnering on the event. Also, a big thank you goes to all of our sponsors, including Advanced Dermatology & Skin Care Centre, EcoView Windows, Fort Walton Beach Medical Center, Gulf Coast Dermatology, Gustin, Cothern & Tucker, Inc., SimpleHR, Twelve Oaks Drug and Alcohol Treatment Center, Twin Cities Hospital, and WJHG/WECP Television.
"One of the most ancient churches in Milan, it was built by St. Ambrose in 379–386, in an area where numerous martyrs of the Roman persecutions had been buried. The first name of the church was in fact Basilica Martyrum.
"When St. Ambrose arrived in Milan, the local churches were in conflict with each other over the conflict between Arianism and the Nicene Creed as well as numerous local issues. He was firmly in support of the Nicene side of the conflict, and wanted to make northern Italy into a pro-Rome stronghold. He did this through both preaching and construction. He built three or four churches surrounding the city; Basilica Apostolorum (now San Nazaro in Brolo), Basilica Virginum (now San Simpliciano), and Basilica Martyrum (which was later renamed in his honor). A fourth church, Basilica Salvatoris (now San Dionigi) is attributed to him as well, but may not actually be from the 4th century. These churches were dedicated with anti-Arian language and as symbols of the wealth and power of the pro-Nicene faction in Milan.
"In the centuries after its construction, the edifice underwent several restorations and partial reconstructions, assuming the current appearance in the 12th Century, when it was rebuilt in the Romanesque style."
Source: Wikipedia
William McGregor Paxton
The House Maid, 1910
West Building, Main Floor — Gallery 70
A young woman with pale skin, dressed in a black and white servant’s uniform, stands reading a book behind a collection of urns, a figurine, and a stationary box arrayed on a tabletop in this vertical painting. Seen from about the hips up, the woman faces our left in profile as she gazes down at the open book in her hands. She has a turned up nose, smooth skin, and her lips are slightly parted over a rounded chin. Her blond hair is pulled up in a bun, and she wears a black dress with a wide, white collar and a white apron tied around her waist. A feather duster with a black handle is tucked under her left arm, closer to us, so the dark feathers fan out behind her. She stands in the corner of a room with light tan walls. Between us and the woman and running parallel to the bottom edge of the canvas, a wooden gaming table inlaid with a black and white checkerboard pattern on its top holds five objects. To our left, the hinged lid of a white rectangular box has been opened to reveal white note cards and envelopes. The inside of the box lid is painted cobalt blue. Next to the box is a white ceramic jar with a rounded body and a flat, dark lid. At the middle of the table and a little closer to us, a brown vase with a tall, inward curving neck sits next to a figurine of a person wearing a blue and pink kimono. Lastly, a white lidded jar painted in blue with a person and a landscape sits to our right. The artist signed and dated the painting in dark, capital letters near the upper left corner: “PAXTON” and “1910.”
William McGregor Paxton, along with his Boston School colleagues Edmund Tarbell, Frank Benson, and Joseph DeCamp, achieved institutional recognition and popular acclaim for paintings based on a single theme: a refined interior inhabited by a young woman as decorative as the still-life objects that surround her. The House Maid depicts a uniformed servant engrossed in a book and standing behind a table on which a group of still-life objects is displayed.
With the exception of the open stationery box on the far left, most of the items represented in The House Maid are East Asian: a white Chinese lidded jar, a vessel, a porcelain figure, and a Qing dynasty blue-and-white porcelain pot. All are reminders of New England's long history of trade with Asia.
The juxtaposition of Asian objects and a lovely woman was a typical motif in American turn-of-the-century painting. Reading was likewise a familiar and repeated subject: Paxton was unusual, however, in representing a servant rather than the usual lady of leisure. The items on the table are the housemaid's responsibility but are not her property.
Along with other members of the Boston School, Paxton was known to admire the paintings of Johannes Vermeer. In The House Maid, the stable triangular composition, muted palette, precisely rendered textures, meticulous arrangement, and sense of quiet absorption all have parallels in Vermeer's work.
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The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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________________________________
The National Gallery of Art in Washington, DC is a world-class art museum that displays one of the largest collections of masterpieces in the world including paintings, drawings, prints, photographs, sculpture, and decorative arts from the 13th century to the present. The National Gallery of Art collection includes an extensive survey of works of American, British, Italian, Flemish, Spanish, Dutch, French and German art. With its prime location on the National Mall, surrounded by the Smithsonian Institution, visitors often think that the museum is a part of the Smithsonian. It is a separate entity and is supported by a combination of private and public funds. Admission is free. The museum offers a wide range of educational programs, lectures, guided tours, films, and concerts.
The original neoclassical building, the West Building includes European (13th-early 20th century) and American (18th-early 20th century) paintings, sculptures, decorative arts, and temporary exhibitions. The National Gallery of Art was opened to the public in 1941 with funds provided by the Andrew W. Mellon Foundation. The original collection of masterpieces was provided by Mellon, who was the U. S. Secretary of the Treasury and ambassador to Britain in the 1930s. Mellon collected European masterpieces and many of the Gallery’s original works were once owned by Catherine II of Russia and purchased in the early 1930s by Mellon from the Hermitage Museum in Leningrad.
The core collection includes major works of art donated by Paul Mellon, Ailsa Mellon Bruce, Lessing J. Rosenwald, Samuel Henry Kress, Rush Harrison Kress, Peter Arrell Browne Widener, Joseph E. Widener, and Chester Dale. The Gallery's collection of paintings, drawings, prints, photographs, sculpture, medals, and decorative arts traces the development of Western art from the Middle Ages to the present, including the only painting by Leonardo da Vinci in the Americas and the largest mobile created by Alexander Calder.
The NGA's collection galleries and Sculpture Garden display European and American paintings, sculpture, works on paper, photographs, and decorative arts. Paintings in the permanent collection date from the Middle Ages to the present. The Italian Renaissance collection includes two panels from Duccio's Maesta, the tondo of the Adoration of the Magi by Fra Angelico and Filippo Lippi, a Botticelli work on the same subject, Giorgione's Allendale Nativity, Giovanni Bellini's The Feast of the Gods, Ginevra de' Benci (the only painting by Leonardo da Vinci in the Americas) and groups of works by Titian and Raphael.
The collections include paintings by many European masters, including a version of Saint Martin and the Beggar, by El Greco, and works by Matthias Grünewald, Cranach the Elder, Rogier van der Weyden, Albrecht Dürer, Frans Hals, Rembrandt, Johannes Vermeer, Francisco Goya, Jean Auguste Dominique Ingres, and Eugène Delacroix, among others. The collection of sculpture and decorative arts includes such works as the Chalice of Abbot Suger of St-Denis and a collection of work by Auguste Rodin and Edgar Degas. Other highlights of the permanent collection include the second of the two original sets of Thomas Cole's series of paintings titled The Voyage of Life, (the first set is at the Munson-Williams-Proctor Arts Institute in Utica, New York) and the original version of Watson and the Shark by John Singleton Copley (two other versions are in the Museum of Fine Arts, Boston and the Detroit Institute of Arts).
en.wikipedia.org/wiki/National_Gallery_of_Art
Andrew W. Mellon, who pledged both the resources to construct the National Gallery of Art as well as his high-quality art collection, is rightly known as the founder of the gallery. But his bequest numbered less than two hundred paintings and sculptures—not nearly enough to fill the gallery’s massive rooms. This, however, was a feature, not a failure of Mellon’s vision; he anticipated that the gallery eventually would be filled not only by his own collection, but also by additional donations from other private collectors. By design, then, it was both Andrew Mellon and those who followed his lead—among them, eight men and women known as the Founding Benefactors—to whom the gallery owes its premier reputation as a national art museum. At the gallery’s opening in 1941, President Roosevelt stated, “the dedication of this Gallery to a living past, and to a greater and more richly living future, is the measure of the earnestness of our intention that the freedom of the human spirit shall go on.”
www.doaks.org/resources/cultural-philanthropy/national-ga...
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President of Guyana, Bharrat Jagdeo, arrives at the Commonwealth Secretariat for the second consultative session of the Commonwealth mini summit on 'Reforming International Institutions', Marlborough House, London, 10 June 2008
A old fashion 4th of July parade in down town Danville, CA. From a series of snapshots taken while on a road trip Frances and I took to the Johnsons' North in Danville CA. July 2009
Headquarters of Respect Political Party, Club Row, Shoreditch.
My earlier prediction about Respect being a spent political force were correct - at the May 2010 General Election the party lost Bethnal Green & Bow to Labour (it was Labour's only gain of the election), George Galloway failed to take Poplar & Limehouse, and Respect only kept one seat on Tower Hamlets Council. A far cry from 2005 when Respect won Bethnal Green & Bow and had their sights on taking the Council in 2006.
Travelling around the world makes me very happy. Every summer, my family and I go visit a new place. Travelling helps me become exposed to other cultures and even helps me learn new languages. I like trying foreign food and seeing other countries life styles. These souvenirs show some of the places in the world that I have been.
Leicester Freestyle Wrestling were proud to host "The Battle of Midlands 2023" Freestyle Wrestling Competition on Saturday 21st October 2023.
The competition was held at:-
Leicester Grammar School,
Great Glen,
Leicester.
Minerva of Homel.
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Inventory no.: 002348-MI1992 .
Object: transistor radio with tape-recorder .
Manufactured: France .
Manu./Type: Minerva / MT 3711 (H) .
Power: 50 W .
Weight: 2.8 kg .
Found: Homel, Belarus 1992 .
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This tape recorder is suitable for the reception of medium- ,short and ultrashort- waved radio programmes, works with batteries and line-power az well. The radio is equipped with transistors made of silicium, ones transponed, super heterodin systemed. It has built in telescopic and ferrit antenna as well. The frequency of the reception can be seen on the linear scale on the front part. The box of the machine is made of plastic, it is brown on the loudspeakers , vertically sampled and occasionally has aluminium cover.
The Remembrance Image Project is focused on photographing First World War sites at the time of the centenary of the conflict. In this talk at Guildhall Library, photographer Simon Gregor showed some of the images from the poignant locations he has visited, and shared the stories behind them.
Medicinal Rice Formulations of India popular among Senior Traditional Oryza Experts.
Septenary/Octonary/Quinary Ingredients of Important Traditional Herbal Formulations from Pankaj Oudhia’s Medicinal Plant Database
Related References
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Myxoid liposarcoma. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Nasal and paranasal tumors. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Neuroblastoma. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Neuroendocrine Tumors. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Neurogenic sarcoma. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Neurological disorders. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Niemann-Pick Disease. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Nocturnal binge eating. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Nodular melanoma. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Non-Hodgkin's lymphoma. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Non-ulcer dyspepsia. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
Oudhia, P. (2013). Medicinal Rice Bhejri with Red, Brown and Black Rice based Traditional Herbal Formulations for Non-ulcer stomach pain. Medicinal Rice Formulations (1990-2013) in Pankaj Oudhia’s Medicinal Plant Database at pankajoudhia.com
This picture is a part of Compilation of Pankaj Oudhia’s Research Works at Indira Gandhi Agricultural University (IGKV), Raipur, India (1990-2001),
The Obelisk of Theodosius (Turkish: Dikilitaş) is the Ancient Egyptian obelisk of Pharaoh Tutmoses III re-erected in the Hippodrome of Constantinople (known today as At Meydanı or Sultanahmet Meydanı, in the modern city of Istanbul, Turkey) by the Roman emperor Theodosius I in the 4th century AD.
Thousands of people participated in the Women’s March North County San Diego in conjunction with marches held around the country and around the world reacting to fears about what may happen with the Trump administration, his new cabinet and the Republican congress. They expressed concerns about women’s reproductive rights, healthcare, immigrants’ rights, the environment and more. The march went from the San Marcos Civic Center to the Palomar College campus where there was a rally with speakers as well as booths for various political organizations. January 21, 2017. Joe Dusel Photographer.
Students traveled to an orphanage, a day care facility and a nursing home in El Salvador with the Division of Volunteer Efforts, (DOVE).
photo: Bjørn Christiansen - www.bj0rn.net
The winter of 2011 I went with my class from Norsk Fotofagskole on a trip to Morocco, Marrakech by the river Tensift, and Essaouira by the Atlantic Ocean.
A portrait of a man on the corner of Rue Bin Lafnadek and Avenu Bab El Khemis in Marrakech.
On December 16, 2014, Kyle Lowry of the Toronto Raptors treated 35 students from Our Lady of Victory to great surprise - a morning meal and a shopping trip to Toys R Us
"Dance Revolutions" presented February 2 - 4, 2007. Artistic director Toni Pierce-Sands, with choreography by Ananya Chatterjea, Pat Graney, Uri Sands, and Anna Sokolow (restaged by Lorry May).
Photos by V. Paul Virtucio.
Pictures of the Coney Island Lighthouse from on board the Celebrity Summit at the beginning of our ten-day cruise. The Coney Island Lighthouse is a steel pile light that was first lit in 1890. I was able to see a number of lighthouses in New York Harbor this trip. On board the Celebrity Summit for the Ten Night Bermuda & Charleston, SC Cruise (May 15 through May 25, 2023). The cruise embarks from Cape Liberty (Bayonne, NJ) with an additional stop at Martha's Vineyard, Massachusetts.
December 2016.
Visit to Kensington Palace.
Kensington Palace has been a residence of the British Royal Family since the 17th century. The original Jacobean mansion was built in 1605 and became known as Nottingham House. It was purchased in 1689 by William and Mary as a residence outside the 'bad air' of London (William III was asthmatic).
The building was then upgraded as a royal residence. Further changes were made for the first 2 Hanoverian Kings.
The International Museum of Naïve Art (O Museu Internacional de Arte Naïf do Brasil) Rio de Janeiro, Brazil
The Metropolitan Cathedral, Iași, located at no 16 on Boulevard "Ștefan cel Mare și Sfânt" is the seat of the Romanian Orthodox Archbishop of Iaşi and Metropolitan of Moldavia and Bukovina, and the largest Orthodox church in Romania.
It is dedicated to Saint Paraschiva, to the Presentation of Jesus and to Saint George.
Its form was inspired by the late Italian Renaissance style, with Baroque elements dominating the interior and exterior decorative features.
The Metropolitan Cathedral is listed in the National Register of Historic Monuments.
Two churches previously stood on the site: the White Church and the Presentation Church.
On 8 August 1826, prince Ioan Sturdza signed a decree ordering construction of the cathedral;
Two churches previously stood on the site: the White Church (15th century) and the Presentation Church (17th century).
On 8 August 1826, prince Ioan Sturdza signed a decree ordering construction of the cathedral;
Metropolitan Veniamin Costache laid the cornerstone on 3 July 1833 and guided construction in its early years.
Work began in 1833, using a neo-classical design by Viennese architects Gustav Freywald and Bucher, and continued at a rapid pace until 1841, in the latter years under the Russian architect Mihail Singurov.
In 1839, after it was completely built and covered, serious cracks had appeared on the large central arch.
At the urging of Metropolitan Iosif Naniescu (1875-1902), the newly independent Romanian state decided to start the restoration work of the cathedral.
A new cornerstone was laid on 15 April 1880.
Architect Alexandru Orăscu, rector of the University of Bucharest, designed new plans that added two rows of massive pilasters to the interior, creating a rectangular basilica shape, with a central nave and two smaller side naves.
The four detached side spires were kept, but the large central dome was eliminated and replaced with a system of four semicircular sections, separated by transverse arches.
The cathedral was consecrated on 23 April 1887, in the presence of King Carol I and Queen Elisabeth, who had donated large sums for the project.
In 1889, the relics of Saint Parascheva, patron saint of Moldavia, were brought from Trei Ierarhi Monastery and continue to attract crowds of pilgrims, particularly in the weeks around her feast day (October 14).
These are located on the right side of the vestibule, as are those of Veniamin Costache.
Standing in the centre of the Metropolitan Complex, the Great Cathedral is a monumental building of a rectangular plan with four detached towers at its corners that originally flanked an immense dome.
The cathedral is 56.70 metres long and 34.15 metres wide, and with a height of the towers of 52.92 metres, it is one of the tallest historical buildings in Moldavia.
The exterior of the Cathedral, as well as the interior, is decorated in the Baroque style.
The eastern façade has a central motif formed of six Corinthian columns erected on a stone socle, which support the architrave, above which is a high bas-relief of the Presentation of the Lord.
The western façade has eight columns separated by the entrance, above which there is a recessed balcony whose vault has a curved mosaic also showing the Presentation; above that is a stone carving of Saint George.
The roof is decorated with zinc fleurons and stylized crosses adorn both the roof and the four spires.
Gheorghe Tattarescu painted the icons and decorative elements in a style that respected Orthodox norms but also showed a Renaissance influence.
The four Biblical scenes above the central nave, the saints' faces and the decorative compositions all show an Italian neo-classical rigor, to which the artist had been exposed during his studies at Rome's Accademia di San Luca.
This creates harmony between the painting and the architectural style.
The stained glass was worked in Munich and redone after World War II, under Metropolitan Justinian Marina.
Two valuable icons painted in the 16th century are kept inside; they depict Christ Pantocrator and the Madonna and Child.