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Picture Of NYPD 2011 Ford Crown Victoria Car # 5850-11 Belonging To The NYPD Highway Patrol - HWY 1. This Picture Was Taken In Manhattan. Photo Taken Friday November 10, 2017.
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[John] Paul Bransom (1885-1979) was an American painter, cartoonist and illustrator of animals. Born in Washington, D.C., he started as a child sketching the animals he saw in his backyard and at the National Zoo. He began his career as a technical draftsman for the U.S. Patent Office when he was 13 years old. In 1903 he moved to New York City, where he worked for the New York Evening Journal as a comic strip artist. He drew the comic strip “The Latest News from Bugville” (1903-1912). After moving to New York, his talent as a wildlife artist was recognized while creating studies of the animals at the Bronx Zoo. His earliest commissions were covers for “The Saturday Evening Post” and illustrations for editions of Kipling’s “Just So Stories” and Grahame’s “The Wind in the Willows.” His works are included in the collection of the “National Museum of American Illustration” at Newport, Rhode Island. [Source: Wikipedia]
The Town of Palm Beach is an incorporated town in Palm Beach County, Florida, United States. The Intracoastal Waterway separates it from the neighboring cities of West Palm Beach and Lake Worth. In 2000, Palm Beach had a year-round population of 10,468, with an estimated seasonal population of 30,000. In 2018, Bloomberg ranked Palm Beach as the 27th-wealthiest place in the United States.
Prior to being established as a resort by Henry Morrison Flagler, who made the Atlantic coast barrier island accessible via his Florida East Coast Railway, Palm Beach was a sparsely populated part of Lake Worth. The nucleus of the community was established by Flagler's two luxury resort hotels, the Royal Poinciana Hotel and The Breakers Hotel. West Palm Beach was built across Lake Worth as a service town and has become a major city in its own right.
Flagler's house lots were bought by the beneficiaries of the Gilded Age, and in 1902 Flagler himself built a Beaux-Arts mansion, Whitehall, designed by the New York-based firm Carrère and Hastings and helped establish the Palm Beach winter "season" by constantly entertaining. The town was incorporated on 17 April 1911.
An area known as the Styx housed the people who built up the island. Workers rented small houses from the landowners. In the early 1900s, the landowners agreed to evict all of the residents of the Styx (who moved to West Palm Beach, Florida) and Edward R. Bradley bought up much of this land. The houses were razed, according to the Palm Beach Daily News.
The wreck of the Providencia is credited with giving Palm Beach its famous name. The Providencia was traveling from Havana to Cádiz, Spain with a cargo of coconuts harvested on the Caribbean island of Trinidad, when the shipwrecked near Palm Beach. Many of the coconuts were naturalized or were planted along the Palm Beach coast. A lush grove of palm trees soon grew on what would later be named Palm Beach. Today the tallest coconut palms in the United States can be found along the Palm Beach coast.
Credit for the data above is given to the following website:
SN/NC: Syagrus romanzoffiana, Arecaceae Family
This is a palm with an identity crisis! A few decades ago the queen palm was assigned the name Cocos plumosa. During the late sixties and seventies most experts began referring to it as Arecastrum romanzoffianum. Now this queen has been placed in the genus Syagrus, the species name became romanzoffiana - hopefully Syagrus romanzoffiana will stick! The Queen palm is mostly found in Subtropical areas. It was once very popular as a garden tree; but in areas like Southern California where the climate is considerably dryer, it has since been taken over by other palms, such as Archontophoenix cunninghamiana, and other Archontophoenix as well, it is still the dominate pinnate palm, in places like Central Florida, where it thrives on the humidity, and tolerates the occasional 25 degree F. nights. Its fruit is edible to wildlife, often being sought after by birds. It was originally classified in the Coconut or Cocos genus, was moved to Arecastrum, then Syagrus. As a result of this, they often retain a previous name in retail trade. Usually called the "Cocos plumosa palm". (Palmpedia.net)
Esta é uma palmeira com crise de identidade! Há algumas décadas, a palmeira rainha recebeu o nome de Cocos plumosa. Durante o final dos anos sessenta e setenta, a maioria dos especialistas começou a referir-se a ele como Arecastrum romanzoffianum. Agora que esta rainha foi colocada no gênero Syagrus, o nome da espécie passou a ser romanzoffiana - espero que Syagrus romanzoffiana permaneça! A palmeira rainha é encontrada principalmente em áreas subtropicais. Já foi muito popular como árvore de jardim; mas em áreas como o sul da Califórnia, onde o clima é consideravelmente mais seco, desde então foi assumido por outras palmeiras, como Archontophoenix cunninghamiana, e outras Archontophoenix também, ainda é a palmeira pinada dominante, em lugares como a Flórida Central, onde é prospera com a umidade e tolera noites ocasionais de 25 graus F. Seu fruto é comestível para a vida selvagem, sendo frequentemente procurado por pássaros. Foi originalmente classificado no gênero Coco ou Cocos, foi transferido para Arecastrum, depois Syagrus. Como resultado disso, muitas vezes mantêm um nome anterior no comércio varejista. Geralmente chamada de "palmeira Cocos plumosa". (Palmpedia.net)
Dit is een palm met een identiteitscrisis! Enkele decennia geleden kreeg de koninginnenpalm de naam Cocos plumosa. Eind jaren zestig en zeventig begonnen de meeste experts het Arecastrum romanzoffianum te noemen. Nu deze koningin in het geslacht Syagrus is geplaatst, is de soortnaam romanzoffiana geworden - hopelijk blijft Syagrus romanzoffiana behouden! De Koninginnenpalm komt vooral voor in subtropische gebieden. Ooit was hij erg populair als tuinboom; maar in gebieden als Zuid-Californië, waar het klimaat aanzienlijk droger is, is het sindsdien overgenomen door andere palmen, zoals Archontophoenix cunninghamiana, en ook andere Archontophoenix. Het is nog steeds de dominante geveerde palm, in plaatsen als Centraal-Florida, waar hij voorkomt. gedijt op de luchtvochtigheid en tolereert af en toe nachten van 25 graden F. De vrucht is eetbaar voor dieren in het wild en wordt vaak gezocht door vogels. Het werd oorspronkelijk geclassificeerd in het geslacht Coconut of Cocos en werd verplaatst naar Arecastrum en vervolgens naar Syagrus. Als gevolg hiervan behouden ze vaak een oude naam in de detailhandel. Meestal de "Cocos plumosapalm" genoemd. (Palampedia.net)
Questa è una palma con una crisi d'identità! Alcuni decenni fa alla palma regina venne assegnato il nome Cocos plumosa. Tra la fine degli anni Sessanta e gli anni Settanta la maggior parte degli esperti cominciò a chiamarlo Arecastrum romanzoffianum. Ora questa regina è stata inserita nel genere Syagrus, il nome della specie è diventato romanzoffiana - speriamo che Syagrus romanzoffiana rimanga! La palma regina si trova principalmente nelle aree subtropicali. Un tempo era molto apprezzato come albero da giardino; ma in aree come la California meridionale, dove il clima è notevolmente più secco, da allora è stata sostituita da altre palme, come Archontophoenix cunninghamiana, e anche da altri Archontophoenix, è ancora la palma pennata dominante, in luoghi come la Florida centrale, dove è prospera sull'umidità e tollera le notti occasionali di 25 gradi F.. Il suo frutto è commestibile per la fauna selvatica, spesso ricercato dagli uccelli. Originariamente classificato nel genere Coconut o Cocos, fu spostato in Arecastrum, poi Syagrus. Di conseguenza, nel commercio al dettaglio spesso mantengono il nome precedente. Solitamente chiamata "palma Cocos plumosa". (Palmpedia.net)
Esta es una palma con una crisis de identidad! Hace unas décadas a la palmera reina se le asignó el nombre de Cocos plumosa. A finales de los años sesenta y setenta la mayoría de los expertos empezaron a referirse a él como Arecastrum romanzoffianum. Ahora que esta reina ha sido incluida en el género Syagrus, el nombre de la especie pasó a ser romanzoffiana. ¡Ojalá Syagrus romanzoffiana se mantenga! La palma reina se encuentra principalmente en zonas subtropicales. Alguna vez fue muy popular como árbol de jardín; pero en áreas como el sur de California, donde el clima es considerablemente más seco, desde entonces ha sido reemplazada por otras palmeras, como Archontophoenix cunninghamiana, y también otras Archontophoenix, sigue siendo la palmera pinnada dominante, en lugares como Florida central, donde prospera con la humedad y tolera noches ocasionales de 25 grados F. Su fruto es comestible para la vida silvestre y, a menudo, lo buscan las aves. Originalmente se clasificó en el género Coconut o Cocos, se trasladó a Arecastrum y luego a Syagrus. Por ello, en el comercio minorista suelen conservar su nombre anterior. Generalmente llamada "palma Cocos plumosa". (Palmpedia.net)
C'est un palmier en crise d'identité ! Il y a quelques décennies, le palmier royal a reçu le nom de Cocos plumosa. À la fin des années soixante et soixante-dix, la plupart des experts ont commencé à l'appeler Arecastrum romanzoffianum. Maintenant que cette reine a été placée dans le genre Syagrus, le nom de l'espèce est devenu romanzoffiana - j'espère que Syagrus romanzoffiana restera ! Le palmier royal se trouve principalement dans les zones subtropicales. Il était autrefois très populaire comme arbre de jardin ; mais dans des régions comme la Californie du Sud où le climat est considérablement plus sec, il a depuis été remplacé par d'autres palmiers, comme l'Archontophoenix cunninghamiana, et d'autres Archontophoenix également, il est toujours le palmier penné dominant, dans des endroits comme la Floride centrale, où il se développe grâce à l'humidité et tolère les nuits occasionnelles à 25 degrés F. Ses fruits sont comestibles pour la faune sauvage et sont souvent recherchés par les oiseaux. Classé à l'origine dans le genre Coconut ou Cocos, il a été déplacé vers Arecastrum, puis Syagrus. De ce fait, ils conservent souvent un ancien nom dans le commerce de détail. Généralement appelé « palmier Cocos plumosa ». (Palmpedia.net)
Dies ist eine Palme mit einer Identitätskrise! Vor einigen Jahrzehnten erhielt die Königinpalme den Namen Cocos plumosa. In den späten sechziger und siebziger Jahren begannen die meisten Experten, sie als Arecastrum romanzoffianum zu bezeichnen. Jetzt wurde diese Königin in die Gattung Syagrus eingeordnet, der Artname wurde romanzoffiana – hoffentlich bleibt Syagrus romanzoffiana bestehen! Die Königinpalme kommt hauptsächlich in subtropischen Gebieten vor. Einst war er als Gartenbaum sehr beliebt; Aber in Gegenden wie Südkalifornien, wo das Klima deutlich trockener ist, wurde sie inzwischen von anderen Palmen wie Archontophoenix cunninghamiana und anderen Archontophoenix-Palmen übernommen und ist immer noch die dominierende gefiederte Palme, beispielsweise in Zentralflorida lebt von der Luftfeuchtigkeit und verträgt gelegentliche 25-Grad-F-Nächte. Seine Früchte sind für Wildtiere essbar und werden oft von Vögeln gesucht. Es wurde ursprünglich in die Gattung Coconut oder Cocos eingeordnet, dann nach Arecastrum und dann nach Syagrus verschoben. Dadurch behalten sie im Einzelhandel häufig einen früheren Namen. Wird normalerweise als „Cocos plumosa-Palme“ bezeichnet. (Palmpedia.net)
これはアイデンティティクライシスを抱えたヤシです！ 数十年前、この女王ヤシにはココス・プルモーサという名前が付けられました。 60 年代後半から 70 年代にかけて、ほとんどの専門家がそれを Arecastrum romanzoffianum と呼び始めました。 現在、この女王は Syagrus 属に属し、種名は romanzoffiana になりました。Syagrus romanzoffiana が定着することを願っています。 クイーンヤシは主に亜熱帯地域で見られます。 かつては庭木として非常に人気がありました。 しかし、気候がかなり乾燥している南カリフォルニアのような地域では、その後、アルコントフェニックス・カニンガミアナや他のアルコントフェニックスなどの他のヤシに引き継がれていますが、中央フロリダのような場所では、依然として優勢な羽状ヤシです。 湿気で生育し、時折25℃の夜にも耐えます。 その果実は野生動物に食用とされ、鳥がそれを求めて訪れることもよくあります。 元々はココナッツ属またはココス属に分類されていましたが、アレカストルム、次にシャグルスに移されました。 この結果、小売業界では以前の名前が残ることがよくあります。 通常は「ココス・プルモサ・ヤシ」と呼ばれています。 (Palmpedia.net)
هذا كف يعاني من أزمة هوية! منذ بضعة عقود مضت، أُطلق على نخلة الملكة اسم كوكوس بلوموسا. خلال أواخر الستينيات والسبعينيات، بدأ معظم الخبراء يشيرون إليها باسم Arecastrum romanzoffianum. الآن تم وضع هذه الملكة في جنس Syagrus، وأصبح اسم النوع romanzoffiana - نأمل أن يظل Syagrus romanzoffiana موجودًا! تم العثور على نخلة الملكة في الغالب في المناطق شبه الاستوائية. كانت ذات يوم تحظى بشعبية كبيرة كشجرة حديقة؛ ولكن في مناطق مثل جنوب كاليفورنيا حيث يكون المناخ أكثر جفافًا إلى حد كبير، فقد تم الاستيلاء عليها منذ ذلك الحين من قبل أشجار النخيل الأخرى، مثل أرتشونتوفونيكس كننغهاميانا، وغيرها من أرتشونتوفونيكس أيضًا، ولا تزال هي النخلة المهيمنة، في أماكن مثل وسط فلوريدا، حيث يزدهر على الرطوبة ويتحمل أحيانًا 25 درجة فهرنهايت في الليل. ثمارها صالحة للأكل للحياة البرية، وغالبًا ما تبحث عنها الطيور. تم تصنيفها في الأصل ضمن جنس جوز الهند أو جوز الهند، وتم نقلها إلى Arecastrum، ثم Syagrus. ونتيجة لذلك، غالبا ما يحتفظون باسمهم السابق في تجارة التجزئة. يُطلق عليها عادةً اسم "نخيل
كوكوس بلوموسا". (بالمبيديا.نت)
SN/NC: Agapanthus Africanus, Fam. Amarylidaceae
The great majority is purple-blue. This one is a bit intermediate between white, purple and blue. Agapanthus /ˌæɡəˈpænθəs/ is the only genus in the subfamily Agapanthoideae of the flowering plant family Amaryllidaceae. The family is in the monocot order Asparagales. The name is derived from scientific Greek: αγάπη (agape) = love, άνθος (anthos) = flower.
Some species of Agapanthus are commonly known as lily of the Nile (or African lily in the UK), although they are not lilies and all of the species are native to Southern Africa (South Africa, Lesotho, Swaziland, Mozambique) though some have become naturalized in scattered places around the world (Australia, Great Britain, Mexico, Ethiopia, Jamaica, etc.) (Wikipedia)
A grande maioria é azul-roxo. Este é um pouco intermediário entre branco, roxo e azul. Agapanthus /יæəəəənφəs/ é o único gênero na subfamília Agapanthoideae da família de plantas em floração Amaryllidaceae. Algumas espécies de Agapanthus são comumente conhecidas como lírio do Nilo (ou lírio africano no Reino Unido), embora não sejam lírios e todas as espécies sejam nativas do sul da África. (Wikipedia)
De overgrote meerderheid is paarsblauw. Deze is een beetje intermediair tussen wit, paars en blauw. Agapanthus /ˌæɡəˈpænθəs/ is het enige geslacht in de onderfamilie Agapanthoideae van de bloeiende plantenfamilie (Amaryllidaceae). Sommige soorten Agapanthus zijn algemeen bekend als lelie van de Nijl (of Afrikaanse lelie in het Verenigd Koninkrijk), hoewel het geen lelies zijn en alle soorten inheems zijn in Zuidelijk Afrika. (Wikipedia)
La grande majorité est violet-bleu. Celui-ci est un peu intermédiaire entre le blanc, le violet et le bleu. Agapanthus /ˌæɡəˈpænθəs/ est le seul genre de la sous-famille des Agapanthoideae de la famille des Amaryllidaceae. Certaines espèces d’agapanthes sont communément connues sous le nom de lys du Nil (ou lys africain au Royaume-Uni), bien qu’elles ne soient pas des lys et que toutes les espèces soient originaires d’Afrique australe. (Wikipédia)
La gran mayoría es de color azul púrpura. Este es un poco intermedio entre blanco, púrpura y azul. Agapanthus /ˌæɡəˈpænθəs/ es el único género de la subfamilia Agapanthoideae de la familia Amaryllidaceae. Algunas especies de Agapanthus se conocen comúnmente como lirio del Nilo (o lirio africano en el Reino Unido), aunque no son lirios y todas las especies son nativas del sur de África. (Wikipedia)
La grande maggioranza è viola-blu. Questo è un po 'intermedio tra bianco, viola e blu. Agapanthus /ˌæɡəˈpænθəs/ è l'unico genere della sottofamiglia Agapanthoideae della famiglia delle Amaryllidaceae. Alcune specie di Agapanthus sono comunemente conosciute come giglio del Nilo (o giglio africano nel Regno Unito), anche se non sono gigli e tutte le specie sono originarie dell'Africa meridionale. (Wikipedia)
Die große Mehrheit ist lila-blau. Dieser ist ein bisschen zwischen Weiß, Lila und Blau. Agapanthus /ˌæɡəˈpænθəs/ ist die einzige Gattung in der Unterfamilie Agapanthoideae der Blütenpflanzenfamilie Amaryllidaceae. Einige Arten von Agapanthus sind allgemein als Lilie des Nils (oder afrikanische Lilie in Großbritannien) bekannt, obwohl sie keine Lilien sind und alle Arten im südlichen Afrika beheimatet sind. (Wikipedia)
大部分は紫がかった青です。これは白、紫、青の間の色です。アガパンサス /ˌæɡəˈpænθəs/ は、顕花植物科ヒガンバナ科のアガパンサス亜科の唯一の属です。アガパンサスの一部の種は一般にナイルユリ（英国ではアフリカユリ）として知られていますが、それらはユリではなく、すべての種がアフリカ南部原産です。 (ウィキペディア)
الغالبية العظمى من الأرجواني والأزرق. هذا هو واحد قليلا وسيطة بين الأبيض والأرجواني والأزرق. أغابانثوس / ˌæɡəˈpænθəs / هو الجنس الوحيد في Agapanthoideae subfamily من عائلة النبات المزهرة Amaryllidaceae. بعض أنواع أغابانثوس معروفة باسم زنبق النيل (أو زنبق الأفريقية في المملكة المتحدة)، على الرغم من أنها ليست الزنابق وجميع الأنواع هي أصلية في الجنوب الأفريقي. (ويكيبيديا)
Aerial view of Hridsko Jezero (Hrid Lake), a glacial lake situated 1970m above sea level, between Veliki and Mali Hrid mountains, in Plav municipality, north eastern part of Prokletije National Park, near Montenegro and Kosovan borders.
© All rights reserved. You may not use this photo in website, blog or any other media without my explicit permission.
It only just dawned on me a couple of days ago that while I’m always on Flickr commenting and liking everyone else’s pics, I hadn’t posted any of my own for over a year.
I guess this is partly because I’m not usually a selfie kind of girl. That’s to say I tend not to think about grabbing the phone and snapping a quick shot and certainly rarely carry a “real” camera these days. Maybe I should just pop one in my bag just in case. I suppose I’m just far too content just having me time to think about capturing and sharing the moment !!!
However, with the error of my ways now realised …… must try harder for 2018
xx
Drovers taking livestock to market would have used this bridge
Packhorses also used this crossing.
Two major battles in the English Civil War took place here.
If you stand and look at any kind of bridge, it can tell you
quite a lot about the nature of the brook, stream or river running
Under it.
The River Teme Bridge in Worcester is prone to frequent flash
flooding, note the huge piers with sharp Cutwaters between
The high arches, allowing flood water to pass underneath.
A less tall bridge would get swamped and eventually washed away. Rivers like the Teme in flood do huge damage to the
bank and surrounding countryside, bringing whole tree trunks
down river. Cutwaters, between arches on old bridges like
This - the pointed part of the pier that faces into the flow
diverts the rubbish and pressure away and under the arches.
Chalk and Lime country doesn't have to worry so much about
Flooding immediately, so bridges tend to be lower.
The reason for this is rain gets soaked up by the ground
slowly percolating through the Limestone into natural underground reservoirs called Aquifers.
Also like this bridge, look to see how far the Moss grow up
The bridge, in this case just above the arches.
The flood in 2014 reached this height.
[...] The wheel of fortune turns round incessantly, and who can say to himself, I shall to-day be uppermost [...]
-- Quote by Confucius
Taormina, Italy (July, 2005)
United States of America (USAF , 89th AW-PAG Andrews AFB ) VC-25A (B747-200B) 92-0009
"Airforce-One" arriving with President Donald J Trump for the NATO summit of heads of state the days after. Very last light of the day and weather was dreadfull throughout the day.
BRU, 10-July-2018
"dr. Francesco Spadaro, owner and director of the "Casa Cuseni" House-Garden-Museum, inside the dinning room called "the secret room": here with a photograph made by Baron von Gloeden."
"il dott. Francesco Spadaro, proprietario e direttore della Casa-Giardino-Museo "Casa Cuseni", all'interno della sala da pranzo detta "la stanza segreta": qui con una fotografia realizzata dal Barone von Gloeden."
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A history of Taormina: chronicles of a forbidden love and its great secret (not only Paolo and Francesca) with an unexpected "scoop".
This story is an integral part of the story previously told, the historical period is the same, the place is the same, the various characters often meet each other because they know each other; Taormina, between the end of the 1800s and the beginning of the 1900s, in an ever increasing growth, became the place of residence of elite tourism, thanks to the international interest aroused by writers and artists, such as Johann Wolfgang von Goethe , or great personalities like Lady Florence Trevelyan: Taormina becomes so famous, thanks to the paintings of the painter Otto Geleng and the photographs of the young Sicilian models by Wilhelm von Gloeden; in the air of Taormina there is a sense of libertine, its famous and histrionic visitors never fail to create scandal, even surpassing the famous Capri, in which, to cite just one example, the German gunsmith Krupp, trying to recreate the he environment of Arcadia that one breathed in Taormina (thanks to the photos of von Gloeden) was overwhelmed by the scandal for homosexuality, and took his own life. Taormina thus becomes a heavenly-like place, far from industrial civilizations, where you can freely live your life and sexuality; this is the socio-cultural environment in which the two protagonists of this story move, the British painter Robert Hawthorn Kitson (1873 - 1947) and the painter Carlo Siligato (born in Taormina in 1875, and died there in 1959). Robert H. Kitson, born in Leeds in England, belonged to a more than wealthy family, as a young engineer he had begun to replace his father in the family locomotive construction company (Kitson & Co.), on the death of his father in 1899 sells everything and decides to move very rich in Sicily to Taormina (he had been there the previous year with a trip made with his parents, here he had met, in addition to Baron von Gloeden, also the writer and poet Oscar Wilde who came to Italy, immediately after having served two years in prison in forced labor, on charges of sodomy); Kitson settled there because he was suffering from a severe form of rheumatic fever (like von Gloeden was advised to treat himself in the Mediterranean climate milder), and because as a homosexual, he leaves England because the Labouchere amendment considered homosexuality a crime. The other protagonist of this story is Carlo Siligato, he was from Taormina, he had attended the Academy of Fine Arts in Venice, a very gifted painter, he was very good at oil painting (he exhibited his paintings in an art workshop, even now existing, in via Teatro Greco in Taormina), the meeting with the painter Robert Kitson, led him to adopt the watercolor technique: almost to relive Dante's verses on Paolo and Francesca "Galeotto was the book and who wrote it" the common passion for painting led the two artists to live an intense love story. Kitson built his home in the "Cuseni" district of Taormina, called for this "Casa Cuseni", the house was built between 1900 and 1905, its decorations were entrusted to the artists Alfred East (realist landscape painter, president of the Royal Society ), and Frank Brangwyn (painter, decorator, designer), he was a pupil of William Morris, leader of the English movement "Arts and Crafts" which spread to England in the second half of the nineteenth century (the Arts and Crafts was a response to the industrialization of Europe, of mass production operated by factories, all this at the expense of traditional craftsmanship, from this movement originated the Art Nouveau, in Italy also known as Liberty Style or Floral Style, which distinguished itself for having been a artistic and philosophical movement, which developed between the end of the 19th century and the first decade of the 20th century, whose style spread in such a way as to be present everywhere). Casa Cuseni has kept a secret for 100 years that goes far beyond the forbidden love lived by Robert and Carlo, a secret hidden inside the "secret room", that dinning room that was reopened in 2012; entering the dining room, you can witness a series of murals painted on the four walls by Frank Brangwyn, in Art Nouveau style, which portray the life and love story between the painter Robert Kitson, and his life partner, the Carlo Siligato from Taormina, but the thing that makes these murals even more special, full of tenderness and sweetness, is that "their secret" (!) is represented in them, it is described visually, as in an "episodic" story that really happened in their lives: Messina (and Reggio Calabria) are destroyed by the terrible earthquake with a tsunami on December 28, 1908, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden and Anatole France leave for Messina, to see and document in person the tragedy, the city was a pile of rubble, many dead, Robert and Carlo see a baby, Francesco, he is alone in the world, without parents who died in the earthquake, abandoned to a certain and sad destiny, a deep desire for protection is born in the two of them, a maternal and paternal desire is born, they decide to takes that little child with them even knowing that they are risking a lot ... (!), what they want to do is something absolutely unthinkable in that historical period, they are a homosexual couple, what they are about to do is absolutely forbidden ..(!) but now there is Francesco in their life, thus becoming, in fact, the first homogenitorial family (with a more generic term, rainbow family) in world history: hence the need to keep the whole story absolutely hidden, both from an artistic point of view , represented by the murals (for more than 100 years, the "dinning room" will be kept hidden), both of what happens in real life, with little Francesco cared for lovingly, but with great risk or. I have allegorically inserted, in the photographic story, some photographs of the artists of the company "Casa del Musical", who came to Taormina to perform during the Christmas period: today as yesterday, Taormina has always been (starting from the last 20 years of the 19th century) center of a crossroads of artists and great personalities, Casa Cuseni also in this has an enormous palmares of illustrious guests, too long to state. The young boys painted on the murals of Casa Cuseni, wear white, this is a sign of purity, they wanted to represent their ideal homosexual world, fighting against the figure dressed in black, short in stature, disturbing, which acquires a negative value, an allegorical figure of the English society of the time, indicating the Victorian morality that did not hesitate to condemn Oscar Wilde, depriving him of all his assets and rights, even preventing him from giving the surname to his children. The boys are inspired by the young Sicilian models photographed by Wilhelm von Gloeden, dressed in white tunics, with their heads surrounded by local flowers. The only female figure present has given rise to various interpretations, one could be Kitson's detachment from his motherland, or his detachment from his mother. On the third wall we witness the birth of the homogenitorial family, both (allegorically Carlo and Kitson with the child in their arms) are in profile, they are walking, the younger man has a long, Greek-style robe, placed on the front, next to him behind him, the sturdier companion holds and gently protects the little child in his arms, as if to spare the companion the effort of a long and uncertain journey, there is in the representation of the family the idea of a long journey, in fact the man holding the child wears heavy shoes, their faces are full of apprehension and concern: in front of them an empty wall, so deliberately left by Frank Brangwin, since their future is unknown, in front of them they have a destiny full of unknowns (at the same time, their path points east, they go towards the rising sun: opening the large window the sun floods everything in the room). In the "secret room" there is the picture painted in 1912 by Alfred E. East, an oil on canvas, representing Lake Bourget. Carlo Siligato later married Costanza, she was my father's grandmother's sister, they had a son, Nino, who for many years lived and worked as a merchant in his father's art workshop. I sincerely thank my colleague Dr. Francesco Spadaro, doctor and esteemed surgeon, owner and director of the "Casa Cuseni" House-Garden-Museum, who, affectionately acting as a guide, gave me the precious opportunity to create "this photographic tour" inside the house- museum and in the "metaphysical garden" of Casa Cuseni. … And the scoop that I announced in the title ..? After photographing the tomb of Carlo Siligato, in the Catholic cemetery of Taormina, I started looking for that of Robert Kitson, in the non-Catholic cemetery of Taormina: when I finally found it (with him lies his niece Daphne Phelps, buried later in 2005) ... I felt a very strong emotion, first of all I was expecting a mausoleum, instead I found a small, very modest tomb on this is not a photo of him, not an epitaph, not a Cross, not a praying Angel to point it out, but ... unexpectedly for a funerary tombstone ... a small bas-relief carved on marble (or stone) depicting ... the Birth ... (!), obviously , having chosen her could have a very specific meaning: a desire to transmit a message, something very profound about him, his tomb thus testified that in his soul, what was really important in life was having a family, with Carlo and baby Francesco, certainly beloved, saved from a certain and sad fate, in the terrible Messina earthquake-tsunami of 28 December 1908 ... almost recalling in an absolute synthesis, at the end of his life, what had already been told in the "secret murals" of Casa Cuseni.
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Una storia di Taormina: cronache di un amore proibito e del suo grande segreto (non solo Paolo e Francesca) con inaspettato “scoop”.
Questa storia fa parte integrante della storia precedentemente raccontata, il periodo storico è lo stesso, il luogo è lo stesso, i vari personaggi spesso si frequentano tra loro poiché si conoscono; Taormina, tra la fine dell’800 e l’inizio del’900, in un sempre maggiore crescendo, diventa luogo di residenza del turismo d’élite, grazie all’interesse internazionale suscitato ad opera di scrittori ed artisti, come Johann Wolfgang von Goethe, o grandi personalità come Lady Florence Trevelyan: Taormina diventa così famosa, complici i quadri del pittore Otto Geleng e le fotografie dei giovani modelli siciliani di Wilhelm von Gloeden; nell’aria di Taormina si respira un che di libertino, i suoi famosi ed istrionici frequentatori non mancano mai di creare scandalo, superando persino la famosa Capri, nella quale, per citare solo un esempio, l’armiere tedesco Krupp, cercando di ricreare l’ambiente dell’Arcadia che si respirava a Taormina (grazie alle foto di von Gloeden) viene travolto dallo scandalo per omosessualità, e si toglie la vita. Taormina diviene quindi un luogo simil-paradisiaco, lontana dalle civiltà industriali, nella quale poter vivere liberamente la propria vita e la propria sessualità; questo è l’ambiente socio-culturale nel quale si muovono i due protagonisti di questa vicenda, il pittore britannico Robert Hawthorn Kitson (1873 – 1947) ed il pittore Carlo Siligato (nato a Taormina nel 1875, ed ivi morto nel 1959). Robert H. Kitson, nacque a Leeds in Inghilterra, apparteneva ad una famiglia più che benestante, da giovane ingegnere aveva cominciato a sostituire il padre nell’impresa familiare di costruzioni di locomotive (la Kitson & Co.), alla morte del padre nel 1899 vende tutto e decide di trasferirsi ricchissimo in Sicilia a Taormina (vi era stato l’anno precedente con un viaggio fatto coi suoi genitori, qui aveva conosciuto, oltre al barone von Gloeden, anche lo scrittore e poeta Oscar Wilde venuto in Italia, subito dopo aver scontato due anni di prigione ai lavori forzati, con l’accusa di sodomia); Kitson vi si stabilisce perché affetto da una grave forma di febbre reumatica (come von Gloeden gli fu consigliato di curarsi nel clima mediterraneo più mite), sia perché in quanto omosessuale, lascia l’Inghilterra perché l’emendamento Labouchere considerava l’omosessualità un crimine. L’altro protagonista di questa storia è Carlo Siligato, egli era taorminese, aveva frequentato l’Accademia di Belle Arti di Venezia, pittore molto dotato, era bravissimo nel dipingere ad olio (esponeva i suoi quadri in una bottega d’arte, ancora adesso esistente, in via Teatro Greco a Taormina), l’incontro col pittore Robert Kitson, lo portò ad adottare la tecnica dell’acquarello: quasi a rivivere i versi di Dante su Paolo e Francesca “Galeotto fu ‘l libro e chi lo scrisse” la comune passione per la pittura condusse i due artisti a vivere una intensa storia d’amore. Kitson costruì nel quartiere “Cuseni” di Taormina la sua abitazione, detta per questo “Casa Cuseni”, la casa fu costruita tra il 1900 ed il 1905, le sue decorazioni furono affidate agli artisti Alfred East (pittore verista paesaggista, presidente della Royal Society), e Frank Brangwyn (pittore, decoratore, designer, progettista), egli era allievo di William Morris, leader del movimento inglese “Arts and Crafts” (Arti e Mestieri) che si diffuse in Inghilterra nella seconda metà del XIX secolo (l’Arts and Crafts era una risposta alla industrializzazione dell’Europa, della produzione in massa operata dalle fabbriche, tutto ciò a scapito dell’artigianato tradizionale, da questo movimento ebbe origine l’Art Nouveau, in Italia conosciuta anche come Stile Liberty o Stile Floreale, che si distinse per essere stata un movimento artistico e filosofico, che si sviluppò tra la fine dell’800 ed il primo decennio del ‘900, il cui stile si diffuse in tal modo da essere presente dappertutto). Casa Cuseni ha custodito per 100 anni un segreto che va ben oltre quell’amore proibito vissuto da Robert e Carlo, segreto celato all’interno della “stanza segreta”, quella dinning room che è stata riaperta nel 2012; entrando nella sala da pranzo, si assiste ad una serie di murales realizzati sulle quattro pareti da Frank Brangwyn, in stile Art Nouveau, che ritraggono la vita e la storia d’amore tra il pittore Robert Kitson, ed il suo compagno di vita, il pittore taorminese Carlo Siligato, ma la cosa che rende questi murales ancora più particolari, carichi di tenerezza e dolcezza, è che in essi viene rappresentato “il loro segreto” (!), viene descritto visivamente, come in un racconto “ad episodi” quello che è realmente avvenuto nella loro vita: Messina (e Reggio Calabria) vengono distrutte dal terribile sisma con maremoto il 28 dicembre del 1908, partono per Messina, Carlo Siligato, Robert Kitson, Wilhelm von Gloeden ed Anatole France, per vedere e documentare di persona la tragedia, la città era un cumulo di macerie, moltissimi i morti, Robert e Carlo vedono un piccolo bimbo, Francesco, egli è solo al mondo, privo dei genitori periti nel terremoto, abbandonato ad un certo e triste destino, nasce in loro due un profondo desiderio di protezione, nasce un desiderio materno e paterno, decidono di prende quel piccolo bimbo con loro pur sapendo che stanno rischiando moltissimo…(!) , quello che vogliono fare è una cosa assolutamente impensabile in quel periodo storico, loro sono una coppia omosessuale, quello che stanno per fare è assolutamente proibito..(!) ma oramai c’è Francesco nella loro vita, divenendo così, di fatto, la prima famiglia omogenitoriale (con termine più generico, famiglia arcobaleno) nella storia mondiale: da qui la necessità di tenere assolutamente nascosta tutta la vicenda, sia dal punto di vista artistico, rappresentata dai murales (per più di 100 anni, la “dinning room” verrà tenuta nascosta), sia di quanto accade nella vita reale, col piccolo Francesco accudito amorevolmente, ma con grandissimo rischio. Ho inserito allegoricamente, nel racconto fotografico, alcune fotografie degli artisti della compagnia “Casa del Musical”, giunti a Taormina per esibirsi durante il periodo natalizio: oggi come ieri, Taormina è sempre stata (a partire dagli ultimi 20 anni dell’800) al centro di un crocevia di artisti e grandi personalità, Casa Cuseni anche in questo ha un enorme palmares di ospiti illustri, troppo lungo da enunciare. I giovani ragazzi dipinti sui murales di Casa Cuseni, vestono di bianco, questo è segno di purezza, si è voluto in tal modo rappresentare il loro mondo ideale omosessuale, in lotta contro la figura vestita di nero, bassa di statura, inquietante, che acquista un valore negativo, figura allegorica della società inglese dell’epoca, indicante la morale Vittoriana che non ha esitato a condannare Oscar Wilde, privandolo di tutti i suoi beni e diritti, impedendogli persino di dare il cognome ai suoi figli. I ragazzi sono ispirati ai giovani modelli siciliani fotografati da Wilhelm von Gloeden, vestiti con tuniche bianche, col capo cinto dei fiori locali. L’unica figura femminile presente, ha dato spunto a varie interpretazioni, una potrebbe essere il distacco da parte di Kitson dalla sua madre patria, oppure il distacco da sua madre. Sulla terza parete si assiste alla nascita della famiglia omogenitoriale, entrambi (allegoricamente Carlo e Kitson col bimbo in braccio) sono di profilo, sono in cammino, l’uomo più giovane ha una veste lunga, alla greca, posto sul davanti, accanto a lui, alle sue spalle, il compagno più robusto sostiene in braccio e protegge con dolcezza il piccolo bimbo, quasi a voler risparmiare al compagno la fatica di un lungo ed incerto percorso, vi è nella rappresentazione della famiglia l’idea di un lungo percorso, infatti l’uomo che regge il bimbo indossa delle calzature pesanti, i loro volti sono carichi di apprensione e preoccupazione: davanti a loro una parete vuota, così volutamente lasciata da Frank Brangwin, poiché il loro futuro è ignoto, davanti hanno un destino pieno di incognite (al tempo stesso, il loro cammino indica l’est, vanno verso il sole nascente: aprendo la grande finestra il sole inonda ogni cosa nella stanza).
Nella “stanza segreta” c’è il quadro dipinto nel 1912 da Alfred E. East, un olio su tela, rappresentante il lago Bourget.
Carlo Siligato, successivamente si sposò con Costanza, una sorella della nonna di mio padre, da lei ebbe un figlio, Nino, il quale per tantissimi anni ha vissuto e lavorato come commerciante nella bottega d’arte del padre. Ringrazio di cuore il mio collega dott. Francesco Spadaro, medico e stimato chirurgo, proprietario e direttore della Casa-Giardino-Museo “Casa Cuseni”, il quale, facendomi affettuosamente da cicerone, mi ha dato la preziosa opportunità di realizzare “questo tour fotografico” all’interno dell’abitazione-museo e nel “giardino-metafisico” di Casa Cuseni.
…E lo scoop che ho annunciato nel titolo..? Dopo aver fotografato la tomba di Carlo Siligato, nel cimitero cattolico di Taormina, mi sono messo alla ricerca di quella di Robert Kitson, nel cimitero acattolico di Taormina: quando finalmente l’ho trovata (insieme a lui giace sua nipote Daphne Phelps, seppellita successivamente nel 2005)…ho provato una fortissima commozione, innanzitutto mi aspettavo un mausoleo, invece ho trovato una tomba piccola, molto modesta, su questa non una sua foto, non un epitaffio, non una Croce, non un Angelo pregante ad indicarla, ma … inaspettatamente per una lapide funeraria…un piccolo bassorilievo scolpito su marmo (o su pietra) raffigurante…la Natalità…(!), evidentemente, l’averla scelta potrebbe avere un significato ben preciso: un desiderio di trasmettere un messaggio, qualcosa di molto profondo di lui, la sua tomba testimoniava così che nel suo animo, ciò che in vita fu davvero importante fu l’aver avuto una famiglia, con Carlo e col piccolo Francesco, certamente amatissimo, salvato da un molto probabile triste destino, nel terribile terremoto-maremoto di Messina del 28 dicembre del 1908…quasi rievocando in una sintesi assoluta, al termine della sua vita, ciò che era già stato raccontato nei “murales segreti” di Casa Cuseni.
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Temple view from South-East. The image highlights the structure of the building: peripteral hexastyle with 6 x 13 columns. The ambulatories, the south wall of the cella and the columns marking the pronaos access behind the east segment of the peristyle are also visible. The dimensions are 13,71 m x 38.24 m; the distance between the external columns is 2.58 m (at the corners 2.41 m) and their lower diameter is 1.02 m (at the corners 1.04 m); the height of external columns is 5.71 m. The metopes measured 0.83m in height. The metopes of East side are decorated with scenes depicting nine Herakles labors. The five metopes of the South side shows the Theseus labors. The episodes chosen document the hero’s adventures, step by step, on his travels from Troizen to Athens. In the East corner of the South side there are, from left, the killing of Periphetes, Sinis the Pityocamptes (=pine-bender), the capture of the Marathonian Bull and the slaying of the Minotaur, this last being the most illustrious and recognizable deed of the Athenian hero.
The preservation state of most of the metopes is rather poor, because after the temple was converted to a Christian church, zealots systematically destroyed the heads of most of the figures. Only the figures deemed to symbolize the forces of Evil and portrayed at their downfall (e.g. the Minotaur) escaped this fate, as these were identified with Satan and his punishment.
Source: Judith M. Barringer, “A New Approach to the Hephaisteion: Heroic Models in the Athenian Agora”
Temple of Hephaistos
446 – 442 BC
Athens, Ancient Athenian Agora
The view is almost terrifying! The red fox attacks with the vigor of an animal possessed by demons, yet, no blood is shed, no fur is lost, and there's not a scratch on either animal at the end of the scuffle. It's almost as if they are putting on a show scripted for the gawking observers! In a sense, they are! Scripted, that is. The body postures, the open mouths with teeth flashing, the vocalizations are all well documented. It is a script that repeats itself many times daily in the life of a fox. In some areas where fox population densities are lower theses skirmishes are much less frequent, but here, where many live in a more confined area, they are fairly common. The pace is fast and furious. The fights can last as little as a fraction of a second, but rarely last more than a few seconds. It is so fast that it can be difficult to track and photography them. Their vigor and zeal for survival makes red foxes wondrous to observe. Their beauty makes them a pleasure to photograph. #iLoveNature #iloveWildlife #WildlifePhotography in #NewJersey #Nature in #America #USA #RedFoxes #Foxes #DrDADBooks #Canon #WildlifeConservation #PickYourPark #Photography #Picoftheday #Photooftheday
Balaklava.
Although there was an early bush inn at Dunn’s Bridge over the Wakefield River on the outskirts of what is now Balaklava it did not foretell the coming of the town. The inn was a drinking place for the bullockies driving teams down from the Burra mine to the new port at Wakefield from 1850. When the copper route to Port Wakefield ceased in 1856, so did the bullockies and their drinking. The Hundred of Balaklava was declared in 1856 but the town was not established until 1869 once the government had made a decision to run a railway from Port Wakefield to Hoyleton (later extended to Blyth) at the foothills of the Clare valley. The first white occupiers of the land near Balaklava were the Bowman family who took out various leaseholds on land along the Wakefield River in 1847 with a string of properties from Manoora to Martindale Hall to what is now Balaklava. Their Balaklava property called Werocata is just north for the town and is still one of the largest properties in the district but it is not owned by the Bowmans. They sold it in 1886. In 1905 parts of Werocata were broken up with the Closer Settlement Act of that year.
Balaklava was a government town with 119 town allotments being sold in 1869. It followed the pattern of many SA towns in its early development. First came the hotels, a wheat store, and government facilities like a post office, police station and railway all within two years. By 1874 a flour mill had been erected, along with implement makers and blacksmiths. The first church in town, the Church of Christ was built in 1879 (it is now the National Trust Museum.)Other churches and the town Institute soon followed. In 1880 the present derelict railway station was constructed and the town’s future was secured with daily rail services to Wallaroo and to Adelaide. The Balaklava Racing Club had been formed early in 1876 and by 1900 the town was moving forward with a number of new classical style buildings.
Balaklava Self Guided and Historical Walk.
1.Old Court House Gallery. This charming building was erected in 1913. It is nicely proportioned with Grecian style Corinthian columns on the front, a pediment and a fine stained glass fanlight above the door. It was built adjacent to the police station and the police cells which were built in 1879.
2.“Professor” Higham’s House. This quaint house built in 1907 with an upper balcony has brick quoins, arched ground floor windows but squared upper windows. Note the decorative ends on the gutters. It is often referred to at the Match Box House. It was originally the home of an amateur horse vet who developed a range of horse medicines sold nationally under the name of Ottajamba medicines!
3.Royal Hotel, Edith Terrace. This was built in 1871 b y Thomas Saint. Note the unusual architecture with gable ends to the two wings to the street and a short upstairs balcony in the middle. It is made of limestone. It has Art Nouveau style wooden barge boards, and note the small attic windows on the upper side of the building. The first town council meetings were held here when the Council was formed in 1877. It was the Balaklava Hotel then but after the Prince of Wales visited in 1880 it was changed to the Royal Hotel. In 1905 the upper floor was added to the single storey hotel and the balcony was added in 1911.
4.Two Storied Shop. This is a typical old style shop with an upper balcony built around 1900. It is made of pressed tin with rendered side walls. It is currently the Shearing Shed shop.
5.The “ Silent Cop” in the middle of the intersection. Who said parking meters were new? There was a half hour limit for tying up your horse in the main street from 1909 about the time the “silent cop” was installed. The silent cop was put there to avoid collisions and direct traffic.
6.Former Commercial Bank now Balco. A fine two storey structure with an impressive façade which was built in 1910 . It has a Grecian style upper floor with triangular pediments above the windows, whilst the ground floor is more Art Nouveau in style with half rounded windows with leadlights.
7.Uniting Church. This has the most prominent position in town with Gothic buttresses on the walls, stone and stucco quoins. It opened in 1904 and the porch was added in 1927. The first Methodist services were held in 1868 before the town was declared in 1871. Note the trifoliate glass window above the door and the round cement plaques nearby.
8.ANZ Bank, Wallace Street corner. This was also built around 1900 in the Grecian style. It has a nice side door with arch and leadlight windows. The unusual curved corner architecture still complements the Grecian style. It also has triangular pediments above windows. There are good stables behind this building. It opened as the Adelaide Bank in 1908.
9.Balaklava Institute. The institute was completed in 1881 and used for social functions, meetings, wedding s and as a library. A new Grecian style façade and entrance rooms were added in 1935 in the height of the Depression. It has fine Corinthian columns topped with flowers and leaves with a horizontal cornice and architrave above the pillars. There are public toilets here too.
10.Post Office. Postal service began in 1871, and this post office opened as a new Commonwealth government one after Federation in 1912. The telephone service began in 1905. The building is Georgian in style with rendered pilasters and rectangular windows with good symmetry. Note the elaborate ties to the down pipes and finial topped weather ventilation box on the roof.
11.Savings Bank of SA, opposite the Post Office. An agency began here in 1880 and this building was erected in 1924. It has a balustrade across the roof line, good symmetry and solid bulk in the façade. The arched windows have stone corbels.
12.The Church of Christ, Humphrey Street. Turn left from the main street to locate this fine building. It is a Gothic style church with buttresses or corners, spires on inner columns. It has a trifoliate window above the double Gothic arched windows on the façade. The entrance porch was built in 1908. Services began in an earlier church in 1878.
13.St Andrew’s Roman Catholic Church. Turn right in Baker Street to finds St Andrews. It was built in 1889 on land given by William Verco. The Sisters of St Joseph operated a school near here from 1929 until 1968. It is now the St Andrews Centre. St Andrew’s is a simple stone church with brick quoins and the building is in the Gothic style. The church was enlarged in 1910.
National Trust museum, originally the Church of Christ. It was built in 1878 as a Churches of Christ. Sold to the druids as a hall when their new church was built in 1908.It became the Zion Lutheran Church from 1931 to 1967 when a new Lutheran Church opened in Baklava. It is now the town museum. Admission is by coin donation.
This guy was one of my favorite people at the Santa Speedo Run. He was up for getting his picture taken, chatting folks up, and generally being a big ole ham. You're awesome, dude!
Santa Speedo Run 2009, Boston, MA, December 12th, 2009.
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Over the last few years every time that I visited there has been construction ongoing which can be a bit annoying but one good thing that has resulted from this work is that they have installed a ramp and a lift to allow wheelchair access to all sections of the park.
Queen Elizabeth II laid a wreath in the Garden of Remembrance during her state visit in May 2011.
The Garden of Remembrance is a memorial garden in Dublin dedicated to the memory of "all those who gave their lives in the cause of Irish Freedom". It is located in the northern fifth of the former Rotunda Gardens in Parnell Square, a Georgian square at the northern end of O'Connell Street. The garden, which I really like, is in the form of a sunken cruciform water-feature. The focal point is a statue of the Children of Lir by Oisín Kelly, symbolising rebirth and resurrection, added in 1971.
Nikon D810 Beautiful Ballerina Goddess Dancing Ballet!
Nikon D810 Ballet Photos of Pretty Ballerina Dancing in Malibu! Captured with the Nikon 70-200mm f/2.8G ED VR II AF-S Nikkor Zoom Lens and the 50mm Sigma Art Lens !
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I'm working on an anthology of classic, epic poetry, which begins with selections from Homer's Iliad and Odyssey! :) I've replaced the Roman names with the Greek names: "RAGE, Sing, O goddess, the rage of Achilles son of Peleus, that brought countless ills upon the Greeks. Many a brave soul did it send hurrying down to Hades, and many a hero did it yield a prey to dogs and vultures, for so were the counsels of Zeus fulfilled from the day on which the son of Atreus, king of men, and great Achilles, first fell out with one another."
All the best on your epic hero's odyssey into the art of photography!
Nikon D810 Beautiful Ballerina Dancers! Goddesses Dancing Ballet! Ballet amongst the California Spring Wildflowers!
Cultural performance of the Pokot people.
The Pokot people are categorized under the larger Kalenjin tribes grouping of Kenyan Nilotic speakers because they have oral traditions of a similar origin. They speak the Pokot language. The Pokot people live in the Baringo and Western Pokot districts of Kenya and also in the Eastern Karamoja region of Uganda. The Pokots are dived into two main sub-groups depending of their location and way of life. The two groups are the Hill Pokot who practice both farming and pastoralism, and live in the rainy highlands in the west and in the central south. The second group is made up of the Plains Pokot who living in dry and infertile plains, herd cows, goats and sheep.
As a result of their nomadic lifestyle, adopted by most of the Pokot, they have interacted with different peoples in their history and therefore incorporated social customs of neighbors into their life. The Turkana and the Karamojong of Uganda, who they neighbor, appear to have had the most influence on the Pokot. Those who are cultivators mainly grow corn/maize. Nevertheless, whether a pastoralist or a farmer, wealth among the Pokot is measured by the number of cattle one has. The other major uses of cows are in bride price and barter trade. As long as a Pokot man has enough wealth in terms of cows to offer, marrying more than one wife is allowed.
Dairy products like milk are an important part of the diet of the Pokot. Porridge made from wild fruits boiled with a mixture of milk and blood, a repast rich in nutrients and iron is the staple of the Pokot diet. Using a special arrow, it's shot into the neck of a cow to drain blood without permanently causing harm to the animal.
The Tororot being the utmost god according to the Pokot, prayers and sacrifices are made to him during ethnic festivals and dances that are organized by their elders. Also, the Pokot have diviners who are in charge for maintaining the spiritual balance within their society. Being superstitious and believing in sorcery and sometimes calling on various forms of shielding lucky charms to ward off the ill will of any sorcerers is a part of their tradition. They also worship other deities like the sun, moon and believe in the spirit of death.
Governing within the Pokot community, is through a number of age-sets and association with any particular set is be determined by the age during which a Pokot goes through their initiation into that set group or society. It is typically between the ages of fifteen and twenty for the men while, it is around twelve, for the women. Matrimonial binds for the youngsters are allowed, once the initiation has been accomplished. As well, they begin taking part in the local economic functions. The bonds formed within the initiation groups, are close and are functional in future political ties as they progress through the positions in the tribal organization. At old age, they get a certain degree of status and the esteem that goes with it. Presiding over important tribal decisions, festivals and religious celebrations are the duties among others that elders are in charge of.
The Pokot are quite proud of their culture are bound to hold on to it in the future. Generally, Pokot women wear colorful necklaces and beaded headgears, brass jewelry and big loop type earrings whereas men wear just a few wrap garments and cowhide capes and shirts. They use beaded skirts to distinguish those females who have been initiated from those who haven't. Pokot warriors wear red clay on their hair, special headgears of feathers. Dances are an important aspect of their culture especially during social-cultural events.
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One of the most basic and effective strategies for composition is the well-known Rule of Thirds. In a tic-tac-toe fashion, you mentally divide the image into nine rectangular areas by drawing two equally spaced horizontal and vertical lines. The result will give you three equal horizontal and vertical layers, with four points where the lines intersect.
Once you mentally divide the image into that nine part grid, you then place the elements of the scene according to that grid. There are several possibilities:
1. Place elements, especially important subjects, at one or two of the intersection points, what some call the “power points.”
2. Place elements along the vertical or horizontal lines. For example, put the horizon on the bottom line to emphasize the sky, or on the top line to emphasize the landscape.
3. Place elements neatly within the horizontal and/or vertical layers.
4. Combine these strategies in interesting ways.
But how exactly do we “place” elements? It happens in one’s ability to see a scene through the viewfinder according to this grid. That visual skill might come naturally for some people. Others might have to work at it. Bryan Peterson recommends getting a piece of glass or clear plastic with dimensions similar to the camera viewfinder, using a marker to draw the grid onto it, and then looking at the world though it while trying to compose shots. If you take shots that roughly approximate the Rule of Thirds, you might later fine-tune the proportions by cropping.
Why is the Rule of Thirds so important in visual design? The human mind doesn’t particularly like disorder and chaos. It naturally seeks out patterns and quickly detects their presence, often on an involuntary, subconscious level. The three part geometry of the Rule of Thirds is particularly catchy to the eye. It feels interesting, dynamic. It conveys tension and energy, especially at the power points. As I mentioned in the chapter on diagonal lines, the number 3 is psychologically compelling, sometimes even mystical. Think of mother/father/child, the love triangle, the Pyramids, the Holy Trinity. Think of the Three Stooges and the Three Little Pigs.
Here’s a more subtle aspect of the Rule of Thirds grid. Hopefully, the dimensions of the nine rectangular areas are aesthetically pleasing, as in the “golden ratio” of 8:5. The frame of the typical camera is very close to this ratio, which results in nine areas that also approach those dimensions. Applying the rule of thirds to images of unusual dimensions may result in divisions with proportions that are not as aesthetically pleasing.
Taking the Rule of Thirds as a rigid “rule” is a mistake. It’s best to consider it a guideline. Strict placement of elements according to the grid may be too predictable, too obviously geometric. A more subtle and loose interpretation stimulates that satisfying reaction in which our mind perceives order, but we cannot immediately verbalize why. Place elements near the lines or power points, but not right on them. Organize fields of color and texture close to the horizontal and vertical layers, but not squarely within them. Place a prominent subject at a power point and other elements more loosely around the grid.
In Pensare the subject’s head appears at the upper right power point, which creates a feeling of mental activity, while the blue blanket rests more peacefully within the lower third layer. In Weed the crabgrass lands directly on the lower right power point (a hint of its tenacity) while the slate stepping stones suggest a vertical division of thirds without falling directly on the horizontal lines.
In the photograph at the top of this page, the old tree rests comfortably within the right side layer, with its extended branch in the upper third, its trunk in the middle third, and its base in the bottom. The various layers of the background fall loosely within these vertical layers, while the three smaller trees emphasize the sensation of thirds. We tend to think of the lines and shapes of nature as being continuous, intricate, and flowing together in very complex ways. When the eye senses, perhaps subconsciously, that a photograph organizes this complexity according to a familiar geometry of thirds, the results can be very appealing.
In an image with a single subject and lots of background or negative space, we might apply the Rule of Thirds by creating twice as much background or space as subject. Usually, we would place the subject in the right third. Based on how people read, in many cultures the eye moves more naturally from left to right, so the viewer will feel more secure entering the background or space on the left and moving naturally to the subject on the right. The position of the subject will look more grounded. However, in some shots, we might instead place the subject on the left to create a sense of uneasiness and tension. The eye lands on the subject, trails off into the empty space on the right, and then tries to jump back to the subject, resulting in a “shifting” feeling. The photograph Suspicion illustrates this uneasy shiftyness.
We aren’t limited to Rule of Thirds proportions. We might also apply a Rule of Halves where the grid contains two lines, two vertical and horizontal halves, four rectangles, and only one intersection point at dead center. Usually we try to avoid placing subjects right at the middle of a shot because it looks static and boring. We also usually try to avoid dividing an image in half, which tends to create the appearance of two separate images and no unity. But in some shots a Rule of Halves geometry might be quite interesting.
It’s also possible to design an image based on a Rule of Fourths or a Rule of Fifths, as long as the viewer’s mind can detect this underlying pattern. If the placement of elements becomes too geometrically complex, the viewer might not sense any order.
Of course, we might completely ignore any guidelines based on geometric patterns. Breaking the rules can lead to very interesting compositions because they defy the traditions.
* This image and essay are part of a book on Photographic Psychology that I’m writing within Flickr. Please see the set description.
At the base of the front façade of the Cathedral at Orvieto are four magnificent large marble bas relief tableaus, each with images telling the stories of Christianity.
The second marble bas relief tableau from the left depicts the ancestors of Jesus Christ from the Old Testament; the Tree of Jesse traces Jesus' ancestry to King David. This is a closer look at some of the figures on the lower left of this tableau.
These Gothic era reliefs were created through group craftsmanship. Great masters and their assistants, all unidentifiable now, worked together to produce the reliefs and they are among the finest example of this art. Many of the scenes are detailed and beautiful.
Cathedral of Saint Mary of the Assumption, Orvieto; March 2017
I can't say I remember it that well. like most books I read when young I know they remain important even if the plot is the vaguest memory. horses don't need to be unicorns to be magical
The Drottningholm Palace is the private residence of the Swedish royal family. It is located in Drottningholm. It is built on the island Lovön (in Ekerö Municipality of Stockholm County), and is one of Sweden's Royal Palaces. It was originally built in the late 16th century. Apart from being the private residency of the Swedish royal family, the castle is a popular tourist attraction.
From Wikipedia, the free encyclopedia
Should be viewed on the Black stuff
The southern end of the Notre Dame de Paris, with a lot of gothic architecture to admire on this cathedral.
More information and details at www.eutouring.com/images_notre_dame.html
Expression of joy : A group of kids playing at Valiyathura beach, Trivandrum, Kerala. They were so excited to see me with camera. They were literally fighting to pose for me... and none of them couldn't pause the action. :-p
_MG_5999
View of Lydgate station with the colliery sidings and workings above.
This is a fictional model railway set in the Forest of Dean during the British Railways era with both steam and diesel featured. It is a OO gauge layout built by Dave Spencer, currently owned by Ian Perrin and has been on show at a number of UK exhibitions.
City of La Crosse, Wisconsin Police Department Ford Police Interceptor Utility. La Crosse is the county seat in La Crosse County.
A flotilla of lantern boats line the bank of Thu Bồn River in ancient Hoi An Town.
In 1999 the old town was declared a World Heritage Site by UNESCO as a well-preserved example of a Southeast Asian trading port of the 15th to 19th centuries, with buildings that display a blend of local and foreign influences.
According to the UNESCO Impact Report 2008 on Hội An, tourism has brought changes to the area which are not sustainable without mitigation - basically way too many tourists.
More than 800 historic buildings in Hoi An have been preserved.