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Reamonn - Through The Eyes Of A Child
Sweet is a child
With your open eyes
You've seen us through
we really are
And I know that there'll be tomorrow
To the how can have this glory day
And I wish that this world would embrase you
From magic stars and mystery
My open heart
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
I know you
I've seen you're face before
You braught me to this open door
Afraid to walk through
Please take my hand
And I know that there will be tomorrow
To the how can have this glory day
And I wish that this world embrase you
From magic stars and mystery
My open heart
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
And I'll see where we'll go from here
'cause love doesn't break with the right [...]
You hands is how
You've chosen to be
Life is a freedom
Now go out there and be free
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
Why did we make it so hard
This life is so complicated
Until we see it through the eyes of a child
I'm so grateful for this beautiful season of the year! This photo was taken along the River Walkway by the Snake River in downtown Idaho Falls. The white building in the distance is the Idaho Falls Temple of the Church of Jesus Christ of Latter-day Saints.
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A story of Sicily: the Sicilian Gandhi (but he was not Sicilian ...).
This photographic story is connected, at least in part, with the previous one, whose link is represented by the nephew of the painter Robert Kitson, Miss Daphne Phelps: in life she was a psychiatric social worker (she collaborated with Anna Freud, daughter by Sigmund Freud), on the death of his uncle in 1948 he moved to Sicily to take care of Casa Cuseni, having inherited it: initially he wanted to sell it and then return to England, instead he ended up falling in love with Taormina and Sicily, deciding to stay there for the rest of his life. Daphne ran Casa Cuseni welcoming paying guests, there are many illustrious names of artists, writers, well-known personalities who have stayed there: Danilo Dolci was one of these guests, and it is precisely about him that I wish to speak. He was born in 1924 in Sesana (Trieste), after a somewhat eventful life, in 1952 he moved to Trappeto (between Palermo and Trapani), a country among the poorest and most disadvantaged in Italy: that same year the first of numerous fasts, going to bed and fasting in the bed of a child who died of malnutrition, a protest that will end only when the authorities undertake to build a sewer. Danilo Dolci continues with numerous initiatives, from the publication of a book ("Banditi a Partinico", which makes public opinion aware of the poor living conditions of western Sicily, to this book and many others will follow), to the "strike at reverses ”, when the workers went on strike, hundreds of unemployed began to work to reactivate an abandoned municipal road, an initiative that was then stopped by the police; Dolci also initiates an activity of denunciation of the mafia phenomenon and its relations with politics. There are numerous certificates of esteem and solidarity that he receives from important personalities from Italy and abroad, but despite this, for others Danilo Dolci is a dangerous subversive, to be hindered, denigrated, locked up in prison. Yet Dolci does not pose as a guru, boss, or teacher, his working method is based on the conviction that change is based on the involvement and direct participation of those concerned, his idea of progress enhances local culture and skills; he tries, working closely with the people and the most disadvantaged and oppressed groups of western Sicily, to free the dormant creativity in every person, calling this research "maieutic", a term coming from philosophy, precisely from Socratic maieutics: it is "the 'art of the midwife ", every educational act is to bring to light all the inner potentialities of the one who wants to learn, like a mother who wants to give birth to her own child from her womb, so no to notions imparted a priori, yes to help the student to bring their knowledge to light, using dialogue as a tool; however, Socratic maieutics is unidirectional, while in Danilo Dolci's "reciprocal maieutics", knowledge comes out of experience and its sharing, therefore it presupposes the reciprocity of communication. During meetings with farmers and fishermen, the idea was born to build the dam on the Jato River, which is important for the economic development of the area, but also to remove a powerful weapon in the hands of the mafia, an instrument of power which controlled the few available water resources; however the request for "water for all" will be heavily hindered, popular mobilizations and long fasts will be necessary to finally see the project realized: now the dam exists, and others have been built, thus modifying the lives of thousands of people, with the development of numerous companies and cooperatives. Among the many activities of Dolci, thanks to the contribution of international experts, the experience of the Mirto Educational Center, attended by hundreds of children, should be mentioned. Returning to Daphne Phelps and Casa Cuseni, here is a lithograph by Tono Zancanaro, dedicated to the birth of one of Danilo Dolci's daughters, but, among the most important, there is a correspondence between the pacifist philosopher Bertrand Russel and Daphne Phelps, in which the English thinker invited Robert Kitson's niece to participate in the gatherings of progressive intellectuals and literary and scientific personalities of the time, among them, besides Albert Camus, Jean-Paul Sartre and Carlo Levi, there was Danilo Dolci, sociologist, educator, still recognized today as one of the most important figures of nonviolence worldwide.
post Scriptum:
- the images with Danilo Dolci come from the Casa Cuseni archive: they are cuttings from original periodicals, often full pages, from English newspapers, carefully preserved by Miss Daphne Phelp; these images were also taken by photographing some pages of James McNeish's book, "Fire under the ashes - The life of Danilo Dolci";
- the photographs taken in various countries of Sicily, are prior to the covid-19 pandemic;
- thanks to the surgeon colleague dr. Franco Spadaro and his kind wife, Mrs. Mimma Cundari, owners of Casa Cuseni (declared in 1998, Italian National Monument), for their hospitality and availability, having made the Danilo Dolci archive available to me.
Una storia di Sicilia: il Gandhi siciliano (ma siciliano non era…).
Questo racconto fotografico, è connesso, almeno in parte, con quello precedente, il cui anello di congiunzione è rappresentato dalla nipote del pittore Robert Kitson, la signorina Daphne Phelps: lei nella vita era una assistente sociale psichiatrica (lei collaborava con Anna Freud, figlia di Sigmund Freud), alla morte dello zio nel 1948 si trasferì in Sicilia per occuparsi di Casa Cuseni, avendola ereditata: inizialmente la voleva vendere per poi ritornarsene in Inghilterra, invece finì con l’innamorarsi di Taormina e della Sicilia, decidendo di restarvi per il resto della sua vita. Daphne gestiva Casa Cuseni accogliendo ospiti paganti, numerosi sono i nomi illustri di artisti, scrittori, note personalità che vi hanno alloggiato: Danilo Dolci è stato uno di questi ospiti, ed è proprio di lui che desidero parlare. Egli nasce nel 1924 a Sesana (Trieste), dopo una vita un po’ movimentata, nel 1952 si trasferisce a Trappeto (tra Palermo e Trapani), un paese tra i più poveri e disagiati d’Italia: quello stesso anno inizia il primo di numerosi digiuni, coricandosi e digiunando nel letto di un bimbo morto per denutrizione, protesta che terminerà solo quando le autorità si impegneranno a costruire una fogna. Danilo Dolci prosegue con numerose iniziative, dalla pubblicazione di un libro (“Banditi a Partinico”, che mette a conoscenza dell’opinione pubblica delle misere condizioni di vita della Sicilia occidentale, a questo libro poi ne seguiranno molti altri), allo “sciopero alla rovescia”, quando i lavoratori fecero sciopero, centinaia di disoccupati si misero a lavorare per riattivare una strada comunale abbandonata, iniziativa però poi fermata dalla polizia; Dolci avvia anche una attività di denuncia del fenomeno mafioso e dei suoi rapporti con la politica. Numerosi sono gli attestati di stima e solidarietà che egli riceve da importanti personalità provenienti dall’Italia e dall’estero, ma nonostante ciò per altri Danilo Dolci è un pericoloso sovversivo, da ostacolare, denigrare, chiudere in prigione. Eppure Dolci non si atteggia né a santone, capo, od un maestro, il suo metodo di lavoro è basato sulla convinzione che il cambiamento è basato sul coinvolgimento e diretta partecipazione degli interessati, la sua idea di progresso valorizza la cultura e le competenze locali; egli cerca, lavorando a stretto contatto con la gente e le fasce più disagiate ed oppresse della Sicilia occidentale, di liberare la creatività sopita in ogni persona, chiamando tale ricerca “maieutica”, termine proveniente dalla filosofia, precisamente dalla maieutica socratica: è “l’arte della levatrice”, ogni atto educativo è far venire alla luce tutte le potenzialità interiori di colui che vuole imparare, al pari di una madre che vuol far nascere la propria creatura dal suo grembo, quindi no a nozioni impartite a priori, si ad aiutare lo studente a portare alla luce la propria conoscenza, usando il dialogo come strumento; però, la maieutica socratica è unidirezionale, mentre nella “maieutica reciproca” di Danilo Dolci, la conoscenza viene fuori dall’esperienza e dalla sua condivisione, quindi presuppone la reciprocità della comunicazione. Nel corso di riunioni con contadini e pescatori, nasce l’idea di costruire la diga sul fiume Jato, importante per lo sviluppo economico della zona, ma anche togliere un’arma potente in mano alla mafia, che faceva del controllo delle poche risorse idriche disponibili uno strumento di potere, però la richiesta di “acqua per tutti” verrà pesantemente ostacolata, saranno necessarie le mobilitazioni popolari, lunghi digiuni, per vedere infine realizzato il progetto: ora la diga esiste, ed altre sono state poi realizzate, modificando in tal modo la vita di migliaia di persone, con lo svilupparsi di numerose aziende e cooperative. Da menzionare, tra le tante attività di Dolci, grazie al contributo di esperti internazionali, l’esperienza del Centro Educativo di Mirto, frequentato da centinaia di bambini. Ritornando a Daphne Phelps e Casa Cuseni, qui è presente una litografia di Tono Zancanaro, dedicata alla nascita di una delle figlie di Danilo Dolci, ma, cosa tra le più importanti, esiste un carteggio tra il filosofo pacifista Bertrand Russel e Daphne Phelps, nel quale il pensatore inglese invitava la nipote di Robert Kitson a partecipare ai raduni di intellettuali progressisti e personalità letterarie e scientifiche dell’epoca, tra di loro, oltre Albert Camus, Jean-Paul Sartre e Carlo Levi, c’era Danilo Dolci, sociologo, educatore, ancora oggi riconosciuto tra le figure di massimo rilievo della nonviolenza a livello mondiale.
post scriptum:
- le immagini con Danilo Dolci provengono dall'archivio di Casa Cuseni: sono ritagli di giornali originali dell'epoca, spesso pagine intere, provenienti da quotidiani inglesi, accuratamente conservati dalla signorina Daphne Phelp; tali immagini sono state realizzate fotografando anche alcune pagine del libro di James McNeish, "Fire under the ashes - The life of Danilo Dolci";
- le fotografie realizzate in diversi paesi della Sicilia, sono antecedenti alla pandemia da covid-19;
- si ringrazia il collega chirurgo dott. Franco Spadaro e la sua gentile consorte, signora Mimma Cundari, proprietari di Casa Cuseni (dichiarata nel 1998, Monumento Nazionale Italiano), per la loro ospitalità e disponibilità, avendo messo a mia disposizione l'archivio relativo a Danilo Dolci.
All of the photographs on my gallery are protected by copyright and not to be used for ANYTHING without strict written permission from me, the photographer, Lauren Tucker.
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This kind of sums up how I've been feeling lately, kind of ghost like. Not in the spooky sense of the word, but more like I'm just faded and floating around in limbo, trying to find my way.
In the past few months I've felt so many ranges of feelings in regards to the direction I want my life to be going, I love my job and the work that I do, but loving a job isn't the same as feeling passionate about it. I'm passionate about creating art but i just don't know if pursuing it is the right path for me.
float on I suppose.....
King Fahd Road and Kingdom Tower are at the heart of Riyadh. This is the vertical frame of the previous picture. Still not happy with it, have to take this during golden hour.
While much of the shipyard is abandoned and in complete darkness, this one dry dock was lit as bright as day.
Many thanks to Tim Baskerville for organizing the event. Exploring the shipyard with Andy Frazer.
(8 second exposure)
"The mystery of love is greater than the mystery of death" -- Wilde, 'Salome'.
Brompton Cemetery, London, 1991.
I was happy to find a disk of photographs I took some years back. Larger view.
THE BALL OF LIGHT MOVIE IS HERE! : www.denissmith.com.au/about/ball-of-light-movie/
Kyrie and I are working furiously on the Ball of Light shop on the website. I once again had to trawl through the archives looking for stuff.
This Ball of Light shot was a perfect example of it reflecting my mood. I was so happy and feeling so warm this night.
Having the shop up is quite exciting. But oh boy what a massive amount of work! My wife is a genius, and is so passionate.
Be Strong
(The only adjustments to this image are minor brightness and saturation tweaks. NO PIXELS ARE ADDED OR REMOVED. It is taken in a SINGLE EXPOSURE, with no use of "mechanical devices".
After the building of the Atlantic & Pacific Railroad in 1883 the region of northern Yavapai County began experiencing rapid growth. The people of the northern reaches had tired of the rigors of travelling all the way to Prescott for county business. They also believed that they were a significant enough entity that they should have their own county jurisdiction. Therefore, they decided in 1887 to petition for secession from Yavapai and the creation of a new Frisco County. They remained part of Yavapai, however, until 1891 when Coconino County was formed and its seat declared to be Flagstaff.
I got about one more week of summer before heading back to class. I am still working on that MEM52 project at which probably won't get to finish it till later this year. This summer has probably been one of my busiest summer ever, but probably one of my most productive summer since like middle school. I felt like my plans for the summer all came out successful. I will be entering my senior year this coming semester! Can't believe I am already looking at Grad School's. One of good friend left for Med School this morning, I really wish her the best as I know Med School is extremely hard and stressful.
The weather finally starts to feel like somewhat like Fall! aka my favorite season!
gonna take a pics in the coming weeks, and maybe travel a bit far if I have the time.
Have a great weekend! Doing some catchup today....seem like I am always doing catching up.
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Making of for this week's MacroMondays challenge "Souvenir"
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On the east side of Glacier by the Blackfeet Indian Reservation there is a huge grove of windswept trees like the ones pictured. After a short hike, you will run into tree after tree, each gnarlier than the last. It was quite the experience. The grove is located on a little plateau overlooking some of Glacier's mountains and you can feel the wind up there that shaped these trees. I visited twice, the second time I wanted to shoot the full moon and was there around 4-5am. Winds were howling and a cold front had came through that night leaving temps in the 20s. I had two down jackets on and probably looked like I was about to climb Everest. The wind is relentless though even on a calm day. This shot was from my first hike up to the trees and it was 'calm', AKA 30mph winds. This was the morning after the lenticular and the light was off the hook again. Actually got lucky, if the sun would have rose about an hour later, sunrise would have just been bland and gray with overcast skies. This was no doubt, one of the best sunrises I have ever seen. Yet, it was the quickest as well. There was some beautiful pre-dawn light, but the real show was when the sky lit up like you see here. 30 seconds later is was gone and there was snow in the air.
So I made a minifig collectible series for the 5 years of GoH, unfortunately my ill health prevented me from making enough MOCs to qualify to enter it in the competition. I've taken some pics of my favourite figs.
I created three distinct areas for my "Crescent Peninsula" inhabitants. These are three of the six figs I created for the Purple Mountains region.
On the left is an Albino Orckin, These fearsome fighters form the main body of the Mountain Empress's guard.
The Empress of the Mountain is the ruler of the Crescent mountain range - she holds one of the triforce Crystals that hold the Peninsula together. she is a powerful enchanter and possesses a wicked temper.
The Quartz Mountain RockLord is a summoned elemental, although limited in itntellect he more than makes up for this with his perchant for cruelty and violence.
There is a light ...
Everyday there comes a song with the dawn
www.youtube.com/watch?v=NDmnG9uTEfk
How could I let a love go ?
It’s not easy to let go of the pieces, even though they’re the reason for my pain.
I'm not letting go ....
© All rights reserved Anna Kwa. Please do not use this image on websites, blogs or any other media without my explicit written permission
Abstract cropped imaged of a section of a ceiling window inside the Aria Hotel, Las Vegas, Nevada, USA
“Life is like a landscape. You live in the midst of it but can describe it only from the vantage point of distance.”
~ Charles Lindbergh
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Heyo! How's it going? So, I've decided to upload a picture once every week and if my humble brain decides to cope with time for one more, or maybe even a few (who knows?) then why not, eh? Anyway, you can now sing.
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BAY OF BENGAL (Oct. 16, 2021) Royal Australian Navy Anzac-class frigate HMAS Ballarat (FFH 155) pulls alongside U.S. Navy Nimitz-class aircraft carrier USS Carl Vinson (CVN 70) to conduct a fueling-at-sea as part of Maritime Partnership Exercise (MPX) 2021. MPX is a multilateral maritime exercise between the Royal Australian Navy, Japan Maritime Self-Defense Force, U.K. Royal Navy, and U.S. maritime forces; focused on naval cooperation, interoperability, and regional security and stability in the Indo-Pacific and is an example of the enduring partnership between Australian, Japanese, U.K., and U.S. maritime forces who routinely operate together in the Indo-Pacific, fostering a cooperative approach toward regional security and stability. (U.S. Navy photo by Mass Communication Specialist Seaman Emily Claire Bennett)
Bartholomäus Bruyn or Barthel Bruyn (Cologne, 1493 - Cologne, 1555) - Portrait of Cardinal Bernardo Clesio (1530-39) _ Gallery of Palazzo Corsini, Rome
Pittore tedesco di origine olandese, operante nel periodo rinascimentale.
Travagliata è la storia dell'attribuzione di questo ritratto; l'opera nei vecchi inventari era attribuita a Dürer, in epoca moderna è stata assegnata da Burckardt (1904) a scuola di Metsys, da Wurzbach (1910) allo Scorel, da Van Gelden a B. Van Orley o a A. Woesam. Firmerich (1894), Venturi (1896), Frizzoni (1902), Hermanin (1924) e Winkler (1924) pensavano a Joos Van Cleve. Successivamente è stato dato a Bruyn, il cui nome era stato avanzato già da Justi (1895,) e accettato da Baldass (1925), Puyvelde (1950), Collobi Ragghianti (1990) e Alloisi (2001).
German painter of Dutch origin, working in the Renaissance period.
The history of the attribution of this portrait is troubled; the work in the old inventories was attributed to Dürer, in modern times it has been assigned by Burckardt (1904) to the school of Metsys, by Wurzbach (1910) to Scorel, by Van Gelden to B. Van Orley or to A. Woesam. Firmerich (1894), Venturi (1896), Frizzoni (1902), Hermanin (1924) and Winkler (1924) thought of Joos Van Cleve. Later it was given to Bruyn, whose name had already been advanced by Justi (1895,) and accepted by Baldass (1925), Puyvelde (1950), Collobi Ragghianti (1990) and Alloisi (2001).
Making of for this week's MacroMondays challenge "fastener"
Tryouts:
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The Safety of the Harbour. Inshore Fishing Boats Moored at Coverack, Cornwall, England.
Coverack on the southern edge of the Lizard Peninsula, is a small picturesque fishing village built on two sides of a spur of rock that juts out into the sea.
Coverack has a large, sheltered, crescent shaped beach which is is ideal for swimming & windsurfing. Fishing boats and pleasure craft shelter in Coverack's small harbour - built out of the local green serpentine rock ( some of the oldest geological strata known to exist).
Arnold Henry Savage Landor (June 2, 1865 - December 26, 1924) - half-lenght portrait of a woman in profile (1891) - oil on wood - Exhibition "Painting Asia from life" - MAO, Museum of Oriental Art, Turin
Artista, antropologo, esploratore, avventuriero, scrittore, fotografo, giornalista e inventore: Arnold Henry Savage Landor (1865-1924) è una figura poliedrica estremamente interessante, che ha goduto di grande successo in vita e che, per motivi non del tutto chiari, è caduta totalmente nell’oblio dopo la sua morte. Savage Landor nacque a Firenze da padre inglese e madre italiana. Visse la sua adolescenza in un ambiente colto, in cui letteratura e arte erano passioni quotidiane. Tra i suoi maestri vi fu Stefano Ussi (1822-1901), che intuì le capacità del giovane e suggerì alla famiglia di lasciare che si dedicasse alla pittura. Partito presto alla scoperta del mondo, il giovane Henry visitò prima alcuni paesi dell’Africa settentrionale e dell’America, per muoversi poi alla volta dell’Asia: Giappone, Corea, Cina, dove dipinse centinaia di opere dal vero in uno stile 'impressionistico-macchiaiolo' di rapida esecuzione.
L'unicità documentaria delle sue creazioni appare evidente: in un periodo in cui ci si affidava già all'immediatezza della fotografia, Savage Landor ha persistito a lungo nel dipingere en-plein-air, prendendo però nettamente le distanze dalle visioni fantasiose e dallo stile minuziosamente classico della pittura di genere Orientalista per immergersi invece nel mondo asiatico reale, restituendone i vari aspetti con i tratti espressivi della modernità. Lo stile dell’artista anglo-fiorentino, rapido e conciso, si rivela infatti estremamente efficace nel 'fotografare' con immediatezza luoghi e persone che di lì a qualche decennio sarebbero completamente cambiati per conseguenza dell'incipiente globalizzazione.
Explorer, adventurer, writer, photographer, journalist and inventor: Arnold Henry Savage Landor (1865-1924) is an extremely interesting figure, who had great success in life and, for still unclear reasons, fell into oblivion after his death.
Savage Landor was born in Florence to an English father and an Italian mother. He spent his childhood and adolescence in very lively intellectual circles, where literature and art were daily passions. Among his teachers was Stefano Ussi (1822-1901), who sensed the young man's skills and suggested his family to let him devote to painting. Leaving home to discover the world, young Henry first visited some countries in North Africa and America, then moved to Asia: Japan, Korea, China, where he made hundreds of paintings in real life.
The documentary uniqueness of his creations is evident: at a time when the immediacy of photography was already being exploited, he long insisted on painting en plein air.
Although he was well aware of Orientalist painting, he stayed strictly away from its edulcorated, fantastical visions and from its meticulously classic style, preferring to plunge into the real world of Asia and portray it in a modern artistic manner.
The style of the Anglo-Florentine artist, quick and concise, proves to be extremely effective in "photographing" places and people who would have completely changed after a few decades as a result of the incipient globalization.
HILLS of TIME ~ Saint Joseph, Missouri ~ Copyright ©2013 Bob Travaglione ~ ALL RIGHTS RESERVED ~ www.FoToEdge.com
Alexandre Hogue, ”Drought Survivors”. (1984—Conceived in 1936). New Mexico Museum of Art. (4/14/2022)
www.youtube.com/watch?v=xwsYvBYZcx4
I don’t want there to be things you "love about me"....
I want you to love "all of me"
Mathias Malzieu, La Mécanique du cœur
© All rights reserved Anna Kwa. Please do not use this image on websites, blogs or any other media without my explicit written permission
Most of my pictures are taken in and around the city of Molde, witch is the capital of Møre og Romsdal, in the country of Norway
A rose is a woody perennial flowering plant of the genus Rosa, in the family Rosaceae, or the flower it bears. There are over a hundred species and thousands of cultivars.
They form a group of plants that can be erect shrubs, climbing or trailing with stems that are often armed with sharp prickles. Flowers vary in size and shape and are usually large and showy, in colours ranging from white through yellows and reds.
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View of John Grantham, Sheriff of Newcastle at the opening of Benwell Billiard Saloon, 28 November 1924 (TWAM ref. DF.GRA/1/1).
These images belong to a series of albums documenting John Grantham’s service to the City of Newcastle upon Tyne as its Sheriff 1924-1925 and its Lord Mayor 1936-1937. John Grantham was born in Blyth in 1877 and became a cinema proprietor in Newcastle. He was elected to the City Council in 1912 and became an alderman in 1932. The albums give us an interesting insight into the duties of Lord Mayor and Sheriff as well as a fascinating picture of the times.
2016 is the 800th anniversary of the creation of Newcastle's Mayoralty and Burgesses.
(Copyright) We're happy for you to share these digital images within the spirit of The Commons. Please cite 'Tyne & Wear Archives & Museums' when reusing. Certain restrictions on high quality reproductions and commercial use of the original physical version apply though; if you're unsure please email archives@twmuseums.org.uk
Celebrity Eclipse, Serenade of the Seas, and Noordam
Celebrity Eclipse
Celebrity Eclipse is a Solstice-class cruise ship operated by Celebrity Cruises, a subsidiary of Royal Caribbean Group. After she was ordered with German shipbuilder Meyer Werft in July 2006, she saw her keel laid in February 2007 and she was formally delivered in April 2010. The 122,000 GT-vessel followed sister ships Celebrity Solstice and Celebrity Equinox as the third Solstice-class ship in the fleet.
Decks17 decks
Installed power4 × Wärtsilä 16V46. 67,200 kW (combined)
Propulsion
Two ABB Azipods
Three Wärtsilä CT300 bow thrusters (3,000 kW each)
Speed24 knots (44 km/h; 28 mph)
Capacity2,850 passengers
Crewapprox. 1,271
GTS Serenade of the Seas is a Radiance-class cruise ship operated by Royal Caribbean International. She was completed in 2003.
Decks 12
Speed 25 knots (46 km/h; 29 mph)
Capacity 2,490 passengers
Crew 891
MS Noordam is a member of Holland America Line's Vista class, and the fourth Holland America Line vessel to bear the name. The ship was christened on February 22, 2006, in New York City by the actress Marlee Matlin. Noordam is a sister ship of MS Oosterdam, MS Westerdam, MS Zuiderdam and P&O Cruises' MS Arcadia (originally ordered by the HAL, but sold to P&O). The prefixes of the four ships' names represent the four directions of the compass in Dutch.
Tonnage 82,500 gross tonnage (GT)
Length 936 ft (285.3 m)
Beam 105.8 ft (32.2 m)
Decks 11 passenger decks
PropulsionDiesel-electric; two ABB Azipod units
Speed maximum 23-knot (43 km/h), service 20-knot (37 km/h)
Capacity 1,916 passengers
Crew 800 crew
Coal Harbour, Vancouver, British Columbia, Vancouver, Canada
Of all the Meadowlands-related spots, this is the easiest, both in terms of access, and the pictures you'll get. Visit at sunset and you're guaranteed a picture-postcard vista. So it is a fitting addition to my new black and white series "Steve Fretz Sells Out."
en.wikipedia.org/wiki/Monte_Stella_(Milan)
Monte Stella (Milan)
From Wikipedia, the free encyclopedia
A notable area of the park is called "Giardino dei Giusti" (Garden of the Just), which is a memorial to distinguished opponents of genocide and crimes against humanity; each tree in the garden is dedicated to one such person. Notable people who have been dedicated a tree in the Giardino dei Giusti include Moshe Bejski, Andrej Sakharov, Svetlana Broz, and Pietro Kuciukian
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Monte Stella ("Starmount"), also informally called Montagnetta di San Siro ("Little mountain of San Siro") is an artificial hill and surrounding city park in Milan, Italy. The park, established in the 1950s, has an overall area of 370,000 m². The eponymous hill was created using the debris from the buildings that were bombed during World War II, as well as from the last remnants of the Spanish walls of the city, demolished in the mid 20th century.
The park is located in the QT8 district. This was an experimental district that was completely designed after the World War. The hill itself was designed by architect Piero Bottoni, who led the team of architects who contributed to the QT8 project. Bottoni dedicated the hill to his wife, Stella.
The hill is 45 m high; according to the original design, it should have been twice as high, but it was later redesigned to avoid damaging buildings in the nearby street Via Isernia as a consequence of side pressure. Even at only 25 m height, the hill provides a panoramic view of the city and hinterland, and in a clear day, the Alps and Apennines can be distinguished from atop.
As I've said before, one of my goals in photographing birds was to get this particular resident species, the Oak Titmouse. (Second on the list was the White-crowned Sparrow in breeding plumage.) My first two cameras didn't have the range for avian photography of any kind ... well, with the first exception when an Oak Titmouse popped up on a newly planted five foot orange tree right in front of me.
Still, I persisted, and I think I have 15 pretty good images of this titmouse. One in particular was my prize and was the first image I hung on my wall. (flic.kr/p/ufUbT1) That's not the reason that I never posted this image. The reason for that was that I wasn't on SmugMug or later Flickr, and so I just printed this, put it in an album, and there it stayed until this morning.
I was in the archives again, and I must say I really like this shot. The way the tail just clears and follows the curve of the piece of rotten oak which was also used as a granary for Acorn Woodpeckers (which is why I was there taking pictures that day in March). More than that, there appeared to me that there was movement in this pose. He actually had just landed, and was already about to take off again. 1/640th was my go to prep speed, and it worked very well here. The light was good, too. And that's why I'm starting off the week for you (I can look at it any time) with one 3 gram Oak titmouse on a Live Oak (that's the name, not the description).
I've described this bird many times. Let's just let it go with this: The Oak titmouse (Baeolophus inornatus) is a passerine bird in the tit family Paridae. The American Ornithologists' Union split the plain titmouse into the oak titmouse and the juniper titmouse in 1996, due to distinct differences in song, preferred habitat, and genetic makeup. It sleeps in deep cavities, and what better place than a woodpecker hole in an oak or yucca. We are surrounded by thousands of acres of three of the twenty species of oak in California: valley oak, interior live oak, or blue oak. The Valley Oak is the largest oak in the state, and we have 30+ heritage oaks within a quarter mile of my front door. (Heritage oaks are huge, some with canopies 100 feet or more across, 70 feet tall, and with trunks about 25 feet in diameter. How can you tell if one is a "heritage oak?" Easy: every heritage oak is numbered with a metal tag about 8 feet off the ground ... and that's all I'll say. They are also between 200 and 350 years old. And every one has an Oak titmouse in it! I just made that up, but it's where I'd start to photograph these little flitters.)
The Resurrection Cathedral of the New Jerusalem Monastery was built as recreation of the Church of the Holy Sepulcher in Jerusalem and other holy sites of Palestine.
[I take the opportunity of having finished the series on the church of Martinvast to upload three photos that I took recently in various parts of France (very different parts: Brittany, Normandy [on the Brittany border, admittedly] and the French Riviera way down south!) and which I like.]
This splendidly ornate Renaissance town house in the northern Brittany city of Roscoff is called “The House of the Dragon”. So, can you spot the granite dragon? It is there, I assure you!
This is probably the most famous house in Roscoff. It is listed as a Historic Landmark.