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Original Sources of the images:
1. Olmec head: based on picture in class textbook, p. 12.
2. Maya Worker
3. Aztec Warrior from the Florentine Codex
4. Inca — Emperor Pachacuti and Wiracocha
The Swatch-&-Benz-made Smart cars are popular around Continental Europe, particularly Germany. In addition to awesome fuel economy, they can fit in the tightest parking spaces. On this particular day, parking spaces were in especially short supply as the Turkey national football team were playing a critical World Cup match, and Hamburg's Turkish population were out en masse to celebrate. The poor fellow in the blue shirt on the left was trying to figure how to get his green car out, not having any space in front of his car to maneuver. I hate laughing at other people's misfortune (ok, not really), but I had to have a photo of this.
It is just me, or does this car look like it is sporting a devilish grin?
Crumpled green note paper isolated on brown board
You can find and purchase/license this image and other my images at high resolution at microstosk agencies.
See links to my portfolios on my homepage: skobrik.com
I discovered these mock bank notes in a random shop and loved them. They are quite detailed (with more pictures on the back) and there is one for every Tudor monarch, the six wives and Prince Arthur. I love how they say very blatantly – ‘this note is not legal tender’. As if someone needed to be alerted to that...
You can download the template for these printable sticky notes at my blog! They are lots of fun to make!
The leaf veins have taken on a more stylized look. It was interesting to connect the pathways and fill some negative spaces with snippets of fabric, paper and photos. There is a map effect which I like here but not sure if I will use in my final stitch project. It is not free enough for me.
© All rights reserved: don't use this image on websites, blogs or media without my explicit permission.
Work, work and more work...
I got a pack of 150 'Joyce' stickers as a gift from Andrea, my colleague, a couple of years ago and just started putting them on EVERYTHING.
Prepared For Offensive or Defensive Warfare.
FRENCH THROWER OF GRENADES, PROTECTED BY SANDBAGS, LOOKING THROUGH HIS PERISCOPE IN ORDER TO GET AN ACCURATE AIM.
GERMAN HAND - GRENADE THROWERS CLOTHED IN STEEL ARMOR, WHICH MAKES THEM RESEMBLE SOLDIERS OF THE MIDDLE AGES.
GERMAN ANTI-AIRCRAFT MACHINE GUN, THAT THROWS A VAST NUMBER OF PROJECTILES WITH AMAZING RAPIDITY, BEING OPERATED IN A REGION THAT IS INFESTED WITH POISON GAS.
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The war of the nations: portfolio in rotogravure etchings: compiled from the Mid-week pictorial. New York: New York Times, Co, 1919. Book.
Retrieved from the Library of Congress, www.loc.gov/item/19013740/. (Accessed November 08, 2016.)
Images from "The War of the Nations : Portfolio in Rotogravure Etchings : Compiled from the Mid-Week Pictorial" (New York : New York Times, Co., 1919)
Notes: Selected from "The War of the Nations: Portfolio in Rotogravure Etchings," published by the New York Times shortly after the 1919 armistice. This portfolio compiled selected images from their "Mid-Week Pictorial" newspaper supplements of 1914-19. 528 p. : chiefly ill. ; 42 cm.; hdl.loc.gov/loc.gdc/collgdc.gc000037
Subjects: World War, 1914-1918 --Pictorial works.
New York--New York
Format: Rotogravures --1910-1920.
Rights Info: No known restrictions on reproduction
Repository: Library of Congress, Serials and Government Publications Division, Washington, D.C. 20540
Part Of: Newspaper Pictorials: World War I Rotogravures, 1914-1919 (DLC) sgpwar 19191231
General information about the Newspaper Pictorials: World War I Rotogravures, 1914-1919 digital collection is available at hdl.loc.gov/loc.gdc/collgdc.gc000037
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From Evernote:
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Affordable Utah Weddings Your free guide to affordable Utah wedding vendors
Some other tips (from onewed.com)…
Get a good set of hot rollers. Hot rollers are key to creating loose, natural-looking curls. Wash your hair, apply some curling cream to the roots, flip your head over and blow dry upside down. Flip hair again and brush it out lightly. When your hair is dry, section off large pieces and set them in hot rollers, starting at your forehead, working your way to the sides, and finishing with the back. Rub some curling cream between your palms, remove the rollers, then finger-style to reduce frizz. “You’ll be left with soft, piece-y curls that are easy to sweep up and pin in place,” says Romero.
• Use the train track bobby pin method. “When you’re ready to create the updo, put away your comband brush. “They’re a trade secret. They don’t slip and come in colors to match your hair.” Starting at the front of your head, take a three-inch section and gently pull it back, securing with two bobby pins, criss-
• Plan ahead, and practice!
Basic 40s and 50s Curl Sets « Skirting The Issue
I love sharing my little revelations with you guys, so since I finally got two basic curl sets figured out I thought I should write a tutorial. I’m going to show you a good basic 40s set, and a basic 50s set. The difference is that the 40s set has more volume on the bottom half and generally lies smooth over the crown, where the 50s set has more volume all over. Though they seem to be so similar you could easily interchange them and hardly anybody would know the difference. Depending on your hair, one could turn out looking like the other.
I’m going to show you the setting patterns for rollers since most of us are not quite skilled enough in the art of pin curls, but if you are they’re easily converted. You’ll have more and smaller curls but the directions will be the same. These are great beginner sets; they don’t involve a bunch of different layers going in opposite directions, and with practice they can easily be done in 10-15 minutes. For the sake of simplicity, I’ll be showing you my own hair after being set by the diagrams I’ve made (though I take no credit for designing them. Chances are a bazillion people before me have done the same ones). The celebrities hair have of course not been done using my diagrams, but it was probably set in a similar way and they do a better job of showing the difference between the decades, and an idealized look at how these should turn out. Now don’t forget your end papers and setting lotion! Ready?
Let’s start with the 40s set.
Front
Back
Veronica Lake, who's hair is even longer than my own.
Lauren Bacall, with a more traditional length.
This set is rolled only up to your ears, excepting the bang area which goes right up to the scalp, so the long curl will help frame your face. All curls will be going down, but you can tilt the ones in front towards your face if you like. You can do this in as many rows as you like, but for normal to fine hair and using rollers one can easily be enough. I prefer to have the curls done in an even row(s) all around the head, so that when you brush it out it creates nice uniform waves, but as every day 40s hair tends to be a little fluffier this isn’t so necessary. This is in fact an excellent set to try doing with pin curls.
You probably won't need this.
When your hair is set, it might actually look pretty cute. If you come out with kinks in the top, you can use a flat iron or curling iron to smooth it out. Keep in mind that sponge rollers with their plastic clasps do tend to create kinks more than others, so I’m not partial to them. But you can use whatever you’re most comfortable with. I’m loyal to my pillow rollers, and when they’re not available I rag roll with whatever I can find. There’s a how-to video on this at the bottom of the article. Here’s the 40s set done with strips of paper towels. It needed to be brushed again, so don’t mind the ringlets and crazy flyaways.
And now here’s the 50s set.
Damn, I got that on the first try! I wish I could say the same for the second and third tries. We’re all learning together. You might find that this looks similar to the 40s set, however it’s rolled right up to the scalp which creates more volume all over. You can see the difference a lot better on shorter hair.
Elizabeth Taylor's shorter hair demonstrates the volume starting right from the crown, as opposed to the more bottom-heavy look of the 40s.
Again, keep in mind that your hair cut affects the final look, so you might not have those face framing curls from the pictures. And if your hair is longer like mine, the weight might keep the crown looking smooth and 40s no matter what. That doesn’t mean it won’t look good, just go with what you have and make it yours.
My crappy drawing is a rough guide to how the curls should be positioned. Hopefully it's not TOO crappy to understand.
As you can see, there are about 4 curls going down the center of the head; the front one going forward and the others going back. The second one can go towards what will be the thick side of your part, but I find it difficult for some reason and unnecessary. Then you’ll have two on each side going down.
The easiest way to go about this is to start with your hair parted deeply to whichever side you prefer, about over the arch of your eyebrow. Grab the section above your ear on the thin side and curl it down, or angled slightly forward if you like. Then grab a section of similar size behind it and curl it down as well, trying to get it to the same level. Then you can do the two curls on the top of your head, separated by another symmetrical parting over the other eyebrow. Curl the other side to match the first, and finally separate what’s left in the back into two curls going downward. Like before, if you have more hair or you’re using smaller rollers or pin curls, you’ll have more curls but they’ll still be going the same way. When you’re done you’ll look incredibly silly. Cover with a Rosie bandanna.
Make sure to brush this one out slowly and against your hand to keep it as smooth as possible, and shape the curls so they blend together. Hopefully you come out with a winner!
Like this!
I hope I explained these well enough. If you have any questions let me know. I’m going to finalize this by showing you a video that explains rag rolling quite well, since it’s incredibly useful if you don’t have any rollers handy and it’s something a lot of people have trouble with. It’s not half as hard as you might think. Good luck, guys!
Bobbins and Bombshells
Skirting The Issue
Skirting The Issue
Now, the most important thing to create a beehive is a rat, or hair filler. I mean, you don’t NEED one, but it’s a hell of a lot harder without it, and you’re more likely to end up with a rat’s nest instead. I use a long narrow rat for bumper bangs, so I curved it into a U shape with the middle facing up for this look. You can also just use a round or ball-y shaped one. A lot of people put cotton or fake/real hair into some pantyhose or a hair net for this. Bumpits are crap btw. Put your rat on the crown of your head or slightly higher in case of sagging or just to make it all the more epic. Pin it in place. Then bit by bit, take the hair from the top of your head and tease the living shit out of it, and pin it over the rat. Do this until you look like Dolly Parton. The last bit that will cover the surface should be left smooth. Then you just need pomade and a light touch with a comb to smooth the top out, and lot of hairspray. I slept in mine and it somehow actually survived, only shrinking a little. Which was perfect as I was feeling lazy and liked it and wanted to leave it up for work. Anyway, you can leave the bottom in beachy waves like Bridgette Bardot, put it in a ponytail, or for more of a Hairspray or formal look, twist it up into a French twist and tuck the ends in.
Holy crap that was easy.
This is not me, but I do feel this fabulous.
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Clarinetto: Da Wikipedia, l'enciclopedia libera StoriaLo strumento più antico che adotta il principio dell'ancia semplice è il memet egiziano, costituito da una coppia di canne e conosciuto dal 2700 a.C. Esistono vari tipi di strumenti che adottano questo principio tra cui le launeddas sarde, conosciute dal 900 a.C. Sullo stesso principio si basa lo chalumeau, il predecessore del clarinetto, costituito da un tubo cilindrico di canna alla cui parte superiore c'era un'incisione fatta per ricavare l'ancia.
Lo chalumeau fu soggetto ad innovazione attorno al 1690 da parte di Joahnn Christian Denner, un artigiano di Norimberga. Lo strumento di Denner aveva sei fori anteriori e uno posteriore e due chiavi chiuse, una posta sopra i fori anteriori e l'altra su quello posteriore, che chiudevano altri due fori. Successivamente Denner e i suoi figli hanno spostato il foro della chiave posteriore e lo hanno rimpicciolito per poterlo utilizzare sia come chiave del Sib, sia come foro portavoce, aprendo quindi le porte del registro superiore o "registro di clarino".
Il termine clarinetto appare per la prima volta nel 1732 nel "Musicalishes Lexicon" di Johan Gottfried Walther in cui è scritto: "Sentito a distanza, esso suona piuttosto come una tromba". Ciò spiega il nome clarinetto derivato da clarino, termine oggigiorno utilizzato impropriamente, che indica uno strumento appartenente alla famiglia delle trombe. Il clarinetto ebbe un suono penetrante probabilmente fino al principio del 1800; si ritiene così perché i metodi per imparare a suonare il clarinetto pubblicati dal 1850 sottolineano il suono "ora più pieno, dolce e piacevole" dei clarinetti precedenti.
Lo sviluppo del clarinetto continua nel 1740 quando Jacob Denner (figlio di Joahnn Christian) aggiunse al clarinetto una lunga chiave aperta per realizzare il Si3 (prima impossibile), riempiendo questo "buco nell'estensione dello strumento e portandolo all'estensione attuale. Nei decenni successivi diversi artigiani hanno fatto tentativi per migliorare lo strumento, senza ottenere risultati rilevanti. Un passo importante è stato fatto da Ivan Müller, un musicista parigino nato in Russia. Müller costruì un clarinetto dalle caratteristiche rivoluzionarie. Il suo strumento aveva tredici chiavi con un nuovo tipo di cuscinetti e con i fori cigliati. Quello di Müller è stato il primo clarinetto a poter suonare in tutte le tonalità. Nel 1812 fu esaminato dagli specialisti del conservatorio di Parigi e, nonostante le sue notevoli potenzialità, fu rifiutato. Nonostante ciò il clarinetto di Müller ha posto le basi al clarinetto tedesco.
Successive modifiche al clarinetto sono state apportate da Hyacinthe Eléonore Klosé, il produttore del clarinetto "sistema Boehm". Klosé ha basato il suo lavoro su quello fatto da Theobald Boehm che introdusse sul flauto le chiavi ad anello. Klosé adottò gli anelli sul clarinetto, adottò i fori cigliati di Müller e aggiunse nuove chiavi per un totale di diciassette. Questo strumento era facile da gestire e dava la possibilità di suonare in tutte le tonalità. Fu Klosé stesso ad esibirlo per la prima volta a Parigi nel 1839. Oggi è il tipo di clarinetto più diffuso.
Al clarinetto di Müller gli anelli sono stati applicati da Carl Bärmann. Poi Oskar Oehler modificò la posizione delle chiavi adattandole alle caratteristiche delle mani e migliorando quelle acustiche. Questo è il clarinetto attualmente utilizzato in Germania e, con piccole differenze, in Austria.
Il clarinetto è tuttora sottoposto a miglioramenti tecnici. Si cerca di ottenere caratteristiche acustiche sempre migliori e maggiore maneggevolezza da parte degli esecutori. Tra i contemporanei che più di altri si sono cimentati nel migliorare lo strumento sono da ricordare il clarinettista Rosario Mazzeo e lo svizzero Renè Hagmann.
In a musical scale, maybe you could hear a note that will choke your head. Of course, the note isn't right. Isn't proportional, isn't symmetric, isn't harmonical. It's Blue! Blue note.
John Oliver and Lurena Frazier Oliver. The first permanent white settlers....
DC Talk ~ Colored People
Pardon me, your epidermis is showing, sir
I couldn't help but note your shade of melanin
I tip my hat to the colorful arrangement
Cause I see the beauty in the tones of our skin
We've gotta come together
And thank the Maker of us all
We're colored people, and we live in a tainted place
We're colored people, and they call us the human race
We've got a history so full of mistakes
And we are colored people who depend on a Holy Grace
A piece of canvas is only the beginning for
It takes on character with every loving stroke
This thing of beauty is the passion of an Artist's heart
By God's design, we are a skin kaleidoscope
We've gotta come together,
Aren't we all human after all?
Ignorance has wronged some races
And vengeance is the Lord's
If we aspire to share this space
Repentance is the cure
Well, just a day in the shoes of a color blind man
Should make it easy for you to see
That these diverse tones do more than cover our bones
As a part of our anatomy
We're colored people, and they call us the human race
[Oh, colored people]
We're colored people, and we all gotta share this space
[Yeah we've got to come together somehow]
We're colored people, and we live in a tainted world
[Red and yellow, black and white]
We're colored people, every man, woman, boy, and girl
[Colored people, colored people,
colored people, colored people, yeah]
Playing with some new stamps and dies from Penny Black.
thanks for looking,
snippets-karen.blogspot.ca/2018/02/love-note-cas-watercol...
This is a photograph from the second running of the Athlone Flatline Half Marathon ("The Flatline") was held at Athlone, Co. Westmeath, Ireland on Saturday 14th September 2013 at 11:00. There was beautiful weather for the event which started and finished at St. Aloysius College near the Canal Banks area of the town just slightly west of the River Shannon. This event was professionally organised and the very flat course meant that many runners both seasoned and new to the scene achieved season or personal bests. Almost 1,000 participants successfully completed the event in the beautiful September sunshine. Everyone involved must be congratulated for the flawless running of the event. This event is sure to go from strength to strength over the coming years. The "Flatline" also included an option for a full marathon which was fully supported by the Marathon Club of Ireland and the East of Ireland Marathon Series. This allowed participants to run the Flatline twice for the qualifying marathon distance. About 80 people took part.
This is a photograph which is part of a larger set of photographs taken at the start and finish of "The Flatline" 2013. The URL of the main set is www.flickr.com/photos/peterm7/sets/72157635495089498/. There are some photographs of the finishers of the marathon.
For reference the satellite navigation Coordinates to the event HQ are (Longitude: -7.948153, Latitude: 53.420575)
Event management and timing was provided by PRECISION TIMING. See their website at [www.precisiontiming.net/]
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Such is the popularity of the race this year that registration closed for the race in mid-August 2013. There were well over 1,000 participants who took to the start line.
Weather: The weather on the day was almost perfect for running. The runners were bathed in warm September sunshine for the duration of the race and into the early afternoon. In the sections of the race out towards Clonown and around the Bord na Mona areas there was a stiff breeze but nothing major.
Course: "The Flatline" ceratinly lived up to its name. It is as flat a course as one is likely to find. A garmin connect gps trace of the route is provided here [connect.garmin.com/activity/199678412] Geographically the course spends much of the race in County Roscommon with only the first and last kilometers actually in County Westmeath. This gives geographically inclined runners the novel opportunity to race in two Irish provinces in one race. The course had distance markers at every kilometre and mile along the way. There were official pacers provided by the race organisers.
Location Map: Start/finish area and registration etc on Google StreetView [goo.gl/maps/8qCes] - Ample parking was supplied with some over-flow car-parking options also available.
Refreshments: An Alkohol Frei bottle of Erdinger was provided to every finisher as they crossed the line. Light refreshments were served.
Some Useful Links
Precision Timing Results Page: www.precisiontiming.net/result/racetimer
Facebook Event Page for the 2013 www.facebook.com/events/495900447163378/ (Facebook logon required)
Boards.ie Athletics Discussion Thread about the 2013 race: www.boards.ie/vbulletin/showthread.php?t=2056984967
Boards.ie Athletics Discussion Thread about the 2012 race: www.boards.ie/vbulletin/showthread.php?p=80049447
GARMIN GPS Trace of the Route for 2013: connect.garmin.com/activity/199678412
Race HQ Venue in 2013: St.Aloysius College Athlone : staloysiuscollege.ie/
Race Sponsors Vision Express Athlone: www.visionexpress.ie/opticians/opticians-in-republic-of-i...
Action Physio Athlone: www.actionphysio.ie/
Race photographs from 2012's Flatline - supplied by PIXELS PROMOTIONS: pixelspromotions.zenfolio.com/p126168889 (on route) and at the Finish line pixelspromotions.zenfolio.com/p31872670 - please note these are not our photographs (see www.pixelspromotions.com/).
How can I get full resolution copies of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
The lovely Leonie from Ensemble con Fuoco warming up before a recital in Brighton Beach, Victoria, Australia in August 2014.
finally ordered some more Field Notes from Coudal. such nice packaging.
*second "Mr. Wilson" pic of the day
Made from lined & plain office paper, as well graph paper. Double sided decorative scrapbook paper from MME. File folders altered as well as pink paper bags fill this album which include many additional journaling cards. Binding is hand sewn pages. Fabric binding on outside. Covers are recycled cardboard. Handmade flowers, paper doilies & stickers adorn front & back. Silver beads hand from 2 bookmarks & from outside binding.