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First, a note: I am not a professional, nor do I pretend to be. The usual frantic pace of the end of the semester has kept me from “playing” with the new toy for any length of time.
Conditions of the test
This particular gym is dark and has mixed lighting. Without an Expodisk, the D200 (and the D50 I used last year) rendered images with a strong yellow and/or green cast.
Settings
I used a variety of settings during this tournament. All pictures were shot using auto ISO and auto white balance. The picture controls were normal, with sharpening set to 7. Noise reduction was set to low. I finally settled on the manual mode, 1/400th of a second with an aperture of f2.8. I used a variety of auto focus modes but most of these were shot in single point mode. The metering mode was centerweight.
I used a Nikor AF-S 80-200 f2.8 for all of these shots.
Post Processing
I used Capture NX to convert the files from RAW to JPEG—after I backed everything up, as Capture NX supposedly doesn’t play well with OS X 10.5. The first images are straight from Capture NX, with no additional processing except for a little resizing in Photoshop (the JPEG files out of NX were over Flickr's 10 mb file size restriction). The second example was post processed in Photoshop CS3 with the Define 2.0 plugin.
Conclusions
The D300 is a complicated beast, far more so than the D200. I’ve used a variety of focusing modes: the 3D tracking is a wonder to behold, in the right conditions. A basketball court full of players with similar uniforms isn’t the best situation. I’ve had good results with focus priority (9 point), but I seem to get the best results with the good, old fashioned single point mode.
The auto WB is a wonder. Exposure is quite good, although I was admittedly pushing it with these images. The end of the gym I usually shoot from has an overhead track that prevents any light from reflecting back onto the players’ faces, resulting in a bad combination of dim light and silhouetted players. The D300 handled the situation quite well.
The noise is quite acceptable for my use. Yes, it’s there and quite evident, particularly at 100%. Given that most of these shots were taken with an ISO of 2000 or above, I don’t think that’s bad.
What’s also present is detail: in one shot, the threads on the player’s uniform are quite visible. I could not have done that with the D200 under these conditions, period.
I printed a 13” by 19” shot from a different game that looked good at normal viewing distances (I did clean it up with Define). That might be stretching it, but it also gives you an idea of how much the high ISO game has changed in the past few months.
I’m not a pixel-peeper, so I’ll let viewers form their own judgments. I’ve only held a 40D in a store, I’ve never used a Canon dSLR and I’m neither inclined nor qualified to render a judgment on the image quality of the respective devices. I’m a neutral party in the Canon/Nikon war. Both companies make fantastic cameras, and I’m sure the 40D is capable of giving fine results in similar conditions.
This was the first pole with glass insulators I saw today. Upon seeing it, I was so taken aback and surprised that I slammed on the brakes and yelled out loud.
But construction like this, that's hardly been touched in about 90 years sure is getting hard to find these days...I'd say this is one of the very oldest all-original distribution poles I have EVER found!
If you look close at the pole, you'll also notice a few odd things about when comparing it to CL&P's other construction of the era--the neutral is in the middle of the secondary, and the braces are bolted to the outside of the crossarm. Seems they did this across New Britain for some reason.
I put this shot together for my wife's guitar she had custom made by Chris Williams. 85mm lens at f1.8 with a hand cut music note stencil placed over it to create shaped bokeh with Christmas lights background. Guitar was painted with a flashlight for 5 seconds during an intentional overexposed 25sec for added background color.
NOTE - This image is not public domain, it belong to me and is not to be used in any way without my permission.
After graduating I've been number each of my note/sketch books. I'm on the ninth book and because it's my favorite number I made it special.
Panasonic DMC-G1
LUMIX G VARIO 45-200mm/F4.0-5.6/MEGA O.I.S.
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I discovered these mock bank notes in a random shop and loved them. They are quite detailed (with more pictures on the back) and there is one for every Tudor monarch, the six wives and Prince Arthur. I love how they say very blatantly – ‘this note is not legal tender’. As if someone needed to be alerted to that...
Clarinetto: Da Wikipedia, l'enciclopedia libera StoriaLo strumento più antico che adotta il principio dell'ancia semplice è il memet egiziano, costituito da una coppia di canne e conosciuto dal 2700 a.C. Esistono vari tipi di strumenti che adottano questo principio tra cui le launeddas sarde, conosciute dal 900 a.C. Sullo stesso principio si basa lo chalumeau, il predecessore del clarinetto, costituito da un tubo cilindrico di canna alla cui parte superiore c'era un'incisione fatta per ricavare l'ancia.
Lo chalumeau fu soggetto ad innovazione attorno al 1690 da parte di Joahnn Christian Denner, un artigiano di Norimberga. Lo strumento di Denner aveva sei fori anteriori e uno posteriore e due chiavi chiuse, una posta sopra i fori anteriori e l'altra su quello posteriore, che chiudevano altri due fori. Successivamente Denner e i suoi figli hanno spostato il foro della chiave posteriore e lo hanno rimpicciolito per poterlo utilizzare sia come chiave del Sib, sia come foro portavoce, aprendo quindi le porte del registro superiore o "registro di clarino".
Il termine clarinetto appare per la prima volta nel 1732 nel "Musicalishes Lexicon" di Johan Gottfried Walther in cui è scritto: "Sentito a distanza, esso suona piuttosto come una tromba". Ciò spiega il nome clarinetto derivato da clarino, termine oggigiorno utilizzato impropriamente, che indica uno strumento appartenente alla famiglia delle trombe. Il clarinetto ebbe un suono penetrante probabilmente fino al principio del 1800; si ritiene così perché i metodi per imparare a suonare il clarinetto pubblicati dal 1850 sottolineano il suono "ora più pieno, dolce e piacevole" dei clarinetti precedenti.
Lo sviluppo del clarinetto continua nel 1740 quando Jacob Denner (figlio di Joahnn Christian) aggiunse al clarinetto una lunga chiave aperta per realizzare il Si3 (prima impossibile), riempiendo questo "buco nell'estensione dello strumento e portandolo all'estensione attuale. Nei decenni successivi diversi artigiani hanno fatto tentativi per migliorare lo strumento, senza ottenere risultati rilevanti. Un passo importante è stato fatto da Ivan Müller, un musicista parigino nato in Russia. Müller costruì un clarinetto dalle caratteristiche rivoluzionarie. Il suo strumento aveva tredici chiavi con un nuovo tipo di cuscinetti e con i fori cigliati. Quello di Müller è stato il primo clarinetto a poter suonare in tutte le tonalità. Nel 1812 fu esaminato dagli specialisti del conservatorio di Parigi e, nonostante le sue notevoli potenzialità, fu rifiutato. Nonostante ciò il clarinetto di Müller ha posto le basi al clarinetto tedesco.
Successive modifiche al clarinetto sono state apportate da Hyacinthe Eléonore Klosé, il produttore del clarinetto "sistema Boehm". Klosé ha basato il suo lavoro su quello fatto da Theobald Boehm che introdusse sul flauto le chiavi ad anello. Klosé adottò gli anelli sul clarinetto, adottò i fori cigliati di Müller e aggiunse nuove chiavi per un totale di diciassette. Questo strumento era facile da gestire e dava la possibilità di suonare in tutte le tonalità. Fu Klosé stesso ad esibirlo per la prima volta a Parigi nel 1839. Oggi è il tipo di clarinetto più diffuso.
Al clarinetto di Müller gli anelli sono stati applicati da Carl Bärmann. Poi Oskar Oehler modificò la posizione delle chiavi adattandole alle caratteristiche delle mani e migliorando quelle acustiche. Questo è il clarinetto attualmente utilizzato in Germania e, con piccole differenze, in Austria.
Il clarinetto è tuttora sottoposto a miglioramenti tecnici. Si cerca di ottenere caratteristiche acustiche sempre migliori e maggiore maneggevolezza da parte degli esecutori. Tra i contemporanei che più di altri si sono cimentati nel migliorare lo strumento sono da ricordare il clarinettista Rosario Mazzeo e lo svizzero Renè Hagmann.
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In a musical scale, maybe you could hear a note that will choke your head. Of course, the note isn't right. Isn't proportional, isn't symmetric, isn't harmonical. It's Blue! Blue note.
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After 4 years of joint R&D efforts with SEAS, Audio Note introduces a hemp-coned woofer to replace its long-standing paper woofer, beginning with the HE series of speakers. Greater stiffness yields superior resolution of low--level detail.
The Swatch-&-Benz-made Smart cars are popular around Continental Europe, particularly Germany. In addition to awesome fuel economy, they can fit in the tightest parking spaces. On this particular day, parking spaces were in especially short supply as the Turkey national football team were playing a critical World Cup match, and Hamburg's Turkish population were out en masse to celebrate. The poor fellow in the blue shirt on the left was trying to figure how to get his green car out, not having any space in front of his car to maneuver. I hate laughing at other people's misfortune (ok, not really), but I had to have a photo of this.
It is just me, or does this car look like it is sporting a devilish grin?
Blank note paper is stored here. I got these blank note papers from Marukai as well. They are much thicker than Filofax paper and are perforated. My sections are soon followed by all my plastic inserts like this zip pouch (Day-Timers because I couldn't stand the one from Filofax with its chunky zip pull). I store color coding dots, and more stickers here, as well as a photo of my son when he was much younger.