View allAll Photos Tagged NegativeLabPro
Graflex Speed Graphic | Kodak Aero Ektar 178mm f/2.5 | Kodak Portra 160, +1 dev
Scanned with Epson V750 Pro | Epson Fluid Mount
Home developed in Cinestill Cs41 Powder | JOBO CPE2 Rotary Processor
Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: Cinematic - Rich | WB: Kodak | LUT: Frontier
Kiev 88 | Vega Vega 12B 90mm f/2.8 | Kodak Portra 400
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Unicolor C-41 | 102 degrees / 3:30 min | Agitation
Cadillac, Harrison Blvd., North End, Boise, ID
Taken 21 July 2023
Rolleiflex 3.5F
Zeiss Planar 75mm/ 3.5
Japan Camera Hunter StreetPan 400
Nikon FE | Nikon Nikkor 50mm 1.4 | Ilford HP5+ 400
Scanned with Nikon Coolscan V ED
Home developed in Ilford DDX 1:4 | 9:00 at 20°
Negative Lab Pro v3.0.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Kodak Tri-X 400 @ 800
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Ilfotec DD-X 1:4 | 10 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Hard | WB: None | LUT: Frontier
north end, boise, id
taken 30 may 2024
Mamiya 7ii
Mamiya 43mm f/4.5
Cinestill 50D 50
Scanned with DSLR
Home developed
Cinestill CS41
3 min 30 sec
Minolta CLE | Minolta M-ROKKOR 40mm f/2.0 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Kamerakraft FSC1 Pro
Home developed in Ilfotec DD-X 1:4 | 13 minutes at 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
Taken with:
Minolta 110 Zoom SLR MKII (subminiature camera)
Lomography Orca B&W 100 Film 110
Developed in Rodinal 1:100 30 min 20°C (68°F)
Nikon F6 | Kodak Portra 800
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Scanning software: Vuescan
Image edited by Negative Lab Pro/ Trial
Number of samples: 0
Number of passes: 2
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80 | Ilford FP4+ 125 @ 200, +1 dev
Digitized with GFX 50S with 120mm f/4 Pentax Macro | Kaiser Slimlite Plano | Digitaliza 120mm Holder
Home developed in Ilfotec DD-X 1:4 | 13 minutes @ 20ºC
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: None | LUT: Frontier
November 2024, Fitzroy. Double exposure fun at the end of the roll. Nikon FA. Vanbar dev, DSLR scan. Marix 100D.
Intrepid 4x5 MK4 | Fujinon W 180mm f/5.6 | Arista EDU Ultra 100
Scanned with Epson Perfection V800 Photo
Home developed in New Belgium Fat Tire Beerenol | 20:00/68F | SP-445 tank
Negative Lab Pro v2.2.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: None
- Fujica GW690III
- Kodak Portra 400
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
- Fujica GW690III
- Kodak Portra 800
- Home developed with Tetenal C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
- Fujica GW690III
- Kodak Portra 800
- Home developed with Tetenal C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
west end, boise, id
taken 19 march 2025
mamiya 7ii
mamiya 43mm f/4.5
ilford hp-5 400
Scanned with dslr
Home developed
kodak d76
1:1 | 13min
Negative Lab Pro v2.3.0 | Color Model: Noritsu | Pre-Sat: 4 | Tone Profile: Cinematic - Rich | LUT: Natural
Leica M6 TTL | Leica Summicron-M 50mm f/2.0 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in HC-110 1:31 | 11 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
I shot the film at iso 100, some pictures metering for the shadows - some average... but the whole film came out extremly thin. - Maybe I have contamintated my c-41 developer since the shadow details are there... (confirmed later) I am surprised to what could be pulled out of the negatives - even though they were thin.
I never checked the shutter of the Zeiss Ikonta - next time I will use a camera I know is good - with electronic shutter. I was really hoping to use this old camera as a travel camera this summer. I have to other 6x9 folders that I don't trust - so a bit sad
Here Negative Lab Pro did a good job of quickly converting the colors though.
Zeiss Ikonta 520/2 | Kodak Gold 200 200 @ 100
82-0920/FS General Dynamics F-16A Fighting Falcon 184th Fighter Squardron, 188th Tactical Fighter Wing, Arkansas ANG "Flying Razorbacks"
The Flying Razorbacks were in the process of re-equipping with the F-16 from the F-4D at the time this picture was taken. Formal acceptance of the F-16 to the 184TFS occured 9 days later.
Arriving for Airsho 1988 at Harlingen, Tx 6th October 1988
Tri-X 400@200 (caducado en 2018)
Fujifilm GA645 Professional
Kodak HC-110 1+31 6' 30" 20ºC
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Negative Lab Pro v2.4.2 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
I believe this is a Queen Anne architectural style (Victorian) on the corner of Hancock Street and Marcy Avenue in Brooklyn
Leica M6
Voigtlander 35mm F2 Ultron
Fujifilm Superia 400
I like this one. I keep wondering why I can't make another photograph like it.
Nikon FE2 | Nikkor 50mm f/1.4 | Ilford HP5+ 400 @ 1600, +2 dev
Digitized with Nikon Z6 II with 55mm f/3.5 and ext. tube | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in HC-110 1:31 | 11 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: Auto-Neutral | LUT: Frontier