View allAll Photos Tagged NegativeLabPro
- Fujica GW690III
- Kodak Portra 160
- Home developed with Tetenal C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Because I'm a masochist, I shot a concert 100% on film. I did it for the same reason people climb Mount Everest — because it's there. I've been good friends with the bassist for Cold many years and she just wanted me to come to the show. There wasn't really any expectations, so I did it as a personal project. Let's be real. I love film, but digital is the greatest thing ever for concert photography. 😂
Full set is here: conc.art/shows/rock/cold-vogue-indianapolis-concert-film-...
Pentax 645NII | Pentax SMC Pentax-A 645 75mm f/2.8 | Cinestill 800T 800 @ 3200, +2 dev
Scanned with Nikon D810 | Negative Supply Basic 4x5 (99 CRI) | Negative Supply Film Carrier 120
Home developed in Cinestill Cs41 Liquid | JOBO CPE2 Rotary Processor
Negative Lab Pro v2.3.0 | Color Model: Frontier | Pre-Sat: 3 | Tone Profile: LAB - Shadow Hard | WB: Auto-Neutral | LUT: Frontier
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Kodak Ektar 100
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: LAB - Hard | WB: Auto-AVG | LUT: Frontier
Minolta AF-E | Minolta 35mm f/3.5 | Superia X-TRA 400
Scanned with Minolta Dimage Scan Dual III
Home developed in Cinestill CS41 Liquid | 3:30 / 102F | Paterson tank
Negative Lab Pro v2.4.2 | Color Model: Noritsu | Pre-Sat: 1 | Tone Profile: LAB - Standard | LUT: Natural
Graflex Pacemaker Speed Graphic | Kodak Ektar 203mm f/7.7 Flash-Supermatic | Ilford HP5+ 400
Scanned with Epson V850 | Epson 4x5
Home developed in Kodak HC-110 B (1+31) | 5min/20c | Inversion
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear | WB: Auto-Neutral | LUT: Frontier
in Prospect Park - Brooklyn
Planted in 1872
www.atlasobscura.com/places/campderdown-elm
Leica M5
Ilford HP5 400
garage in downtown Boise, ID
Taken 2 March 2023
Leica M6
Leica Summicron 35 mm f/2
Lomography Color 800
- Fujica GW690III with 85B Warming Filter
- Cinestill 800T shot at ISO 400
- Home developed with Flic Film C-41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Bronica RF645 | Fuji Pro 400H
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
IG: @e.vondell
Belmont, downtown Bosie, ID
Taken 16 May 2024
Mamiya 7ii
Mamiya 43mm f/4.5
Kodak Gold 200, +2 dev
Scanned with DSLR
Home developed
Cinestill CS41
pushed 2 stops
4 min 55 sec
July 2025, Looking towards the CBD from Smith Street.
Flicfilm Electra 100, Nikon FM2n.
Vanbar dev, dslr scan.
Kiev 88 | Volna Volva 3 80mm f/2.8 | Ilford Delta 100
Scanned with Canoscan 8800f | 120 w/ acrylic ANR sheet
Home developed in Rodinal 1:25 | 10:00 min / 68 degrees | Agitation
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Ilford Delta 400 metered at 800
- Home developed HC-110
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Kodak Tri-X 400 @ 200
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Ilfotec DD-X 1:4 | 8 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: Basic | Pre-Sat: 3 | Tone Profile: LAB - Highlight Hard | WB: Auto-Neutral | LUT: Frontier
ROLLEIFLEX 3.5F 1977 | Carl Zeiss Planar 75mm f3.5 | Fuji Neopan 400 400 @ 100, -1 dev Scanned with Canonscan 9000F | Yes Home developed in ADOX HC110 B | 6 min | Semi Stand Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
ROLLEIFLEX 3.5F 1977 | Carl Zeiss Planar 75mm f3.5 | Fuji Neopan 400 400 @ 100, -1 dev
Scanned with Canonscan 9000F | Yes
Home developed in ADOX HC110 B | 6 min | Semi Stand
Negative Lab Pro v3.1.1 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: Linear + Gamma | WB: None | LUT: Frontier
downtown boise, id
taken 9 september 2024
mamiya 7ii
mamiya 65mm f/4
kodak portra 160
Scanned with dslr
Home developed
cinestill cs41
3 min 30 sec
Website | Instagram | FaceBook | Flickr
Late Night Adventures in Film
Tokyo
Japan
2020/02/17~24
A collection of late night adventures, shooting with 35mm film again. It's been many, many years since I last used a film camera and it was very hit and miss process as all the years on digital have really spoiled us. This particular adventure saw me trying out Lomo800's low light capabilities on the colourful backstreets of Ebisu, Meguro and Ogikubo.
Camera: Canon AE-1 Program with 50mm f/1.4 and 85mm f/1.8nFD lenses.
Film: Lomography Colour Negative 35mm ISO800.
#日本 #Japan #東京 #Tokyo #夜 #Night #35mm #ISO800 #Cinematic #Canon #AE-1Program #FDlens #Film #Lomography #Lomo800 #Analog #Analogue #FilmCamera #istillshootfilm #Plustek8200 #NegativeLabPro #Lightroom
- Fujica GW690III
- Kodak Portra 400
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Located on the Snæfellsnes Peninsula in Iceland. We visited this peninsula on our last full day of driving the ring road around the country.
Taken with a Canon FTb, 24mm f/2.8 , and Kodak Ektar 100. The negative was “scanned” using a Nikon D7000 and edited in Lightroom.
Strobist Info:
*RB67 Pro SD with K/L 90mm f/3.5
*Ilford Delta 100
*Main Light - Westcott FJ400 with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left
*Fill - White foam core board camera right
- Home developed with Kodak HC-110 dilution B
- Mamiya RB67 Pro SD with K/L 90mm f/3.5
- Ilford Delta 100
- Home developed with Kodak HC-110
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Mamiya 7 + 65mm | Kodak Portta 400
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
Fujica GW690III
- Ilford HP5
- Home developed HC-110
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
- Fujica GW690III
- Fomapan 400
- Home developed with Cinestill DF96
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Oculus building, designed by Santiago Calatrava in Lower Mnahattan
Leica M7
Leica 35mm Summicron
Ilford XP2
Mamiya 7 + 65mm | Kodak Tri-X 400
Scanned with Sony A7RIII & Sigma 70mm macro
Converted with Negative Lab Pro
- Fujica GW690III
- Lomography 800 Color Negative
- Home developed with Tetenal C- 41
- Scanned using Epson V600 and Vuescan
- Negative converted using Negative Lab Pro
Rolleiflex 2.8C | Schneider-Kreuznach Xenotar 2,8/80mm | Kodak Tri-X 400 @ 200
Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3
Home developed in Rodinal 1:50 | 13 minutes @ 20ºC
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier
Leica M6 Re-Issue / Leica 21mm Super-Elmar f/3.4 / Kodak Ektar 100 Plustek 8300AI Scanner / Negative Lab Pro
Nkosi.artiste@gmail.com
ABOUT THE ARTIST
Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ