View allAll Photos Tagged NegativeLabPro

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- Fujica GW690III

- Cinestill 50D shot at 100

- Home developed with Unicolor C- 41

- Scanned using Epson V600 and Vuescan

- Negative converted using Negative Lab Pro

Project Film Club Six-by-Star

Fujinon 90 SWS F8 @ F22, 15"

Ilford Ortho Plus 80

Kodak HC110 (B)

 

Negative Lab Pro v2.3.0

VueScan

Epson v800

Zeiss Nettar 517/16 | Zeiss Novar Anastigmat 75mm f/6.3 | Lomography 800

 

Scanned with Canoscan 8800f

 

Home developed in Unicolor C-41 | 102 degrees | Agitation

  

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Ilford Kentmere Pan 400 +25A filter

 

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Pentax LX | Pentax Fa 43mm F1.9 limited | Ildford XP2 400

 

Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder

Mallorca

Olympus OM4 Ti | Olympus Zuiko Shift 35mm 1:2.8 | Kodak Ektar 100

Shot at Iso 100 1/250 f11

 

Scanned with Minolta Dimage Scan Elite 5400

Home developed in Cinestill C41

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- Fujica GW690III

- Kodak Portra 800 shot at ISO 1600

- Home developed with Tetenal C- 41

- Scanned using Epson V600 and Vuescan

- Negative converted using Negative Lab Pro

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Strobist Info:

 

*RB67 Pro SD with K/L 90mm f/3.5

*Ilford Delta 100

*Main Light - Westcott FJ400 with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left

*Fill - White foam core board camera right

 

- Home developed with Kodak HC-110 dilution B

Linhof Technorama 617s III | Super-Angulon XL 90mm f5.6 | Kodak TMax 100

 

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Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak Ektar 100

 

Drum scan Howtek d4000

 

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Olympus Stylus 120 | Kodak Ultramax 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

 

IG: @e.vondell

Nikon FE, Kodak Tri-X 400

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Strobist Info:

 

*RB67 Pro SD with K/L 90mm f/3.5

*Kodak Gold 200 shot at ISO 100

*Main Light - Godox AD400 Pro with 82 inch soft silver PLM (Parabolic Umbrella) with diffusion cover camera left

 

- Home developed with Flic Film C-41

boise, id

 

taken 15 may 2025

 

mamiya 7ii

mamiya 50mm f/4.5

kodak portra 800

 

Scanned with dslr

 

Home developed

cinestill cs41

3 min 30 sec

 

Nikon FG and Nikon Nikkor 50mm 1:1.8 AI-S

Expired Fujifilm Fujicolor Press 1600 at 200

Boise, ID

Stickering Boise Project

 

Taken 8 April 2023

Leica m3

Leica Summicron 50 mm Dual Range

Kodak Portra 400

san francisco, ca

 

taken 9 september 2025

 

rolleiflex 3.5f

zeiss planar 75mm/ 3.5

fuji pro 400h

converted to black and white

 

Scanned with dslr

 

Home developed

cinestill cs41

3 min 30 sec

 

Pentax MX, Kodak Gold 200

Nikon FG and Nikon Nikkor 50mm 1:1.8 AI-S

Expired Fujifilm Fujicolor Press 1600 at 200

Future art gallery, designed by OPerA Studio

 

I'm not what went on with this roll of film but I am guessing it is how I processed it.

 

Leica M7

Leica 35mm Summicron v4

Ilford XP2 400

Births and deaths are changing events, happiness and misery are passing phantoms, gain and loss are transitory trifles, hunger, thirst, grief, delusion, sorrow, elation and infatuation are ripples: I am the witness of them all, the atman, the universal self! I am the ocean supporting the waves; I live the fullness of life. I am not the passing conditions — I am verily the Immortal Atman!

 

The Witness – H.H Swami Jyotirmayananda

 

ABOUT THE ARTIST

 

Chance Nkosi Gomez known initiated by H.H Swami Jyotirmayanda as Sri Govinda walks an integral yogic path in which photography is the primary creative field of expression. The medium was introduced during sophomore year of high school by educator Dr. Devin Marsh of Robert Morgan Educational Center. Coming into alignment with light, its nature and articulating the camera was the focus during that time. Thereafter while completing a Photographic Technology Degree, the realization of what made an image “striking” came to the foreground of the inner dialogue. These college years brought forth major absorption and reflection as an apprentice to photographer and educator Tony A. Chirinos of Miami Dade College. The process of working towards a singular idea of interest and thus building a series became the heading from here on while the camera aided in cultivating an adherence to the present moment. The viewfinder resembles a doorway to the unified field of consciousness in which line, shape, form, color, value, texture all dissolve. It is here that the yogi is reminded of sat-chit-ananda (the supreme reality as all-pervading; pure consciousness). As of May 2024 Govinda has completed his 300hr yoga teacher training program at Sattva Yoga Academy studying from Master Yogi Anand Mehrotra in Rishikesh, India, Himalayas. This has strengthened his personal Sadhana and allows one to carry and share ancient Vedic Technology leading others in ultimately directing their intellect to bloom into intuition. As awareness and self-realization grows so does the imagery that is all at once divine in the mastery of capturing and controlling light. Over the last seven years he has self-published six photographic books, Follow me i’ll be right behind you (2017), Sonata - Minimal Study (2018), Birds Singing Lies (2018), Rwanda (2019), Where does the body begin? (2019) & Swayam Jyotis (2023). Currently, Govinda is employed at the Leica Store Miami as a camera specialist and starting his journey as a practitioner of yoga ॐ

in Brooklyn, by BKFoxx

www.instagram.com/bkfoxx/?hl=en

 

Leica M6

Kodak Pro Image 400

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Cinestill 800T

 

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Prairie Creek - Orick, CA

Hasselblad 500C/M

Zeiss Distagon T* 50mm

Ilford Delta 3200

McHappy Day at McDonalds, Marix 100D, Nikon FM2n. DSLR scan.

Either a really fun happy day, or a day filled with clowns and terror.

Mamiya 7 + 65mm | Kodak Portra 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

Pre-anniversary Speed Graphic, Film Washi "W" (Kozo paper base). Rated Iso 6, f22 @ ~15s. Dev'd in HC-110 1:100. DSLR scanned wet.

 

#BelieveInFilm

#LargeFormat

#PaperNegative

 

2022

Leiden

Canon A-1, nFD 50mm f/1.8, Fuji C200

 

Pentax LX | Pentax Fa 43mm F1.9 limited | Fuji superia 400 400

 

Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder

  

Bronica S2A + 3D printed 35mm adapter, Kodak Gold 200

san fancisco, ca

 

taken 9 september 2024

 

rolleiflex 3.5f

zeiss planar 75mm/ 3.5

kodak portra 800

 

Scanned with dslr

 

Home developed

cinestill cs41

3 min 30 sec

 

Mamiya 7 + 80mm | Kodak Tri-X 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

Linhof Technorama 617s III | Schneider Apo-Symmar L 180mm f/5.6 | Kodak Ektar 100

  

Pentax MZ3 | Pentax FA 43mm F1.9 limited | Kodak Color 200

 

Scanned with Pentax K1 FA Macro 50mm at F8 | Essential Film Holder

  

Coffee date at The District, Boise ID

 

Taken 26 January 2023

 

Leica m6

Leica Summicron 35mm/2

Kodak Portra 400

Bronica GS-1 + 100mm f3.5 | Kodak Tri-X 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

 

IG: @e.vondell

Leica Leicaflex SL | Leica 50mm f/2 Summicron | Kodak T-Max 400

 

Scanned with Canoscan 8800f

 

Home developed in Rodinal 1:25 | 6:30 min / 68 degrees | Agitation

Minolta CLE

Voigtlander 15mm f4.5

Kodak TriX 400 @1600

Rodinal 1:100 90'

Valoi Easy35

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Ilford HP5+ 400

 

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Mamiya 7 + 65mm | Kodak Portra 400

Scanned with Sony A7RIII & Sigma 70mm macro

Converted with Negative Lab Pro

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Ilford SFX R72 Infrared Filter

 

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Nikon FE2 | Voightlander Ultron 40mm f/2 | Kodak Pro Image 100

 

Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3

 

Negative Lab Pro v2.2.0 | Color Model: Frontier | Pre-Sat: 5 | Tone Profile: LAB - Hard | WB: Auto-AVG | LUT: Frontier

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Ilford SFX R72 Infrared Filter 200 Buy a Print

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FREE (not the sign), North End alley

Boise, ID

 

Taken 6 April 2023

 

Leica m6

Leica Summicron 35mm/2

Kodak T Max 400

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Kodak Ektar 100

  

Queens Botanical Garden

 

Leica M5

Voigtlander 35mm 2.0 Ultron

Ilford HP5 400

 

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- Fujica GW690III

- Fomapan 400

- Home developed with Cinestill DF96

- Scanned using Epson V600 and Vuescan

- Negative converted using Negative Lab Pro

Leica M6 TTL | Carl Zeiss Distagon 4/18mm | Ilford HP5+ 400 @ 1600, +2 dev

 

Digitized with GFX 50S with Pentax 120mm f/4 Macro | Kaiser Slimlite Plano | Essental Film Holder v3

 

Home developed in Ilfotec DD-X 1:4 | 13 minutes @ 20ºC

 

Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Soft | WB: Auto-Neutral | LUT: Frontier

Eldridge Street restaurants

 

Leica M7

Leica 35mm Summicron v4

Ilford XP2 400

Linhof Technorama 612 PCII | Schneider Kreuznach APO-Symmar 135mm f5.6 | Kodak T-MAX 100

 

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