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Lake Ballard, W Australia is a salt pan. It contains 53 cast iron sculptures of naked bodies of inhabitants of nearby Menzies. The work was done by UK sculptor Anthony Gormley to commemorate the 50th anniversary of the Perth festival.
PictionID:47212342 - Catalog:14_024999 - Title:GD/Astronautics Facilities Details: Stand 14; Test Equipment Date: 03/07/1958 - Filename:14_024999.TIF - - Images from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
PictionID:44129332 - Catalog:14_010714 - Title:Atlas. Details: Sandblasted 12-Service Test Specific. Date: 01/05/1967 - Filename:14_010714.TIF - - - - - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
pictionid62491815 - catalog230000740 - title gsconvair negative-convair 240 propellor feathering part - filename230000740.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
Source: livinghistories.newcastle.edu.au/nodes/view/32618
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
PictionID:44809422 - Catalog:14_014264 - Title:Atlas Payload Component - Filename:14_014264.TIF - - Image from the Convair/General Dynamics Astronautics Atlas Negative Collection. The processing, cataloging and digitization of these images has been made possible by a generous National Historical Publications and Records grant from the National Archives and Records Administration---Please Tag these images so that the information can be permanently stored with the digital file.---Repository: San Diego Air and Space Museum
I'm still only on the first small box of Rollieflex 120 negatives, I have been custodian to Alf Jefferies' very large photographic collection since his death almost 20 years ago. When he died there was no easy way to look at the negatives and printing over 10,000 images would have been impossible, not to mention space consuming. Now in 2016 I do have machines that can help me to get Alf's work out to the masses. He was a true photographer who developed his own film and printed his photographs with an enlarger in his home made dark room. He never owned a digital camera, every shot he ever captured is on Original negative film.
This collection is virtually unseen, only images here on Flickr and a few on Facebook have ever been shown like this.
My dream is to see Alf's photo's on every wall. He was a great photographer and the best Dad in the world. Thank you for Following me on this journey.
Website: chriskephoto.wixsite.com/life
Facebook: www.facebook.com/Chriskephotography/
Instagram: www.instagram.com/chriske417/
Tumblr: chriske417.tumblr.com/
Flickr: www.flickr.com/photos/chris_ke/
500px: 500px.com/lililala0417
Digitised image from the Town Hall Photographer's Collection - GB127.M850.
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
Taken for a set subject of 'shadows' at the camera club, tried to make it different from the other submissions
Collage
www.facebook.com/richardvergezcollage
instagram.com/dickvergez
Buy prints: society6.com/richardvergez
movementsofear.tumblr.com
Digitised image from the Town Hall Photographer's Collection - GB127.M850.
The Town Hall Photographer’s Collection is a large photographic collection held in Manchester City Council’s Central Library archives, ranging in date from 1956 to 2007.
The collection consists of tens of thousands of images, covering the varied areas of work of Manchester Corporation and latterly, Manchester City Council.
The photographs were taken by staff photographers, who were tasked to document the work of Corporation/Council departments and, in doing so, captured many aspects of Manchester life and history, including significant changes to the Manchester landscape.
The collection includes many different formats from glass negatives, to slides, prints, CDs and even a couple of cine films.
What is especially exciting is that the majority of these images have never before been available in a digital format and therefore have only ever been seen by a handful of people.
A team of dedicated Staff and Volunteers are currently working on the systematic digitisation of the negatives held within the collection.
This album represents the result of their work to date.
pictionid62491305 - catalog230000706 - title gsconvair negative-240-52 t29-d mu windshield lkg. fwd. - filename230000706.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
Source: livinghistories.newcastle.edu.au/nodes/view/32614
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
Ilford MG RC Pearl 17,8x24 cm taped into 8x10 holder
ISO 25, F22, 1 sec (I started from ISO 6, but that resulted too dark negative), some clouds in sky
Ilford Multigrade dev 1+14 1:30
Water 30sec
Fomafix 1:30
Canoscan 1200dpi, rescaled to 600dpi, PS invert and flip
Sironar-N MC 300mm f5.6
pictionid62490282 - catalog230000645 - title gsconvair negative-copilots instrument panel from eye level - filename230000645.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
pictionid62490453 - catalog230000658 - title gsconvair negative-fama- overhead switch panel - filename230000658.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
Photo negatives with edits.
Taken on Diana Dreamer using Color Negative 120 film.
C-41 Neg
Processed on 3x3
pictionid62490386 - catalog230000653 - title gsconvair negative-american- overhead switch panel - filename230000653.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
I just can't understand what is it with people and negativity. While I am by no means a "positive energy inpirational and motivational speaker", I certainly am not a negative person. It is not a matter of being positive, but just being confident about yourself and believing in you. When I say I am going to do something, I do it, no what if's or but's......just do it. I certainly always see the glass half full and I certainly tend to stay away from negative people, just because of the their negative vibe. Stay around someone negative long enough and it just seems to seep into your brain. Just be confident.
Funny how one arm/hand looks totally different from the other. More light on one than the other.
P.S. - Nike does not endorse the previous message.....just do it.
For TRP and White Space Wednesday
~EXPLORED~