View allAll Photos Tagged Negative
pictionid62492379 - catalog230000785 - title gsconvair negative-convair 240 allison turbo-prop prototype powertrain installation - filename230000785.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
Photographer: David Sinclair, Non-Indian
Subject: Museum of the American Indian, Research Branch (Annex), 1926-1989
Date Created: 1935
Catalog Number: N21653
Format: Acetate negative
Dimensions: 5 x 7 in.
Collection History: Presumably commissioned by George Heye to document the early work of the Museum of the American Indian.
Description: Side view of a concrete replica of a Blackfoot tipi on Research Branch grounds, Museum of the American Indian/Heye Foundation, with painted geometric designs, open entry, and dwellings and fence in background.
Place: Research Branch, Museum of the American Indian/Heye Foundation; New York City, Bronx, Pelham Bay; Bronx County; New York; USA
Site Name: Research Branch, Museum of the American Indian/Heye Foundation
Culture/People: Niitsitapii (Blackfoot/Blackfeet)
Culture Hierarchy: Northern Plains>Niitsitapii (Blackfoot/Blackfeet)
Persistent URL:http://www.americanindian.si.edu/searchcollections/item.aspx?irn=345786
Repository:National Museum of the American Indian
Aided and abetted by the Magician and Witch, the Jester usurped the throne from the King and the Queen.
Wetplate collodion 5x7 glass negative, my first and only so far. At Dale Bernstein''s workshop this weekend I brought my own Kodak 2D with a 8x10 holder I converted for wetplate. The holder works, although not perfectly, but I'm super pleased that I have my own wetplate camera set up now. Dale made us do at least one negative and this is mine.
I took this with an 8x10 Gundlach Radar Anastigmat @ f-4.5. Scanned straight from glass without post-processing the collodion flaws (spots, scratches, veiling from developer seen at top, etc.), but I did take out some scanner dust. I will try to contact print this later.
35mm Paper Negative
I used a very old piece of photo paper, so this is particularly grainy. Shot with Leicaflex SL and Agfa Brovira paper negative.
I've always been somewhat of a happy snaps kind of person.
all my photos and negative are kept in a BIG box, here are just some of the negatives.
I got a slide/negative scanner for Mothers Day, so I thought I would get these out.
Postings to the Themed Alphabets pool during the "Negative Space II" theme.
a. Eva the Weaver, b. Monceau, c. chrisinplymouth, d. Eva the Weaver, e. Monceau, f. mag3737, g. Eva the Weaver, h. Monceau, i. cutesmallfuzzy, j. Monceau, k. Eva the Weaver, l. Monceau, m. m, n. chrisinplymouth, o. Eva the Weaver, p. chrisinplymouth, q. Monceau, r. chrisinplymouth, s. Monceau, t. T, u. chrisinplymouth, v. chrisinplymouth, w. Monceau, x. chrisinplymouth, y. Rootytootoot, z. chrisinplymouth
Created with fd's Flickr Toys
Peter Keller negative space star
Thanks to Peters´s "MINI" tutorial, after several trials, I got it.
I used EH paper for the final model.
pictionid62492393 - catalog230000786 - title gsconvair negative-convair 240 allison turbo-prop prototype powertrain installation - filename230000786.tif---Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive Note: This material may be protected by Copyright Law (Title 17 U.S.C.)--
Source: livinghistories.newcastle.edu.au/nodes/view/32433
Thomas James Rodoni was born in 1882 at Hotham East, Victoria, to Swiss and Irish parents. While living in Sydney in August 1914 as a man of 31, Rodoni joined the first Australian Imperial Force that would engage in the Great War: the Australian Naval & Military Expeditionary Force.
A week after enlisting, Rodoni’s company embarked on the HMAS Berrima and sailed to German New Guinea among a fleet with orders to seize two wireless stations and to disable the German colonies there.
Rodoni’s unofficial photographs – many of them “candid” shots, captured in the moment – are a rare glimpse of this pivotal moment in Australia’s history. He has documented the energetic atmosphere of prewar Sydney and its surrounds, from civilian and military marches to battleships docked in Sydney Harbour, with accompanying crowds of people brought together for these special events. His camera voyaged with him on the expedition to the Pacific region, taking images both from the ship’s deck and then again on dry land after disembarking.
Rodoni was stationed in New Guinea for five months with the AN&MEF after the successful capture of territory from the German forces. His striking images are testament to his ease with the camera, and the ease of his fellow servicemen around this avid amateur photographer. He used his camera to record daily events and significant moments in the expedition, and made several group portraits of the officers and soldiers in his company. Yet his images also suggest a genuine curiosity for the foreign people and places where he was stationed, and a love of the photographic medium in which he practiced during this early period of the war.
After leaving New Guinea with the AN&MEF and returning home to Australia in January 1915, Rodoni left the force to work in a Small Arms Factory manufacturing munitions for the war. He soon married and settled in Newcastle with his wife, Catherine Annie Wilson, and had four children: Thomas, Mary, Jim and William (Bill).
The wider collection of glass plate negatives – over 600 in total and with many views of Newcastle and its surrounds is an incredible legacy to Thomas Rodoni and his family.
Rodoni died in 1956 as a result of a car accident in Waratah, Newcastle.
The original negatives are held in Cultural Collections at the Auchmuty Library, University of Newcastle (Australia).
You are welcome to use the images for study and personal research purposes. Please acknowledge as Courtesy of the Rodoni Archive, University of Newcastle (Australia)" For commercial requests you must obtain permission by contacting Cultural Collections.
If you are the subject of the images, or know the subject of the images, and have cultural or other reservations about the images being displayed on this website and would like to discuss this with us please contact Cultural Collections.
If you have any further information on the photographs, please leave a comment.
These images are provided free of charge to the global community thanks to the generosity of the Bill Rodoni & Family and the Vera Deacon Regional History Fund. If you wish to donate to the Vera Deacon Fund please download a form here: dl.dropboxusercontent.com/u/21528529/veradeaconform.jpg
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the acknowledgments page for a talk by Stephanie Forrest, Santa Fe Institute Research Professor. It included the notion of a negative database, listing the (usually magnitudes-times larger) database of everything *not* in the target db. If you can figure out a way to compress and represent that efficiently, you have an excellent way to allow queries for certain kinds of security information without revealing what you know..... interesting implications.
Some people view graffiti with negativity. But, when it is promoting on positive message, can it really be viewed as a negative ad?
February MSH entry - "Negative Ad"
pictionid58871957 - catalog230000152.tif - titleconvair 240 production line - filename230000152.tif-Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Photographer: David Sinclair, Non-Indian
Subject: Museum of the American Indian, Research Branch (Annex), 1926-1989
Date Created: 1935
Catalog Number: N21654
Format: Acetate negative
Dimensions: 5 x 7 in.
Collection History: Presumably commissioned by George Heye to document the early work of the Museum of the American Indian.
Description: View (from left) of concrete replicas of Blackfeet, Sioux, and Arapaho tipis on the Research Branch grounds, Museum of the American Indian/Heye Foundation, with dwellings and apartment building and fence in background
Place: Research Branch, Museum of the American Indian/Heye Foundation; New York City, Bronx, Pelham Bay; Bronx County; New York; USA
Site Name: Research Branch, Museum of the American Indian/Heye Foundation
Culture/People: Sioux,Niitsitapii (Blackfoot/Blackfeet),Inunaina (Arapaho)
Culture Hierarchy: Northern Plains>Niitsitapii (Blackfoot/Blackfeet)
Persistent URL:http://www.americanindian.si.edu/searchcollections/item.aspx?irn=346004
Repository:National Museum of the American Indian
pictionid58873377 - catalog230000260.tif - titleconvair 240 prop detail - filename230000260.tif-Image from the General Dynamics/Convair Collection--Repository: San Diego Air and Space Museum Archive
Bain News Service,, publisher.
Tsa Tien - Chin, Chang Chi
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.23529
Call Number: LC-B2- 4097-8