View allAll Photos Tagged NECESSARY
Key image for Necessary Evil music video.
You can check out the video at; www.youtube.com/watch?v=_KEHVGw8Gkg
title.
Light of the sea.
( iPhone 11 Pro shot. )
Honolulu. Hawaii. USA. December. 2019. shot ... 5 / 6
(Today's photo, which has not been announced yet.)
images.
MelVesant & Infectedsoul …. Beautiful Summer
The image of the next novel.
Still would stand all time. (Unforgettable'2)
(It will never go away)
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Profile.
In November 2014, we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model, and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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Interviews and novels.
About my book.
I published a book in old days.
At that time, I was uploading my interview on the net on the net.
That Japanese and English.
I will make it public for free.
Details were explained to the Amazon site.
How to write a novel.
How to take pictures.
Distance to the work.
They all have a common item.
I made a sentence about what I felt, and left it.
I hope that my text can be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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My Novel >> Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis.
Kei Kitami who aims at university.
A 6 year old older event companion woman. Meet Kaori Uemura on SNS.
The dream of Kaori who has moved to Tokyo.
It is to be a friend of the artist.
The producer of the radio station for that. The existence of Ryo Osawa was necessary.
Live on the radio.Osawa talks to Kaori.
"I have a wife and a child, but I want to see you."
Kei’s classmate Rika Sanzyou who is thinking of him.
She was searching for Kaori.
※ Supplement
I use Google Translate.
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One, to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other, to brush the dust of memory like an old man who misses old days, staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow, a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left, I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left, how many times did I depend too much on her, doubt her, envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However, I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me, a guy filled with ambiguous, unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
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Exhibition of 2021.
Tuesday, May 11-Sunday, May 16
The Kawamura Memorial DIC Museum of Art @ Gallery 1.
place. Sakura City, Chiba Prefecture.
theme.
Ever since that day ...
2022 exhibition.
theme.
So Near, So far.
place. Tokyo Big Site.
Sponsoring. Design festa.
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My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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Do you want to hear my voice?
:)
I updated Youtube.
It is only in Japanese.
I explained comments on photos etc.
If your time is permitted, please look.
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell, I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs, it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
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I talked about how to make a work.
It's really long, but I want to leave everything, so please ask. (^ O ^) /
Japanese only.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well, what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview, it is the same as writing a novel.
7 I want to show it to someone, but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays, it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
It is a flow of.
If you have time, please listen.
:)
www.youtube.com/user/mitsushiro/
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Explanation of composition. 2
I used the following cameras.
Nikon coolpix 8700
I defeated two of these cameras.
It was a very nice camera.
I took many photos with this camera.
Today's photo.
It was also taken with this camera.
I explained the composition in detail in the text at the time of shooting.
I have taken a lot of pictures until today.
Among them, this photo is the result of sharpening my sensitivity.
I will explain this composition in a video.
But they are all Japanese.
Is there a Japanese beside you?
Is there anyone who can understand Japanese beside you?
Please have them translate.
I leave an important story about composition.
I hope they will reach many people.
October 22, 2019, midnight.
Mitsushiro.
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time, I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track, I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
Mitsushiro.
( Nikon Coolpix 8700. shot)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
www.flickr.com/people/stealaway/
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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My statistics. (As of June 11, 2020)
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
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#Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #Hnolulu #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #Hawaii #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart #川村記念美術館 #Manhattan #USA #London #UK #Paris #Kawamura
For insta
#川村記念美術館 #Manhattan #London #Paris #kawamura #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #Honolulu #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta
For twitter
#NY #London #Paris #Milan #LUMIX #FUJIFILM #川村記念美術館 #写真 #Exhibition #Flickr #Camera #street #Hawaii #Honolulu #Mitsushiro #artist #Kawamura #designfesta #Fineart
#ミラノ #イタリア #カメラ #写真 #構図 #ニコン #Nikon #coolpix #クールピクス #ベニス #ユーロスター #Eurostar #シャッター #shutter #camera #photo #picture #千葉 #日本 #chiba #Japan #八街 #佐倉
For insta, twitter
#yachimata #chiba #japan #mono #selfportrait #exibition #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #写真 #nikon #ニコン #iphone11pro
#yachimata #chiba #japan #mono #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示会 #川村記念美術館 #ハワイ #写真 #アップル #shotoniphone #ホノルル #ワイキキ
#yachimata #chiba #japan #monochrome #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #ハワイ #カメラ #富士フィルム #gfx50r #lumix #パナソニック #アップル #shotoniphone #ホノルル #ワイキキ #写真 #吉祥寺 #ライブハウス #クレッシェンド #東京 #bbb #badbabybomb #apple-car #airpodspro #AR
#yachimata #chiba #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #川村記念美術館 #富士フィルム #shotoniphone #吉祥寺 #ライブハウス #東京 #bbb #badbabybomb #apple-car
タイトル。
海の光。
( iPhone 11 Pro shot. )
ホノルル。ハワイ。USA。 １２月。２０１９年。 shot ... 5 / 6
(今日の写真。それは未発表です。)
images.
MelVesant & Infectedsoul …. Beautiful Summer
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
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プロフィール。
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book > unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
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２０２１年の展示。
５月１１日 火曜日 ～ ５月１６日 日曜日
DIC川村記念美術館 第１付属ギャラリー。
場所。千葉県佐倉市。
テーマ。
あの日から、ずっと…
２０２２年の展示。
テーマ。
So Near , So far.
場所。東京ビッグサイト。
Sponsoring. Design festa.
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僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
僕はYoutubeを更新しました。
日本語だけです。
僕は写真などの解説をしました。
もしも、あなたの時間が許されれば、見てください。
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
作品の制作方法などついて語りました。
すっごい長いですが、すべて伝え残したいことなので聞いてください。(^O^)／
日本語のみです。
作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
僕は以下のカメラを使用していました。
Nikon coolpix 8700
僕はこのカメラを二台使い倒しました。
とても素敵なカメラでした。
このカメラでたくさんの写真を撮りました。
今日の写真。
それもこのカメラで撮影しました。
この構図について、僕は撮影した当時詳しくテキストで解説しました。
僕は今日までたくさんの写真を撮ってきました。
その中でも、この写真はもっとも僕の感性を研ぎ澄ました結果です。
僕はこの構図について、動画で解説します。
しかし、それらはすべて日本語です。
あなたのそばに日本人はいますか？
あなたのそばに日本語がわかる人はいますか？
彼らに訳してもらってください。
僕は、構図について大切な話を残します。
それらが多くの人へ伝わることを望みます。
2019年10月２２日深夜。
Mitsushiro.
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
Nikon Coolpix 8700
１ アマゾンの評価
www.amazon.co.jp/ニコン-E8700-J-ニコン-デジタル...
２ ニコンの情報
www.nikon-image.com/products/compact/lineup/8700/
#写真 #構図 #カメラ #イタリア #ミラノ #中央駅 #２００５年 #ニコン #クールピクス８７００
#Photo #Composition #Camera #Italy #Milan #Central #Station #2005 #Nikon #Coolpix 8700
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僕のシャッター感覚
今日の写真。
それは、ユーロスターから撮影した写真です。
この動画はその解説です。
２００５年にミラノへ行きました。
そのとき、ミラノからヴェニスへ向かいました。
交通手段に、僕らはユーロスターを乗り込みました。
この写真は、猛スピードのユーロスターから撮影したのではありません。
線路を変更した際、スピードを落とした瞬間に撮影しました。
あなたのそばに日本人はいますか？
僕の動画を翻訳してもらってください。
:)
Mitsushiro.
( Nikon Coolpix 8700. shot)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
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YouPic
www.flickr.com/people/stealaway/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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僕の統計。（2020年6月11日現在）
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
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#Milan #Italy #LUMIX #G3 #FUJIFILM #MothinLilac #MIL #GFX50R #Hnolulu #Mono #Chiba #Japan #Exhibition #Flickr #YOUPIC #gallery #Camera #collage #Subway #street #Novel #Publishing #Mitsushiro #Nakagawa #artist #NY #Interview #Photograph #picture #Hawaii #take #write #novel #display #art #future #designfesta #Kawamura #Memorial #DIC #Museum #Fineart #川村記念美術館 #Manhattan #USA #London #UK #Paris #Kawamura
For insta
#川村記念美術館 #Manhattan #London #Paris #kawamura #Milan #MothinLilac #LUMIX #MIL #FUJIFILM #GFX50R #Honolulu #Fineart #Japan #Exhibition #Flickr #YOUPIC #Camera #Subway #street #Novel #Publishing #Mitsushiro #artist #Photograph #picture #novel #Fineart #future #designfesta
For twitter
#NY #London #Paris #Milan #LUMIX #FUJIFILM #川村記念美術館 #写真 #Exhibition #Flickr #Camera #street #Hawaii #Honolulu #Mitsushiro #artist #Kawamura #designfesta #Fineart
#ミラノ #イタリア #カメラ #写真 #構図 #ニコン #Nikon #coolpix #クールピクス #ベニス #ユーロスター #Eurostar #シャッター #shutter #camera #photo #picture #千葉 #日本 #chiba #Japan #八街 #佐倉
For insta, twitter
#yachimata #chiba #japan #mono #selfportrait #exibition #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #写真 #nikon #ニコン #iphone11pro
#yachimata #chiba #japan #mono #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示会 #川村記念美術館 #ハワイ #写真 #アップル #shotoniphone #ホノルル #ワイキキ
#yachimata #chiba #japan #monochrome #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #日本 #展示 #川村記念美術館 #ハワイ #カメラ #富士フィルム #gfx50r #lumix #パナソニック #アップル #shotoniphone #ホノルル #ワイキキ #写真 #成田 #空港 #airport #narita #applecar #airpodspro #AR
#yachimata #chiba #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #川村記念美術館 #富士フィルム #hawaii #applecar #ハワイ #空港 #airport #gfx50r
#yachimata #chiba #japan #monochrome #honolulu #exhibition #hawaii #kawamuramemorialdicmuseumofart #八街 #千葉 #展示 #川村記念美術館 #ハワイ #富士フィルム #アップル #shotoniphone #applecar #airpodspro
ユーチューブ、
更新しました😃
髪、大爆発までの変遷とBTSの圧倒的表現力、そして、『はい、わかりました』が壊した日本文化と社会の愚かさと小ささ』
◉半年前までは、後頭部をやや刈り上げ、BTS風（自称）
↓
二ヶ月前からは、
嵐、
相葉さん風（自称）
↓
先日、蓮沼の写真
↓
本日、相葉さん維持
◉邦題 なぜか、新感染
原題 Train to Busan.
のパート２に出てくる主人公、以下のような髪型になりつつある俺。
:)
◉『新感染 ファイナル·エクスプレス』続編 映画『Peninsula （原題）』米予告編
◉TRAIN TO BUSAN 2 Trailer 2 (2020)
◉BTS Performs "ON" at Grand Central Terminal for The Tonight Show
◉[ KPOP IN PUBLIC CHALLENGE ] BTS (방탄소년단) - 'ON' Dance Cover by FGDance from Vietnam ( With Backups )
◉Jungkook & Charlie Puth - 'WE DON'T TALK ANYMORE' Live (MBCPLUS X genie music AWARDS)
j-hope 'Chicken Noodle Soup (feat. Becky G)' MV
◉BTS - Boy With Luv with Halsey | iHeartRadio Jingle Ball 2019 🎄✨💜
E
Nothing gets done before my coffee, and my patience is at the bottom of that cup! However, it’s such a pretty cup, and I love enjoying the Christmas tree lights while I sip and plan my day. This time serves as an opportunity for morning meditation, making lists, planning meals, and allowing whatever else enters my mind to flow freely.
Prototype of an individual & universal comms station (IUCS) assigned to ARC Troopers and Clone Commandos. Its main purpose was to transfer vital data and intelligence to high command. Additionally, the device was capable of calling in for orbital strikes when deemed necessary by the user.
The gadget was developed in small numbers and given only to a selected assortment of clones. This unit belonged to CT-7567, as evidenced by the number on the frontal plate.
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Inspired by Griggzy's work: www.flickr.com/photos/zombie_slaya/49907204722/in/datepos...
The necessary and just right for this damn cold of those in the northern hemisphere. Exclusively for ALPHA event by ACCESS.
Completely unisex, you can adjust the size to your desire with the axis, different designs.
Unrigged
Unisex
ENJOY IT!
IN ENGLISH BELOW THE LINE
Com a part pel meu intent per a poder projectar pel·licules de 8mm (no super-8, que és un tipus posterior), així com revelar-les en positiu directament jo mateix, vaig buscar un projector adequat. Del meu pare he trobat un projector de Super-8, que a sobre no va bé. Per tant, vaig buscar per internet.
Finalment em vaig decidir pels projectors Eumig P8, que semblen molt barats i facils de trobar. El model basic es fabricà entre 1954 i 1963. Però em vaig trobar amb que no sembla funcionar el conctacte electric amb la làmpada, que a més només pot ser d'un model especific descatalogat i molt car i dificil de trobar. Però vaig descobrir que Eumig posteriorment va modernitzar el P8 al model P8 Automatic Novo (1964) amb diverses millores, sobretot canviant les làmpades a les encara actuals halogenes.
Vaig anar al Penedès a buscar aquest projector, però em vaig trobar que només funcionava el motor/ventilador; ni es movien els engranatges de projecció ni funcionava la làmpada. Amb tot, el vaig portar a casa. Vaig poder identificar els problemes principals: la làmpada estava trencada i la corretja de transmissió completament desintegrada (és de goma). Per sort la làmpada és halogena i en vaig comprar una el mateix dia per pocs euros. La corretja per sort encara es troba online i la vaig comprar a la web holandesa especialitzada Van Eck. Ara el projector ja es movia i feia llum. Però en carregar pel·licula, aquesta refusava anar endavant o fins i tot, tirava enrera.
Hi havia algun problema amb la "urpa" que fa avançar fotograma a fotograma la pel·licula, pel que va ser necessari desmontar el mecanisme... sense manual d'instruccions ni tansols algú que ho expliqués online. Per sort no hi havia peces extremadament petites a perdre, o parts trencades. Com em pensava, tot el mecanisme estava ple de lubricant transformat en una barreja de porqueria i goma, embussant-ho tot. Un cop net amb kleenex, palets i alcohol isopropilic, el sistema funciona de maravella.
collection.sciencemuseumgroup.org.uk/objects/co8206877/eu...
================================
As part of my attempt to be able to project 8mm films (not super-8, which is a later type), as well as develop them to positive directly myself, I searched for a suitable projector. I found a Super-8 projector from my father, and not in working condition. So, I searched the internet.
I finally settled on the Eumig P8 projectors, which seem very cheap and easy to find. The basic model was manufactured between 1954 and 1963. But I found that the electrical contact with the lamp does not seem to work, which can also only be from a specific discontinued model that is very expensive and difficult to find. But I discovered that Eumig later modernized the P8 into the P8 Automatic Novo (1964) model, with several improvements, notably changing the lamps to the still currently sold halogen type.
I went to visit the seller, to look for this projector, but I found that only the electric motor/fan worked; neither the projection gears moved nor the lamp worked. Still, I took it home. I was able to identify the main problems: the lamp was broken and the drive belt completely disintegrated (it's rubber). Luckily the lamp is halogen and I bought one the same day for a few euros. The belt is luckily still found online and I bought it from the Dutch specialist website VanEck.
Now the projector was already moving and projecting light. But when loading film, it refused to go forward or even pulled back.
There was some problem with the claw that advances the film frame by frame, so it was necessary to disassemble the mechanism... without an instruction manual or even someone to explain it online. Luckily there were no extremely small pieces to lose, or broken parts. As I thought, the whole mechanism was full of lube turned into a mixture of filth and goo, clogging everything up. Once cleaned with kleenex and isopropyl alcohol, the system works wonderfully.
collection.sciencemuseumgroup.org.uk/objects/co8206877/eu...
No AI Training: Without in any way limiting the artist’s exclusive rights under copyright, any use of this photograph to “train” generative artificial intelligence (AI) technologies to produce images is expressly prohibited.
"However mean you life is, meet and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The fault-finder will find faults even in paradise. Love your life, poor as it is. You may perhaps have some pleasant, thrilling, glorious hours, even in a poorhouse. The setting sun is reflected from the windows of the almshouse as brightly as from the rich man’s abode; the snow melts before its doors as early in the spring. Cultivate property like a garden herb, like sage. Do not trouble yourself much to get new things, whether clothes or friends. Turn the old; return to them. Things do not change; we change. Sell your clothes and keep your thoughts… Superfluous wealth can buy superfluities only. Money is not required to buy one necessary of the soul."
— Henry David Thoreau
some words of wisdom for our consumerist days!... ツ ツ ツ
* Pentax K20D and Pentax 18-55mm Lens
My work is for sale via Getty Images and at Redbubble and 500px
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© All rights reserved. Use without permission is illegal
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©2013- Tom Raven - Toute reproduction, même partielle INTERDITE
(A necessary re-edit)
Big Baldy provided a much more welcoming arrival than what I received the last time I was there!
077 sits in Westport station waiting to work the 14.20 to Dublin Heuston.
Note that 077 is fitted with staff exchangers - rare in the class and did not last long.
All photographs are my copyright and must not be used without permission. Unauthorised use will result in my invoicing you £1,500 per photograph and, if necessary, taking legal action for recovery.
At this point in Toronto, residents are advised to avoid close interpersonal contact and unnecessary travel outside the house. We are told quick trips for groceries and medications are ok, as are outdoor walks that do not involve close contact with others. That may change.
I was on my way to the pharmacy when I saw this neighborhood family combatting "cabin fever" by doing exercise laps around the block with their children who were on scooter and bike.
I'm sure these parents would regard it as "necessary travel."
View large.
Special NOTE: On Feb. 8, 2012 I attached a comment, readable & easily discoverable on Page 2 of the comments below, that details the vast corporatist scheme, fronted by Jeb Bush, financed in part with hundreds of millions from Rupert Murdoch (FOX nooze), to privatize American public education & reduce it to 'virtual' schools - not to improve anything (as national & international educational research studies clearly show), but rather to become the final recipients of the taxes people pay so that they can skim huge profits off of the top while providing grotesquely inferior services & lots of lying propaganda to keep the public bamboozled. I beg everyone to read the report.
The McGuffey's Ecclectic Spelling Book was published in 1879.
Raymond Cyrus Hoiles (1878-1970) founded Freedom Communications, a newspaper publishing & broadcasting company that has never hesitated to shape the news to fit right wing ideology. When Hoiles was alive & roaring I lived in Orange County, California, home of the equally right wing Walt Disney & Walter Knott, & was frequently compelled to suffer people who agreed with Hoiles' constantly editorialized insistence that public education was a form of theft & communism that must at once be got rid of. Hoiles was motivated by his fundamentalist Christian persuasions, & quite serious. We should restrain our laughter at the abysmal stupidity of his example, because in many ways he & people like him won & are still winning control of public education. - To introduce the article below, I'll say a little about the Christian strategy.
For many years Orange County's teachers worked under a Draconian ruling that forbade the teaching of values. There is no way around the fact, however, that the statement, "Values may not be taught," is itself a value statement belonging to a class of propositions known as Epimenidean Paradoxes. A comparably illustrative sentence would be, "This is not a sentence." Or, a favorite of the best hypnotists, used when addressing a resistant subject, "Do not obey any instruction which I give you."
What, then, was intended by those who created the paradoxical Orange County law? Well, if any teacher dared to say or imply something that would be disagreeable to any person whose beliefs began & ended with church, flag & free-for-all capitalism, then that teacher could be charged with teaching values & be suspended. One family friend, a young man teaching at an elementary school in Anaheim, was charged, hounded, publicly disgraced, threatened with death & discharged from his post, immediately after which he died from a heart attack. The case was depicted in Life Magazine. His only crime was that he was Jewish. His wife, also a teacher, remained bereft & embittered the rest of her long life.
These people became increasingly invisible over time, largely by devising ever more clever ways for gaining control of both education policy & the public dialogue about education.
Ralph Reed, working for Pat Robertson & the Christian Coalition, devised the "stealth agenda" to place fundamentalists in every local school board in America. The plan helped select & fund candidates, who in accord with Reed's instructions never mentioned their religion or religious connections when campaigning for office. In 1983 Reed rigged an election at his university - he got started early, in other words. Recently we learned that Mr. Reed & Jack Abramoff were associate crooks. The revelation forced Reed to abandon his run to become the lieutenant governor of Georgia. Mr. Reed will not disappear, however. He remains a darling of the far Christian right, & owns Century Strategies, a dirty-tricks political consulting & lobbying organization. In 1999 Karl Rove got reed a nice contract with Enron, which was paying Reed $30,000 per month. And guess who recently went to Georgia to try to save poor Reed? Rudy Giuliani, who has the hots to be the next U.S. president & is pandering to the Christians so he can be their new burning Bush.
Stealthiness did not go away when the Christian Coalition folded & Reed went off on his own to rig elections for big bucks. Rather, the stealth moved into policy matters. For instance, all the phony propaganda claiming religious & private education is more successful, creating the excuse to promote vouchers (for which the motives are both religious & racist). Or, most recently, Bush's No Child Left Behind Act, which was sought by the Christians not because they believed all the testing of students would lead to improved education, but rather because they wanted teachers to be made too busy preparing students for endless tests about facts to find time to do the great evil thing, which is the teaching of concepts. Teaching concepts leads to teaching logic, scientific & other academic methodologies which by their nature instill respect for critical - read, skeptical - thinking. Dogmatists, advertisers & con men have equal cause to fear skepticism.
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From: Truthdig.com
Taking Back Our Schools--and Fixing Them
Full text with links: www.truthdig.com/report/item/20060425_taking_back_our_sch...
Posted on Apr. 25, 2006
By Wellford Wilms
The recent news reported in The New York Times that schools are throwing out science, social studies and art to make time for drilling students in remedial math and reading is a sign of things gone terribly wrong. Former New York State Commissioner of Education Thomas Sobol told the Times that narrowing education to just math and reading would be akin to restricting violin students to playing scales day after day. “They’d lose their zest for music.” But most schools that serve poor populations, like those in Cuero, Texas, are squeezed to meet federal math and reading standards. Cuero Superintendent Henry Lind told the paper, “When you have so many hours per day and you’re behind in some area that’s being hammered on, you have to work on that.”
But by the looks of things, hammering students for higher test scores isn’t making much of a difference. Most students have already lost their zest for learning. How do we know? In Los Angeles, upwards of 50% of Latino and African American students never finish high school. This is just the tip of the iceberg.
I’ve been a professor of education at UCLA for more than 25 years and am convinced that despite the fads that come and go, nothing has put a dent in the public schools’ failure to educate inner-city children. In fact, things are getting worse. But I am also convinced that we’ve been looking in the wrong places for solutions. My own research across a wide array of organizations—corporations, trade unions, public schools, colleges, teacher unions and police agencies—suggests another way of looking at the problem and that solutions will come from a new direction.
This essay is a proposition—one that I hope will spark a lively debate among Truthdig readers and inform policy leaders. Future essays will examine Los Angeles Mayor Antonio Villaraigosa’s campaign to take over the public schools, analyze whether teacher unions can be a force for productive change, and expose promising ways to rebuild public investment in the schools.
Let’s start with Jonathan Kozol’s new book, “The Shame of the Nation: The Restoration of Apartheid Schooling in America.” It is a scathing indictment of American social policy that banned racial segregation in public schools in 1955 and then turned a blind eye to its implementation. Today, Kozol says, schools are more segregated than ever. But he fails to explain why resegregation has occurred. Because Kozol overlooks the root causes of the problem, his solutions—spending more money on dysfunctional schools and wishing for a social mandate to desegregate the schools—miss the point.
To be sure the problems are undeniable. Kozol examines the appalling condition of big-city schools. In school after school we see children who are brimming with potential but who are walled off from the larger society and abandoned by the schools. Most middle-class white Americans simply cannot comprehend the horrid schools that Kozol describes. Ceilings fall in, toilets are filthy, libraries, music and arts have been stripped away. Teachers in these schools, who are paid 40% less than teachers in the suburbs, are forced to teach “scripted” lessons that are written for children who are deemed incapable of learning.
It is all part of the latest reform pushed by the Bush administration’s No Child Left Behind initiative, a reform aimed at the singular pursuit of increasing test scores. Learning has been stripped of its intrinsic meaning and reduced to simplistic steps—“Authentic Writing,” “Active Listening,” “Accountable Talk”—that hamper teachers in teaching anything but how to take a test. Behind it all is an attempt to impose control, much as mass production techniques were used a century ago, to standardize instruction to fit new immigrants to the system.
Meanwhile, millions of children are failing. In nearly half of the high schools in America’s 100 largest districts, fewer than 50% of students graduate in four years. Most of these students are from poor Latino and African-American families. And from 1993 to 2000 the number of failing schools has mushroomed by 75%. Mayor Villaraigosa calls Los Angeles’ high dropout rates “numbers that should put a chill down your spine.”
The reasons, Kozol argues, are lack of money and racial discrimination that produce inferior and segregated schools. No doubt this is partly true. We have tried to desegregate the schools for a half-century and failed. Middle-class white parents have voted for individual freedom with their feet, enrolling their children in private schools, leaving the public schools more segregated than ever. The same is true for middle-class black families. Gail Foster, an educator who has studied black independent schools, was quoted in 2004 in The New York Times as saying: “Many of the most empowered parents and families are removing their children. What’s left, in even working-class communities, are schools filled with the least empowered families. Families with the least parent involvement to offer, families with the least help with homework to offer. There’s been a continual outflow for at least 10 years, and it isn’t stopping now.”
More money is not the answer either. Kozol points to wide disparities in educational expenditures ranging from $11,700 per student in New York City to $22,000 in suburban Manhasset. Disturbing as that is, study after study shows that equalizing money does not necessarily equalize learning.
In 1966, sociologist James Coleman conducted the most extensive study ever made of desegregating education and found that what mattered most in students’ learning was the economic status of their peers rather than the racial makeup of the school. He also found that school funding was not closely related to students’ achievement—their families’ economic status was far more predictive. Coleman’s findings were controversial and led to a bitter debate, but they have been replicated many times. Daniel Patrick Moynihan summed it up best when he commented shortly after Coleman’s groundbreaking study, “We should begin to see that the underlying reality is not race but social class.”
Since social class matters because money follows privilege, and since desegregation will take generations to eradicate, what can be done now? Are poor children doomed to attend grossly inadequate schools? Surely not. We must find ways to remove the influences that have crippled the schools. Money must be diverted from bloated bureaucracies that snuff out innovation. Instead it must go directly to schools where principals and teachers can influence what is taught and what children learn, and help bring parents back into the fold. Otherwise, it is going down a rat hole.
Parents have a significant role to play in their children’s education, but their voices have been largely silenced. Over the last 40 years, we have witnessed the decline of civic involvement and the growing dominance of self-interest over the greater good, a social deterioration that sociologist Robert Putnam calls “hollowing out” in his 2000 book “Bowling Alone.” One result, as the old saying goes, is that “the rich get richer” and the poor fall ever further behind in crumbling schools.
Over the last 25 years, education in general has been taken from ordinary citizens and teachers by politicians, administrators, union leaders, publishers, test makers, consultants, university professors, hardware and software developers and the media, each playing its part in keeping alive the illusion of reform. All in all, this $1-trillion industry has replaced the common interest, and no one, it seems, can muster the will to rein it in.
Local control is only a dim memory. Decisions now come from the top—from the federal and state governments, school boards and high-level administrators who have little knowledge of what goes on in the classroom. Teachers are left out of these decisions, carrying on the best they can, safe in the assumption that the newest fad, like those before it, will blow over. Parents are all but forgotten.
While command-and-control management may seem to produce results in the short run, it strips schools of the capacity to develop the stable leadership that is necessary to sustain success. Principals are besieged with demands from district offices and from the educational fads that emanate from publishers and university researchers. Many principals know that they put their careers in peril unless they do what their bosses want. One elementary school principal told me, “District directives undermine our own abilities to think for ourselves, to believe in what we see and know.” When schools discover something that works, it is rarely sustained because they lack authority or stable leadership.
In 1969 when I worked for the U.S. Department of Health, Education and Welfare, I monitored the schools in impoverished Ocean Hill-Brownsville in New York City. The local school board hired a charismatic superintendent, who fired incompetent teachers and hired young and idealistic ones. The firings set the local board at odds with the huge teachers’ union, which demanded due process for the fired teachers. The superintendent, Rhody McCoy, was convinced that good teachers had to respect the children they taught. He put it in plain words: “If you’re convinced that this kid is doomed by nature or by something else to lead a shrunken and curtailed life, then you’re basically incompetent to teach that child.” The experiment worked. Observing classrooms left no doubt in my mind that students were learning. Eager first-graders sat attentively on the floor in semicircles shouting out answers to fraction problems and reading aloud. The schools buzzed with excitement as parent helpers streamed in and out of classrooms. But in a bitter power struggle the board seized authority and the experiment ended.
Years later, in 1985, Deborah Meier, a passionate educator who founded Harlem’s Central Park East Secondary School, achieved stunning successes that led the school to be celebrated as a model alternative school in Time magazine. But it could not be sustained beyond Meier’s unique leadership. Today, 10 years after Meier left, a respected children’s advocacy group, Insideschools and Advocates for Children, reports that the Harlem school “…has fallen on hard times in recent years with rapid staff turnover, low staff morale and uneven discipline.”
In risk-averse environments like public schools, few principals will stick out their necks, because they don’t want to buck the bosses downtown. Courageous and visionary principals like Rhody McCoy and Deborah Meier keep coming. But charismatic leadership is no match for heavy-handed district management, which always wins out.
Take Foshay Learning Center in Los Angeles, for example. In 1989, Howard Lappin took over a failing middle school. With the help of teachers and an infusion of money, Lappin wrested control from the district and transformed Foshay. The school expanded into a K-12 “learning center” and became largely autonomous of the district’s bureaucratic requirements. Teachers and administrators decided who would be hired and what would be taught. Foshay succeeded, and in 2000 its high school was selected by Newsweek as one of the 100 best in America. But in 2001 Lappin retired, and his unique leadership was lost. Today Foshay is being threatened with sanctions by the district and the county because gains in students’ test scores have stalled. As the school has fallen under the district’s “one-size-fits all” bureaucratic requirements, the impact has been to undermine the once vibrant teacher leadership that made the school so enviable.
The problem with public education is not with the teachers, or with the children, but the way we organize the schools. Probably the greatest casualties are teachers themselves, who are forced to accept decisions by authorities about teaching that they know to be nonsense. One professor interviewed by Kozol said that forcing an absurdity on teachers teaches something: acquiescence. For example, in study after study, teachers report that relying on test scores as sole marks of student achievement and teaching scripted lessons destroy students’ natural love of learning. And such practices also erode teachers’ professional authority, which is fundamental to student learning.
Why is it so hard to foster the only kind of reform that really works, which is right in the schoolhouse? Because politicians, school board members and administrators are under intense pressure to produce immediate results, i.e., higher and higher test scores—a goal that is pursued through directives from districts with little input of principals, teachers and parents. Superintendents serve at the pleasure of school boards, and most board members are elected or appointed and have limited terms of office. As test scores have become the measure of educational quality, everyone is under immense pressure to show fast results or be turned out.
No wonder that school boards hire superintendents who promise to deliver quick results. But few do. Superintendents last on average only three or four years. Many are thwarted by outmoded bureaucracies that were designed a century ago using top-down control practiced in American industry to mass-produce learning. Within these organizations, power has quietly accumulated, making them all but impervious to outside influence. Sid Thompson, former superintendent of the Los Angeles Unified School District, told me: “Trying to change the district is like trying to change the direction of a fast-moving freight train. You might knock it off course for a moment, but before you know it it’s rattling right down the tracks again.”
Frustration and suspicion about who might emerge from the shadows to sabotage their plans often lead superintendents to jealously guard their power. In 2002, Day Higuchi, then president of United Teachers Los Angeles, the Los Angeles teacher union, had high hopes for working with the school district’s new “can-do” superintendent, Roy Romer. Higuchi hoped that Romer would endorse a new union initiative called Lesson Study, a plan to help teachers work collectively to improve classroom lessons. At a breakfast meeting that I attended, Higuchi presented Romer with an invitation to work with the union to develop and spread Lesson Study across the district. When Higuchi finished, Romer flipped over his paper placemat and with a red felt pen drew a box with an S in it. “That’s me,” he said. Beneath he drew 11 boxes with smaller s’s in them, representing the 11 local superintendents, and below that, a number of small boxes with roofs, representing schools and teachers. Then, pulling his face near to Higuchi’s, he drew bold red arrows pointing downward from the top. Romer jabbed his pen in the air to accentuate each word: “You cannot usurp my authority to manage this district!” It was a dumbfounding moment, one that revealed the true underside of the use of power. Here was a chance for a new superintendent to forge a small but significant step with the union, but Romer, who recently announced his resignation, explained that he was “in a hurry.” He clearly had little time for ideas that were at odds with his own. In the end his refusal to work with the union undermined the possibility of creating a broader base of power that could transcend self-interest.
Nor are the unions exempt from self-interest. A few years ago I helped establish a national group of union presidents called TURN (Teacher Union Reform Network) who were dedicated to remaking their unions as forces to improve education. One way was to cooperate with administrators and encourage teachers to use their classroom know-how to redesign teaching at the schoolhouse. But hostility and mistrust run deep. The union leaders became nervous, fearing that fellow unionists would attack them for “collaborating” with the enemy and that if the effort to collaborate failed they would share the blame. Don Watley, president of the New Mexico Federation of Educational Employees, commented: “It’s like the Normandy landing. We’ve got the best troops in the world. We’ve got the best officers in the world. And we’ve got the best equipment in the world. But at 0800 when we hit the beach half of us are going to get killed!” Sadly, in the years to come, the ingrained mistrust, and the unpredictable dance of union politics, prevented these unionists from becoming a positive force in educational reform. Instead, they have been reduced to stockpiling power, much as the Soviets and Americans stockpiled nuclear weapons during the Cold War, to oppose any hostile moves the other side might make.
So what can be done to break the standoff between teacher unions and districts? How can teachers’ professional authority be restored? How can parents be awakened and brought back into the fold? Experience shows that it can be done. Schools such as Harlem’s Central Park East Secondary, Los Angeles’ Foshay Learning Center, those in Ocean Hill-Brownsville, and many others attest to the fact that schools can be made into safe places where children learn. Sustaining them is the hard part.
There is little doubt that trying to build good schools with command-and-control management doesn’t work. School boards, superintendents and union officials need to clear the obstacles—unnecessary bureaucratic requirements and outmoded work rules—to make innovation at the schoolhouse possible. These top-level educational leaders also must make resources available to support new ways of teaching. Jonathan Kozol has it right. Teaching is the only reform that counts and it can be done only at the schoolhouse by teachers, principals, parents and students working together.
Turning school districts upside down will also mean turning a century of top-down management on its head. But where is such bold leadership to be found? One promising place is among big-city mayors. But they must resist trying to take over the schools, as they did in New York, Chicago and Boston with mixed results at best. Instead, popular mayors could use their influence and visibility to tell the truth about the condition of education and to build a popular consensus about how change must occur.
In the next essay I am going to examine what mayors can do. Waiting for the schools to be saved by someone else is nonsense. Only concerted local action offers a chance. Doubters should recall Margaret Mead’s observation: “Never doubt that a small group of concerned people can change the world. Indeed, it’s the only thing that ever has.”
A Progressive Journal of News and Opinion. Editor, Robert Scheer. Publisher, Zuade Kaufman.
Copyright © 2006 Truthdig, L.L.C. All rights reserved.
###
title.
She chose the green entrance.
(LUMIX G3 shot)
London. England. 2015. … 3/7
(Today's photo. It's unpublished.)
Images.
Till Brönner … Return To The Fold
Important Notices.
I have relaxed the following conditions.
I will distribute my T-shirt to the world for free.
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
youtube has been updated. ユーチューブ更新しました
unforgettable” iMovie / apple
_________________________________
_________________________________
Exhibition in 2023
theme
The camera kisses time.
Mitsushiro --Nakagawa
The schedule for 2023 is unstable.
I plan to do one of the following two.
Both are scheduled around November.
I give priority to museums.
1 This will be done when the 1st attached gallery is released in 2023.
place
DIC Kawamura Memorial Museum of Art 1st attached gallery
2 This is planned as a spare.
place
Design Festa
images.
BTS… Film out Lyrics (방탄 소년단 / BTS Film out Japanese subtitles 가사) [Color Coded Lyrics / Kan / Rom / Eng]
_________________________________
_________________________________
Latest news.
The following my T-shirt. Free distribution.
Due to the influence of corona # the method of transportation varies from country to country.
1/25
The first one has been decided.
It's a German.
m.flickr.com/photos/ute_kluge/favorites/
I thank you from the bottom of my heart. Thank you.
:)
December 3 # 2020. shipped.
It is a sea mail. It takes 2 to 3 months.
2/25
The second is a Thai woman.
youpic.com/photographer/Abbozzo/
I asked her to pick it up.
:)
December 10 # 2020. shipped.
It is a sea mail. It takes 2 to 3 months.
3/25
The third is a Mexican woman.
She has supported me since the days of fotolog.
She gave me directions.
Thank you.
:)
Shipped on December 10 # 2020.
It is EMS. Maybe it will arrive within 1 to 2 months.
4/25
The fourth is a woman from the Republic of Serbia.
youpic.com/photographer/IvanaPopov/
Shipped on December 14 # 2020.
It is a sea mail. Maybe it will arrive within 2 to 3 months.
:)
5/25
The fifth is an Indonesian man.
www.flickr.com/photos/33836533@N04/
December 24 # 2020. shipped.
It is EMS. Maybe it will arrive within 1 to 2 months.
6/25
The sixth is from France.
youpic.com/image/18158054/ombre-chinoise-by-ce-pe
www.flickr.com/photos/191604817@N04/
January 7 # 2021.
I shipped it.
:)
7/25
The seventh person is also from France.
www.flickr.com/photos/151630891@N07/
www.flickr.com/people/liveworkcreate/
January 7 # 2021.
I shipped it.
:)
8/25
The eighth person is from Romania.
It will be shipped in January 2021.
:)
9/25
The ninth person is from Japan. He is 16 years old
Award history
2017 Oguni Town Photo Contest 2 Division
2018 EPSON meet up selection Data Category Excellence Award
2020 Kumamoto Takafumiren First Half Photo Contest Excellence Award
Web Photo Contest Sponsoring Maker Award
10/25
The tenth person is from Brazil.
www.flickr.com/photos/mangelo/
It will be shipped in February 2021.
:)
11/25
11th person is from USA.
youpic.com/photographer/HeathBrunner/
www.flickr.com/photos/181948650@N04/
It will be shipped in February 2021.
:)
12/25
The 13th person is from Italy.
www.flickr.com/photos/122700703@N05/
youpic.com/photographer/raffadepa2019/
cacciatoredisogniblog.wordpress.com
It will be shipped in February 2021.
13/25
The 14th person is from Russia.
www.flickr.com/photos/183731920@N08/
youpic.com/photographer/Andjey/
It will be shipped in March 2021.
14/25
The 14th person is from the Philippines.
www.flickr.com/photos/44681455@N00/
youpic.com/photographer/Stitch/
Shipped on November 11, 2021.
Mitsu.
_________________________________
_________________________________
Notice regarding "Lot No.402_”.
From now on # I will host "Lot No.402_".
The work of Leonardo da Vinci who was sleeping.
That is the number when it was put up for auction.
No sign was written on the work.
So this work couldn't conclude that it was his work.
However # as a result of various appraisals # it was exposed to the sun.
A work that no one notices. A work that speaks quietly without a title.
I will continue to strive to provide it to many people in various ways.
October 24 # 2020 by Mitsu - Nakagawa.
Mitsushiro Nakagawa belong to Lot No. 402 _.Copyright©︎2022 Lot No.402_ All rights reserved.
_________________________________
_________________________________
Profile.
In November 2014 # we caught the attention of the party selected to undertake the publicity for a mobile phone that changed the face of the world with just a single model # and will conclude a confidentiality agreement with them.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
Interviews and novels.
About my book.
I published a book a long time ago.
At that time # I uploaded my interview as a PDF on the internet.
Its Japanese and English.
I will publish it for free.
For details # I explained to the Amazon site.
How to write a novel.
How to take a picture.
A sense of distance to the work.
All of these have something in common.
I wrote down what I felt and left it.
I hope my text will be read by many people.
Thank you.
Mitsushiro.
1 Interview in English
2 novels. unforgettable 'English version.(This book is Dedicated to the future artist.)
3 Interview Japanese version
4 novels. unforgettable ' JPN version.
5 A streamlined trajectory. only Japanese.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
iBooks. Electronic Publishing. It is free now.
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable '(ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
2.unforgettable '(JNP.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3. Streamlined trajectory.(For Japanese only.)
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8... =11
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_________________________________
My Novel : Unforgettable'
(This book is Dedicated to the future artist.)
Synopsis
Kei Kitami # who is aiming for a university # meets Kaori Uemura # an event companion who is 6 years older than her on SNS.
Kaori's dream of coming to Tokyo is to become friends with famous artists.
For that purpose # the presence of radio station producer Ryo Osawa was necessary.
Osawa talks to Kaori during the live radio broadcast.
"I have a wife and a child # but I want to see you."
Kay's classmate # Rika Sanjo # who thinks of him # was exploring Kaori's trends. .. .. .. ..
Synopsis.
Kei Kitami who aims at university.
A 6 year old older event companion woman. Meet Kaori Uemura on SNS.
The dream of Kaori who has moved to Tokyo.
It is to be a friend of the artist.
The producer of the radio station for that. The existence of Ryo Osawa was necessary.
Live on the radio.Osawa talks to Kaori.
"I have a wife and a child # but I want to see you."
Kei’s classmate Rika Sanzyou who is thinking of him.
She was searching for Kaori.
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
Main story
There are two reasons why a person faces the sea.
One # to enjoy a slice of shine in the sea like children bubbling over in the beach.
The other # to brush the dust of memory like an old man who misses old days # staring at the shine
quietly.
Those lead to only one meaning though they do not seem to overlap. It’s a rebirth.
I face myself to change tomorrow # a vague day into something certain.
That is the meaning of a rebirth.
I had a very sweet girlfriend when I was 18.
After she left # I knew the meaning of gentleness for the first time and also a true pain of loss. After
she left # how many times did I depend too much on her # doubt her # envy her and keep on telling lies
until I realized it is love?
I wonder whether a nobody like me could have given something to her who was struggling in the
daily life in those days. Giving something is arrogant conceit. It is nothing but self-satisfaction.
I had been thinking about such a thing.
However # I guess what she saw in me was because I had nothing. That‘s why she tried to see
something in me. Perhaps she found a slight possibility in me # a guy filled with ambiguous # unstable
tomorrow. But I wasted days depending too much on her gentleness.
Now I finally can convey how I felt in those days when we met.
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
_________________________________
_________________________________
Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
_________________________________
_________________________________
The schedule of the next novel.
Still would stand all time. (Unforgettable '2)
(It will not go away forever)
Please give me some more time. That is Japanese.
_________________________________
_________________________________
Exhibition in 2023
theme
The camera kisses time.
Mitsushiro --Nakagawa
The schedule for 2023 is unstable.
I plan to do one of the following two.
Both are scheduled around November.
I give priority to museums.
1 This will be done when the 1st attached gallery is released in 2023.
place
DIC Kawamura Memorial Museum of Art 1st attached gallery
2 This is planned as a spare.
place
Design Festa
images.
BTS… Film out Lyrics (방탄 소년단 / BTS Film out Japanese subtitles 가사) [Color Coded Lyrics / Kan / Rom / Eng]
_________________________________
_________________________________
My Works.
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
_________________________________
_________________________________
Do you want to hear my voice?
:)
1
About the composition of the picture posted to Flicker. First type.
2
About the composition of the picture posted to Flicker. Second type.
3
About when I started Fotolog. Architect 's point of view.
4
Why did not you have a camera so far?
5
What is the coolest thing? The photo is as it is.
6
About the current YouTube bar. I also want to tell # I want to leave.
7
About Japanese photographers. Japanese YouTube bar is Pistols.
8
The composition of the photograph is sensibility. Meet the designers in Milan. Two questions.
9
What is a good composition? What is a bad composition?
10
What is the time to point the camera? It is slow if you are looking into the viewfinder or display.
11
Family photos. I can not take pictures with others. The inside of the subject.
12
About YouTube 's photographer. Camera technology etc. Sensibility is polished by reading books.
13
About the Japanese newspaper. A picture of a good newspaper is Reuters. If you continue to look at useless photographs # it will be useless.
14
About Japanese photographers. About the exhibition.
Summary. I wrote a novel etc. What I want to tell the most.
_________________________________
_________________________________
I talked about how to make a work.
About work production 1/2
About work production 2/2
1 Photo exhibition up to that point. Did you want to go?
2 Well # what is an exhibition that you want to visit even if you go there?
3 Challenge to exhibit one work every month before opening a solo exhibition at the Harajuku Design Festa.
4 works are materials and silhouettes. Similar to fashion.
5 Who is your favorite artist? What is it? Make it clear.
6 Creating a collage is exactly the same as taking photos. As I wrote in the interview # it is the same as writing a novel.
7 I want to show it to someone # but I do not make a piece to show it. Aim for the work you want to decorate your own room as in the photo.
8 What is copycat? Nowadays # it is suspected to be beaten. There is something called Mimesis?
kotobank.jp/word/Mimesis-139464
9 What is Individuality? What is originality?
www.youtube.com/user/mitsushiro/
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_________________________________
Explanation of composition. 2
1.Composition explanation 2 ... 1/4
2.Composition explanation 2 ... 2/4
3.Composition Explanation 2 ... 3/4
4.Composition Explanation 2 ... 4/4
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_________________________________
My shutter feeling.
Today's photo.
It is a photo taken from Eurostar.
This video is an explanation.
I went to Milan in 2005.
At that time # I went from Milan to Venice.
We took Eurostar into the transportation.
This photo was not taken from a very fast Eurostar.
When I changed the track # I took a picture at the moment I slowed down.
Is there a Japanese beside you?
Please have my video translated.
:)
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
_________________________________
_________________________________
flickr.
www.flickr.com/photos/stealaway/
_________________________________
_________________________________
instagram.
www.instagram.com/mitsushiro_nakagawa/
_________________________________
_________________________________
Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
_________________________________
_________________________________
YouPic
youpic.com/photographer/mitsushironakagawa/
_________________________________
_________________________________
twitter.
_________________________________
_________________________________
facebook.
www.facebook.com/mitsushiro.nakagawa
_________________________________
_________________________________
Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
_________________________________
_________________________________
My statistics. (As of May 11 # 2021)
_________________________________
_________________________________
Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsu Nakagawa belong to Lot No. 204 _ . Copyright©︎2020 Lot No.402_ All rights reserved.
_________________________________
_________________________________
title.
彼女は緑色の入口を選択した。
( LUMIX G3 shot )
ロンドン。イギリス。2015年。… 3 / 7
(今日の写真。それは未発表です。）
Images.
Till Brönner … Return To The Fold
次の小説のイメージ。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
重要なお知らせ。
僕は以下の条件を緩和します。
僕はTシャツを無料で世界中へ配布します。
m.flickr.com/photos/stealaway/50656401427/in/dateposted-p...
m.flickr.com/photos/stealaway/50613367691/in/dateposted-p...
_________________________________
_________________________________
２０２３年の展示
テーマ
カメラは時間にキスをする。
Mitsushiro - Nakagawa
２０２３年のスケジュールは不安定です。
以下の二つのいずれかを予定しています。
どちらも１１月頃を予定しています。
僕は美術館を優先します。
１ こちらは、２０２３年に第１付属ギャラリーが解放されたら実施します。
場所
DIC川村記念美術館 第１付属ギャラリー
２ こちらは、予備として予定します。
場所
デザインフェスタ
images.
BTS … Film out Lyrics (방탄소년단/防弾少年団 Film out 日本語字幕 가사) [Color Coded Lyrics/Kan/Rom/Eng]
_________________________________
_________________________________
最新のお知らせ。
以下の僕のTシャツ。無料配布。
コロナの影響で、運送方法は国によって変わります。
1/25
一人目が決まりました。
それはドイツの人です。
m.flickr.com/photos/ute_kluge/favorites/
僕は心から感謝します。ありがとう。
:)
２０２０年１２月３日。発送しました。
船便です。２ヶ月から３ヶ月を要します。
2/25
二人目はタイの女性です。
youpic.com/photographer/Abbozzo/
僕は彼女へ受け取って欲しいとお願いしました。
:)
２０２０年１２月１０日。発送しました。
船便です。２ヶ月から３ヶ月を要します。
3/25
3人目はメキシコの女性です。
彼女はfotologの頃からずっと僕を支えてくれました。
彼女は僕の道案内をしてくれました。
ありがとう。
:)
２０２０年１２月１０日発送しました。
EMSです。たぶん１ヶ月から２ヶ月以内で到着します。
4/25
4人目は、セルビア共和国の女性です。
youpic.com/photographer/IvanaPopov/
２０２０年１２月１４日発送しました。
船便です。たぶん２ヶ月から３ヶ月以内で到着します。
:)
5/25
５人目は、インドネシアの男性です。
www.flickr.com/photos/33836533@N04/
２０２０年１２月２４日。発送しました。
EMSです。たぶん１ヶ月から２ヶ月以内で到着します。
１月８日。到着しました。
6/25
6人目は、フランスの方です。
youpic.com/image/18158054/ombre-chinoise-by-ce-pe
www.flickr.com/photos/191604817@N04/
２０２１年１月７日。
僕は発送しました。
:)
7/25
7人目も、フランスの方です。
www.flickr.com/photos/151630891@N07/
www.flickr.com/people/liveworkcreate/
２０２１年１月７日。
僕は発送しました。
:)
8/25
８人目の 方はルーマニアの方です。
2021年１月中に発送します。
:)
9/25
9人目は日本の方です。16歳です。
受賞歴
2017 小国町フォトコンテスト2部門
2018 EPSONmeet up selectionデータ部門優秀賞
2020 熊本高文連前期写真コンテスト優秀賞
Webフォトコンテスト協賛メーカー賞
10/25
10人目は、ブラジルの方です。
www.flickr.com/photos/mangelo/
２０２１年２月中に発送します。
:)
11/25
11人目は、アメリカの方です。
youpic.com/photographer/HeathBrunner/
www.flickr.com/photos/181948650@N04/
２０２１年２月中に発送します。
:)
12/25
12人目は、イタリアの方です。
www.flickr.com/photos/122700703@N05/
youpic.com/photographer/raffadepa2019/
cacciatoredisogniblog.wordpress.com
２０２１年２月中に発送します。
13/25
13人目は、 ロシアの方です。
www.flickr.com/photos/183731920@N08/
youpic.com/photographer/Andjey/
２０２１年３月中に発送します。
14/25
14人目は、フィリピンの方です。
www.flickr.com/photos/44681455@N00/
youpic.com/photographer/Stitch/
２０２１年１１月１１日に発送しました。
Mitsu.
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” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsu - Nakagawa.
Copyright©︎2021 Lot No.402_ All rights reserved.
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プロフィール
2014年11月、たった1機種で世界を塗り替えた携帯電話の広告を請け負った選考者の目に留まり、秘密保持同意書を結ぶ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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インタビューと小説。
僕の本について。
僕は、昔に本を出版しました。
その際に、僕のインタビューをPDFでネット上へアップロードしていました。
その日本語と英語。
僕は、無料でを公開します。
詳細は、アマゾンのサイトへ解説しました。
小説の書き方。
写真の撮影方法。
作品への距離感。
これらはすべて共通項があります。
僕は、僕が感じたことを文章にして、残しました。
僕のテキストが多くの人に読んでもらえることを望みます。
ありがとう。
Mitsushiro.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
１ インタビュー 英語版
２ 小説。unforgettable’ 英語版。
３ インタビュー 日本語版
４ 小説。unforgettable’ 日本語版。(この小説は未来のアーティストへ捧げます)
(四百字詰め原稿用紙４５６枚)
あらすじ
大学を目指している北見ケイは、SNS上で、6歳年上のイベントコンパニオン、上村香織に出会う。
上京してきた香織の夢は、有名なアーティストの友達になるためだ。
そのためにはラジオ局のプロデューサー、大沢亮の存在が必要だった。
大沢は、ラジオの生放送中、香織へ語りかける。
「僕には妻子がある。しかし、僕は君に会いたいと思っている」
ケイの同級生で、彼を想っている三條里香は、香織の動向を探っていた。。。。。
本編
人が海へ向かう理由には、二つある。
ひとつは、波打ち際ではしゃぐ子供のように、今の瞬間の海の輝きを楽しむこと。
もうひとつは、その輝きを静かに見据えて、過ぎ去った日々を懐かしむ老人のように記憶の埃を払うこと。
二つは重なり合わないようではあるけれども、たったひとつの意味しか生まない。
再生だ。
明日っていう、曖昧な日を確実なものへと変えてゆくために、自分の存在に向き合う。
それが再生の意味だ。
十八歳だった僕には大切な人がいた。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
５ 流線形の軌跡。 日本語のみ。
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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iBooks.電子出版。（現在は無料）
0.about the iBooks.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
1.unforgettable’ ( ENG.ver.)(This book is Dedicated to the future artist.)
itunes.apple.com/us/book/unforgettable/id1216576828?ls=1&...
For Japanese only.
2.unforgettable’ ( JNP.ver.)(この小説は未来のアーティストへ捧げます)
itunes.apple.com/us/book/unforgettable/id1216584262?ls=1&...
3.流線形の軌跡。
itunes.apple.com/us/book/%E6%B5%81%E7%B7%9A%E5%BD%A2%E3%8...
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僕の小説。英語版
My Novel Unforgettable' (This book is Dedicated to the future artist.)
Mitsushiro Nakagawa
All Translated by Yumi Ikeda .
1/9
www.flickr.com/photos/stealaway/24577016535/in/dateposted...
2/9
www.flickr.com/photos/stealaway/24209330259/in/dateposted...
3/9
www.flickr.com/photos/stealaway/23975215274/in/dateposted...
4/9
www.flickr.com/photos/stealaway/24515964952/in/dateposted...
5/9
www.flickr.com/photos/stealaway/24276473749/in/dateposted...
6/9
www.flickr.com/photos/stealaway/24548895082/in/dateposted...
7/9
www.flickr.com/photos/stealaway/24594603711/in/dateposted...
8/9
www.flickr.com/photos/stealaway/24588215562/in/dateposted...
9/9
www.flickr.com/photos/stealaway/24100804163/in/dateposted...
Fin.
images.
U2 - No Line On The Horizon Live in Dublin
www.youtube.com/watch?v=_oKwnkYFsiE&feature=related
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Title of my book : unforgettable'
Author : Mitsushiro Nakagawa
Out Now.
ISBN978-4-86264-866-2
in Amazon.
www.amazon.co.jp/Unforgettable’-Mitsushiro-Nakagawa/dp/...
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次の小説の予定。
Still would stand all time.(unforgettable'2)
（いつまでもなくならないだろう）
もう少し時間をください。それは日本語です。
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２０２３年の展示
テーマ
カメラは時間にキスをする。
Mitsushiro - Nakagawa
２０２３年のスケジュールは不安定です。
以下の二つのいずれかを予定しています。
どちらも１１月頃を予定しています。
僕は美術館を優先します。
１ こちらは、２０２３年に第１付属ギャラリーが解放されたら実施します。
場所
DIC川村記念美術館 第１付属ギャラリー
２ こちらは、予備として予定します。
場所
デザインフェスタ
images.
BTS … Film out Lyrics (방탄소년단/防弾少年団 Film out 日本語字幕 가사) [Color Coded Lyrics/Kan/Rom/Eng]
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僕の作品。
1 www.flickr.com/photos/stealaway/48072442376/in/dateposted...
2 www.flickr.com/photos/stealaway/48078949821/in/dateposted...
3 www.flickr.com/photos/stealaway/48085863356/in/dateposted...
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あなたは僕の声を聞きたいですか？
:)
1
フリッカーへ投稿した写真の構図について。１種類目。
2
フリッカーへ投稿した写真の構図について。２種類目。
3
Fotologを始めた時について。 建築家の視点。
4
なぜ、今までカメラを手にしなかったのか？
5
何が一番かっこいいのか？ 写真はありのままに。
6
現在のユーチューバーについて。僕も伝え、残したい。
7
日本人の写真家について。日本のユーチューバーはピストルズ。
8
写真の構図は、感性。ミラノのデザイナーに会って。二つの質問。
9
良い構図とは？ 悪い構図とは？
10
カメラを向ける時とは？ ファインダーやディスプレイを覗いていては遅い。
11
家族写真。他人では撮れない。被写体の内面。
12
ユーチューブの写真家について。カメラの技術等。感性は、本を読むことで磨く。
13
日本の新聞について。良い新聞の写真はロイター。ダメな写真を見続けるとダメになる。
14
日本の写真家について。その展示について。
まとめ。僕が書いた小説など。僕が最も伝えたいこと。
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作品制作について 1/2
作品制作について 2/2
１ それまでの写真展。自分は行きたいと思ったか？
２ じゃ、自分が足を運んででも行きたい展示とは何か？
３ 原宿デザインフェスタで個展を開くまでに、毎月ひとつの作品を展示することにチャレンジ。
４ 作品とは、素材とシルエット。ファッションと似ている。
５ 自分が好きなアーティストは誰か？ どんなものなのか？ そこをはっきりさせる。
６ コラージュの作成も写真の撮り方と全く同じ。インタビューに書いたように小説の書き方とも同じ。
７ 誰かに見せたい、見せるがために作品は作らない。写真と同じように自分の部屋に飾りたい作品を目指す。
８ パクリとは何か？ 昨今、叩かれるパクリ疑惑。ミメーシスとは？
https://ja.wikipedia.org/wiki/ミメーシス
https://kotobank.jp/word/ミメーシス-139464
９ 個性とはなにか？ オリジナリティってなに？
おまけ 眞子さまについて
という流れです。
お時間がある方は是非聴いてください。
:)
www.youtube.com/user/mitsushiro/
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構図の解説２
1.構図の解説２ ... 1/4
2.構図の解説２ ... 2/4
3.構図の解説２ ... 3/4
4.構図の解説２ ... 4/4
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僕のシャッター感覚
In the Eurostar to Venice . 2005. shot ... 1 / 2
www.flickr.com/photos/stealaway/49127115021/in/dateposted...
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Miles Davis sheet 1955-1976.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
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flickr.
www.flickr.com/photos/stealaway/
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YouTube.
www.youtube.com/user/mitsushiro/
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instagram.
www.instagram.com/mitsushiro_nakagawa/
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Pinterest.
www.pinterest.jp/MitsushiroNakagawa/
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YouPic
youpic.com/photographer/mitsushironakagawa/
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fotolog
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twitter.
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facebook.
www.facebook.com/mitsushiro.nakagawa
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Amazon.
www.amazon.co.jp/gp/profile/amzn1.account.AHSKI3YMYPYE5UE...
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僕の統計。（2021年5月11日現在）
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Japanese is the following.
drive.google.com/drive/folders/1vBRMWGk29EmsoBV2o9NM1LIVi...
Title of my book unforgettable' Mitsushiro Nakagawa Out Now. ISBN978-4-86264-866-2
Mitsu Nakagawa belong to Lot no.204_ . Copyright©︎2020 Lot no.204_ All rights reserved.
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#小説 #文章の書き方 #小説の書き方
【 小説ってむずかしい？ 】
ここでは自分が書いた以下の小説（掌編）を解説して、文章の組み方や流れなどを、一行ずつ、徹底的に解説しました。
わかりやすいように、初稿と最終稿の比較で解説しています。約２時間半もかけました😃😅
まずは最終稿を読んでいただけるとわかりやすいです。
小説（掌編）【 夏のはじまりは、すりガラスの向こうに 】
あらすじ
遠藤 シュン 22才と、同級生、関口香奈のお話。
シュンは商社へ就職し、7月からオーストラリアへ。海外赴任前に実家へ帰る。
images
Base Ball Bear --short hair
_________________________________
_________________________________
” Lot No.402_ ” に関するお知らせ。
今後、僕は、” Lot No.402_ ”を主催します。
このロットナンバーは、眠っていたレオナルドダヴィンチの作品がオークションにかけらた際に付されたものです。
作品にはサインなどがいっさい記されていなかったため、彼の作品だと断定できませんでした。
しかし、様々な鑑定の結果、陽の光を浴びました。
誰にも気づかれない作品。肩書がなくとも静かに語りかける作品。
僕はこれから様々な形で、多くの皆様に提供できるよう努めてゆきます。
2020年10月24日 by Mitsu - Nakagawa.
Copyright©︎2020 Lot No.402_ All rights reserved.
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Exhibition in 2023
theme
The camera kisses time.
Mitsushiro --Nakagawa
The schedule for 2023 is unstable.
I plan to do one of the following two.
Both are scheduled around November.
I give priority to museums.
1 This will be done when the 1st attached gallery is released in 2023.
place
DIC Kawamura Memorial Museum of Art 1st attached gallery
2 This is planned as a spare.
place
Design Festa
images.
BTS… Film out Lyrics (방탄 소년단 / BTS Film out Japanese subtitles 가사) [Color Coded Lyrics / Kan / Rom / Eng]
２０２３年の展示
テーマ
カメラは時間にキスをする。
Mitsushiro - Nakagawa
２０２３年のスケジュールは不安定です。
以下の二つのいずれかを予定しています。
どちらも１１月頃を予定しています。
僕は美術館を優先します。
１ こちらは、２０２３年に第１付属ギャラリーが解放されたら実施します。
場所
DIC川村記念美術館 第１付属ギャラリー
２ こちらは、予備として予定します。
場所
デザインフェスタ
images.
BTS … Film out Lyrics (방탄소년단/防弾少年団 Film out 日本語字幕 가사) [Color Coded Lyrics/Kan/Rom/Eng]
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#展示 #写真 #コラージュ #川村記念美術館 #Exhibition #Pic #kawamuramemorialdicmuseumofart #collage #BTS #Filmout #FUJIFILM #GFX50R
#富士フィルム #日本 #九十九里浜 #山武市 #本須賀海岸 #japan #kujyukuribeach #sanmushi #motosukabeach
#展示 #写真 #コラージュ #川村記念美術館 #Exhibition #Pic #kawamuramemorialdicmuseumofart #collage #BTS
#Filmout #FUJIFILM #GFX50R #富士フィルム
Exhibition in 2023
theme
The camera kisses time.
Mitsushiro - Nakagawa
place
Kawamura Memorial DIC Museum of Art 1st attached gallery
images.
BTS … Film out Lyrics (방탄소년단/防弾少年団 Film out 日本語字幕 가사) [Color Coded Lyrics/Kan/Rom/Eng]
２０２３年の展示
テーマ
カメラは時間にキスをする。
Mitsushiro - Nakagawa
場所
DIC川村記念美術館 第１付属ギャラリー
images.
BTS … Film out Lyrics (방탄소년단/防弾少年団 Film out 日本語字幕 가사) [Color Coded Lyrics/Kan/Rom/Eng]
youtube has been updated. ユーチューブ更新しました
unforgettable” iMovie / apple
The materials/ingredients which are necessary to make those pandas are white choco-ball ( Japanese chocolate sweets), chocolate condiment pencil and toothpick.
I didn't use the chocolate sprays appearing in the first photo
Alberta is getting its share of wildfires! An Emergency Alert warning came on the TV just a short while ago this afternoon. Following from CBC News.:
"An emergency alert was issued Thursday afternoon (19 October 2017) in Vulcan County due to a "serious" wildfire heading toward Gleichen and Cluny.
"Prepare for possible evacuation," reads a warning from Alberta's emergency alert system. "Take all necessary precautions. Follow the directions of local authorities.
"There is a serious fire which is currently in Vulcan County."
On its website, Wheatland County said a "running grass fire" was headed toward Gleichen and Cluny and that fire crews were responding.
"RCMP are currently evacuating all residents south of the Bow River," the county said.
Gleichen is about 100 kilometres east-southeast of Calgary.
I had been wondering whether to go out that way to look for old barns and homesteads, and had no idea that there was a wildfire burning out there. It's beginning to feel like we have wildfires burning around us in all directions.
I just read that the wildfire burning just to our north, in the Airdrie area, was caused by a smoker discarding a cigarette out the car window. What is it that some people are just not "getting", about not throwing out lit cigarettes when the Prairies are tinder dry??
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"Widespread wind gusts in excess of 90 km/h, with some reaching as high as 130 km/h, blasted southern and central Alberta Tuesday afternoon and evening (17 October 2017), fanning wildfires and leaving some 10,000 customers without power." To put things into perspective, sustained winds between 119-153 km/h are considered Category 1 hurricane-force by the U.S. National Oceanic and Atmospheric Administration.
A strong Pacific Jetstream caused dramatic weather the day before yesterday, along with rain and very strong winds that brought down trees, powerlines, falling glass from windows of office blocks in downtown, fanned wildfires, and so on.
Friend Gayle had asked if I would like to go out for the day and we ended up driving through the Springbank area and then on to Canmore. I had checked the weather forecast and, I have to admit that if I was planning to go out of the city on my own, I would have changed my mind and stayed home instead. However, we decided to at least get out for a while and see how far we would go. As it turned out, we got as far as Canmore in the mountains, where we had lunch - Lasagna for me : )
Feeling re-energized, we decided to start driving up the mountainous road that leads from Canmore to the Spray Lakes area. Though I have been on this road at various times, I have never driven it myself. If I want to get to the Spray Lakes area, I go from the south and all the way along Highway 40. This rough, narrow road is quite an adventure at any time. It gives a wonderful view looking down over the whole of Canmore and the river. It is also a popular road for Mountain Sheep, and we were lucky to see four of them in a little group, licking the salt from the bottom of the cliff rock face. It is incredible how these wild animals can climb the steep, rocky surface - done very cautiously. This is their road and if they want to stand in the middle of it, then cars wait.
"One of the most important features of the bighorn sheep is the unique structure of its hooves. Rather than being hard like those of a horse or cow, the sheep have rubber-like hooves that allow excellent mobility on steep rock faces."
www.conservenature.org/learn_about_wildlife/rocky_mountai...
Part way up the mountain, we took the turn-off to Quarry Lake, a place I had heard of and seen photos of, but had never been there myself. We parked and decided to walk round the lake, which turned out to be very unpleasant, with strong winds picking up grit and leaves and whipping our faces, as the storm moved in. For the first time ever, I believe, I saw a tree come crashing down at the edge of the forest.
Once safely back to the car, we thought we would drive a little further and see what conditions were like. Rain and very strong winds continued and once we reached the north end of Spray Lakes Reservoir, we made the decision to turn around and head back down. The mountains were disappearing from sight, so there wasn't much point in continuing, anyway. Gayle had hoped to go on as far as Banff, but there was no point in doing so in such dreadful weather.
As often happens, the weather seemed to brighten somewhat once we were out of the mountains. It felt so good to actually see some blue sky. Getting closer to Calgary, the car radio was announcing which city roads were blocked by a fallen tree or downed powerlines.
I was not far from home, shortly before sunset, when I noticed some impressive clouds and, on the spur of the moment, drove along one of the gravel back roads just within the edge of the city. It was worth it, though I was quite relieved when I finally reached home.
Many thanks, Gayle, for a great day out, braving the weather! We had fun and it certainly was an interesting experience. I really appreciated the chance to use my camera once more, before the next snowfall arrives and stays on the ground for the next few months.
Movie 1960. Summary: Jazz pianist Tom Stewart lives in a Cape Cod island community and is preparing to marry his fiancée, Meg Hubbard. Shortly before the wedding, Tom's ex-girlfriend Vi Mason visits and informs him that she will end his relationship with Meg, using blackmail if necessary. While they argue atop a lighthouse, the railing gives way, and Vi falls, managing to hang on briefly. She cries out for help, but Tom refuses and watches her fall to her death. Vi as a ghost spends the rest of the movie tormenting Tom. It's okay because he deserves it.
A William Castle movie.
I've been in the bus industry for some 47 years, and if there is one thing I should have learned in that time, its when to pull the plug on something! The problem is that you feel you have an idea what a bus might require to restore it to use, set off down the path of doing necessary work, but then find more that needs doing . . . and more . . . and more! At that point, you either go forward with it, sucking the financial mop, or you end up with a very expensive piece of scrap.
To cut a very long story short, I'm now the proud owner of a Dart which owes me over double its worth on a good day to a keen purchaser. Its the economics of the mad house.
Ok, the bus has long outasted its intended design life, but it brought it home to me just what a state the modern generation of preservationists will be in as their favoured bus dissolves around them . . . if the electronics don't snuff out their dreams first.
I think its fair to say that only 75% of the chassis under my Dart is that which Dennis put there, the remaining 25% is Reliance Bus Works. Finally today it gained a new MoT though.
Maine Coons are one of the largest breeds of domestic cat. Males weigh from 15 to 25 lb (6.8 to 11 kg) with females weighing from 10 to 15 lb (4.5 to 6.8 kg).[18] The height of adults can vary between 10 and 16 in (25 and 41 cm) and they can reach a length of up to 40 in (100 cm), including the tail, which can reach a length of 14 in (36 cm)[19] and is long, tapering, and heavily furred, almost resembling a raccoon's tail. The body is solid and muscular, which is necessary for supporting their own weight, and the chest is broad. Maine Coons possess a rectangular body shape and are slow to physically mature; their full potential size is normally not reached until they are three to five years old, while other cats take about only one year.[20]
In 2010, the Guinness World Records accepted a male purebred Maine Coon named "Stewie" as the "Longest Cat" measuring 48.5 in (123 cm) from the tip of his nose to the tip of his tail.[21][22]
The Maine Coon is a longhaired, or medium-haired, cat. The coat is soft and silky, although texture may vary with coat color. The length is shorter on the head and shoulders, and longer on the stomach and flanks with some cats having a lion-like ruff around their neck. Minimal grooming is required for the breed, compared to other long-haired breeds, as their coat is mostly self-maintaining due to a light-density undercoat. The coat is subject to seasonal variation,[23] with the fur being thicker in the winter and thinner during the summer. Maine Coons, due to their large size, have larger claws. There have been cases of Maine Coons using their claws to grip into walls.[citation needed]
Maine Coons can have any colors that other cats have. Colors indicating hybridization, such as chocolate, lavender, the Siamese pointed patterns or the "ticked" patterns, are unaccepted by breed standards.[7] The most common color seen in the breed is brown tabby.[24] All eye colors are accepted under breed standards, with the exception of the occurrence of blue-colored or odd-eyes (i.e., two eyes of different colors) in cats possessing coat colors other than white.[23]
Maine Coon Silver Tabby in the snow
Shaded tan or "buff" Maine Coon
Maine Coons have several physical adaptations for survival in harsh winter climates. Their dense water-resistant fur is longer and shaggier on their underside and rear for extra protection when they are walking or sitting on top of wet surfaces of snow or ice.[25] Their long and bushy raccoon-like tail is resistant to sinking in snow, and can be curled around their face and shoulders for warmth and protection from wind and blowing snow and it can even be curled around their backside like a insulated seat cushion when sitting down on a snow or ice surface.[26][27] Large paws, and especially the extra-large paws of polydactyl Maine Coons,[28] facilitate walking on snow and are often compared to snowshoes.[25] Long tufts of fur growing between their toes help keep the toes warm and further aid walking on snow by giving the paws additional structure without significant extra weight.[27] Heavily furred ears with extra long tufts of fur growing from inside help keep their ears warm.[25]
Many of the original Maine Coon cats that inhabited the New England area possessed a trait known as polydactylism (having one or more extra toes on the feet).[25] While some sources claim that trait is thought to have occurred in approximately 40% of the Maine Coon population in Maine at one time, little evidence has been given to substantiate this claim.[29] Polydactylism is rarely, if ever, seen in Maine Coons in the show ring since it is unacceptable by competition standards.[30] The gene for polydactylism is a simple autosomal dominant gene,[31] which has shown to pose no threat to the cat's health.[32] The trait was almost eradicated from the breed due to the fact that it was an automatic disqualifier in show rings.[33] Private organizations and breeders were created in order to keep polydactylism in Maine Coons from disappearing.
Maine Coons are known as the "gentle giants"[4] and possess above-average intelligence, making them relatively easy to train.[3] They are known for being loyal to their family and cautious—but not mean—around strangers, but are independent and not clingy.[26] The Maine Coon is generally not known for being a "lap cat" but their gentle disposition makes the breed relaxed around dogs, other cats, and children. They are playful throughout their lives, with males tending to be more clownish and females generally possessing more dignity, yet both are equally affectionate.[25] Many Maine Coons have a fascination with water[26] and some theorize that this personality trait comes from their ancestors, who were aboard ships for much of their lives.[5] Maine Coons are also well known for yowling, chattering, chirping, "talking" (especially "talking back" to their owners), and making other loud vocalizations
It's backlit as hell, and not in the pretty way, but when a standard cab leads on a Class I these days, you shoot it (or at least this photog does). CN SD60 5484 leads a "repainted" UP AC44 with autoracks headed for the Grand Trunk Western and Canada.
Griffith, Indiana
Necessary for all seasons.
Kichijoji, Tokyo.
Canon AE-1 PROGRAM + FD 35/3.5 s.c. + ILFORD HP5+ (D-76 stock solution)
It was sometimes necessary to photograph artefacts in order to use them at the ICTY. This could be done here using the strobes. The safe contained particularly dangerous or sensitive pieces of evidence, like weapons. The mockup to the right was used during trial to give judges a better understanding of the terrain.
From my project The Tribunal (at philipus.com), which I made during my last years at the ICTY to show the great diversity of this amazing institution.
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A dam in the middle of the desert? And in the middle of a National Park?
Nelson Garwood built this dam starting around 1948, and I do mean he built much of it by himself. (He did somehow get a cement mixer to finish the job a couple of years later.) He bought the land a few years earlier and decided he wanted to live here; he also built a house and airstrip nearby. The dam, which sufficiently blocked a creek and provided the water needed by his family, is the only survivor of the Garwoods' time here, and it's too weak to do the job today, and of course neither needed nor wanted anyway. Note the holes that prevent water from backing up on the other side and causing the dam to collapse.
Garwood sold most of the surrounding land to the NPS shortly after purchasing it. He lived here off and on with his family for a few years, and then sold the house and the rest of the land to another individual, who didn't live here. The abandoned house soon fell into disrepair and was destroyed in a fire by vandals in the 1970s. The feds then condemned the property, purchased it via Eminent Domain, and it became part of (at the time) Saguaro National Monument.
www.nps.gov/sagu/learn/historyculture/upload/Garwood-Ranc...
*necessary*
If you want to join the Dark Times Group, create an entry in size between 8x8 or 24x24 what contains a random execution of the Order 66
Please play nicely and have fun!
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This happens 19 BBY on the planet Agriworld-2079.
After Vader's assault leaked that the rebels are hiding a Jedi with his Palawan student. Now the empire sent 3 Clone AT-RT Squads to scout the are and find the Jedi Traders.
Clone Trooper: CT75MLO1
Class: Specialist
Nickname: Malen
Equipment: DC-15 Blaster Rifle, Binocular and AT-RT Scout Walker.
Monologue:
I'm still struggling about the Jedi.
When they are so evil, why they always saved us clones from death?
Nobody in the universe will be ever safe a life of a slave, even if he is the best worker in the outer rim.
And who is this Darth Vader why is he allowed to commanding us.. is it possible he is someone from the old Jedi order..?
I need to focus before the Jedi finds me. first.
Today's shot is a redo, but one I felt necessary as the original was some time ago and overall just dull compared to how I process now. Plus I was able to pull out way more stars.
Secondly, today I am releasing my 2nd wallpaper pack! This wallpaper pack is themed for Spaceship Earth and includes 3 Spaceship Earth wallpapers sized at 1920x1200. You can download the pack by clicking here.
Finally, but not least, I have finally launched my official Portfolio website! I'd love if you all would check it out and provide any feedback. It's a selection of my best work, but Disney and non-Disney and I will be including work from some of my other photo projects in the near future. I also have a blog element where I will announce things such as my wallpaper pack releases, post editings tips and more! You can check it out at www.thetimethespace.com I'd love to hear what you think!
P.S. View on Large if you have time.
My Portfolio | My 500px | SmugMug | deviantART | Follow Me on Facebook | Twitter | Google+
No auction necessary, this photographs url is available as an NFT for $1500 with a unique password for your personal viewing. You decide if it stays public or private.
© DM Parody 2020 (www.dotcom.gi/photos) These images are protected by copyright. You CANNOT copy or republish any of these photos without written consent of the photographer even if you retain the watermark (if present) and/or credit the photographer. You cannot use on any media including social media either. You CAN post a link to the page where the image appears without reference to the photographer only if not promoting a commercial product or service. Copyright infringements will be followed up, legally if necessary. Thank you for your understanding.
The man is carrying a woven bamboo "umbrella" that is quite common in the region. They are called knups. Since this region records the highest levels of rainfall on the planet, working in the rain is necessary and having the right gear essential. This device goes over the head and back like a turtle shell and sheds water as the underlying bamboo weave runs from top to bottom, channeling the water down and away. Note the misty gray shroud into which everything fades. Everything close to you begins as a lush green and, as things become further away, they quickly fade to a gray. This area is in the clouds almost always and the mist is ever present. It envelops everything. This photo is published at: www.facebook.com/RachaelKWx/videos/215375533126310/?v=215..., which is a video production entitled: Outside the Classroom - The Rainiest Place on Earth, by Rachael Kaye, meteorologist.
I have for many years wanted to see the very old little church known today as “la Madelène de Bédoin”. In 2021, all I had managed to gather was a glimpse of its lovely bell tower. A brief chat with the owner of what is now a private property allowed me to understand that he was then having guests and that intruding upon the party with photographic equipment to document his Romanesque chapel was not appropriate.
Since then, I tried many different ways to approach either the family or the usual “Friends of the Chapel” non-profit organization in order to weave my way through and into the property, to no avail. In the Fall of 2024, while preparing for our October trip to Provence, I tried again, and that time I struck pay dirt; all obstacles were removed, all doors and barriers were opening, and even our schedule aligned with that of the owners, through the cordial welcome of one of their daughters. May she be thanked! I will say no more.
The Provençal village of Bédoin is located roughly between Vaison-la-Romaine and Carpentras, in the shade of Mount Ventoux, “the Giant of Provence”. No one knows why this little church, set in a quiet vale of olive trees a stone’s throw from the village itself, is dedicated to Mary Magdalene, but this couldn’t have happened prior to the 12th century, which is when the cult of that particular saint spread through Provence. The church is quite a bit older, and seems to have been dedicated to Saint Peter before. Indeed, one of the oldest parchments kept in the archives of the Benedictine abbey of Montmajour, dated around 960–70, mentions a deed of gift of several churches of the village of Bédoin to the abbey that had then just been founded by Teucindus in 947 or 949; among them was a so-named Saint Peter of Monastrol (which means “small monastery”), and that one was dubbed “the most important church outside the village of Bédoin” —hence, obviously, the one we know today as La Madelène, with this unusual spelling typical of Provence.
Having become a priory of Montmajour, Bédoin had, in turn, several “sub-priories” depending from it. All of them were joined in 1502 by a papal bull to the chapter of canons of the Carpentras Cathedral, probably following the monastic decadence subsequent to the in commendam placement of the abbey. Saint Peter was thus brought down to the level of a simple rural priory. It was probably then that the church’s dedication was changed to that of Magdalene.
Then came the ravages of the French Revolution, which proved exceptionally violent in Bédoin, but left our little church in a comparatively not too bad state. In 1970, a small community of Benedictine monks restored monastic life in Bédoin, but the monastery, in need of more space than was available, was transferred to the nearby village of Le Barroux in 1980 and the property was sold to the family that stills currently owns it.
Listed as a Historic Landmark in 1947, the priory church of La Madelène was built around Year 1000, with the top floor of its bell tower slightly more recent (around 1070–90). It is a charming example of the so-called “First Romanesque Art”, a squat little church of basilical floor plan with only two rows, yet three naves and three semi-circular apses. Like most edifices of the early Romanesque age, the walls are much thicker than necessary, and the windows are scarce and narrow.
Access to the church nowadays is via a narrow, barrel-arched doorway opened in the southern side wall, but that opening must be recent, judging by the aspect of the archivolt.
The main nave, looking to the West. The tripod here is set over the altar. The door you see in the background is not used anymore to access the church, as there is a small outbuilding abutting the western gable wall.
Notice the twin tall and narrow bays above the door: this layout is typical of the First Romanesque Art in Provence.
Intuitively, defining poverty doesn't seem necessary: we know it when we see it. But while we can probably agree that the inhabitants of Dickensian slums were in poverty, in many cases today things aren't so clear cut.
It's partly because of this difficulty that there are several measures available. The main government figures are for absolute and relative poverty, measured before and after housing costs.
Although the figures produced by the Department for Work and Pensions (DWP) are referred to as measuring relative and absolute low income, it's common to refer to them as measures of poverty (for example, in the Child Poverty Act or at Prime Minister's Questions).
Relative poverty
Relative poverty generally means that a person can't afford an "ordinary living pattern"—they're excluded from the activities and opportunities that the average person enjoys.
A household is in relative poverty (also called relative low income) if its income is below 60% of the median household income.
The median is the number 'in the middle' of a set—so half of all households earn more than the median income household, and half earn less.
Absolute poverty
Absolute poverty is slightly trickier. The definition used by a number of international organisations (such as the UN and the World Bank) is that you cannot afford the basic needs of life—food, clothing, shelter and so on.
This is absolute in the sense that it’s measured relative to a fixed standard of living, rather than the rest of the population.
This isn’t the definition used by the UK government.
Confusing !
More details at:
Sometimes these things are absolutely necessary! I hope you enjoy watching!
I do so enjoy...
...My fabulous fully fashioned stockings & suspender belt! ...Which both accent my legs very nicely indeed! Then there's the rest of my assets that are shown off very nicely by my shirred & very clingy minidress! Yum!
My ensemble for this photo set is based on this curve hugging pink shirred lycra spandex minidress with a black see through lace bodice that came from greatglam.com along with my black Glamour line fully fashioned stockings & black Romance garter belt, both from secretsinlace.com worn over Hanes Alive Barely There support hose from onehanesplace.com and my black patent peep toe platform pumps from flirtcatalog.com.
To see more pix of me in other tight, sexy and revealing outfits click this link:
www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
To see more pix of me in other outfits from Great Glam click this link: www.flickr.com/photos/kaceycdpix/sets/72157621973539909/
To see more pix of me in pink & fuchsia ensembles click this link: www.flickr.com/photos/kaceycdpix/sets/72157622518296496/
To see more pix of me in my fully fashioned stockings & lingerie click this link: www.flickr.com/photos/kaceycdpix/sets/72157627113549549/
To see more pix of me showing off my legs click this link: www.flickr.com/photos/kaceycdpix/sets/72157623668202157/
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