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BODY

Manufactured by Ihagee Kamerawerk Steenbergen & Co, Dresden, East Germany

Model: 1959, Version 1.5.2, (A&R: 5, Hummmel: 048), (produced between 1959-60, quantity: 38300)

Special feature of Version 5: Exa on the front plate embossed, (not engraved like in all other versions).

Version, manufacturing year, body and lens info are as to Andrzej Wrotniak

The original Exa is known as Exa 0 also.

All Exa 0 produced between 1951-62

35mm SLR film camera

Engraving on the front plate: Ihagee Dresden

Lens release: via a lever on the left of the lens flange

Focusing: via Fresnel matte screen, ring and scalel on the lens, w/DOF scale

Shutter: Mirror acts like a curtain as a part of the shutter, vertical moving, due to this maximum speed is limited to 1/150, speeds: 1/25-1/150 +B

setting: via a lever and scale on the right of the top plate

Shutter release: a knob, on front of the body, w/ a safety locking cap, and cable release socket, it can be pressed with the plunger on the lenses, w/ cable release socket also

Cocking knob: also winds the film, on the right of the top plate

Frame counter: window on the right of the top plate, additive type, manual reset by a thumb ring on front of it

Viewfinder: SLR pentaprism finder , interchangeable with Waist level finder

Finder release: via a knob beneath the Exa logo

Mirror: Stays up after exposure, so viewfinder is dark, cocking the shutter returns the mirror to normal position

Re-wind knob: on the left of the top plate

Re-wind release: by a button just beside the cocking knob

Flash PC socket: two, on the right front side of the camera, F and X

Self-timer: none

Back cover: Hinged, removable, opens by a latch on the left side of the camera

Tripod socket: 378'' w/1/4'' adaptor

Strap lugs

Body: metallic, Weight:557g (wo/ the lens)

serial no. 545089 (inside the camera)

LENS:

Meyer-Optik Görlitz Lydith 30mm f/3,5 (Zebra), 5 elements,

preset type, Mount: Exakta bayonet mount, interchangeable with Exakta Varex lenses,

filter thread: 49mm, serial no. 4082192, (introduced in 1962)

Aperture: f/3.5-f/22, setting: ring and scale on the lens

Focus range: 0.33 - 6m +inf

 

+Original leather ever ready case

+ Waist level finder, Ihage Dresden, w/original leather case

+Sunlux Tele Converter, (Zebra), with Exacta bayonet mount and lens release, (Made in Japan), w/ original leather case

+ B+W Skylight filter, 49ES KR1,5 1,1x w/leather case

 

Although Exa is much simpler than the professional Exakta cameras, the workmanship is equally good, finish similar, and the family resemblance obvious. With its lower price, Exa cameras are addressed to the amateur photographers.

Ihagee Kamerawerk Steenbergen & Co, in Dresden, which was the largest independent camera manufacturer in Germany and was founded in 1912 by Johan Steenbergen.

The true Exaktas and Exas are ones made by Ihagee in Dresden.

Ihagee did not produce their own lenses. Instead, they relied on many of the major optical firms of their day to each produce a series of lenses for their cameras, eg. Carl Zeiss (Jena), Meyer-Optik (Görlitz) and Joseph Schneider (Kreuznach). The lenses from these three makers, in terms of the number and variations of lenses produced, are the most plentiful and in most cases the easiest for collectors and users to acquire. Maybe, over 80% of the Exaktas offered for sale are equipped with normal focal length lenses from these three firms.

Notes about Exa/Exakta classification

I use the Exa/Exakta classification of Andrzej Wrotniak. As to me, it is the best.

Some opinions of a serious Exa/Exakta collector, F W Tappe :

Andrzej Wrotniak uses a very sensible classification, listed on his website, which I personally like the best. It is multi dimensional in setup, without being complicated!

Richard Hummel's 1995 book lists an "one dimensional" classification, which is incomplete, but many sources still refer to this.

Aguila and Rouah (A&R) in their 2003 edition of "Exakta cameras 1933 - 1978", come to an improved classification. They built on their previous 1987 edition classification, which was the leading standard among collectors.

Klaus Wichmann, prolific writer of books about Exakta - and Exa cameras, published his classifications earliest.

 

More info Captain Jack, Maurizio Frizziero, F W Tappe, Exa Original in Camerapedia

 

Surface finish and cutting fluid combine to refract light into rainbows on a batch of ballscrew bearing housings after machining at Haas Automation.

Manufactured by Yashica Co., Japan

Model: 1970s, (Produced between 1970-86)

TLR film camera, film 120/220 roll, picture size 6x6cm

Taking Lens: Yashinon 80mm f/3.5 four elements in three groups,

filter size: 30 mm Bayonet 1, serial no.1119170

Aperture: f/3.5 - f/32, Settings: in a small window on top of the lens system, via a knob, left side of the lens

Focus range:1-20m +inf

Focusing: Fresnel ground glass screen

Focusing knob: distance marks arranged with a f scale for DOF, left side of the camera,

w/ film type reminder window

Finder lens: Yashinon 80mm f/2.8

Shutter: leaf, Copal-SV, Speeds: 1-1/500 +B, Settings: in a small window on top of the lens system, via a knob, right side of the lens

Shutter release: left lower side of the lens system, w/ cable release socket, w/ locking lever

View finder: waist level, w/ magnifying 3x loupe,

w/ a small sports finder hole for eye-level framing on the back wall of the hood acts by pushing the front cover backwards until it clicks in place.

Release button of cover is on the back of hood.

Exposure meter: coupled CdS cell meter

On/off: by opening and closing of the focusing hood

Exposure metering: based on preselection of the shutter speed, coupled match-needles must be coincide, in a window on the front side of the focusing hood

ASA range and settings: 25-400 ASA, via a wheel right front side of the hood and a small window, near the needle window

Winding crank: also cocking the shutter, right side, double exposure prevention,

and a window for 12 or 24 exposure auto-reminder

Frame counter: advance type, auto-resets via opening the back cover

Flash sync. socket: left upper front side

Flash sync.selector: M, X, by a lever coupled with speed setting knob

Self timer: by a lever on the bottom of the lens system, flash synch selector must be on X

Back cover: adjustable sliding film pressure plate,

and film start marks near the film plate, for 120 or 220 rolls

Cold-shoe

Strap lugs

Tripod socket: 1/4''

Weight: 1100 gr

Battery: 1.3v Mercury, PX625/ PX13, (1.5v PX625A or LR9 might be useful, but the better is 1.35v Zinc/air batteries),

only for exposure meter, compartment lid: left lower side of the camera

Engravings on the bottom : Made in Japan

Serial no. 3.075.162

Yashica Mat cameras basically are the Rolleiflex inspired, but their build quality is very good.

Mat-124 G is very similar to the former Yashica-Mat 124, except 124G has gold-plated meter contacts and the finish is a low-chrome, nearly total black finish style.

 

Scenes from the Nuts, Bolts & Thingamajigs Manufacturing Camp held July 18-22 through Sandburg's Workforce Development and Community Education.

Tutaev Bells Factory, Russia

Coachwork by Jean Antem

One-off

 

Bonhams : the Zoute Sale

Estimated : € 375.000 - 425.000

Sold for € 408.250

 

Zoute Grand Prix 2018

Knokke - Zoute

België - Belgium

October 2018

 

The unique Bentley motor car offered here was delivered new to the Paris-based Greek shipping magnate and racing driver, André Embiricos, who had owned a succession of Bentleys, including the famous aerodynamic 4¼-Litre coupé designed by Georges Paulin, commencing in the 1930s.

 

The Derby Bentley was, of course, an exclusively coachbuilt automobile and as befitted its sporting nature was almost always fitted with owner-driver saloon or drophead coupé coachwork, the 'standard' designs being the work of Park Ward. For this Bentley 4¼-Litre's body, Embiricos chose Jean Antem of Courbevoie, Seine. Antem had established his coachbuilding business in 1919 and over the course of the next 30-plus years would body all kinds of chassis in a wide variety of styles. Carrosserie Antem manufactured series-production bodies for La Licorne and Ariès during the 1930s while reserving his bespoke creations for quality marques such as Bugatti, Delahaye, Hispano Suiza and, of course, Bentley. Jean Antem's work is rarely encountered today; regular contenders at the most prestigious Concours d'Élégance events, these Antem-bodied cars are rare and sought-after.

 

When Embiricos ordered this car, the 4¼-Litre Bentley chassis, developed from the preceding 3½-Litre, was the finest that the wealthy sporting motorist could aspire to. Although Rolls-Royce's acquisition of Bentley Motors in 1931 had robbed the latter of its independence, it did at least ensure the survival of the Bentley name. Launched in 1933, the first of what would become known as the 'Derby' Bentleys continued the marque's sporting associations, but in a manner even more refined than before. Even W O Bentley himself acknowledged that the 3½-Litre model was the finest ever to bear his name.

 

Based on the contemporary Rolls-Royce 20/25, the 3½-Litre Bentley was slightly shorter in the wheelbase at 10' 6" and employed a tuned (115 bhp), twin-SU-carburettor version of the former's 3.669 cc overhead-valve six-cylinder engine. Add to this already remarkable package a part-synchromesh four-speed gearbox and servo assisted brakes, and the result was a vehicle offering the driver effortless high performance in almost absolute silence. 'The Silent Sports Car', as it was quickly dubbed, had few peers as a tireless long-distance tourer, combining as it did traditional Rolls-Royce refinement with Bentley performance and handling.

 

By the end of the 1930s the 'Derby' Bentley had undergone a number of significant developments, not the least of which was an increase in bore size in 1936 that upped the capacity to 4.257 cc, a move that coincided with the adoption of superior Hall's Metal bearings. This new engine was shared with the equivalent Rolls-Royce - the 25/30 hp - and as had been the case with the preceding 3½-Litre model, enjoyed a superior specification in Bentley form, boasting twin SU carburettors, raised compression ratio, and a more 'sporting' camshaft. Thus the new 4¼-Litre model offered more power than before while retaining the well-proven chassis with its faultless gear-change and servo-assisted braking. Land speed record holder Sir Malcolm Campbell appreciated its formidable performance, praising the 'absolute perfection' of the Bentley's engine, handling, and braking. In total, 1.177 3,5-Litre cars had been built and a further 1.234 of the successor 4¼-Litre model prior to the cessation of production in 1939.

 

Embiricos's passion for speed undoubtedly influenced this Bentley's specification and resulted in its wonderfully sleek styling. The overall impression of fluidity is accentuated by the surprisingly low windscreen - an Antem trademark – and the line of the body that slopes down towards the tail. The hood retracts completely within the body behind the rear seat, while its painted dashboard gives the leather-upholstered interior a sporting feel. The exhaust outlet is incorporated into the left rear wing, another subtle detail. Embiricos also specified a high axle ratio (11:43).

 

According to records held by the Rolls-Royce Owners Club, Embiricos exported the Bentley to the USA in April 1940, just ahead of the German invasion of France, and kept it until March 1945. The car subsequently passed through the hands of several owners in the USA's North East (all known, list available) before being acquired in the early 1960s by Mr Byron White of Rhode Island, who would own it for the next 40-or-so years. Between 1985 and 2002, Mr White had the Bentley restored to a high standard.

 

The next owner, Charles Morse, acquired the Bentley in 2004 and delivered it to Jeff McDonald's workshop in Oregon for restoration to concours standard. An expert in the restoration of pre-war Bentley and Rolls-Royce motor cars, Jeff McDonald is a highly respected specialist whose enviable body of work includes the 'Best of Show' award winner at Pebble Beach in 2016. Accompanying invoices show that the car was stripped down to the chassis; the body frame and panelling repaired; and all the mechanical components refurbished as necessary. In 2014, the next owner bought the car and completed the restoration, entrusting the paintwork and upholstery to Navarette Classic Design & Paint and Aquilera's Custom Upholstery respectively.

 

Today, this unique Bentley retains its correct period accessories, including Marchal lights, and comes with a comprehensive folder containing the (copy) build sheets, list of owners, restoration bills (inspection recommended), tool kit, jack, and an original Bentley 4¼-Litre instruction book.

 

This car features in R-ROC and R-REC records, and is listed in 'Bentley: The Silent Sportscar' by Michael Ellman-Brown; 'All The Pre-war Bentleys' by Stanley Sedgwick; and 'The Derby Built Bentleys' by Bernard L King. Offered with US title EU customs clearance, this beautiful 4¼-Litre cabriolet is the perfect combination of Antem's talents and Bentley's engineering excellence.

October 7, 2016, marked a sad day in Australian manufacturing, and Australian culture in general. After 91 years of automotive manufacturing- 57 at the Broadmeadows (Campbellfield) Plant, Ford Australia closed its manufacturing operations. Once a mainstay of the Australian automotive industry, along with General Motors Holden, Ford Australia announced its decision to cease manufacturing operations in May 2013, after years of posting big losses, and declining sales, due to factors including access to cheaper imports, changing automotive tastes, and increasing manufacturing costs. While manufacturing has ceased at the Broadmeadows plant, millions have been invested in converting it into the ‘Asia Pacific Production Development Centre’, which will be a design hub for the Asia Pacific region.

 

To pay tribute on the last day of manufacturing at Ford Broadmeadows (the last manufactured car being a Kinetic Blue FG X Falcon XR6, which will be kept in a Ford musem), many Ford fans and enthusiasts took their beloved Broadmeadows-made vehicles (mainly Falcons, Fairmonts, Fairlanes, GTs) to the front lawn of the facility, and displayed their vehicles. As a lifelong Ford man myself (from a family of Ford drivers), I couldn’t miss this opportunity to not only pay tribute to a big part of Australian culture, but to also show off my beloved 2015 FG X XR8 Falcon.

 

An XB Falcon GT.

This photo of Paula in a shop with a woman in a bikini, displaying fabric for bikinis, was taken in the 1970s.

 

Queensland State Archives Item ID ITM1036637

 

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The bikini is generally credited to Louis Reard in 1946, but two-piece swimming costumes had existed before then. Stafford had been making them for herself since the 1930s, but only gradually turned this into a business. In the 1940s, wartime shortages led to a desire to save fabric, which led to costumes becoming more skimpy. When somebody saw her self-made costume on the beach in Gold Coast and asked to buy one, she began selling them. Her styles became popular in Gold Coast and in Melbourne. She began manufacturing operations with a machinist working in her attic, but later built a factory, and opened a shop, called the Tog Shop, and also sold mail-order. The firm also expanded into leisurewear for men and women. She sold her clothes to stores including British retailers Selfridges and Liberty of London, and in Australia Myers, Georges, Buckleys and David Jones. She also founded a modelling agency and a hotel.

 

In a famous incident in 1952, model Ann Ferguson was asked to leave a beach in Surfers Paradise because her outfit was too revealing; she was wearing a Paula Stafford bikini.

 

In 1993, Paula Stafford was awarded a Medal of the Order of Australia in the General Division for service to the fashion industry.

 

Her work is on display at the Gold Coast Historical Society museum in Bundall, Queensland. It was also displayed in an exhibition of swimwear at the Queensland Museum South Bank in 2010. She was awarded Gold Coast City Council's "Legend Award" in 2012.

 

In 2013 Paula Stafford was inducted into the Queensland Business Leaders Hall of Fame.

 

Source Wikipedia

en.wikipedia.org/wiki/Paula_Stafford

  

Manufactured by Kyocera Co., Kyoto, Japan

Model : 1996, (produced between 1994-96)

35 mm film Rangefinder camera

BODY

Lens release: via a button on front of the camera

Focusing:

1) Auto: open-loop (non-TTL) autofocus system, single or continuous,

w/ AF illuminator

2) Manual: via a calibrated manual focus wheel on the top plate,

w/ two scales for different lenses

Shutter:Electronically controlled vertical travel focal plane shutter

speeds: 16-1/2000 in auto and 1-1/2000 in manual

Manual shutter speeds are on the same dial as the Auto position, w/ exposure compensation

Exposure meter:TTL Aperture Priority Autoexposure,

center weighted average metering, or manual

AE Lock: With main switch or half release

ABC Lever: The built-in Automatic Bracketing Control

Viewfinder:Real image viewfinder, coupled with mounted lenses (zoom rangefinder).

Display Panel:Photographic data in large LCD panel in the viewfinder.

Film loading:Auto loading and advance to first frame , reads DX speeds, ISO 25-5000

Film Speed/Down Button: The DX contacts can be manually overridden here in order to set a particular ISO 6-6400

Winding:Auto with built-in motor

Drive Mode Selector: single exposure, continuous shooting, self-timer, or multiple exposure

Frame Counter: Auto-resetting, additive type

Re-winding: Auto rewind with mid-roll rewind possible

Diopter adjuster: built-in on viewfinder eyepiece

Flash sync: max. 1/100

Self timer

Hot-shoe

Strap lugs

Body: Titanium, top, bottom, front, and back covers ; Weight: 518g w/strap

Green stickered:inside the film door, means it takes some G2 body lenses

Special flash gun:TLA140 or 200, TTL direct flash control

Back Cover: opened by back cover release knob, detachable

Battery: Two 3V lithium batteries (CR2), Auto Battery Check

Engravings on the bottom plate: Kyocera, Japan and serial no.

Serial no. 044111

LENSES

Carl Zeiss Sonnar T* 90mm f2.8, AF, Contax G system mount ,

5 elements in 4 groups, Filter thread: 46mm, serial no.7612036

Focus: 1m to inf., red T* means multicoated

Aperture: f/2.8 - f/22, Diaphragm: Manual and uncoupled, 8 straight blades

Weight: 252g

Carl Zeiss Planar T* 45mm f/2, AF, Contax G system mount, 6 elements in 4 groups, Filter thread: 46mm, serial no.7805661

Focus: 0.5m to inf., red T* means multicoated

Aperture: f/2-f/16, Diaphragm: Manual and uncoupled, 6 straight blades,totally

Weight: 182g

Black finish lenses are actually made for black version Contax G2.

+ lens and body caps + UV Filter + original leather strap

 

A short history of Contax G series:

In 1994, Contax introduced an apparent oddity that a new line of interchangeable-lens rangefinder cameras that did not use the established Leica-M or Leica-screw lens mounts. The new camera, the Contax G1, used the "G" mount, an electronic autofocus mount.

The Contax G is the world's most advanced 35mm rangefinder camera system. It was a rich man's camera, that costs thousands of 1990s dollars.

With seven interchangeable lens, AF rangefinder camera establishes a new product class and combines the flexibility of an SLR camera with the portability and ease of use of a compact camera. The lenses made by Kyocera under license from Carl Zeiss and their performance is naturally superb.

In 2005, Kyocera announced that it would cease all activity related to the manufacture of Contax cameras.

more info: Ken Rockwell, Mike Butkus manuals, Camarepedia

Photos by the camera

 

Contax TLA140 Ultra-Compact Flash Unit

 

Manufactured by Kyocera Co., Kyoto, Japan

Model: c.1995

A dedicated TTL direct metering flash for the Contax G-series rangefinder cameras on Contax G1.

The maximum shutter speed for the G1 is 1/100 sec.

Control method: Thyristorized type automatic exposure control

Guide number for main flash (ISO 100), covering the field of view of a 35mm lens:

Auto mode 14 ~ 4, Manual mode 25 (Full); 6 (1/16); 12.5 (1/4)

Max. guide number for main flash, by focal lengths (Full setting, ISO 100) :

85mm - 30 (32); 35mm - 25 (28); 50mm - 27 (30); 28mm - 21 (24) (Main + Aux)

Flash Modes : TTL auto and Manual

Bounce Angles: Upward: 0 - 90°

Film Speed Coupling range: TTL mode ISO 25 - 400

Display Panel: on/off button w/ M and TTL modes, Guide Panel

Flash test: Flash ready lamp as test button

Connection to camera: Connection by direct X contact and by TLA extension cord

Extension Cord socket

Battery: One 3V Lithium battery CR123A/DL123A, (Ni-Cd batteries not acceptable),

battery chamber lid on the bottom fo the flash

Interval/Frequency of Flash (at full output, based on testing standards): CR123A: approx. 4.8 sec./ approx. 200 times

Dimension: 57(W)mm x 74 (H)mm x 20.5(D)mm (2-1/4" x 15/16 x 13/16")

Weight w/ battery: 99g

Serial no.543651

The titanium colour finish provides integration with the G system while providing rugged construction and an elegant look.

The camera CPU is aware of a flash unit and controls the duration of the flash. The shutter and flash will be synchronized at any shutter speed from Bulb to the maximum shutter speed. Automatic flash is the mode used when a Contax TTL compatible flash is connected to the camera’s hot shoe and the flash is turned on.

The camera’s CPU controls the contribution of the flash’s light to the overall exposure.

The camera’s CPU restricts shutters speeds for automatic flash to 1/60 to 1/100 for the G1.

w/ Leather case

 

This solid factory anchors the scene at the west end of Stevens Point. This area was prime real estate for many years, situated next to the Wisconsin River and the Wisconsin Central. Factories such as this could source logs from a far reaching pinery reaching north to Michigan floated down the river. Finished product would go into waiting boxcars for movement to growing markets in Milwaukee, Chicago and beyond.

 

The street here is Wood Street, the Green Bay & Western branch from Plover used to follow the street and cross the WC here at grade. July 20, 2024.

College of DuPage recently welcomed 243 high school students to campus for the second annual Manufacturing and Engineering Technology Career Expo. Students from Downers Grove South, Glenbard West, Glenbard East, Willowbrook, Fenton and York high schools visited with employers, watched a robotics demonstration and learned about educational paths for careers.

Looking for electronics manufacturing? Link-Access is your number one souce.

BODY:

Manufactured by Nippon Kogaku K. K., Japan (Nikon Corporation since 1988)

Model: c.1968, model Photomic FTN that produced between 1968-1974.

All Nikon F produced between 1959-74

35mm film camera, fully mechanical, (except posemeter)

Engraving on the top plate: Nikon and serial no. 6944460

Lens Mount: Nikon F bayonet type

Lens release: by a button on the right front side of the camera, just beside the lens mount

Focusing: screen Matte fresnel Split-image prism rangefinder, Type A, provided as standard, interchangeable with 16 other type finder screens

Shutter: Mechanical, horizontal-travel, titanium foil focal-plane shutter

speeds: 1-1/1000, +T and B, for X sync 1/60 is red

setting : dial on the top plate, coupled with the speed dial of the finder Photomic FTN

Shutter release: Threaded collar, accepts Nikon F, F2 type cable release, on the top plate

Cocking lever: also winds the film, short stroke type, retractable,

automatic film advance possible when motor drives F36 or F250 are used.

Frame counter: on the cocking knob, Additive type, auto-reset

Reflex mirror: Automatic instant-return type

Mirror lock-up: by a lever on the right side of the lens mount

DOF preview: by a button, on the right front side of the camera, just beside the lens mount

Viewfinder: Photomic FTN, metered, SAI, eye level SLR pentaprism,

center-the needle pointer, shutter speed and apertures index visible in it, to f/32 and T&B settings, T appears as 4 sec. and B appears as 2 sec. in the finder,

Maximum aperture scale: on front of the finder:

After setting the lens to f/5.6 or lower, mount the lens on the camera and cycle first back and then forth between the minimum and maximum apertures, some spring-loaded gizmo in the finder automatically communicates the maximum lens aperture to the metering circuit

(check the maximum aperture scale)

For Nikon F cameras classic Eyelevel prism finder was standard, interchangeable with 7 other types including 4 metering prisms

Finder release: main prism release is the small silver button on the back of the top plate and second is a lever on the right side of FTN, pushed in towards the finder after the main prism release is pushed-in.

Meter switch On/Off: On button on the right side of the finder, Off button on the top-right of the finder, when the on button pressed, the meter switch-off button will pop up and a red line around its circumference will be visible. This serves as a warning that the meter is on.

Battery check: depressing the off button while the meter is off, which will cause the meter needle to move slightly right of the center notch if the battery is still good.

Exposure meter: Cadmium Sulfide cells (CdS) in prism, through-the-lens, center-weighted exposure metering, (corresponds to the 12mm in diameter ring on the screen),

Film speed range: ASA 6-6400, setting: dial on the finder

Metering range: EV 2-17

Exposure setting: manual, set the ASA then center-the-needle pointer moving between horizontally arranged +/– (over / under exposure) markers at the lower part of the viewfinder, by turning the aperture ring or speed dial, speed and aperture are visible in the viewfinder.

The needle array was duplicated on the top of the finder head to allow exposure control without looking through the viewfinder

Re-wind lever: folding crank type,

A red dot on top of the shutter release button rotates while the film is being rewound,

Re-wind release: by switching the shutter release collar to R

Flash PC socket: Possible at all speeds up to 1/60 sec with electronic flash; sync terminal provided for off camera or multiple-flash photography; sync terminal is switchable to work with flashbulbs at speeds of up to 1/1000 sec (type 6 flashbulbs)

Hot-shoe: special Nikon F-type located at base of rewind knob,

adaptors available to convert to ISO or F3-type shoes

setting: the flash sync, lift up on the milled ring around the shutter speed dial and rotate, left or right, setting which visible in the small window just forward of the shutter speed dial,

For electronic flash sync 1/60th or slower, set the white and red letters FX,

the rest of settings for using flashbulbs

Memory dial : for ASA 25-1600, on the left of the bottom plate

Self-timer: dual purpose, a lever-type, rotate it clockwise, small black tick marks for an approximately 3, 6, 10 second delay, on the ring surrounding the self-timer hub, an aid for hand held exposures at slow speeds also

activates by pressing the small silver button appears when you moving the self-timer lever

Back cover: removable with bottom plate, opens by turning open/close folding lever,

interchangeable with 250 exposure magazine back (and motor) F250

Engraving on the bottom plate: MADE IN JAPAN

Tripod socket: 1/4''

Strap lugs

Body: Weight: 1049g, approx with Tn or FTn finder

Battery: Two PX-625 1.3V mercury battery (accepts PX625A / LR9, but better is 1.35v Zinc/air), for light meter only

Battery chamber: on the bottom of the finder

F body serial no / manufacturing year data, F body features / typology are as to:

Richard de Stoutz

LENS:

Zoom-Nikkor Auto 43-86mm f/3.5

Manufactured by Nippon Kogaku, Japan

Mount: Nikon F bayonet type non-AI lens , automatic diaphragm ,

Solid meter coupling prong, (no nostrils), single coated, filter thread: 52mm,

serial no. 486556

as to this serial no. Lens model is c.1967

All of this 43-86mm F mount lens manufactured between 1963-74 with many modifications

Aperture: f/3.5-f/22, on the scale number 16 blue coloured

Focus range: 1.2-20m +inf

Focus and zoom ring is same, zooming by sliding it,

scale with coloured lines 43-50-60-70-86mm

F mount with 5 slot screws, Chrome lens Barrel, scalloped aperture setting ring

White coloured LENS MADE IN JAPAN engraved on the black focusing ring,

the character M has vertical sides

The distance scale on the focusing ring is calibrated in feet and meters. Infinity setting is on the left side. The feet scale is yellow and is situated above the white meter scale.

The lens manufacturing year / serial no. data, model features / typology are as to:

Rolands Nikon Pages

and Richard de Stoutz

 

For Nikon F cameras the lenses 50mm f2 Auto S Nikkor and later 50mm f1.4 Auto Nikkor-S was standart.

Non-AI lenses fit on the Nikon F, early F2, Nikkormat FT, FTN, FT2, EL and ELW, and the Nikkorex F. They can be used without meter coupling on the earliest AI camera bodies such as the FM and FE, but they must not be mounted on later ones such as the FM2, as it is possible to damage the camera body.

Nikon brought semi-automatic aperture indexing (SAI) from the Nikkormat FTN into the professional F with the FTN finder.

The F is the first member of the long line of Nikon F-series professional level 35 mm SLRs that began 1959 and followed each other in a sort of dynastic succession as the top-of-the-line Nikon camera. The other members were the F2,F3,F4,F5 and F6 (2004–present).

The F-series do not share any major components.

All Nikon professional F-series SLRs are full system cameras. This means that each camera body serves as only a modular hub.

  

The year is 1937 and a new armory has been built on the Mississippi riverfront in Rock Island, IL. In the foreground is the old Milwaukee Road depot and toward the middle right is the old Burlinton Railroad depot. Both are long gone as is the railyard, the manufactured gas plant and the Hotel Harms(right of depot) The armory was demolished in 2009.

Delivering excellence and innovation in manufacturing and trade

Weir, Thomas R. Metropolitan Winnipeg Types of Manufacturing (1958-59) [map]. Scale not given. In: Thomas R. Weir. Economic Atlas of Manitoba. Winnipeg: Manitoba Dept. of Industry and Commerce, 1960, pate 37.

 

Symbols indicate approximate location of plants having more then 50 employees 1958-59. Shows Wood Products, Transport Equipment, Printing, Paper, Stone Clay, Iron and Steel, Leather, Clothing, Chemicals and food products including Bakery, Dairy, Brewery, Flour and Meat

 

1. Aluminum Casting and Rolling Machine Application:

This aluminum rod CCR line is designed to manufacture aluminum conductive rod diameter of 12mm with 13rolling stands, 9.5mm with 15 rolling stands.

2.1 Aluminum Casting and Rolling Machine Main technical date:

Dia. of the al. rod: Ф12, Ф9.5 mm

Production capacity: 2.5-4.2t/h

Overall dimension: (l×w×h) ≈32.05×7.2×4.2m

Total weight: ≈60t (not include the furnace body)

 

2.2 Technical data for components:

2.2.1. Continuous casting machine

Dia. of the crystallizing wheel: Ф1500mm

Section of the crystallizing wheel: 2420mm2

Section of the ingot: 2400mm2

Casting speed: 7.6-15m/min (rotate speed of the motor 500-1000r/min)

Rotate speed of the crystallizing wheel: 1.66-3.3r/min

Power of the crystallizing wheel motor: 4Kw

Cooling water pressure of the crystallizing wheel: 0.35-0.6Mpa

Cooling water consumption: 100t/h (inner cooling 60t/h, outer cooling 40t/h)

Water pump type: IS100-65-200

Motor type: Y160M2-2 22Kw

2.2.2. Monorail hydraulic shear:

Max. shearing force: 12000kgf

Max. shearing stroke: 65mm

Motor hoist type: TV-0.50 Max. load 250kg

Pump type: CB-FC-20

Oilpressure: 160kg/cm2

Oil volume: 20L/min

Motor power: 7.5Kw n=960r/min

2.2.3. Continuous rolling machine type Y:

Type: 3-roller type Y

Dia. of rod: Ф9.5, Ф12mm

No. of rolling stands: 15, 13

Nominal roller dia.: Ф255mm

Driving ratio between neighboring stands: 1:1.25

Max. finished rolling speed: V=6.2m/s

Rolling center height: 852.5mm

Main motor power: 250kw (DC n=500R/min)

Gear box and lubricating oil box: 3m3

2.2.4. Coiler:

Max. coiling weight: 2t

Max. dia. of the coiler: Ф1800mm

Driving motor power: 1.5kw

Trolley motor: 2.2kw

Trolley speed: 0.75/s

3. Aluminum Casting and Rolling Machine Brief technological process:

3.1

  

3.2 Aluminum liquid or compounded aluminum flows from the holding furnace through the launder to the belt continuous casting machine to cast the molten aluminum into trapezium ingot with a section of 2400mm2, then shear the substandard aluminum ingot, press the front part small, and feed it into the 15 rolling stands to manufacture al. rod with a dia. of 9.5mm. The stand (can also be bought from us) which will loop it.

4. Aluminum Casting and Rolling Machine Component parts and structural features:

4.1. Continuous casting machine:

Belt continuous casting machine consists of crystallizing wheel, driving device, press roll device, steel belt greasing device, guide bridge, steel belt tensioner, external cooling inject, steel belt, etc.

The melt aluminum flows from the holding furnace through the launder to the pouring groove, the floating head of the plug controls the flow of the al. liquid, the liquid is poured into the cavity formed by the crystallizing wheel and the sealed belt. The whole pouring groove can be moved up and down driving by the power of motor. Worm gear reducer and screw pair. The section of crystallizing wheel is M-type, and it is driven by the motor. The crystallizing wheel is equipped with an inner cooling device, which could spray cooling water onto the inner surface of the wheel with a water pressure of 0.35 Mpa. The inner cooling water can be divided into 6 sections; the flow could be controlled by the cut off valve. The external cooling device spray the cooling water onto the steel belt, so as to cool the al. liquid won't flow out. The guide wheel is used to adjust or change the direction of the steel belt and change the length of the cavity. The tension of the steel belt can be changed through the tensioner, so as to keep a certain tension. In order to strip the al. ingot, the continuous casting machine is equipped with steel belt greasing device. Because the whole process is not interrupted long ingot can be gained.

4.2. Continuous rolling mill:

The continuous rolling mill consists of 15 rolling stands of three rollers type-Y. The nominal dia. is 255mm. there are 7 upper driving device for even number rolling stands and 8 lower driving device for odd number rolling stands, they are arranged alternately. The type of the hole is "circuit-arc triangle-circuit". The main DC motor transmits the power through the coupler and the main shaft under the 12th rolling stand of driving gearbox. The transmission ratio between two neighboring stands is 1:1.25; there is safe tooth-like coupling in the junction of the gearbox and rolling stands. When it is overloaded, the safe pin will be cut to avoid the accident. In the front and the back of the rolling stands there are inlet and outlet guide device. The rolling guide device is used in the odd number rolling stands, and the sliding guide device is used in the even number rolling stands. Small roller of every rolling stands can be adjusted by shims of the different thickness; the range can be 0.1-1.00mm. The adjustment of the hole every rolling stands is taken out by a certain plug gauge. The seam can be 0.866mm, the tolerance is ±0.10mm.

The thin-oil lubricating system is used to lubricating the driving gearbox and bearings. It includes:

Oil pump: ZCY-18m3/0.36

Max. flow: 18m3/h

Work pressure: 0.35Mpa

Motor type: Y132M2-6 5.5kw

Oil temperature: 35-45oC

Oil tank: 3m3

The lubricating oil comes out of the oil box which has a volume of 3m3, and flows through the oil pump into the main intake pipe and then into the gearbox in three different ways. The lubricating oil is sprayed onto the gear through the oil nozzle, and lubricates the rolling bearing directly through the red copper joint of the branch oil pipe and the upper part of the bearing block.

The emulsion comes out of the emulsion station and flows into the main emulsion pipe which is installed in the driving gear box, and flows through the top and two sides of the stands into the rolling stands and the guide device separately. The returned emulsion can flows back to the emulsion tank through the return emulsion pipe and slot.

4.3. Monorail hydraulic shear:

The monorail hydraulic shear system consists of monorail hoist, hydraulic shearing device and oil system. The max. load is 250kg. In order to make it convenient to use hydraulic shear between the space of the continuous casting machine and continuous rolling mill, the hoist can move alone the crossbeam which is 7 meters high. The max. shear force of the hydraulic shear is 12000kgf. It is mainly used for shearing the unstandardized al. ingot.

4.4. Coiling stands:

The coiling stand consists of the coiler and the trolley and the collecting basket. The rod is guided by the guide pipe into the spinning head of the worn, and it is going to form different dia. of loop in the collecting basket. This is down by changing the rotational speed of the motor of the spinning head. By adding the lubricating grease, the frictional force between the rod and guide pipe will be reduced. This can protect the finished rod or wire.

There are two collecting basket of the same size on the trolley, and under the trolley there is a motor. When one is full, another basket is going to take its place. On the top of the coiling stand, there is a dust hood, which linked to the exhaust pipe under the pillar of coiler, so the fume produced when the rod travels through the guide pipe.

Shanghai Lishang International Trading Co.,Ltd., the professional continuous casting machine supplier in China, and the best continuous casting machine manufacturer in China.

Shanghai Lishang International Trading Co.,Ltd. is a professional international trade company in China. We are a subsidiary company of Shanghai Pudong Lisheng Electrical Machinery Co.,Ltd which is a leading electrician's machinery manufacturer with 20 years production experience in China. Lisheng's main products includes Upward continuous casting system, Continuous casting and rolling system for copper rod production and Copper cathode producing line, etc.

We have cooperated with many famous electrical wire or cable producing groups and our users had already spread all over the world like South East Asia, Middle East, Western Europe and America. We are one of the biggest exports and absorbed in electric wire and cable process equipments export.

 

www.chinacablemachinery.com

Cable manufacturing, Cable Solutions Worldwide

Manufactured by Olympus Optical Company Ltd., Tokyo, Japan

Model: 1971, (produced between 1967-84)

35 mm film Viewfinder camera, fully automatic

Name engravings on the front of the top plate is painted, (not a plastic label!)

Lens: Olympus D. Zuiko 40mm f/2.8, multi-coated, four elements in three groups, (Tessar style, sharp and high quality), filter thread 43.5mm, (45mm slip-on), Made in Japan

Aperture: f/2.8-f/22, setting: Automatic, or manualy for flash photography by a ring :

Aperture and Mode ring: on the lens, in A mode camera operates as a Program Automatic, and adjusts the aperture, otherwise the aperture can be set via the scale on the ring

Focusing: manual by the front element focusing ring, simple four-position zone focus system, distance scale on the underside, and with symbols on top of the ring: a head and shoulders = 1 metre, two figures = 1.5 metres, three figures = 3 metres and mountain peaks = infinity

Focus range: 1 - 3m, + inf.

Shutter: two blade leaf shutter, speeds: only two, 1/40 and 1/200,

setting: aperture-priority or fully Automatic

Cocking wheel: also winds the film, a thumb wheel, on the back of the top plate and extremely handy to use

Shutter release: on the top plate, locks in insufficient light conditions

Frame counter: on the right side of the top plate, auto-resets, advance type

Viewfinder: bright line with three parallax correction marks for close 1m distance, and a small mirror window on lower right side displays aperture and distance marks

Exposure meter: Selenium cell light meter, buble-glass sensor on front of the lens like a ring

ASA range 25-400, setting by a ring and scale window on front of the lens,

EV range: 8-17 for ASA 100

Light metering and Programmed Auto Exposure System for aperture and speed not needs of battery, solar powered (a unique feature)

Camera takes pictures with Electric-Eye Programmed photography system, this feature known as AE todays

Insufficient light Red flag: in viewfinder, pops-up if exposure would go below 1/40 at f/2.8 in Auto setting, and the shutter locks also

The exposure can be locked temporarily by pressing the shutter release half way (AE lock)

Re-wind lever: folding crank type, on the left of the top plate

Re-wind release: a button on the bottom plate

Flash PC socket: for electronic flash units, on the right-lower front side,

X sync. 1/40, auto-sets, aperture must be set manually according the flash unit

Hot-shoe

Self-timer: none

Back cover: hinged, opens via a latch on the left-bottom side

Tripod socket:

Strap lugs

Body: metallic, weight: 410g

Engravings on the bottom plate: Made in Japan

Battery: none

serial no. 822 599

Manufacturing date: 日1X , this code is on the back of the film pressure plate, and the meanings of these three characters are:

as to Flickr Olympus Trip 35 Group

1st Japanese character, or in later models a letter refers the factory,

2nd number refers the last digit of the year of assembly, e.g.1 = 1971 or 1981,

3rd number or letter refers the month of assembly, 1-9 for Jan-Sep, X, Y, Z for Oct-Nov-Dec., thus for this camera 日1X = October 1971

The early units before 1978 have a silver shutter release button, later models a black shutter release button, on my camera the shutter is silver thus its year is 1971.

If you want to see the code, simply slide the pressure plate and look to its back side.

+ original hand strap

 

Trip is extremely simple to use. There are only two controls on the camera.

The Trip name was a reference to people who want a compact, easy to use, inexpensive, but functional camera for holidays. It continuously produced throughout 16 years, practically unchanged and over ten million cameras were sold. This is the longest production time for any camera.

  

+++ DISCLAIMER +++

Nothing you see here is real, even though the conversion or the presented background story might be based historical facts. BEWARE!

  

The Sea Fury was a British fighter aircraft designed and manufactured by Hawker. It was the last propeller-driven fighter to serve with the Royal Navy, and also one of the fastest production single piston-engined aircraft ever built. Developed during the Second World War, the Sea Fury entered service two years after the war ended. The Sea Fury proved to be a popular aircraft with a number of overseas militaries, and it was successfully used during the Korean War in the early 1950s where it could keep up with 1st generatiom jet fighters like the MiG-15.

 

The Sea Fury's development was formally initiated in 1943 in response to a wartime requirement of the RAF, thus the aircraft was initially named Fury. As the Second World War drew to a close, the RAF cancelled their order for the aircraft. However, the Royal Navy saw the type as a suitable carrier aircraft to replace a range of increasingly obsolete or poorly suited aircraft being operated by the Fleet Air Arm. Development of the Sea Fury proceeded, and the type began entering operational service in 1947.

 

The Sea Fury had many design similarities to Hawker's preceding Tempest fighter, but the Sea Fury was a considerably lighter aircraft. Both the Sea Fury's wings and fuselage originated from the Tempest but were significantly modified and redesigned. Production Sea Furies were fitted with the powerful Bristol Centaurus engine, and armed with four wing-mounted Hispano V 20mm cannons. While originally developed as a pure aerial fighter aircraft, the definitive Sea Fury FB 11 was a fighter-bomber, the design having been found suitable for this mission as well.

 

The Sea Fury attracted international orders as both a carrier and land-based aircraft; it was operated by countries including Australia, Burma, Canada, Cuba, Egypt, West Germany, Iraq, and Pakistan. The Sea Fury was retired by the majority of its military operators in the late 1950s in favour of jet-propelled aircraft. One of the largest export customers for the type, Pakistan, went a different way.

 

Originally, an initial order for 50 Sea Fury FB 60 aircraft for the Pakistan Air Force (PAF) was placed in 1949. A total of 87 new-build Sea Furies were purchased and delivered between 1950 and 1952, but some ex-FAA and Iraqi Sea Furies were also subsequently purchased.

 

The aircraft was operated by three frontline squadrons, Nos. 5, 9, and 14 Squadrons.

The Sea Fury began to be replaced by the jet-powered North American F-86 Sabre in 1955, but it became quickly clear that the Sabre was primarily a fighter, not a ground attack aircraft. It also lacked adequate performance in 'hot and high' operation theatres, and the PAF's B-57 bombers were too big for certain CAS tasks, and their number highly limited.

 

Hence the decision was taken to modernize a part of the PAF Sea Fury fleet for the ground attack role. This was to be achieved with a better engine that would deliver more power, a better overall performance as well as an extended range for prolonged loiter times close to the potential battlefield.

 

Engine choice fell on the Allison T56 turboshaft engine, which had originally been developed for the C-130 Hercules transporter (later also installed in the P-3 and E-2) - the type had just been bought by the PAF, so that low maintenance cost due to parts and infrastructure commonality was expected. Pakistan Aeronautical Complex (commonly abbreviated 'PAC') was tasked to develop a suitable update, and this lead to the integration of a turboprop engine into the Sea Fury airframe.

 

For the relatively small Sea Fury airframe the T56 was downrated to 3.000 hp, to which approximately 750 lbs of thrust from its exhaust could be added. The latter was bifurcated and ran along the fuselage flanks, ending in fairings at the wings' trailing edge. In order to cope with the additional power, the original five-bladed propeller had to be replaced by a six-bladed, indigenously developed propeller. Together with the more pointed spinner and the raised propeller position, the Sea Fury's profile changed dramatically, even though the good field of view for the pilot was retained. Officially, the modified machines were just called 'Sea Fury FB.61', inofficially they were called 'Turbo Furies' or 'وایلار' (Urdu: Wailer), for their characteristic, penetrating engine and propeller sound.

 

Internally, structural reinforcements had to be made and new wing spars were introduced. These allowed higher g forces for low level maneuvers and also carried additional ordnance hardpoints under the outer wings - these enabled the aircraft to carry HVARs of American origin and/or several small caliber bombs instead of only a single pair of up to 1.000 lb (454 kg) caliber.

 

The last piston engine Sea Furies in Pakistani service were ultimately retired in 1960, while the Turbo Fury fleet was used throughout the 1965 India-Pakistan War. After the end of hostilities, the 'Turbo Furies' were quickly phased out since it had become clear that they had become too vulnerable in battlefield conditions.

 

Some of these machines was sold to Thailand, though. Due to its close proximity with Thailand, Vietnam's conflict was closely monitored by Bangkok. Thai involvement in Vietnam did not become official until the total involvement of the United States in 1963, and Thailand allowed the United States Air Force in Thailand to use air bases and naval bases for U.S. forces. Furthermore, constant border disputes with Cambodia urged the government to enlarge the military arsenal.

 

As a consequence, the Royal Thai Marine Corps received 13 Turbo Furys for the CAS role in 1966. Actually, these were the first aircraft for the naval air arm since 1951, because after a coup attempt by the Navy to overthrow the prime minister Phibun Songkhram the Government had decided to remove all planes from the Navy and give it to the Royal Thai Air Force.

 

The Thai Turbo Furys saw frequent use: The Chanthaburi and Trat borders with Cambodia gave the Marine Corps Department its first assignment, safeguarding the coastline and southeastern border. Since 1970 the Marine Corps' Chanthaburi-Trat Task Force had been officially assigned the defense of this area.

 

During 1972 and 1973, Thai Marines were involved in the "Sam-Chai" anti-communist operations in Phetchabun Province and the "Pha-Phum" anti-communist operations in Chiang Rai Province. In 1973 and 1974, they took part in anti-communist operations in the southern provinces of Pattani, Yala and Narathiwat.

 

Since 1975, Thai Marines have been assigned to Narathiwat as Marine Corps special forces, and this. after ten years of frequent and successful use, was the end of the Thai Tubro Furies - the type was retired in late 1975. Two specimen were sold into the USA and the remaining airframes (a total of 5 had been lost, two through accidents and three had been shot down by AA fire) were scrapped.

  

General characteristics

Crew: One

Length: 36 ft 2 in (11.05 m)

Wingspan: 38 ft 43⁄4 in (11.69 m)

Height: 15 ft 101⁄2 in (4.84 m)

Wing area: 280 ft2 (26.01 m2)

Empty weight: 10.500 lb (4.767 kg)

Loaded weight: 14,100 lb (6.400 kg)

Max. takeoff weight: 15,650 lb (7.105 kg)

 

Powerplant:

1× Allison T56 turboshaft engine rated at 2.206 kW (3.000 hp) plus 750 lbs of residual thrust

 

Performance:

Maximum speed: 490 mph (427 knots, 790 km/h) at 18,000 ft (5,500 m)

Range: 700 mi (609 nmi, 1,126 km) with internal fuel;

1,040 mi (904 nmi, 1,674 km) with two drop tanks

Service ceiling: 35,800 ft (10,910 m)

Rate of climb: 4,320 ft/min (21.9 m/s)

 

Armament:

4× 20 mm (.79 in) Hispano Mk V cannons in the wings

Eight underwing hardpoints for an external load of 4.000 lb (1.814 kg),

including bombs, unguided rockets, napalm tanks or drop tanks

  

The kit and its assembly:

This is tehe second build of the same kit conversion idea - spinning forth the initial fictional background story. Well, the combination of a WWII figher design and a C-130 Hercules sounds unlikely, but that's what I built. The idea of revamped piston-engine aircraft for a post-WWII-use has its charm and continually brings forth impressive designs, so here's another contribution to that wild bunch of whifs.

 

Inspiration came with a set of 1:72 aftermarket C-130J resin engine nacelles from OzMods, which I had bunkered a while ago. This time the engine was mated to a two-seater, the simple but solid "Bagdad Fury" from Pioneer2/PM Models. The Hercules engines are an almost perfect fit - the original fuselage just had to be cut away behind the original exhaust reflectors. Some sculpting had to be done on both sides, and the wing roots filled up in order to match the new, more narrow engine, but things went really smoothly. Additionally, the rear cockpit opening had to be faired over, and the canopy had to be adjusted a little.

 

For the turboprop's exhaust I drilled up oval holes on the fuselage flanks, under the cockpit, and inserted styrene tubes - the best position I could think of?

 

The spinner comes from the OzMods set, too, but the C-130J sickle-shaped propeller blades were just a bit too modern and too large for the Sea Fury. I was lucky to have some spare blades from a Pavla propeller set for the Academy B-24 Liberator - these were attached to the pointed spinner, and it looks menacing!

 

Otherwise, only littel things were changed. In the cockpit a new seat and a dashboard cover were added. The underwing hardpoints were new, too, and I added some antennae for a more modern and purposeful look of the aicraft.

 

All pylons are new, and the bomb ordnance was puzzled together from the spares box (P-47 drop tanks and four unguided rocket pods from the Revell G.91).

  

Painting and markings:

When searching for a potential user after the PAF I came across Thailand; the country had operated a handful of Fairey Fireflys after WWII, but these had to be retired in the early 50ies and the Thai Navy lost its air arm. These machine probably carried standard Extra Dark Sea Grey/Sky liveries.

 

One of these is on display in the Thai Air Force museum - and probably in a garish, non-authentic livery with a light blue underside, and very light grey uppers. Anyway, it looks odd enough to incorporate the concept onto my whiffy Turbo Fury...

 

The basic colors are Revell 57 (RAL 7000, very close to FS 35237) and FS 34515 for the lower sides. The Thailand (Navy) markings come from a Fairey Firefly aftermarket decal sheet, and suit the Fury well. Tactical codes and the "RTMC.

 

The cockpit interior was kept in very dark gray, the landing gear is in Aluminum.

  

Again, the "Turbo Fury" looks very conclusive, and the conversion is rather simple. Acutally, I might add a third chapter and build another one, since history opens an interesting "final use" to this aircraft. Maybe more in some time...

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