View allAll Photos Tagged ManualFocus
Part of my Single In April 2017 collection.
A challenge by Pentaxforums.com.
Pentax Q7 with Meyer Optik Lydith 30/3.5
Raw file edited and converted to jpg with Darktable.
© 2017 Thousand Word Images by Dustin Abbott
The bright, directional morning sun coming through the window creates a nice splash of warm light on the floor, and that is where the star of our show positioned himself this morning. Sprawled in the middle of the spotlight, sunning himself, and not at all minding when I pulled out the camera and one of the best lenses out there - the Zeiss Milvus 2/135mm. Cherokee was happy to pose; he knows he's beautiful.
Technical Info | Canon EOS 5D Mark IV + Zeiss Milvus 2/135mm | Check me out on: Google+: | Facebook: | Twitter: | Flickr: | 500px: | Sign Up for My Newsletter :
Adapted Canon EF 70-200mm f/4L USM
Available light, on tripod
Trying my new tripod, it's very helpful for these kind of very low angle shots!
Intended by lyricist Hal David to convey a woman's concern for her man who's serving in the Vietnam War, "I Say a Little Prayer" was recorded by Dionne Warwick in a 9 April 1966 session!
We have adopted this song as a love song, and it was the inspiration for this photo;)
www.youtube.com/watch?v=d-J4xYOxJ9w
however,,, this version ;)
Oh for the love of Dragonflies! This is as good as it gets for now...hand holding a stonking great 400mm zoom whilst chasing the little sods around is not the easiest thing in the world when trying to achieve a sharp shot!!...to be continued ;-)) 1/1000 shutter speed...5000 iso so not too bad I guess!
Flying Around - Small Heron - Manual Focus -- Pentax K 3 + Pentax DA*smc 300mm f/4 ED IF SDM + TC KAF 1.5X SHQ --
"Lorsque la neige tombe, il y a de la magie".
***
"When snow falls, there's a lot of magic".
Cit. Muriel M. Photography
Finalement, la neige est arrivée cette semaine (le froid aussi) !
P.s. : la photo n'est pas de cette année, elle était dans mes archives, en attente d'être postée ici.
********* Web translate *********
Finally, the snow arrived this week (the cold too) !
P.s. : this image is not from this year, it was in my archives, waiting to be posted here.
→ Une autre version, dans ma deuxième galerie / another version in my 2nd account : flic.kr/p/2ps6nTe
✨ ✨ ✨ ✨ ✨ ❄️ ✨ ✨ ✨ ✨ ✨ ✨
Fujifilm X-T30 + Fotodiox M42 mount adapter + Helios 44-2 58/2 (1974)
✨ ✨ ✨ ✨ ✨ ☃️ ✨ ✨ ✨ ✨ ✨ ✨
My 2nd account : These Authentic Feelings ♥
__________________________________
© Tous droits réservés / All rights reserved
DON'T CLAIM AS YOUR OWN | NON-COMMERCIAL PURPOSE
Please, don't copy and use this image on websites, blogs or
other media and social media.
All my images are protected under international authors copyright laws and may not be shared, downloaded, reproduced, copied, or edited -in any way- without my written explicit permission. Any unauthorized use is strictly illegal and can be punishable by law.
If you want to use my photographs, you must request my permission via ✎ Flickr Mail or using → My Website's Contact Form
(I speak french, italian and a little bit of english).
__________________________________
A dance school making different dances for each month. They were filming this for December.
Trafalgar Square, London
18th October, 2020
if you go directly from an air-conditioned, 30% humidity home to 98% humidity outside, you can get an interesting, temporary effect on your lens.
Canon full frame 300L to Snapseed for vintage and crop.
Composed for “rule of thirds” and the subjective “tension” between the young paddleboarder and his watchful Dad.
Samsung NX1 & Helios 44-2 - 58mm f/2
10mm Macro Tube | Wide Open | Manual Focus | Available Light | Handheld
All Rights Reserved. © Nick Cowling 2019.
© István Pénzes.
Please NOTE and RESPECT the copyright.
2nd September
Leica M-P [Typ 240]
Leica Apo-Summicron-M 50mm 1:2/50 ASPH.
© István Pénzes.
Please NOTE and RESPECT the copyright.
12th June 2022, Berlin, Germany
Leica M-P [Typ 240]
Leica Apo-Summicron-M 50mm 1:2/50 ASPH.
Seasons change with the scenery
Weaving time in a tapestry
Won't you stop and remember me
At any convenient time?
Funny how my memory skips while looking over manuscripts
Of unpublished rhyme
Drinking my vodka and lime
I look around
Leaves are brown, now
And the sky is a hazy shade of winter
By Paul Simon
This scene just reminded me of this song!
Taken on a Fujifilm X-T2 with a Canon FD 50mm F1.8, sorry, not sure which aperture I was using
A field next to Castle Ashby, Northamptonshire, a foggy evening just after sunset, hand held
on the first day of autumn the grass is sending its hope to the wind
adapted Kodak Cine Anastigmat 63mm f2.7
This photo was shot on Chelton Beach on Prince Edward Island. I used the Canon EOS R and Laowa FFII 35mm f/0.95 lens, shooting somewhere near wide-open aperture for the limited depth-of-field effect.
At this f-stop (f/0.95), the lens produces pretty noticeable vignetting, especially in the lower corners. In the right conditions, it also produces a pretty noticeable colour shift into the purples on both sides. It's something that I've noticed especially in blue skies, but it appears on both sides of the frame, especially near the top corners.
While all of these attributes are probably optical flaws, I prefer to think of them as "character." When you know what the lens will do in a given situation, then you can leverage these imperfections to actually improve the image or create the sort of effect you are looking for. This image is a prime example of where I wanted a fairly shallow depth of field, but where I also liked the strong lower corner vignette and purplish colour cast to isolate the green seaweed encrusted rocks while adding drama and warmth to the image as a whole. While I did tweak the image further in post, most of what you see here was achieved in camera. The lens allowed me to achieve the result I was looking for with little additional manipulation and no fakery using AI.