View allAll Photos Tagged ManualFocus

on the first day of autumn the grass is sending its hope to the wind

 

adapted Kodak Cine Anastigmat 63mm f2.7

Vintage Carl Zeiss Jena alu Flektogon 35mm f/2.8 with macro focusing helicoid

Natural light, handheld

Shot wide open with the Canon FD 1.4x-A Extender

Super-Multi-Coated Macro-Takumar 100mm F4

This photo was shot on Chelton Beach on Prince Edward Island. I used the Canon EOS R and Laowa FFII 35mm f/0.95 lens, shooting somewhere near wide-open aperture for the limited depth-of-field effect.

 

At this f-stop (f/0.95), the lens produces pretty noticeable vignetting, especially in the lower corners. In the right conditions, it also produces a pretty noticeable colour shift into the purples on both sides. It's something that I've noticed especially in blue skies, but it appears on both sides of the frame, especially near the top corners.

 

While all of these attributes are probably optical flaws, I prefer to think of them as "character." When you know what the lens will do in a given situation, then you can leverage these imperfections to actually improve the image or create the sort of effect you are looking for. This image is a prime example of where I wanted a fairly shallow depth of field, but where I also liked the strong lower corner vignette and purplish colour cast to isolate the green seaweed encrusted rocks while adding drama and warmth to the image as a whole. While I did tweak the image further in post, most of what you see here was achieved in camera. The lens allowed me to achieve the result I was looking for with little additional manipulation and no fakery using AI.

... bright moonlight illuminates the shore along Waikanae Beach

Kookaburras on a rainy day

These are wild birds free to fly like nature intended but tame enough to interact with humans

 

G.Zuiko 40mm f1.4

adapted 16mm film cine lens Kodak Anastigmat 63mm f2.7

Voightlander 28mm manual focus lens. You never know what you might find when you walk in the streets. I saw this unique scene in Philly and later found that a vandal had shattered the glass and the owner of the shoe store fashioned a shoe to fill the hole.

near Hpa An, Myanmar

Leica Summicron-M 50mm /f2.0 v5

© István Pénzes.

Please NOTE and RESPECT the copyright.

 

2nd July 2016

 

Hasselblad 503CW

Carl Zeiss Distagon 4.0/50mm

Hasselblad CFV-50c

.... storm or not, a path to the beach is always exciting to follow!

Red palm weevil (Rhynchophorus ferrugineus)

Adapted Canon EF 70-200mm f/4L USM

Available light, on tripod

Zürich, Switzerland

 

Leica MP, Ilford HP5+

Not sure what flower this is but, it opened up today so I went out to the front yard to roll around in the grass a bit to try and get some shots.These were all done with manual focus vintage lenses. This on the Nikon 55. I am an older guy with a tremor disorder so for me to be able to capture hand held shots like this is pretty amazing and alot of fun.

Damselfly in flower leaves (Canna Lily)

 

captured with Zonlai Discover 25mm f1.8 (Chinese manual focus lens)

Respite

#B&W

Scottsdale, Arizona

January 2o22

 

Lens used was a #manualfocus Jupiter 3 1.5/50mm. This is the all-black version of the lens made sometime during 1983 in the former USSR. The lens is based on the original Carl Zeiss Sonnar 1.5/50mm from pre-WWII Germany.

 

Camera used was a #Sonya7riii with a Leica LTM39 adapter.

 

#Sony #SonyAlpha #magyarig #instamagyar #magyarinsta #blackandwhitephoto #Arizona #magyarfotosok #russianlens #blackandwhite #ScottsdaleAZ #ScottsdaleArizona #blackandwhitephotography #feketefehér #blancoynegro #blancetnoir #schwartzweiss #jupiter3lens #jupiter3 #russianlenses #zeisssonnar50 #zeisssonnar #jupiter3_50mm_f15 #bokeh #bokehlicious #oldtownscottsdale #Scottsdale

©Nicoletta Raschella

 

Helios 44M-4 + Super-Takumar 55mm 1.8 lens

Der Kaisermantel (Argynnis paphia)

Processed and scanned by a local shop, no post processing by me.

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