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Another portrait with my favourite TAIR 11/A and natural light at golden hour…

  

www.instagram.com/helyesfoto.hu/

SMC Pentax-M 50mm F1.4

© 2017 Thousand Word Images by Dustin Abbott

 

One of the most amazing things that I see in nature is how that some good sized trees have managed to grow out of a bare rock face. I think about how hard I work to try to get some young trees and plants to grow. Proper water and fertilizer, careful work to prepare the soil, pruning and even talking to them...and then here is a tree like this, just growing out of the rock. Amazing! I released a video that compares two very wide angle lenses -the Laowa 12mm f/2.8 (used here) and the Sigma 12-24mm f/4 ART. You can see the video here: bit.ly/2gisWiO

 

Technical Information: Canon EOS 5D Mark IV + Laowa 12mm f/2.8 Zero D lens | Processed in Adobe Lightroom CC, Photoshop CC, and Alien Skin Exposure X2 (use code "dustinabbott" to get 10% off)

 

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Kookaburras on a rainy day

These are wild birds free to fly like nature intended but tame enough to interact with humans

 

G.Zuiko 40mm f1.4

... bright moonlight illuminates the shore along Waikanae Beach

MC Jupiter 37a

adult male of the Ruddy Darter - Sympetrum sanguineum - adultes Männchen der Blutroten Heidelibelle: Brandenburg (LOS) - Germany

 

with SMC Pentax-A* 200mm F4 Macro ED

Zürich, Switzerland

 

Leica MP, Ilford FP4+

Young musician - Everytown USA, 2018

Voigtlander 40/1.4 Nokton single coated

Leica Summicron-M 50mm /f2.0 v5

Taken on a rainy day with a Minolta Roxxor-X 50mm f/1.7 manual lens on my Olympus OM-D E-M5 Mark II.

 

[J5050008-01]

Red palm weevil (Rhynchophorus ferrugineus)

Zürich, Switzerland

 

Leica MP, Ilford HP5+

.... storm or not, a path to the beach is always exciting to follow!

This photo was shot on Chelton Beach on Prince Edward Island. I used the Canon EOS R and Laowa FFII 35mm f/0.95 lens, shooting somewhere near wide-open aperture for the limited depth-of-field effect.

 

At this f-stop (f/0.95), the lens produces pretty noticeable vignetting, especially in the lower corners. In the right conditions, it also produces a pretty noticeable colour shift into the purples on both sides. It's something that I've noticed especially in blue skies, but it appears on both sides of the frame, especially near the top corners.

 

While all of these attributes are probably optical flaws, I prefer to think of them as "character." When you know what the lens will do in a given situation, then you can leverage these imperfections to actually improve the image or create the sort of effect you are looking for. This image is a prime example of where I wanted a fairly shallow depth of field, but where I also liked the strong lower corner vignette and purplish colour cast to isolate the green seaweed encrusted rocks while adding drama and warmth to the image as a whole. While I did tweak the image further in post, most of what you see here was achieved in camera. The lens allowed me to achieve the result I was looking for with little additional manipulation and no fakery using AI.

Damselfly in flower leaves (Canna Lily)

 

captured with Zonlai Discover 25mm f1.8 (Chinese manual focus lens)

adapted Kodak Cine 63mm f2.7

Hoya HMC Macro Zoom 75-260/4.5 w Kiron 2x tc

Nikon F2 + 28mm./f3,5 Fujicolor Superia 400asa.

Vall d' Lauterbrunnen (Suisa)

© Ramon Robusté Mialet

Processed and scanned by a local shop, no post processing by me.

First rolls from my Minolta SR-T 101.

If I had to venture a guess, I would guess it's a Hummingbird Clearwing (Hemaris thysbe) but when it comes to identifying plants and animals, I have been proved wrong many times before. =)

 

Tokina 90mm F2.5 ATX Macro

 

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Zürich, Switzerland

 

Leica M6, Ilford HP5+

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