View allAll Photos Tagged Manfrotto190XPROB
Las últimas luces del atardecer iluminan el puente del Arroyo Buñirigo en esta composición HDR. Este hermoso puente en arco, construido íntegramente en ladrillos de barro, se encuentra ubicado sobre el tramo medio del Arroyo Buñirigo, en las proximidades del paraje Julio Arditi (Partido de Magdalena, Provincia de Buenos Aires, Argentina).
ENGLISH CAPTION: "Buñirigo" This HDR composition show the last lights of sunset over the Buñirigo Creek bridge. This beautiful brick-made arch bridge is located on the middle course of the Buñirigo creek, in the vicinity of the July Arditi train station (Magdalena county, Buenos Aires Province, Argentina).
0,5 sec @ ƒ 11 @ ISO 100 (HDR: +1, 0, -1)
Canon EOS Rebel T3i
Canon EF 28-80mm f/3.5-5.6 II
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Sigue mis fotos en Facebook / Follow my pictures in Facebook
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
Hemipenthes morio
Family: Bombyliidae
Early morning stack based on 42 natural light exposures in Zerene .
Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/5.6,iso 200.
(Image taken with a roll film camera) While on vacation at Virginia Beach, spend a few mornings at Stumpy Lake, a real wonderful Nature area. Calculate the exposure with my Gossen Super Pilot hand meter.
(Spanish: Pase un maravilloso tiempo en Virginia. En esta foto calcule la exposición con un medidor de luz manual).
Technical Info: Mamiya RB67, Sekor C 65mm, f/22, 1/2 sec, ISO: 100, Kodak Ektar 100, 120 Film, tripod: Manfrotto 190XPROB with 496RC2 Head, Process: Scan at 3,200dpi with an Epson V600. Then sharpen and process noise in Lightroom 5, and finaly adjust exposure and colors in "Topaz Adjust". Location: Stumpy Lake, Virginia Beach, Virginia.
Hacía rato que quería darle un buen uso al filtro de densidad neutra ND400 (-9 stops) que conseguí hace unos meses, y este desvencijado muelle sobre el Lago Yehuin me dio la oportunidad de sacarme las ganas. La idea general de usar este filtro es lograr exposiciones de varios segundos en situaciones de mucha luz, logrando en este caso difumar el oleaje sobre el lago y en cierta medida también el movimiento de las nubes.
El Lago Yehuin, de origen glaciario, se encuentra ubicado en la región central de la Provincia de Tierra del Fuego (República Argentina), y es uno de esos lugares "obligados" de visitar cuando se esta de paseo por los confines de la Patagonia Austral.
ENGLISH CAPTION: "Pier over the Yehuin Lake" For some time now I wanted to make good use of the ND400 neutral density filter (-9 stops) that I got a few months ago, and this old pier over the Yehuin Lake gave me the opportunity I was waiting for. The general idea to use this filter is to be able to make several second long exposures under bright light conditions, in order to blur the lake waves movement and in some extent also the movement of the clouds.
The Yehuin Lake, of glacial origin, is located in the central area of the Tierra del Fuego Province (Argentina), and is one of those "must-go" places when visiting the southernmost Patagonia.
30 sec @ ƒ/22 @ ISO 100
Canon EOS 6D
Canon EF 24-105mm f/4L IS USM
ND400
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Mis fotos/My pictures: Facebook / Flickr / 500px
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
(Image taken with a roll film camera). (Press "L" for larger View). Original was in color, but converted to black and white to create drama into the image. Color is awesome, but sometimes is to distracting.
(Spanish: La imagen original es en color, pero la convertí en blanco y negro para crear drama. De aquí porque las imágenes en B&N llevan el mensaje sin distraer).
Technical Info: Mamiya RB67, Lens: Sekor C 50mm, f/32 and 1/2, ISO: 100, Film: Kodak Ektar, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Calculate exposure with: a Gossen Super Pilot in the incident mode. Process: scanned on Epson V600, then converted to monochrome on Topaz B&W Effects. Location: Flagler Beach, Florida. Taken: on May 2, 2015.
Solitary Bee
Family: Apidae
ID credit of el gritche/
If somebody could help me with the ID I would appreciate it a lot
Morning stack based on 39 natural light exposures in Zerene .
Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/5.6,iso 200.
Physocephala rufipes
Family:Conopidae
Late afternoon stack based on 78 exposures under natural light.
Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/3.5,iso 400.
(Image taken with a roll film camera). Last Saturday at Marineland, while waiting for sunrise with Carlos Cintron. We encounter a wonderful Noctilucent cloud. (Thanks to Orlando Penaloza for the info). Here in this capture is almost vanishing, but visit Carlos page to see the real thing. Lightpainted the foreground of coquina rocks with a small flashlight, during the long exposure. That's why it looks with so many colors.
(Spanish: Espereando con Carlos Cintron el amanecer en Marineland nos encontramos con unas nubes extrañas, esto fue lo que pude captar antes que se desvaneciera. Visite la pagina de Carlos Cintron para verla).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), f/22, 2 minute, ISO: 100, Kodak Ektar 100, no filters, tripod: Manfrotto 190XPROB with 496RC2 Head, Process: Scan on Epson V600 then edit in Lightroom 5 and Topaz Adjust. Location: Marineland, Palm Coast, Florida
(Image taken with a roll film camera and infrared film).
(Press "L" for larger view). The “Wood effect” is the one that turns green trees and grass into white or near-white, named after the American physicist who discovered it, Robert William Wood.
(Spanish: El Efecto "Wood" es el que torna la vegetación color verde, en tonalidades de blanco. Tomo este nombre por Robert William Wood, el que descubrió este proceso).
Technical Info: Mamiya RB67, Sekor C 50mm, f/22, 15 sec, ISO: 200, Film: Ilford SFX 200, Filters: IR720, tripod: Manfrotto 190XPROB, head: 496RC2, exposure calculated with a Gossen Super Pilot. Develop on TMax 1:4, scanned on Epson V600, then edit in Lightroom CC and Topaz B&W Effects. Location: Cypress Grove Park, Orlando, Florida..
This image belong to my Album: Florida Woodlands on Analog Photography..
All Rights Reserved by Faisal © 2009
* Note :
#- Using this image without my permission is illegal, please contact me before ... Thanks !
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Camera: Canon EOS 50D
Exposure: 0.5
Aperture: f/2.8
Focal Length: 100mm
ISO Speed: 200
Flash: Off
Lens: Canon EF 100mm f/2.8 USM Macro + kenko Extension Tube ( 3 Rings ) !
صيام عن التصوير ... وعودة , وأملي أن تنال إعجابكم
وشكراً لكل مَن مرّ مِن هــنــا
Finally I get back to flickr. It's been a really long time since last I uploaded something for me.That's because there's so much waiting in the pipeline to be posted. I hope you'll enjoy.
This is from the Easter Weekend. We've been to Brussels and really had a great time there, again. This was something I really wanted to do for some time now. Sadly I couldn't find the time and motivation for doing it alone. So when we were in Brussels my sister and I found the time and tried some of those ideas.
Thank you
April 2012
(Image taken with a roll film camera). During a very foggy morning, venture with my brother looking for a photo opportunity, until we found this country view.
(Spanish: En una de las mas espesas neblinas que he visto en Florida Central, me aventure con mi hermano hasta encontrar esta vista rustica).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 65mm (like a 35mm lens on a full frame), f/16, 1/15, ISO: 100, Kodak Ektar 100, no filters, tripod: Manfrotto 190XPROB with 496RC2 Head, Process: Scan color negative on Epson V600, then edit in Topaz Adjust 5 for the colors and mood, then add a vignette on Lightroom 5. Location: Sanford, Florida
Un antiguo poste de telégrafo se levanta quebrado en la inmensidad del Desierto de Atacama, próximo a la localidad Chilena de Taltal.
ENGLISH CAPTION: "Telegraph..." An old telegraph pole lays broken at the immensity of the Atacama Desert, near the Chilean town of Taltal.
1/320 sec @ ƒ/11 @ ISO 100
Canon EOS 6D
Canon EF 24-105mm f/4L IS USM
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
En el extremo sudoeste del Lago Mascardi (Bariloche, Argentina) se encuentra este puente sobre el Río Manso. En este lugar se encuentra el camping "Los Rápidos", un espectacular lugar para pasar unas buenas vacaciones!. Esta es una composición HDR (son 3 tomas individuales [+1, 0, -1] fusionadas) para poder captar mejor la luz de la escena.
ENGLISH CAPTION: "Reflections on the Manso River" In the southwest end of Mascardi Lake, close to Bariloche City, is this beautiful bridge over the Manso River (Patagonia, Argentina). This place is next to the campsite known as "Los Rápidos" (meaning "The Rapids" on spanish), a spectacular place to spend a nice vacation away from the noise of the cities. This is an HDR composition (are 3 single shots [+1, 0, -1] merged) to capture the best they light the scene.
1/10 sec @ ƒ/3,5 @ ISO 100
Canon EOS Rebel T3i
Canon EF 28-80mm f/3.5-5.6 II
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Sigue mis fotos en Facebook / Follow my pictures in Facebook
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
El Desierto de Atacama es la región mas seca del planeta, lo que le otorga unos de los cielos más claros y limpios de Sudamérica y del Mundo. En esta panorámica, realizada en el paraje Aguada de Cachinales (Segunda Región de Chile), se puede apreciar el arco completo de la Vía Láctea y las dos Nubes de Magallanes. Esta toma es el resultado de un mosaico de 74 tomas individuales que fueron capturadas durante una hora y media de trabajo de campo, y compiladas luego de varias horas de trabajo en la computadora.
ENGLISH CAPTION: "Cachinales Springs" The Atacama Desert is the driest region in the world, granting some of the clearest and cleanest skies of South America and the World. In this Panoramic view, held at the ruins of Cachinales Springs old town (Second Region of Chile), you can see the entire arch of the Milky Way and the two Magellanic Clouds. This shot is the result of a mosaic made of 74 individual shots that were captured during an hour and a half of fieldwork, and stitched together after several hours of work in the computer.
30 sec @ ƒ/3.5 @ ISO 6400 (Panorama)
Canon EOS Rebel T3i
Canon EF 28-80mm f/3.5-5.6 II
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Mis fotos/My pictures: Facebook / Flickr / 500px
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
Al recorrer la inmensidad de las pampas de la Provincia de Buenos Aires siempre me llamaron la atención los molinos, esas incansables obras del ingenio humano que aprovechan la energía del viento para darle agua al ganado.
En el camino a la costa atlántica de la Provincia de Buenos Aires, en el tramo de la ruta 11 que bordea la Bahía de Samborombón, pueden observarse estos molinos en grandes números, a veces en grupos de 4 o 5, como salidos de una de las peores pesadillas del Quijote...
ENGLISH CAPTION: "Aeolian" When I travel through the vastness of the pampas of the Buenos Aires Province, I always wonder about by the windmills, those tireless machines that harness wind power in order to provide water for livestock.
On the way to the Atlantic coast of the Buenos Aires Province, along the coastal Route 11 that runs along the Bay of Samborombón, those mills can be seen in large numbers, sometimes in groups of 4 or 5 of them, like something out of one of the worst nightmares of Don Quixote...
10 sec @ ƒ/16 @ ISO 100
Canon EOS 6D
Canon EF 24-105mm f/4L IS USM
Hoya ND400
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
Ameles spallanzania
Family: Mantidae
Late afternoon stack based on 34 exposures under natural light.
Sony Nex 5n,Canon MP-E65, f/5.6,iso 200
Dioctria sp.
Family : Asilidae
Morning stack based on 40 natural light exposures in Zerene .
Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/5.6,iso 200.
(Image taken with a roll film camera). (Click on the image for more details). Shield the camera from the wind and spray with my body while waiting for a crashing wave. Calculate exposure with a handheld light meter on incident mode.
(Spanish: El trípode se estaba moviendo por el viento, así que me puse como escudo del viento y las gotas del mar, mientras esperaba capturar el golpe de la ola. Calcule la exposición con un medidor de luz de mano).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/32, Shutter speed: 1/2 sec, ISO: 100, Film: Kodak Ektar 100, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Process: Scan on Epson V600, edit for colors and details on Topaz Adjust 5, then remove dust spots from film on Photoshop CC. And last tunning on Lightroom 5. Location: House of Refuge, Stuart, Florida Taken: on February 21, 2015.
(Image taken with a roll film camera). (Click on the image to view details).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/16, Shutter speed: 1/60, ISO: 100, Film: Kodak Ektar 100, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Process: Scan color negative on Epson V600, then convert to black and white using Topaz B&W Efects. Location: Fletcher Beach, close to House of Refuge, Stuart, Florida Taken: on February 21, 2015.
And now to my favorite and also the last photograph of this series.
It shows the same dyke as in the last two photographs but this time in a very strict and symmetrical scene.
August 2012
Enjoy
Chrysura refulgens
Family: Chrysididae
I am always happy when I find this beautiful creatures.
Early morning stack based on 40 natural light exposures in Zerene .
Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/5.6,iso 200
(Image taken with a roll film camera). (Click on the image for more details). While visiting Lake Worth, notice that this is really part of South Florida, because was able to see banyan trees. They only prosper on tropical weather.
(Spanish: Mientras visitaba Lake Worth, me di cuenta que si pertenece al sur de Florida, ya que vi varios arboles Banyan o Baniano. Los cuales solo subsisten en climas tropicales).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/22, Shutter speed: 1/8 sec, ISO: 100, Film: Kodak Ektar 100, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Process: Scan film negative on Epson V600, then convert to black and white on Topaz B&W Effects. Remove some background with Photoshop CC and add Split tonning on Lightroom 5. Location: Lake Worth, Florida. Taken: on February 21, 2015.
(Image taken with a roll film camera). (Click on the image for more details). Calculate exposure with a handheld light meter. (Spanish: Calcule la exposición con un medidor de luz de mano).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/22, Shutter speed: 1/15, ISO: 160, Film: Kodak Portra 160, Filters: none, tripod: Manfrotto 190XPROB, head: 496RC2, Process: Scan film negative on Epson V600, Adjust colors, contrast, sharpening and exposure on Lightroom 5, then remove dust spots from film on Photoshop CC. Location: Lake Monroe, Enterprise, Florida
(Image taken with a roll film camera) Test my Mamiya RB67 for the second time, not happy with the transparency film but find out that the scans from this film rivals my 5D mk II.
(Spanish: Sali a probar la Mamiya RB67, y la encontre super pesada, no muy contento con el Fujichrome. Voy a tratarla de nuevo con el negativo a color Kodak Ektar 100, el cual tiene mas dinamica que el Provia 100F). Technical Info: Mamiya RB67, Sekor C 50mm, f/22, 4 sec, ISO: 100, Fujichome Provia 100F, tripod: Manfrotto 190XPROB with 496RC2 Head, Process: Scan with an Epson V600 and edit in Lightroom 5 and Topaz B&W effects. Location: Smyrna Dunes Park, New Smyrna Beach, Florida
This image belong to my Album: Florida Woodlands on Analog Photography..
All Rights Reserved by ƒaisal © 2009
* Note :
#- Using this image without my permission is illegal, please contact me before ... Thanks !
Camera: Canon EOS 50D
Exposure: 0.004 sec (1/250)
Aperture: ƒ/9.0
Exposure Program: Manual
Focal Length: 45 mm
ISO Speed: 250
Flash: On - SoftBox
Lens: Canon EF 24-70mm f/2.8 L USM
Tripod: Manfrotto 190 XPROB
Taken on: October 20, 2009 | 11:25 am
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... شكراً لأنكم هنـا يا أصدقاء
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.رجــاءً, لا تعــلّــق بالجــوائز أو الدعــوات
Please, do not comment with awards or invites.
En el día de ayer (27-09-15) ocurrió el último eclipse de la tétrada que nos estuvo acompañando durante el 2014 y 2015, y para verlo nos fuimos a Julio Arditi, un paraje rural ubicado a tan solo 1 hr. en auto de la ciudad de La Plata (Buenos Aires, Argentina). Espero les gusten!
ENGLISH CAPTION: "Eclipse in a country landscape..." Yesterday (27-09-15) we enjoyed the last eclipse of the four that were accompanying us during 2014 and 2015. To see and picture it we went to Julio Arditi, a rural town located just 1 hour drive from the city of La Plata (Buenos Aires, Argentina). I hope you like them!
1/30 sec @ ƒ/4 @ ISO 1600
Canon EOS 6D
Canon EF 24-105mm f/4L IS USM
Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2
Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America
© Todos los Derechos Reservados, No usar sin mi consentimiento.
© All Rights Reserved, Don't use without permission.
I found this beautiful damselfly in Diomides Botanical Garden.
Early morning stack based on 29 exposures under natural light.
Sony ILCE-7M2K , Metabones Smart Adapter (Mark IV) , Canon EF 100mm f:2.8L Macro USM.
iso 320, f.5
(Image taken with a roll film camera). (Click on the image and move up and down to see the details). Another wonderful morning waiting for the sunrise. On this one look like the sea is close to my feet, but is just only a long exposure covering a coming wave. Calculate exposure with a handheld light meter, by measuring the darker sky and the ground below. (Spanish: Otra maravillosa mañana esperando por el amanecer. Esta es el resultado de exponer una ola que se aproximaba. Calcule la exposición con un medidor de luz de mano).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/32, Shutter speed: 15 sec, ISO: 100, Film: Kodak Ektar 100, Filters: Polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Process: Scan on Epson V600, then process colors on Topaz Adjust 5. On Photoshop CC was able to remove dust spots and to add more contrast. with a curve layer. On Lightroom 5 fine tune the exposure. Location: New Smyrna Beach, Florida Taken: on January 31, 2015.
(Image taken with a roll film camera). (Click on the image to view details). While looking for a picture angle at my favorite Florida beach, found this footstep on the sand close to the coquina rocks. (Spanish: Mientras buscaba algo para retratar en mi playa favorita, encontré esta huella cerca de las rocas).
Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/32, Shutter speed: 1/2, ISO: 100, Film: Kodak Ektar, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Calculate exposure with: a Gossen Super Pilot in the incident mode. Process: Develop by lab, scanned on Epson V600, then convert to black and white with Topaz B&W Effects. Location: Marineland, Palm Coast, Florida. Taken: on May 2, 2015.