Concordiatempel

www.schloss-laxenburg.at/cgi-bin/onlwysiwyg/ONL.cgi?WHAT=...

Family: Mantidae

Early morning stack based on 56 natural light exposures in Zerene

Sony ILCE-7M2 , Metabones Smart Adapter (Mark IV) , Canon MP-E65 f:2.8

iso 200, f.5.6

Un omaggio a un eroe della guerra del 1812: I regolari dell'esercito coloniale di Charles-Michel de Salaberry, chiamati “Voltigeurs canadesi”, un corpo di fanteria leggera, che si distinse nel combattimento contro le truppe americane e divenne una delle unità più famose della guerra del 1812. Alla fine dell’estate di quell’anno gli americani in una campagna per conquistare la città di Montreal invasero l’attuale territorio del Québec. La reazione canadese è stata immediata organizzata appunto dal Colonnello Charles-Michel de Salaberry che mise in atto solide difese che gli assicurarono una vittoria rapida e decisiva. Le imprese di Charles-Michel de Salaberry assumeranno col tempo l'importanza di una leggenda: si sostiene addirittura che 300 Voltigeurs e i loro alleati indigeni respinsero 7.000 americani nella battaglia di Châteauguay. Nonostante le esagerazioni, resta che questa vittoria fù decisiva per l'esito del conflitto. Le gesta e l'eroismo di Charles-Michel de Salaberry e dei suoi Voltigeurs rimangono i momenti salienti della guerra del 1812. Nel 2013 la zecca reale canadese ha coniato una moneta commemorativa da 25 centesimi che riporta in rielievo l’effige del tenente colonnello Charles-Michel de Salaberry, l'eroe della guerra del 1812.

^^^^

This coin is a tribute to a hero of the War of 1812: The Regulars of Charles-Michel de Salaberry's colonial army, called the Canadian Voltigeurs, formed a corps of light infantry that distinguished itself in combat and became one of the most famous units of the war of 1812. At the end of the summer of 1812, the American command orchestrated a campaign to seize the city of Montreal. Charles –Michel de Salaberry immediately organized solid defences that ensured him a quick and decisive victory: his Voltigeurs and their native allies routed the invaders, even if they were twice as numerous. Despite the legend arising around de Salaberry and the Battle of Châteauguay, including the assertion that 300 allies had forced the retreat of 7,000 Americans, regardless of historical exaggeration, the actions and heroism of de Salaberry and the Voltigeurs remain key moments in the War of 1812. In 2013, the Royal Canadian Mint issued a 25-cent commemorative coin embossing the effigy of Lieutenant Colonel Charles-Michel de Salaberry, the hero of the war of 1812.

Je ne sais toujours pas s'il s'agit d'un bijou ou de gouttes de rosée..!! :) La magie de la macro.. ^^

I still don't know if it's a gem or dew drops..!! :) The magic of the macro.. ^^

My shot :

Location : Grenoble

Time & Date : Thursday 22 of September

Camera : Nikon D300s

Lens : AF-S Nikkor 60mm micro f/2.8 G ED

Exif : ƒ/4.8 | ISO 500 | 1/60s |

Flash/Strobist info : —

Tripod : —

Filter(s) : —

Postraitement : aperture / photoshop CS5 + Color EFex Pro : pro and tonal contrast, levels, black & white and blue filter

Toutes vos critiques, commentaires et fav sont les bienvenus !

All criticisms, comments, and fav are welcome !

Merci / Thanks

My facebook : Thibault Bevilacqua Photography

(Image taken with a roll film camera). (Click on the image to view details). Wow, the month of May look perfect here in Florida to start going to the beach.

(Spanish: El mes de Mayo parece perfecto aquí en Florida para ir a la Playa).

Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/22, Shutter speed: 1/4, ISO: 100, Film: Kodak Ektar, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Calculate exposure with: a Gossen Super Pilot in the incident mode. Process: Develop by lab, scanned on Epson V600, edit with Topaz Adjust 5 and Lightroom 5. Location: Flagler Beach, Florida. Taken: on May 2, 2015.

“I tried to discover, in the rumor of forests and waves, words that other men could not hear, and I pricked up my ears to listen to the revelation of their harmony.”

(Gustave Flaubert)

“Ho cercato di scoprire, fra i rumori delle foreste e delle onde, parole che gli altri uomini non potevano sentire, ed ho drizzato le orecchie per ascoltare la rivelazione della loro armonia.” (Gustave Flaubert)

“ J'ai essayé de découvrir, parmi les bruits des forêts et des vagues, des paroles que les autres hommes ne pouvaient entendre, et j'ai dressé l'oreille pour écouter la révélation de leur harmonie.”

 (Gustave Flaubert)

Do you find the exposed crane!?

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You can buy my prints on www.kriskrosphotography.com at the "Featured Artist" Menu.

Thuja is a shrub of the “Cupressaceae” family and is widely cultivated as an ornamental tree and is also used for gardens and hedges. A number of cultivars are grown and used in landscapes. The wood is light, soft and aromatic.

La Tuia è un arbusto della famiglia dei “Cupressaceae” ed è ampiamente coltivata come albero ornamentale è viene utilizzata anche per le siepi. Numerose varietà vengono coltivate per scopi paesaggistici. Il legno è leggero, morbido e aromatico.

Lasciami, oh lasciami immergere l’anima nei colori; lasciami ingoiare il tramonto e bere l’arcobaleno. (Khalil Gibran)

Let me, oh let me immerse my soul in colors; let me swallow the sunset and drink the rainbow. (Khalil Gibran)

Laissez-moi baigner mon âme dans les couleurs ; laissez-moi avaler le coucher de soleil et boire l’arc-en-ciel. (Khalil Gibran)

(Image taken with a roll film camera). (Press "L" for larger View). Sorry for being away for a while, too many things going on and super busy. Will be keeping up with your Flickr stream as soon as I get some free time. Happy Thanksgiving.

(Spanish: Perdonen que he estado ausente por un tiempo. Bien ocupado, pero poco a poco estaré visitando sus fotos en Fickr. Que tengan un maravilloso Día de Acción de Gracias).

Data: Mamiya RB67, Sekor C 65mm, f/22, 1/2 sec, ISO: 100, Kodak Ektar film, polarizer, tripod. scanned on Epson V600, Edit on Lightroom CC.

To settle a fight, one does not bring a knife that cuts but a needle that sews. (African proverb)

Per comporre una lite, non portare un coltello che taglia, ma un ago che cuce. (Proverbio africano)

Pour se réconcilier, on ne vient pas avec un couteau qui tranche, mais avec une aiguille qui coud. ( Proverbe africain)

El atardecer, las incontables curvas del camino y un arbol bandera se combinan en esta foto tomada en el camino que lleva a la Estancia Harberton, Provincia de Tierra del Fuego (Patagonia Argentina).

ENGLISH: "Between the curves of the road..." The sunset, the endless curves of the road and a flag tree are combined together on this picture taken un the road that leads to the Harberton Farm, Tierra del Fuego Province (Argentinean Patagonia).

Canon EOS 6D (1/15 sec @ ƒ/4 @ ISO 100)

Canon EF 24-105mm f/4L IS USM

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Adobe Lightroom

Mis fotos/My pictures: Facebook / Flickr / 500px / Instagram

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

“Got you a surprise”: Jokey is the village prankster. Jokey almost always used the same form of "joke"; yellow- and red-wrapped present boxes that he offers to his victims, saying that it is a "surprise". When opened, the "present" box explodes with a sizable quantity of black smoke which blackens the receiver's face. Gargamel is naturally a favorite target, and Brainy is as well. His birthday coincides with Halloween.

“J’ai un cadeau pour toi” : Jokey est le farceur du village, utilisait presque toujours la même forme de « blague » ; des boîtes de cadeaux enveloppées de jaune et de rouge qu'il offre à ses victimes, affirmant que c'est une "surprise". Une fois ouverte, la boîte « cadeau » explose avec une quantité importante de fumée noire qui noircit le visage du destinataire. Gargamel, est naturellement le cible favori, tout comme le Schtroumpf à lunettes . Son anniversaire coïncide avec Halloween.

"Ho una sorpresa per te": Il Puffo burlone del villaggio è sempre allegro, ride con una inconfondibile risata, e si diverte facendo scherzi agli altri. Ama fare ogni tipo di scherzo, ma il suo preferito e quasi sempre è un pacco giallo con un fiocco rosso, che esplode quando viene aperto emettendo un fumo scuro che affumica in tutto o in parte il puffo malcapitato. Gargamella e Quattrocchi naturalmente, sono i suo due bersagli preferiti. Il suo compleanno coincide con la festa di Halloween.

What is not seen, what is imagined, in this space of vision let us try to see and find a personal and intimate meaning in objects that are perhaps very banal; let us observe these objects, especially in the details, in the colours and their shadows and let us try to bring out the unsaid, the hidden and why not, perhaps the "Beauty!” Will it be possible?

Ce qui ne se voit pas, ce qui s'imagine, dans cet espace de vision, essayons de voir et de trouver un sens personnel et intime dans des objets peut-être très banals ; observons ces objets, surtout dans les détails, dans les couleurs et leurs ombres et essayons de faire surgir le non-dit, le caché et pourquoi pas peut-être la « Beauté ! » Sera-ce possible ?

My shot :

Location : —

Time & Date : —

Camera : —

Lens : —

Exif : —

Flash/Strobist info : —

Tripod : —

Filter(s) : —

Postraitement : aperture / Photomatix Pro / photoshop CS5 + Color EFex Pro :

HDR of 6 raw from A.G, levels, contrast and saturation of all

Toutes vos critiques, commentaires et fav sont les bienvenus !

All criticisms, comments, and fav are welcome !

Merci / Thanks

My facebook : Thibault Bevilacqua Photography

Una tormenta eléctrica se cierne sobre las ruinas de la Villa Turística Epecuén, Partido de Adolfo Alsina (Provincia de Buenos Aires, Argentina). El 10 de noviembre de 1985, y tras la rotura de un terraplén de tierra, la Villa quedó totalmente cubierta bajo las aguas de la Laguna Epecuén, permaneciendo sumergida debajo de las aguas por casi 25 años. Durante los últimos años, las aguas han ido lentamente retrocediendo, dejando un desolador paisaje de ruinas y hierros oxidados y retorcidos, que durante las tormentas eléctricas actúan a modo de pararrayos, atrayendo hacia ellos las descargas de las tormentas que pasan por el área.

ENGLISH CAPTION: "Thor's Hammer". A thunderstorm hovers over the ruins of the Epecuén Touristic Village, Adolfo Alsina County (Buenos Aires Province, Argentina). In November 10, 1985, and after a breach in the city earth embankment, the village was completely flooded by the waters of the Epecuén Lake, remaining completely submerged under water for nearly 25 years. During the last years, the waters have been slowly receding, leaving a devastated landscape of ruins, rubbles and high amounts of rusted metals, which during thunderstorms act as lightning rods, attracting electrical discharges from the storms passing through the area.

360 sec @ ƒ/4,5 @ ISO 200

Canon EOS Rebel T3i

Canon EF 28-80mm f/3.5-5.6 II

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Sigue mis fotos en Facebook / Follow my pictures in Facebook

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

(Image taken with a roll film camera). (Press L for Large view). Took this one with a neutral density filter to get a longer exposure. (Spanish: Tome esta con un filtro denso para alargar la exposicion).

Mamiya RB67, Sekor C 50mm, f/32, 1/2, tripod

Film: Ilford FP4 Plus, ISO: 125, Develop on TMax @ 1:4,

scan on Epson V600 @ 3,200dpi, edit: Topaz B&W Effects

JETTY PARK, Cape Canaveral, Florida

Charcoal art sticks and Granulated charcoal - Carboncini da disegno – Carbone in granuli - Bâtons d'art au fusain – Granule de charbon

(Image taken with a roll film camera). (Press "L" or Click on the image for Large View). My favorite park on Portra 160 film. Love the look and soft feel I get from this roll film.

(Spanish: Me encanta los tonos y el efecto suave que Kodak Portra 160 da a todo).

Camera: Mamiya RB67, Sekor C 50mm, f/22, 1 sec, ISO: 160, polarizer, tripod.

Film: Kodak Professional Portra 160 Color Negative Film, scanned on Epson V600, Edit on Photoshop CC, Lightroom CC and Google Nik Collection, Color Efex Pro 4.

Location: Gemini Springs Park, DeBary, Florida.

This image belong to my Album: Florida Woodlands on Analog Photography..

Pseudapis diversipes (male)

Family: Halictidae

Early morning stack based on 34 natural light exposures in Zerene .

Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/4,iso 200

Paisaje nocturno en los alrededores de una caseta de señales abandonada, próxima al paraje Julio Arditi (Partido de Magdalena, Provincia de Buenos Aires). Antiguamente la caseta controlaba las señales del desvio Arditi-Payro (Km. 92) del Ferrocarril General Roca.

ENGLISH CAPTION: "Abandoned..." Nightscape of an old and abandoned railroad signal shed located nearby the Julio Arditi station (Magdalena City, Buenos Aires Province). This old shed was used to control the signs of the Arditi-Payro Juncture (92 Km.) of the General Roca Railroad.

30 sec @ ƒ 3.5 @ ISO 1600

Canon EOS Rebel T3i

Canon EF 28-80mm f/3.5-5.6 II

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Sigue mis fotos en Facebook / Follow my pictures in Facebook

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

Hace ya casi cien años del final del auge de la explotación del salitre en el Desierto de Atacama (Chile), y hasta hoy solo nos llegan ruinas y pueblos fantasmas como testigos de su antigua gloria. Perdidos en la inmensidad del desierto, estas “oficinas” funcionaron como verdaderos pueblos donde la gente trabaja y vivía, muchas veces en condiciones cercanas a la esclavitud.

Esta toma nocturna fue realizada con la ayuda de la luna y dos linternas, en las ruinas de la Oficina Tricolor, ubicada en las proximidades del paraje de Agua Verde, a unos 80 de la localidad de Taltal (Segunda Región de Antofagasta).

ENGLISH CAPTION: "Beam of Light..." Almost one hundred years have passed since the end of the nitrate mining boom at the Atacama Desert (Chile). Today, only ruins and ghost towns remain as witnesses to its former glory. In the vastness of the desert, these old mines (called "Oficinas") were true towns where people work and live, often in conditions very close to slavery.

This night shot was made with the help of the moonlight and two flashlights in the ruins of the "Oficina Tricolor", located near the settlement of Agua Verde, about 80 km east of the city of Taltal, in the second Region of Antofagasta.

30 sec @ ƒ/4 @ ISO 6400

Canon EOS 6D

Canon EF 24-105mm f/4L IS USM

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

(Image taken with a roll film camera). (Press "L" for larger view). This old church was built in 1896 on Old US-441 south of Mount Dora.

(Spanish: Esta iglesia fue construida en el 1896 en la carretera vieja de la 441 al sur de Mount Dora).

Info: Mamiya RB67, Sekor C 50mm, f/22, 4 sec, Film: Ilford SFX 200 @ISO 200, Filters: IR720 + Orange, tripod, exposure with Gossen Super Pilot in the incident mode. Develop on TMax @ 1:4, scanned on Epson V600, Edit in Lightroom CC and Topaz Adjust 5. Location: Mount Zion Primitive Baptist Church, Mount Dora, Florida..

Solitary Bee

Family: Apidae

This is another sleeping bee which I found in the same place as the one of May 2015.

Early morning stack based on 42 natural light exposures in Zerene .

Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/5.6,iso 200

Las últimas luces del atardecer se escurrían rápidamente para dar paso a la noche, y ahí estábamos nosotros disfrutando ese instante con unos ricos mates y con la cámara y el trípode en la mano, listos para registrar ese momento mágico. Laguna de Epecuén, Provincia de Buenos Aires (Argentina).

ENGLISH CAPTION: "Sunset at Epecuén" The last remaining lights of the sunset quickly fade away into the night, and there we were enjoying that moment while drinking mate, with the camera and tripod ready to catch that magical moment. Epecuén lake, Buenos Aires Province (Argentina).

30 sec @ ƒ/11 @ ISO 200

Canon EOS 6D

Canon EF 24-105mm f/4L IS USM

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Adobe Lightroom CC & Adobe Photoshop CC

Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

(Image taken with a roll film camera). (Press "L" for large view). It was really difficult to find a good composition of this large roll, among the wildflowers and the sky with few clouds.

(Spanish: Se me hizo muy dificil encontrar una buena composicion de este enorme rollo, con respecto a el cielo y las flores silvestres).

Technical Info: Mamiya RB67 with Sekor C 50mm, at f/16 and 1/8, ISO: 125, Film: Ilford FP4 Plus, Filters: polarizer, tripod: Manfrotto 190XPROB, head: 496RC2, Calculate exposure with: a Gossen Super Pilot in the incident mode. Process: Develop on TMax Developer 1:4, scanned on Epson V600, then edit in Topaz B&W Effects and Lightroom 5. Location: Sanford, Florida. Taken: on May 8, 2015.

!! See in XL !! => View On Black

My shot :

Location : Montpellier, Herault, france

Time & Date : Saturday 23 of October : 16H00

Camera : Nikon D300s

Lens : Sigma 10-20mm f/4-5,6 DC EX HSM

Exif : ƒ/25 | ISO 100 | 15s | 17mm

Flash/Strobist info : —

Tripod : Manfrotto 190XPRO + head 804RC2

Filter(s) : Hoya ND400

Postraitement : aperture / photomatix pro / photoshop :

HDR from a single raw at -2|-1|0|+1|+2, saturation of all and contrast

Toutes vos critiques, commentaires et fav sont les bienvenus !

All criticisms, comments, and fav are welcome !

Merci / Thanks

My facebook : Thibault Bevilacqua Photography

Cuando era chico alguien me dijo que quien ve la primera estrella del anochecer tiene la oportunidad de pedir un deseo... Y desde entonces, siempre que presencio un atardecer trato de esperar ese momento donde la primer estrella de la noche hace su aparición; ya no como cuando era chico, esperando la oportunidad de pedir un deseo, sino simplemente para poder disfrutar de ese breve pero único momento donde el día se transforma en noche, y los cálidos colores del atardecer se mezclan con la fría oscuridad de la noche.

En esta toma, realizada en las afueras de la Ciudad de Taltal (Segunda Región, Chile), trate de retratar justamente ese instante único. Se puede apreciar a la Luna, al planeta Venus (el lucero de la tarde), y a la constelación de Orion, superponiéndose a los últimos instantes del atardecer. A esto se le suman las luces de los camiones que pasan por la Ruta 5, que también dejan su estela lumínica retratada en esta foto. Espero les guste!

ENGLISH CAPTION: "Stellar" When I was just a kid, someone told me that who sees the first star of the evening has the opportunity to make a wish... Since then, every time I witness a sunset, I try to wait for that sole moment when the first star of the evening makes its appearance; no longer waiting for the chance to make a wish, but simply to enjoy that brief but unique moment where the day turns into night, and the warm sunset colors are mixed with the cold darkness of the night.

This shot, made in the outskirts of the city of Taltal (Second Region, Chile), is trying to portray that one unique moment. In the frame you can see the Moon, Venus (the evening star), and the constellation of Orion overlapping with the last moments of the sunset. The image is completed with the light trails of the passing trucks on Route 5. I hope you like it!

30 sec @ ƒ/4 @ ISO 100

Canon EOS 6D

Canon EF 24-105mm f/4L IS USM

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

All Rights Reserved by ƒaisal © 2009

* Note :

#- Using this image without my permission is illegal, please contact me before ... Thanks !

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Canon EOS 50D

Camera: Canon EOS 50D

Exposure: 0.2 sec (1/5)

Aperture: ƒ/10.0

Exposure Program: Manual

Focal Length: 100mm

ISO Speed: 250

Flash: On - Softbox

Lens: Canon EF 100mm f/2.8 USM Macro & kenko Extension Tube ( 3 Rings ) !

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!. في حياتنا الكثير من الأمــور الشائكة , فقط أمعن النظر فيها لتراها على حقيقتها

شكراً لأنكم هنــا يا أصدقــــاء

Esta semana (desde el 13 al 19 de abril de 2015) se celebra la Semana Internacional por los Cielos Oscuros (The International Dark Sky Week 2015), con el objetivo de formar conciencia sobre como el mal uso de las luces y luminarias hacen que cada vez más nos perdamos el espectáculo del cielo nocturno.

Para poder realizar esta toma tuve que manejar mas de una hora desde mi casa en la Ciudad de La Plata, y aún así las nubes están iluminadas por las luces de la ciudad de Magdalena (Provincia de Buenos Aires, Argentina), ubicada a unos 10 km hacia la izquierda de la foto...

Pero la contaminación lumínica es mucho más que no poder ver las estrellas, produce alteraciones en las tasas de crecimiento de las plantas y cambios en los hábitos de los animales, incluyendo el hombre. Y lo mas loco de todo es que no se requieren gastos excesivos para minimizar este problema, es todo cuestión de optimizar los recursos que ya se tienen y hacer algo de planeamiento urbano pensando a futuro.

ENGLISH CAPTION: "Road to the stars" This week (from April 13 to 19) is the International Dark Sky Week 2015, a worldwide event carried with the aim of creating awareness about how the misuse of urban lights is making us lose the beautiful sight of the night sky.

To make this photo, I had to drive over an hour from my home to the shot location with the hope of finding a dark sky to capture, yet the clouds are illuminated by the lights of the city of Magdalena (Buenos Aires, Argentina), located about 10 km to the left of the picture...

But light pollution is much more that not to see the stars, it produces alterations in plant growing rates and changes in animal habits, including man. And the craziest thing of all this is that is not a very expensive nor complex thing to solve!, it is all a matter of optimizing resources and do some thinking ahead urban development.

30 sec @ ƒ/4 @ ISO 6400 (Panorama)

Canon EOS 6D

Canon EF 24-105mm f/4L IS USM

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

Raffles Avenue, Singapore

Explore #16, February 20, 2010

(Image taken with a roll film camera). Click on the image to watch the details. Testing long exposure on Ektar 100 roll film. This is a 30 seconds exposure in twilight, it came out OK. But on other test were it was a darker situation, have to double the exposure time, do to long exposure reciprocity failure.

(Spanish: Probando una larga exposición en Ektar 100, me gusto como resulto el agua y los colores. No use filtros. En estas largas exposiciones en la obscuridad, hay que casi doblar la duración).

Technical Info: Mamiya RB67, Sekor C 50mm (like a 24mm lens on a full frame), f/22, 30 sec, ISO: 100, Kodak Ektar 100, no filters, tripod: Manfrotto 190XPROB with 496RC2 Head, Process: Scan on Epson V600 then edit in Lightroom 5 and Topaz Adjust. Location: Sanford Riverwalk, Sanford, Florida

Papilio machaon

Family : Papilionidae

Morning stack based on 49 natural light exposures in Zerene .

Schneider Kreuznach Componon-S 50mm f/2.8 reversed on bellows, f/5.6,iso 200.

Escondida entre las inconmensurables Pampas de la Provincia de Buenos Aires se encuentra este salto de agua de casi 10 m de altura. Lejos de las sierras y las montañas, el río Quequén Salado discurre por la llanura, y al encontrar capas de roca resistentes, genera estos impresionantes saltos. Ciertamente un lugar para conocer!

ENGLISH CAPTION: "Hidden Waterfall" Hidden among the incommensurable Pampas of the Buenos Aires Province, you can find this beautiful waterfall nearly 10 meters tall. Away from any hills or mountains, the Quequén Salado river slowly flows through the surrounding plains, and when it encounters any layers of hard rock, it makes these impressive waterfalls. Certainly a place to meet!

60 sec @ ƒ/4 @ ISO 100

Canon EOS 6D

Canon EF 24-105mm f/4L IS USM

Hoya ND400

Tripode Manfrotto 190 Xprob + Cabezal Manfrotto 327rc2

Mis fotos/My pictures: Facebook / Flickr / 500px / Fine Art America

© Todos los Derechos Reservados, No usar sin mi consentimiento.

© All Rights Reserved, Don't use without permission.

(Image taken with a roll film camera). (Click on the image to view details). This shot was taken under the shadow on a sunny day with Infrared film. Usually this film render the sky dark, but it came white, because I was exposing for the shadow areas. Use 20 seconds exposure, while the sky needed only 1 sec.

(Spanish: Esta foto fue tomada bajo la sombra de un árbol en un día sumamente soleado. Usualmente el rollo infrarrojo oscurece el cielo. Pero como tuve que exponer por 20 segundos para capturar detalles en la sombra, el cielo quedo sobre expuesto).

Technical Info: Film camera: Mamiya RB67, Lens: Sekor C 50mm (like a 24mm lens on a full frame), Aperture: f/22, Shutter speed: 20 sec, ISO: 200, Film: Ilford SFX 200, Filters: Polaroid IR720, tripod: Manfrotto 190XPROB, head: 496RC2, Calculate exposure with: a Gossen Super Pilot in the incident mode. Process: Develop on D76 1:1, scanned on Epson V600, then edit in Topaz B&W Effects and Lightroom 5. Location: Lake Louisa State park, Clermont, Florida. This image belong to my Album: Florida Woodlands on Analog Photography..