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When you live the world of possibilities.....Nothing you desire is ever a matter of "IF"......it is only a matteR of TIME.
Progressive F# Tutorials 2016. Monday, 5th - Tuesday, 6th December at CodeNode, London. skillsmatter.com/conferences/7431-progressive-f-sharp-tut.... Images copyright www.edtelling.com
Clojure eXchange 2018. Code Node, London. skillsmatter.com/conferences/10459-clojure-exchange-2018. Images Copyright www.tellingphotography.com
Clojure eXchange 2016, Thursday, 1st - Friday, 2nd December at CodeNode, London. skillsmatter.com/conferences/7430-clojure-exchange-2016 Images copyright www.edtelling.com
FullStack eXchange 27-28th July 2022, Leonardo Royal Hotel, 10 Godliman St, London. Images Copyright www.tellingphotography.com
FOSS Backstage provides a space to discuss a broad spectrum of issues related to community management, vendor neutrality and leading projects without discretionary power. Conference topics will include open source project leadership best practices, community management, open source project metrics, open source strategy for enterprise, adopting open source collaboration in corporations, legal matters when dealing with open source and many more.
This year FOSS Backstage took place as a hybrid event on March 4th and 5th at bUm Berlin and online.
Photos by Jan Michalko, www.janmichalko.com, cc-by-sa 3.0
Please note that these photos are for personal use only. If posting to social media or sharing the photos, the following byline must be used: Official Photo by Christian Martinez, Office of Governor Glenn Youngkin.
If you share them with friends or family, make sure to include the disclaimer below:
These photographs are provided by The Office of Governor Glenn Youngkin as a courtesy and may be printed by the subjects in the photograph for personal use only. The photographs may not be manipulated in any way and may not otherwise be reproduced, disseminated, or broadcast, without the written permission of the Governor’s Office. These photographs may not be used in any commercial or political materials, advertisements, emails, products, or promotions that in any way suggest approval or endorsement of the Governor, the First Family, or the Commonwealth of Virginia.
"Matter, Energy, Human" Choreographed by Nicole A. Martinell. Original composition by Timothy Nohe. Featuring the Deep Vision dancers. Premiered April 2016 at Baltimore Theatre Project. Photos by City Digital Photography.
BeyondTech 2019. Wednesday, 1st - Thursday, 2nd May at CodeNode, London. skillsmatter.com/conferences/11735-beyondtech-2019. Images Copyright www.tellingphotography.com
Despite being in the middle of a pandemic I and many others felt it important to attend this Black Lives Matters Protest.
The Bury St Edmunds for Black Lives event was held on Angel Hill.
Protests were organised around the world in response to the death of a black man George Floyd in Minneapolis, who died after a police officer knelt on his neck.
The event included a nine minute silence to mark the length of time police officer Derek Chauvin knelt on George Floyd's neck.
As you can see attendees were urged to wear masks and adhere to social distancing
This is another of my street photography projects this time focussing on Protests and demonstrations observed in the street.
The documenting of the protest and the people is my object . I am just a witness and by taking images it does not indicate that I support the subject matter of any demonstration.
7th June 2020
FullStack eXchange 27-28th July 2022, Leonardo Royal Hotel, 10 Godliman St, London. Images Copyright www.tellingphotography.com
All photos taken with consent at different protests around Los Angeles, CA.
To learn more and support the Black Lives Matter movement visit blacklivesmatter.carrd.co/
"If you are neutral in situations of injustice, you have chosen the side of the oppressor" -Desmond Tutu
FullStack eXchange 27-28th July 2022, Leonardo Royal Hotel, 10 Godliman St, London. Images Copyright www.tellingphotography.com
Dark Matter
October 12, 2012
Event Artists: Jennifer Siegal-Gaskins, Ricardo Dominguez
Poster Designers: Chris Burnett, Pierre Nguyen
Remaining Editions: 4
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Capturing the Immediate: Impressionism in the South: Paintings from the Permanent Collection
July 13 - December 29, 2024
This expansive exhibition includes figurative, still-life, and landscape paintings by many well-known and some previously undiscovered impressionist painters who worked in the South. Driven by the passionate interest of museum founders Sissie and Billy Morris, the museum has made impressionist painting an important focus of its collection since the start. More than three galleries are devoted to this groundbreaking exhibition.
Although impressionism was looked upon as a radical style of painting in late-nineteenth century Europe, hundreds of American painters—including many who later worked in the South—eagerly adopted the unblended brushwork and vibrant palette of French painters Camille Pissarro, Pierre- Auguste Renoir, and, especially, Claude Monet. In 1883, when Monet moved to Giverny, he proved himself a magnet to the American painters who studied in France, absorbing the ideas and techniques of French realists like Jean-François Millet, impressionists like Monet and his colleagues, and more conservative academic painters. By the turn of the twentieth century, many American painters had elevated landscape and still-life painting to a level traditionally enjoyed only by historical, religious, and mythological subject matter. The unprecedented emphasis on subjects that were part of the artist’s direct experience came naturally to painters in the South, including many—Gari Melchers, Eliot Clark, Paul Sawyier, Virginia Randall McLaws, Louis Betts, William Posey Silva—whose paintings are highlighted in this exhibition. The success of the first major American exhibition of impressionist paintings, in 1886, cemented its popularity among artists, critics, and collectors. But as is often the case, artists were well ahead of the public in their embrace of this new style.
This exhibition demonstrates that artists in the South shared key concerns with their French counterparts, most notably a grounding in direct sensory and lived experience, as well as “the painting of modern life” that meant subjects could be observed in the artist’s own environment. An increasing number of southern painters who discovered impressionism found the combination of sensuous technique and native subject matter perfectly suited to southern sensibilities.
Unlike in Europe, where national schools emerged, impressionism in America had regional associations around the country, and its geographical fractures have led some scholars to view it as merely local and therefore unworthy of serious study. Scholars have also tended to ignore American impressionist paintings created after 1915. Like the many paintings on view, Delphine Julia Bradt’s Spring Day (circa 1925), William Posey Silva’s Raiment of Springtime (1931), and Ernest Lawson’s The Waterfall, Shore’s Mill, Tennessee (1938) demonstrate that impressionism occupied and sustained a place of great importance in keeping with the region’s agrarian roots, retaining its vitality well into the twentieth century.
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Located on the Riverwalk in historic downtown Augusta, the Morris Museum of Art, the oldest museum in the country that is specifically devoted to the art and artists of the American South, is noted for its multifaceted permanent collection of 5,000 works of art and a rich variety of continually changing special exhibitions and public programs. The Morris is dedicated to the continued interpretation of the culture of the South in all its forms.
Located in historic downtown Augusta, Georgia, on the Savannah River, the Morris has preserved the history and culture of the South for more than twenty-five years. The museum’s permanent collection, dating from the late eighteenth century to the present, is arranged thematically in ten galleries. In addition, the museum hosts temporary special exhibitions throughout the year as well as a rich array of public programs and events for children, families, and art lovers of all ages.
The Morris Museum’s permanent collection was established in 1989 with the purchase of 230 paintings from Dr. Robert Powell Coggins, a pioneering collector of Southern art. That acquisition set the museum’s mission and identified its special interest in the art and artists of the American South. When it opened in 1992, the collection included approximately 700 objects, half of them paintings. Today, the museum’s collection includes 5,000 works of art that represent fifteen states and the District of Columbia. In recent years, its traditional strengths in paintings and works on paper have been significantly enhanced by the creation of important collections of photographs, folk art, and studio art glass. The Morris Museum’s Center for the Study of Southern Art, a comprehensive research library, has also grown to include 20,000 volumes, 28,000 vertical files, 1,350 media resources, and a rich archive that includes artists’ letters and papers.
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www.georgiaencyclopedia.org/articles/arts-culture/morris-...
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