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Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com

City of Fort Collins | Tina Chandler

All colors have been introduced now, so the novelty has worn off :) Now I just want to hurry up and be done! Done in garter stitch with slip stitch patterning. The pattern is from Kim Smith of Knitting Matters.

Annual Conference of the European Defence Agency 2013

Black Lives Matter shuts down Eglinton Ave W and Allen Rd.

 

#‎BLMTOshutitdown ‪#‎justiceforjermainecarby‬ ‪#‎justiceforandrewloku‬ ‪#‎blacklivesmatter‬

Over 50.000 people joined the BLM protest in Vienna

It was just a matter of time before 37240 came to our patch here in East Anglia on a test train. It's stabled here at Cambridge before working 3Q61 2233 Cambridge Recp 1&2 to Ferme Park Recp. It will then do the rounds in East Anglia over the next couple of days before going back to Derby.

 

Ian Sharman - All rights reserved. Please do not use my images without my explicit permission.

www.redcarpetreportv.com

 

Mingle Media TV and our Red Carpet Report host, Cathy Kelley, were invited to launch of The Children Matter, presented by Gene Simmons, the Starkey Hearing Foundation and Matter, a new collaborative initiative, whose mission is to improve the lives of thousands of at-risk children by expanding access to healthcare and food, giving the gift of hearing as well as performing life-saving surgeries at a private residence in Beverly Hills.

 

Guests attending will be treated to enjoy cocktails, hors’ d’oeuvres, be able to participate in a live auction and a special performance by Gene Simmons and friends.

 

For video interviews and other Red Carpet Report coverage, please visit www.redcarpetreporttv.com and follow us on Twitter and Facebook at:

 

twitter.com/TheRedCarpetTV

www.facebook.com/RedCarpetReportTV

www.youtube.com/MingleMediaTVNetwork

 

About The Children Matter

The Children Matter is a new, collaborative initiative presented by Gene Simmons, the Starkey Hearing Foundation and Matter. Our mission is simple: we believe that the lives of children around the world matter, so please join us as we strive to improve the lives of thousands of at-risk children around the globe. For more information please visit www.thechildrenmatter.ngo

 

For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:

 

www.facebook.com/minglemediatvnetwork

www.flickr.com/MingleMediaTVNetwork

www.twitter.com/minglemediatv

 

Follow our host, Cathy Kelley on Twitter at twitter.com/CatherineKelley

Speakers talk during the plenary session on the community perspectives and priorities in peatlands at Global Landscapes Forum: Peatlands Matter in Jakarta, Indonesia, Thursday, May 18, 2017.

 

Photo by CIFOR

 

More information on the Global Landscapes Forum, please visit landscapes.org

 

cifor.org

 

forestsnews.cifor.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

one more variation in my photostream or blogged if you're interested! Thanks for looking!

 

I've been reading Ben Holliday's blog posts (@benholliday) for a while now, and his talk was just as down-to-earth, relevant, and clever. Nice.

Canadian Pacific Train 118 southbound at Palgrave on the Mactier Subdivision. November 4, 2022.

There had been some discussion, prior to NEMF, about photographing the specimens. After speaking with Bill Yule about it, I conducted an experiment, a run at shooting as many samples as I could. I managed to photograph all the specimens that had been identified from Friday morning’s forays, only stopping when the afternoon foray samples started to come in, at which point I was ready to collapse anyway.

 

So here is what I did:

 

I came in to set up somewhere between 9:30 and 10:00 AM. I had a small table, a tripod with an attachment for my iPhone (4s, if that matters, point is, a state-of-the-art model is not necessary) that is pretty much the same spring-loaded holder you get on a selfie stick. I had two lights, just little gooseneck bedside clamp lamps from IKEA. The light was yellow, but one can correct these things in one fell swoop. If needed, better lights can be acquired.

 

I put the lamps, one on each side, on the backs of chairs spaced a little ways away from my table. I had also brought tuff-spun and other diffusion materials and even a blue gel, but decided against using them. The point here is speed and ease. Quick and dirty is fine as long as the visual data is captured. There is no point in developing a system if it is not feasible.

 

I brought a roll of gaffer’s tape. (Yeah, my lights were crap, but I had the good tape.) Once things are positioned the legs of the table and tripod and light stands (chairs) are taped down and the tripod is taped to the table. If the power cords are in traffic areas, they should also be taped down for safety and to secure the set up. As my iPhone is elderly, I keep it plugged into to the power, and this was taped up the leg of the tripod. The longer you shoot, the more tired you get, the more likely you are to knock into things, so this is helpful.

 

I had a plastic mat with a grid on it as a background, but did not use it because it was a dark green. I ended up stealing some cardboard boxes that had held envelopes from the office supplies; the insides were a bit closer to the 18% gray that would have been ideal. Grid not so necessary, but I did miss the ease of cleaning the plastic mat. The optimal background material in the future would be around 18% and a non-reflective plastic. Some mushrooms were wet and left marks on the plastic. The dirt brushed off easily with a small terrycloth rag.

 

The photo station was set up next to the door. I photographed samples after they had been IDed, usually after the printed labels had been made. But in order to keep up with the volume of specimens, I kept working when Teague & Dorothy & everyone else had gone to the meeting. At that time I photographed specimens that had been IDed, but not yet entered into the system. In any event, I was photographing the mushrooms with their hand-printed data labels as these were smaller and contained more information.

 

Such mushrooms photographed before being entered were replaced in the queue. As soon as specimens were photographed and labeled, they were put on trays to be moved to the display room. (Often I ended up moving them when a tray was filled and I was waiting on new mushrooms to shoot.)

 

I had NOT photographed mushroom samples like this before, so I am sure I was doing a lot of wheel re-invention. So I was, and am, open to suggestions in this context. One of the attendees who had clearly done mushroom photography before was put off by my rough & ready set up because of the obvious shadows. This, I take it, goes against the common aesthetic conventions of mushroom photography. But I was not taking beauty shots. And aesthetics are largely fashion. Shadows define form and texture. Form and texture are data, so I wanted shadows. Well, enough shadows to provide information, not to obscure information.

 

I shot hard for about five hours and then I was TOAST. I ain’t as young as I used to be. To do this on a convention scale, a team of shooters would be optimal. Moreover, I would like to have two photo stations set up so I could have one dedicated to shooting macro. iPhone macro adapters are the way to go, IMO.

 

As it was I had two levels. Most mushrooms I shot on a box, but for the larger ones to fit in the frame I removed the box. This dropped the surface down about five inches and allowed larger mushrooms to fit into the frame.

 

To set up a shot I would place the label under the camera. I tried to put them roughly in the same position each time. Some were crumpled. Flattening them wasted time. Optimally I would have set up a label-sized piece of non-reflective glass or plastic on the background, hinged with a bit of gaffer’s tape. This would have solved the positioning issues nicely.

 

The samples were removed from their boats (looking at them all day long left me with a terrible craving for fried clams, or at least French fries) by hand so as to leave most of the dirt in the boat. A few specimens I had to brush off. Mostly I did not bother. Probably the largest chunk of time was spent positioning. If I had more time, I would have split more caps in order to show top and bottom surfaces. Wouldn’t be a bad idea to split stems/stalks/stipes (whatever you call ‘em) when there are multiple specimens at hand.

 

I had selected a table height under the assumption that I would be sitting. Absurd. No time to sit. I was moving constantly from table to table moving specimens. The angle made the whole thing a bit physically punishing. I won’t make that mistake again! Ergonomics are key!

 

A strong suggestion for future foray photo inventories is to shoot the wee tiny ‘shrooms first. I got photos, albeit not macros, of the Mycenas and what all. But they were so dehydrated by the time I got them that they were worthless. On the bright side, this meant I didn’t feel so bad about not having macro capability. But even with a splendid macro set up, if the specimens look like shit, there’s not point. So a bit of a presort has to happened wherein the teeny tinies and the fragile stuff are bumped to the front of the queue.

 

And the iPhone is frickin’ brilliant for this. I love cameras. I’ve done a lot with point & shoots. I like nice fancy DSLRs as well, but they are not necessary for this sort of project. More than that, a real camera would be a hassle. The iPhone has the memory, the software, the touch screen and it fits in a pocket. It makes all of this feasible. A few tweaks to the set up and it will go very smoothly next time. If there were two shooters, it would be easy, a piece of cake.

 

The photos are not art shots, but they show the specimens. Not a bad first try, I think. Are these beautiful? Maybe not so much. Still, like my Dad used to always tell us, “Good enough is better than the best!”

   

ICRAF Indonesia Country Coordinator Sonya Dewi Santoso, left, speaks during the plenary session on "Peatlands around the world: Challenges and opportunities" at Global Landscapes Forum: Peatlands Matter in Jakarta, Indonesia, Thursday, May 18, 2017.

 

Photo by CIFOR

 

More information on the Global Landscapes Forum, please visit landscapes.org

 

cifor.org

 

forestsnews.cifor.org

 

If you use one of our photos, please credit it accordingly and let us know. You can reach us through our Flickr account or at: cifor-mediainfo@cgiar.org and m.edliadi@cgiar.org

Annual Conference of the European Defence Agency 2013

Tom Bettag and Leslie Walker's Laughing Matters class looked at satyrical journalism during the fall, 2017 semester. The students had a blast!

The matter that generates the universe ... quando fa caldo ....

Esercizio

Peaceful protest in front of the Los Angeles Hall of Justice, held in honor of families that have lost their children because of police violence.

No matter what body shape you are, AndyTailor’s best tailors are ready to make out the fittest dresses www.andytailor.com/evening-dresses-c-73_107/ for you. Wedding Dresses, Prom Dresses & Special Occasion Dresses are all made-to-measure. We don’t made unfit dresses for our customers www.andytailor.com/graduation-dresses-c-73_108/ !

during a panel discussion on at Global Landscapes Forum: Peatland Matter in Jakarta, Indonesia, Thursday, May 18, 2017. (CIFOR)

Scala eXchange 2016, Thursday, 8th - Friday, 9th December at Business Design Centre, London. skillsmatter.com/conferences/7432-scala-exchange-2016#pro.... Images copyright www.edtelling.com

A graphic based on an original photo I took for the now closed Bridgeport Boxing Club. The gym was very interested in the "After School Matters" program where kids had a chance to go and participate in a variety of activities that would help teach them values like focus, committing to a goal, physical fitness and more.

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