View allAll Photos Tagged Low-Res-Scan
Crossrail had a lot of autos work. My favourite spot in the PM is better for the classic southbound shot, but this northbound view is possible if the subject is worth it. Nikon RM2/35mm F series lens on Fuji 100- low res scan
Lith print from colour neg . On fomatone 132 matte , easylith 10+10+1000+300 old. Original shot on nikon f301 35-105mm nikkor. Hand coloured with marshall pencils. Train arriving in Knaresborough North Yorkshire. My epson neg scanner is knackrd and the weather is rubbish for venturing out with my camera so sharpened my pencils :-) ......( low res scan on my multifunction printer)
The Asahiflex Test experience...
In the parking lot. Roppongi, Tokyo, Japan. © Michele Marcolin, 2022.
Asahi Opt. Co. Asahiflex IIb (1954 late model) + Asahi Opt. Co. Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan
A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I and quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Let there be light. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
Low quality scan from a laminated photo, rather annoying that I cant find the original!!!
Anyway, June 15th 1998 and less than a month to go before Kai Tak closed here I am in the jump seat of QF 085 from Brisbane... HUGE thanks to great crew on three of my 4 QF flights during the trip.
Only twit was the Co-pilot on my 743 from Cairns to Brisbane that said one of my photos was fake!! Said he has been on the 747 for years and knows that has to be fake. (Shot of a CA 742 touching down at Kai Tak with the nose about... 20+ degress off the center.....
View over Bieefeld from Sparrenburg vista point
Film is not dead
Fujifilm Sensia 100
Expired slide film
Minolta XD5
28mm f2.8
Circular polarizer
Low-res scan
First b&w film I've run through the Olympus XA. The noise in some shots is dreadful: I'm wondering if it's due to the scanning technique used by the lab. Next time I'll have prints made, as well - at a different place.
Update: it turns out that the weird noise in the scanned shots was indeed caused by the lab; I've since changed labs and had no further issues, even with low-res scans.
A low-res scan from negative, but... it has a lot of charm! A nice shot of a Petri 7S :)
Camera: Minolta Dynax 7
Lens: Tokina AF SD 70-210mm
Film: Agfa Vista Plus 200
Flash: Handheld (above camera) Minolta Program 5400 HS with mini-softbox and HSS.
Arsenale
Castello
Nikon FE2
Nikkor 50mm f/1.8 AIs
Kodak BW 400 CN
Film Nr. 907818
Bild Nr. 28
20151203
low-res-scan
Is this the image that should be deleted? it is a bit grainier, due to the low res scan+cropping, It has the mood, and I like the action of the raven, but it seems to lack in composition. Help me choose! all feedback welcome, of course!
Canon A-1, Canon FD 50mm f/1.8, Kodak Ektar 100
Set up in bathroom, using one of those Christmas yard display laser things, 10 second self timer, had difficulty focusing, turned out ok, but I apologize for the low res scan
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Park tour. In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
msn 22531/724
Picture taken in 1986 by unknown photographer.
Low Res Scan from my slide collection.
I will repost a higher quality picture soon.
Dunorlan Park, Tunbridge Wells. Taken from a pedalo in the lake!
Nikon FE
Nikkor AI-S 50mm f/1.8
Lomography CN400.
No editing. Straight from local photolab low-res scan.
All rights reserved ©
A low-res scan of a transparency.
On this day, I saw that the recipe for rainbows was there and that Putting myself in a good spot was the right idea. Unfortunately, it was another of those mad dashes with a 20 lb. camera rig to be there clicking shutters. I soiled my shoes and pants trudging through the bog, had to have looked like a complete frrootloop doing so, but, left with the shot. Which is the whole idea. At least, I think it is.
(A low res scan from a medium format Velvia transparency). The first glimmer of a perfect dawn along the river Orwell in Suffolk, UK. (16 sec exposure @ f22)
All rights reserved ©
A low-res scan of a 6x7 (2 1/4 x 2 3/4 inch) transparency.
Right after making this image, I was nearly struck down by a car. They actually hit the gas when they saw me! I know; My fault for having the unmitigated temerity to set-up a studio tripod in the middle of Broadway St. on a Saturday night in the rain.They were just trying to freak me out. It didn't work, though...as you can see.
camera: olympus pen EE-2 (flic.kr/p/fLoQBE)
film: X-Pro 200 (processed with C-41)
.
.
.
sorry for the low-res scan ;/
.
Photo taken by Carsten / topfloor - please enjoy ! (c) 2010
Walking the winter beach of Coney Island / Brooklyn fully analog this time.
Shot with a rental Hasselblad 503CW and the 80 mm f/2.8 CFE on the new Kodak Portra 400 film.
Filename: 55810005
Films developed and low-res scanned by Luster Photo - quick service and good quality. They develop 120 and 135, bw and color with push or pull development.
Cabinet Card backstamp:
PATRONIZED BY
H.R.H. The Prince of Wales
AND THE
Lord Lieutenants of Ireland.
W. J. Kilpatrick
Artist & Photographer
53 Donegall Place
BELFAST
(Opposite Robinson & Cleavers)
You are welcome to pin, re-post, embed and share this image, but please do not reproduce for your personal gain or profit without my permission.
© All Rights Reserved
----------------------
This is a scanned image from a batch of vintage snapshots, cabinet cards, tintypes and real photo postcards purchased from auction.
I did some small, cosmetic clean-up retouches in photoshop.
Any comments or observations are much appreciated!
St. Nicolai
White clouds in the blue evening sky
Film is not dead.
Kodak VR400 @100
Expired color negative film
Minolta XD5
Minolta MD 50mm f/1.7
Low-res scan
#Lemgo #St.Nicolai #OWL
The Waldenburgerbahn is the only 750mm gauge railway in Switzerland. I wanted to see this unique line whilst in the area. Fuji 100 slide low res scanned.
Castle Hill, Canterbury, NZ
Hasselblad 503cx, 60mm CF, f/16, 1/15th Ektar 100, Cokin Split ND8, Cokin Warming 81D.
Low res scan, no adjustments.
Unidentified Young Lady on the Isle of Wight photographed by Charles Knight. Notice how long her hair really is. Easy to miss.
The following info courtesy of Gordon Childs and his website www.childsweb.talktalk.net/index.htm
Charles Knight was born in 1853 at Ryde, the son of Henry Knight from Worthing, Sussex, and his wife Harriet (nee King) from Dorset. His parents had apparently moved to the Island in the late 1840's, since their first child born on the Island was Mary Jane in 1851. Births of older siblings indicate the family's move was via Hertford and London; viz Harriet in Worthing c1845, Emily in Hertford c1846 and Henry in London c1848. At least four more children were born on the Island after Charles.
At the time of the 1861 census, the family was living at 8/9 The Arcade, off Union Street, Ryde, where his parents had a shop; his father being an importer of Italian statues. Charles was then recorded as being a 7-year old scholar. Also living with the family in 1861 was Henry senior's unmarried older sister Eliza from Worthing and a house servant Elizabeth Phillips from Sandown.
Charles must have started his photographic career at an early age, because the 1871 census records him as being a 17 year old photographic artist pupil. He was still living then with his parents and siblings at 8/9 The Arcade. There were several eminent photographers in the area to whom Charles could have been apprenticed.
Charles married Constance Fry in 1879 and they had their first child, Lily, in 1880. Constance was born in 1860 at Ryde, a daughter of Robert & Mary (nee Williams). In the 1881 census Charles is recorded as being a 27 year old photographer, living at 26 Union Street, Ryde along with his wife and 9 month old baby Lily - both born in Ryde. Also living with the family in 1881 was Mary A Fry, Constance's unmarried elder sister who was recorded as a photographer's assistant.
By the time of the 1891 census, the family had moved to 108 High Street, Newport, where 37 year old Charles had set up a photographic studio. The family had also increased in size by then with three more children - Daisy (9), Charles (4) and Marguerite (3) - accompanying his wife Constance (30) and first daughter Lily (10). Sadly, the family had suffered the loss of a fifth child, Lawrence, who died at the age of 7 months in 1889. The fact that Daisy had been born in Ryde and the latter children in Newport, indicates that the family moved from Ryde to Newport c1881-86. Also living with the family in 1891 was Martha Browning, an 18 year old general servant from Newport.
By the time of the 1901 census, the family had moved to the mainland, where Charles had set up a photographic studio in Aldershot, Hants.
---------------
Some of his recorded studios:
6 Royal Arcade, Ryde (c1875 - c1880)
26 Union Street, Ryde (c1881)
108 High Street, Newport (c1882 - c1898)
flic.kr/p/TY2Rb3 Backstamp:
PATRONIZED BY HER MAJESTY THE QUEEN
CHARLES KNIGHT
Photographer to the
CROWN PRINCE AND CROWN PRINCESS OF GERMANY
GALLERY & STUDIO
6 Royal Victoria Arcade
RYDE. I. W.
ENLARGEMENTS IN OIL, WATER COLOR
OR CRAYON CAN BE MADE FROM THIS
NEGATIVE NO. WHICH IS
CAREFULLY PRESERVED.
Oborne, London & paris
© All Rights Reserved
====================
This is a scanned image from a batch of wire photos, publicity photos, film negatives, vintage snapshots, cabinet cards, CDVs and real photo postcards purchased at auction. You are welcome to pin, re-post, embed and share this image, but please do not reproduce for your personal gain or profit without my permission.
I did some small, cosmetic clean-up retouches in photoshop.
Any comments or observations are much appreciated!
Photo by
J.T. Jackson Portraits
12 Lake St.
Owego N.Y.
Photographer John T. Jackson is listed on the 1892 New York State Census, living in Owego, Tioga Co. NY.
Election district 5
© All Rights Reserved
====================
This is a scanned image from a batch of wire photos, publicity photos, film negatives, vintage snapshots, cabinet cards, CDVs and real photo postcards purchased at auction. You are welcome to pin, re-post, embed and share this image, but please do not reproduce for your personal gain or profit without my permission.
I did some small, cosmetic clean-up retouches in photoshop.
Any comments or observations are much appreciated!
First roll off the Minolta 500si Super, fitted with the tiny adapted M39 Industar-50-2 50mm f3.5 as here:
www.flickr.com/photos/f8onfilm/3492798313/
Considering these were shot on £1 shop "Mexican Fandango" Kodak 200asa print film, and given a bog basic 99p Tesco Supermarket scan, I'm v. pleased with the results, and especially with the extreme light-weight and compactness of this bit of kit, and the remarkable performance of this ageing diminutive KMZ Industar 50mm, it's lovely bokeh, and amazing close-focussing ability.
I just knew this inexpensive little russian jewel wouldn't let me down.