View allAll Photos Tagged Low-Res-Scan
Red rocks, West Kirby (2022)
Wirral
England
Olympus OM40 (circa 1985)
Zuiko 50mm lens
Ilford XP2 super
(desaturated low res scan)
Paul's comment about how the trees are taking over this spot had me upload this older low res scan of the same location. I can see the then-small trees that are today's monsters - a lightning strike or strong wind is needed.
Calanais standing stones.
- Explore on Christmas Day 2022 -
Isle of Harris and Lewis. Scotland. (April 2022)
Equipment and process:
Olympus OM40 circa 1985
zuiko 50mm prime lens
Iford XP2 super
low res scan
Elbows tucked in.
black coffee.
February 2025 celebrates International Brownie Camera Days. This image came from my 1950's Kodak Hawkeye Brownie. Film used was 620 Harman Phoenix 200 ISO.
www.facebook.com/FilmCork/ Flickr friends if you come across any interesting links, articles or other related to film photography feel free to share with FilmCork on Facebook thanks :)
So, I have a little project up and running for 2016. It is to shoot some fillm, with the goal of having a number of nice prints that I am proud of, framed and ready to hang on the walls, by the end of 2016. Black and White is the current plan. To get me started I fired up my Dad's Canon 3000 N, dusted down some of my canon lens (50 mm f/1.4 to start) and shot a few rolls of colour film.
It's certainly different. I give it that :)
I kept expecting the electronic level, and the green focal point box on my view finder to help me. When I thought I got a good shot, I checked the back of the camera only to find a plain black piece of plastic looking back at me.
The look of the images is as I say, certainly different. Perhaps thats the film I used, perhaps the camera, perhaps its just me. Who knows, not I at this time.
I'll give it a go and enjoy the journey. (I'll still shot digital as well of course)
This image is a relatively low res scan of the negative. I hope to get higher res scans in the future.
Some run to catch a train, others stand in line, some more wait for their time and yet others watch...
(old low-res scan)
A low res scan of a Wayne Olsen shot taken at Duluth's Port Terminal in September 1959 (I used this in the all-color Morning Sun "Trackside Around Duluth with Wayne C. Olsen" book). It had rolled unattended off the Wisconsin Draw into St. Louis Bay on 9/13/59. It was then strapped under a barge and floated to the Port Terminal where cranes could lift it out. This S-4 ended up as MD&W No. 20.
Its been a gut wrenching week in Los Angeles - I'm one of the lucky ones. I want to share something that Musician John Mayer wrote that will resonate with you my photo friends.
A folder of photos of my father, spanning his life from being a baby, an educator, a husband and a father. It’s the only evidence of his life that will exist over time. These are the “documents” you read about people taking from their homes. When you hear someone say they’ve lost everything in a fire, this is much of that everything, if not all of it. Those who say they’ll be okay still have their folders and their albums. Those who are inconsolable have lost them. Just behind the immeasurable loss of life is the loss of the proof of life. I don’t practice prayer but tonight I will say one for everyone who no longer has these items. It’s not about the art and the collectibles. It’s the photos, the letters, the class rings, the eyeglasses and the things we keep to remind us that those we loved were here. May those who have lost so much find some semblance of hope and support from their family and friends. Stay safe, look out for yourself and for one another, and trust that humanity and all it entails, though sometimes hard to see, is alive and well. This is truly devastating.
Approaching the neglected station with a southbound freight.
Thought to be taken in April 1982 as the signalbox was still in use at that time.
A low-res scan of a ropey neg
Copyright David Price
No unauthorised use
My Leica M3, Summicron 50mm, film first efforts (Fuji Velvia 50, developing and LOW res scan by www.thedarkroom.com) / Kasha-Katuwe Tent Rocks National Monument (Kasha-Katuwe = "White Cliffs" in traditional Keresan language), near the Pueblo of Cochiti, in North-Central New Mexico. The cone-shaped tent rock formations are the product of volcanic eruptions that occurred 6 to 7 millions years ago, and which left pumice, ash and tuff deposits over 1,000 feet thick.
Still Jutting out across the lonely moor, Londonderry and Lough Swilly Railway’s now dismantled viaduct pillars are a poignant reminder of it’s once long desolate 49 mile line
from Letterkenny in the through the wilds of North- West Donegal to Atlantic coast at Burtonport.
Opening for traffic in 1909, the ‘Burtonport extension’ as it was called, ran through the remote and difficult terrain of north Donegal often skirting towns it was meant to serve by miles in a effort to save on the cost of construction. The line was the subject of two enquiries over its safety and operation. The Derry Chamber of Commerce noting “defective construction and inadequate and unsuitable equipment” as a cause of the lines many ills, this and extreme weather combined to cause disaster at this spot 100yrs ago on the night of 30 January 1925 at around 8pm, Winds of up to 120mph derailed carriages of the train off the viaduct causing it to partially collapse. The roof of a carriage was ripped off throwing four people to their deaths. the line survived for another 15 years, this section closing June 1940.
Red Filter, Kodak T-Max 400ASA - Nikkormat SLK - Nikkor 28 mm lens. Low res Scan.
overview drone shot
www.flickr.com/photos/2cme/25760305012/in/photolist-EEAzf...
More info on the disaster.
My Leica M3, Summicron 50mm, film first efforts (Fuji Velvia 50, developing and LOW res scan by www.thedarkroom.com) / Kasha-Katuwe Tent Rocks National Monument (Kasha-Katuwe = "White Cliffs" in traditional Keresan language), near the Pueblo of Cochiti, in North-Central New Mexico. The cone-shaped tent rock formations are the product of volcanic eruptions that occurred 6 to 7 millions years ago, and which left pumice, ash and tuff deposits over 1,000 feet thick.
Excerpt from glenhyrst.ca:
Paul Kneale: Recycling: In this exhibition Brantford artist Paul Kneale examines the physical dimensions of digital imagery. Influenced by the histories of scanography and xerography, Kneale uses inexpensive flatbed scanners to produce large scale scanner paintings. His approach simultaneously breaks from the canon of Modernist abstraction while leading contemporary painting in new directions.
Using an unpredictable and laborious process, Kneale builds layers of low and high-resolution scans with the machine’s lid open and nothing resting in the copy bed. What is captured by the scanner are traces of ambient light contained in the ether of the artist’s studio that, when gathered together, forge a complete image.
These “impressions,” as he describes them, have found their way into previous works and will again be utilized in the future, signaling a recycling of visual archetypes into new compositions. Moreover, Kneale’s scanner paintings stretch the expanses of space-time by overlaying quick low-res scans over slow high-res scans so that particular moments and atmospheres are documented. Not only does this allow viewers to read Kneale’s work as paintings, scans, or photography, but it also opens their interpretation to a form of experimental cinema.
Kneale questions how the Information Age and cyberspace have undermined and dehumanized intimate and collective relationships. To counteract this, his impressions are approached as layers of flesh that reintroduce human elements into the cold frame of the digital image.
Sunflowers
Cemetery Rintelner Str. Lemgo
Kodak FW400 @ ASA100
Expired color negative film
Film is not dead.
Minolta XD5
Minolta Rokkor 50mm f/1.7
Low-res scan
14 Zenit e. HP5 low res scan of negative. somewhere on Sandy Row, Belfast at a time of "redevelopment" 1978/9
Ears of wheat
Kodak VR200plus @ 100
Expired color negative film
Film is not dead.
Minolta XD5
Minolta Rokkor 50 mm f/1.7
Low-res scan
#OWL
Schloss Brake im Torbogen
Brake Castle in the arch
Kodak Gold 200
ECN2 processed and 4K scanned by Silbersalz35
Film is not dead.
Minolta XD5
Minolta MD35-70f/3.5
Low-res scan - 14K scan available
#Lemgo #BrakeCastle #Arch #ArchedGateway #WeserRenaissance #OWL
In 1993 I stayed for 3 month in downtown New York during my study at the Royal Art Academy in Den Hague, the Netherlands. I had a Nikon F2 and I shot about 20 rolls of Kodak Tri-x films. I did not have the money to shoot more. I never have done anything with these photographs which is a real pity I think. I finally scanned in everything in a low resolution and put them on my website. Here are a couple of the low res scans (all rights reserved). I am hoping on a museum or a gallery who's interested in the series.
Catalina Island.
Camera: Nikon FE2
Lens: Nikkor 24mm f/2.0
Film: Fujicolor 200
Low Res. scan by ______ Photo Lab.
Kodak Farbwelt 400 @ 100
Expired color negative film
Film is not dead.
Minolta XD5
Minolta Rokkor 50 mm f/1.7
Low-res scan
Kodak VR200plus @ 100
Expired color negative film
Film is not dead.
Minolta XD5
Minolta Rokkor 50 mm f/1.7
Low-res scan
#OWL
On a warm April Saturday in Bremen
Herdentorswallmühle, Bremen, Germany
Beck's Mühle
Windmill
de.wikipedia.org/wiki/Herdentorswallm%C3%BChle
Expired Rossmann HR200
Cewe low-res scan
Minolta XD5
Minolta Rokkor MD 50 mm f/1.7
China Garden - The Garden grows from the sign. - This is a test shot from the first roll of film that came through a new to me Nikon F90X/N90S - Film = Kodak Color Plus 200 - Low Res Scan from film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com
Wolsfeld Woods SNA
Medina, Minnesota
Low res scan of a large format transparency
Kodak Ektachrome E100VS
Developed by The Camera Shop, St. Cloud, MN
Kodak Farbwelt 400 @ 100
Expired color negative film
Film is not dead.
Minolta XD5
Minolta Rokkor 50 mm f/1.7
Low-res scan
My Leica M3, Summicron 50mm, film first efforts (Fuji Velvia 50, developing and LOW res scan by www.thedarkroom.com) / Kasha-Katuwe Tent Rocks National Monument (Kasha-Katuwe = "White Cliffs" in traditional Keresan language), near the Pueblo of Cochiti, in North-Central New Mexico. The cone-shaped tent rock formations are the product of volcanic eruptions that occurred 6 to 7 millions years ago, and which left pumice, ash and tuff deposits over 1,000 feet thick.
The Asahiflex Test experience...
Sakura view. Shakujii river, Tokyo, Japan. © Michele Marcolin, 2022.
• Asahi Opt. Co. Asahiflex IIb (1954 late model) + Takumar 58mm f2.4
• Lomochrome Purple XR 100-400
• Fuji Color Service Low-res scan
A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I and quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.
Summer mist across the Stour at Wrabness.
A low res scan from a Fuji 'Velvia' medium format transparency.
In 1993 I stayed for 3 month in downtown New York during my study at the Royal Art Academy in Den Hague, the Netherlands. I had a Nikon F2 and I shot about 20 rolls of Kodak Tri-x films. I did not have the money to shoot more. I never have done anything with these photographs which is a real pity I think. I finally scanned in everything in a low resolution and put them on my website. Here are a couple of the low res scans (all rights reserved). I am hoping on a museum or a gallery who's interested in the series.
Försterteiche im Stadtwald Lemgo
Water lilies
Kodak VR200
Expired color negative film
Film is not dead.
Minolta XD5
Minolta Rokkor 50mm f/1.7 with polarizer
Low-res scan