View allAll Photos Tagged Low-Res-Scan
Hamburg City Hall
Film is not dead
Fujifim Superia 100
Expired film
Minolta Dynax 500
Minolta AF 35-70
Low-res scan
Photo taken by Carsten / topfloor - please enjoy ! (c) 2010
Enjoying winter in New York. Completely analog this time. Shot with a Hasselblad and the 110 mm f/2 FE Planar on the Fuji Provia 400X film (pushed 2 stops).
Filename: 58650005
Films developed and low-res scanned by Luster Photo - quick service and good quality. They develop 120 and 135, bw and color with push or pull development.
FRANZ KAFKA, KLEINE FABEL
„Ach“, sagte die Maus, „die Welt wird enger mit jedem Tag. Zuerst war sie so breit, daß ich Angst hatte, ich lief weiter und war glücklich, daß ich endlich rechts und links in der Ferne Mauern sah, aber diese langen Mauern eilen so schnell aufeinander zu, daß ich schon im letzten Zimmer bin, und dort im Winkel steht die Falle, in die ich laufe.“ – „Du mußt nur die Laufrichtung ändern“, sagte die Katze und fraß sie.
"Alas", said the mouse, "the whole world is growing smaller every day. At the beginning it was so big that I was afraid, I kept running and running, and I was glad when I saw walls far away to the right and left, but these long walls have narrowed so quickly that I am in the last chamber already, and there in the corner stands the trap that I am running into."
"You only need to change your direction," said the cat, and ate it up.
"A Little Fable" (German: "Kleine Fabel") is a short story written by Franz Kafka between 1917 and 1923, likely in 1920. The anecdote, only one paragraph in length, was not published in Kafka's lifetime and first appeared in Beim Bau der Chinesischen Mauer (1931). The first English translation by Willa and Edwin Muir was published by Martin Secker in London in 1933. It appeared in The Great Wall of China. Stories and Reflections (New York City: Schocken Books, 1946).
(wikipedia)
Überlingen
"Zitronengasse"
Nikon FE2
Nikkor 50mm f/1.8 AIs
Kodak
Film Nr. 827175
Bild Nr. 15
20151223
low-res-scan
Dancing Towers in St. Pauli, Hamburg, Germany
Analog Times
#Low-ResScan #RossmannHR200 #Minolta #XD5 #Rokkor #50mmF1.7
Expired Rossmann HR 200 @ 100
CEWE- low-res scan-
Minolta XD5 - Minolta Rokkor 50mm f/1.7
Architect Hadi Teherani
Probably the best period of RES when class 86 started working on the ECML. EWS livery was newly applied to 86.261 at the time of this shot. Low Res scan for me by Dave Warwick
Sunday, 25 July 2010
Kerry Park, Seattle
Part of the "Millionth of a Million-one" clichéd digital image film photo series.
Kodachrome Toronto registry: KT2011001
[image #48–01]
Have your own ‘‘Forever Kodachrome: 1935-2010’’ button pin
This old beauty was all by itself in a parking garage on New Year's Day with a 4-sale sign. I was out early knowing the streets would be empty. I took this with the first roll of film in my Yashicamat 124G on Portra 400. This has had no editing except for cropping out parts I didn't like. Low res. scan from Blue Moon Camera. It seems fitting to shoot this classic car with my (new to me) classic camera. I am falling in love with film again.
As you can probably see, this is a crop from a previous uploaded photo. That photo was a low res scan of the previous frame on the roll. This is from a full resolution scan.
When I shot this, this was the framing I had in mind, but I only had the Hasselblad 500 C with 80mm in my camera bag. I've really tried to see in formats other than square and ideal, but when thats all you've got (I have the Hassy and RB67).....
I really liked the idea of a building a 6x12 Holganon from Regular Rods excellent plans, and even acquired all the parts, but I just don't have the time or patience. So, until I can afford that SW612 I'll stick to cropping and/or stitching.
My Epson V500 just doesn't give me the sharpness it should. I know I could get a third party carrier and micro-adjust, but I don't even have time to do the scans much less fiddle with the scanner. So I sent this out for developing and scanning to The Darkroom in San Clemente, CA. They did an excellent job of both. I paid the extra $10 per roll (OUCH!) for an enhanced scan which for square format 120 film yielded a file of roughly 4200x4200 with plenty of room for enhancements if I need. I didn't do anything except crop to a 2:1 format and dust removal. I think this is ready to prepare for print and should nicely upres to a 16x8 print at 360dpi on the converted Epson.
Hasselblad 500C
Hasselblad 80mm Planar C
Ilford FP4 rated at 125
Developed ???? by The Darkroom
Black and white conversion from a 120 roll of Fuji Reala film. I cropped it from the original 6x6 negative too. I have "real" black and white shots that I'll be developing soon from the same shoot.
OH, and she's taken ;)
Wednesday, 24 February 2010
Seattle
Outside Pike Place Market.
Kodachrome Toronto registry: KT2011001
[image #36–21]
Have your own ‘‘Forever Kodachrome: 1935-2010’’ button pin
msn 193C-1089
Picture taken in 1980 by unknown photographer.
Low Res Scan from my slide collection.
I will repost a higher quality picture soon.
The middle Landquart-Ilanz trip, with a decent consist. Deep snow is not that common in the VorderRhin, so pleased with this result. Fuji 100 slide, basic low-res scan by Dave Warwick.
A nice northbound mixed freight emerges from the Kuhrtunnel below Wassen. Matching DB 185's looking good. Nikon FM2/Fui100 - low res scan
Rolleiflex: 120-film low-res scan.
I am flattered and overwhelmed to be one of 5 photographers whose image was selected by international pianist/artist Lang Langand SonyMusic to commemorate the release of the Chopin Album. Please give his latest album your full attention. My deepest gratitude to Lang Langfor his contributions to the world, and to SonyMusic for their support. Please visit the link below.-GJC
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Blosom shooting. In the neighbrhood, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
Roma - Vaticano
Shot from the cathedral's roof
Kodak - low-res scan-
Minolta XE5 - Minolta Rokkor MD 50mm f1.7
Explored Mar. 14th #36
A low res scan from one of my favorite films. The Fuji Acros Neopan 100. Shot with my Mamiya RB67 ProS. Best when viewed on a black background. www.fluidr.com/photos/jerryi
Rickmer Rickmers
#RickmerRickmers #Hamburg #Elbphilharmonie #HafenCity
Film is not dead
Rickmer Rickmers backlit in the early morning sun
Hamburg
Minolta XD5
Minolta MD 35-70 f/3.5
Silbersalz35 050D (Kodak Vision Cine Film)
Developed and 4K scanned by Silbersalz35
Aeromexico, picture taken in 1980 by unknown photographer. Low Res Scan from my slide collection.
I will repost a higher quality picture soon.
a low res scan from 35mm B&W negative, i.e. ILFORD Delta 100. Taken with a Minolta X-70 and 35mm/1.8 MD lens
14XY-29c
Low res scan of 8x10 negative. The lens was a Scheider 360mm. Delta 100. An unfortunate development artifact is that line near her chin.
Heavy oil train winds out of the goods lines towards the Zurich mainline. Mega dull conditions are not the best for Fuji100 slides. Low Res Scan
Rolleiflex: 120-film low-res scan.
I am flattered and overwhelmed to be one of 5 photographers whose image was selected by international pianist/artist Lang Langand SonyMusic to commemorate the release of the Chopin Album. Please give his latest album your full attention. My deepest gratitude to Lang Langfor his contributions to the world, and to SonyMusic for their support. Please visit the link below.-GJC
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Killing time while waiting. In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
Crossrail had a lot of autos work. My favourite spot in the PM is better for the classic southbound shot, but this northbound view is possible if the subject is worth it. Nikon RM2/35mm F series lens on Fuji 100- low res scan
Lith print from colour neg . On fomatone 132 matte , easylith 10+10+1000+300 old. Original shot on nikon f301 35-105mm nikkor. Hand coloured with marshall pencils. Train arriving in Knaresborough North Yorkshire. My epson neg scanner is knackrd and the weather is rubbish for venturing out with my camera so sharpened my pencils :-) ......( low res scan on my multifunction printer)
The Asahiflex Test experience...
In the parking lot. Roppongi, Tokyo, Japan. © Michele Marcolin, 2022.
Asahi Opt. Co. Asahiflex IIb (1954 late model) + Asahi Opt. Co. Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan
A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I and quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Let there be light. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
Low quality scan from a laminated photo, rather annoying that I cant find the original!!!
Anyway, June 15th 1998 and less than a month to go before Kai Tak closed here I am in the jump seat of QF 085 from Brisbane... HUGE thanks to great crew on three of my 4 QF flights during the trip.
Only twit was the Co-pilot on my 743 from Cairns to Brisbane that said one of my photos was fake!! Said he has been on the 747 for years and knows that has to be fake. (Shot of a CA 742 touching down at Kai Tak with the nose about... 20+ degress off the center.....
View over Bieefeld from Sparrenburg vista point
Film is not dead
Fujifilm Sensia 100
Expired slide film
Minolta XD5
28mm f2.8
Circular polarizer
Low-res scan
First b&w film I've run through the Olympus XA. The noise in some shots is dreadful: I'm wondering if it's due to the scanning technique used by the lab. Next time I'll have prints made, as well - at a different place.
Update: it turns out that the weird noise in the scanned shots was indeed caused by the lab; I've since changed labs and had no further issues, even with low-res scans.