View allAll Photos Tagged Low-Res-Scan
Herrenhausen Garden
Golden Statues
Film is not dead.
Fujifilm Pro 160C
Expired color negative film
Minolta XD5
Minolta Rokkor 50mm f/1.7
Low-res scan
I’m guessing 1986.
low-res scan, unfortunately. Maybe I can get a better scan when I’m next in Austin
I don't think I got a shot of the rear end, so now way of knowing the registration on this one unless I catch a glimpse in another photo. The 3-door model wasn't particularly common here.
The Mazda 818 will appear in a photo of its own.
The rusty BMW TLH 41M was a 1973 2500 which made it to 1987.
Solara looks to have been a W- or X-reg.
Some other older things to be seen, including something I can't immediately identify behind the Stanza - maybe a Rootesmobile of some sort?
Previous low-res scan and comments below.
Once again a good mixture of stock on this northbound IR service. Time to move on after this shot Nikon F-801 fitted F series 105mm prime lens- Fuji 100 slide low res scanned
1911 built Ge2/2 steeple-cab shunting loco still in daily use a s station pilot. One of two such locos built for the opening of the line. Low-res scanned slide by Dave Warwick for me with thanks.
The Asahiflex Test experience...
Flowers close-up. In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2022.
• Asahi Opt. Co. Asahiflex IIb (1954 late model) + Takumar 58mm f2.4
• Lomochrome Purple XR 100-400
• Fuji Color Service Low-res scan
A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I am quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.
I’ve had some issues with home developing recently and even getting the right exposures so I decided to go right back to basics and then get the developing done by professionals.
This is a “Sunny 16” rule exposure, then I remembered that I had the Canon 50D with me so I checked my exposure with the built in light meter. It gave a different reading but not by much. I had over exposed anyway to stop the snow going grey.
As a result I’ve got my “confidence” back. I was getting a bit disheartened with film.
A old low res scan from circa 2001 shows a Macclesfield based Leyland Swift with Wadham Stringer bodywork. This is located at the old joint bus station and bus garage in the town that is now long done, in this time was Arriva Midlands North with the Stevensons legals in use, having been hived off to this concern following a rocky road from disposal of Crosville to a C Line operation under Midland Red North, these days the town is under Arriva North West as an outstation of Winsford.
Anyway 1147 E992 NMK is found on a local route 2 Weston Circular. This Leyland Swift was new Armchair and one of the second hand examples obtained by Stevensons to join native examples operated prior to Midland Red North common ownership.
A reach of the River Thames at Shillingford Bridge photographed at dawn.
The camera is a Yashica Minitec AF - an interesting P&S camera in that it has a 32mm focal length lens that is reputedly a four element design based on the original Zeiss Tessar. If so it makes the camera not that dissimilar from the now-cult Yashica T4.
It has its disadvantages - no control whatsoever being entirely auto and a flash that cannot be switched off. As a small, discreet and fairly quiet camera (it has motorised film advance) it may make a good street shooter. They're also remarkably cheap!
For such a cheap camera, cheap film and a low res scan it's made a decent fist of difficult lighting conditions. (It has a tripod mount!! ...essential for this shot) It's worth comparing this with the image taken the same day on a modern digital camera on my photostream: www.flickr.com/photos/fish95th/16476791514/
Film: Agfa Vista Plus 200 developed at Asda and a low resolution scan (1840x1232) giving a 2.3MP image! Asda, laughingly, calls this their 'high-res' scan - however it's fine for proofing purposes.
Lage, Lippe
Old Brick Factory
Old cable excavator in front of an old manufacturing building
Film is not dead
Fujifilm Sensia 100
Expired slide film
Minolta XD5
Minolta Rokkor 50mm f/1.7
Low-res scan
Another original livery in dull green, but with a bit of sun to brighten things up. Nikon FM2/Fuji100 slide -low res scan
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 58mm f2.4
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Blosom dreams. In the neighborhood, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
Milano-Chiasso Tilo terminating service arriving at the domestic Italian platforms. Nikon FM2/Fuji 100 slide Nikon -low res scan
Palos Verdes peninsula, Southern California 2017. From the archives. Olympus OM-2n, 50mm Zuiko Auto-Macro, Tri-X, low-res scan.
From an ongoing project on Easter celebrations in Sicily.
Shot on film and this is just a low-res scan to give me some workprints. I have about 50 rolls of film and some digital aswell to go through ...
My images are © Copyrighted and All Rights Reserved. This image cannot be reproduced and/or used in any form of publication, print or the Internet without my written permission.
Ford Fairlane 1957
Lemgo, Lippe, Germany
Minolta Dynax 500SI
Kodak VR400 @200
Expired Color Film
Low-res Scan
Sunflower near Lage, Lippe
Sunflower in front of a corn field and a perfect summer sky
Film is not dead.
Kodak Farbwelt 400 @ 100
Expired color negative film
Minolta XD5
Minolta Rokkor 50mm f/1.7
Low-res scan
Classic Ford
Film Photography
Film is not dead
Kodak VR400 @200
Expired Film
Minolta Dynax 500SI
Minolta AF35-70
Low-res Scan
Emperor William Monument
Shot from the Porta TV Tower
Kodak Ektar 100
Minolta Dynax 500 SI
Minolta AF 70-210
Low-res scan
First shot of the middle turn Landquart-Samedan core freight service running down the bank to Bever, Fuji100-low res scan
Explored Apr 16th #12
- PLEASE NO GRAPHIC AWARDS OR GROUP INVITES -
This image is (a low res scan seen here) captured on Fuji Acros 100 film and was taken outside of a newly constructed Armenian Church. Many thanks again to Mr. Harout Markarian, Executive Director and to Mr. Vahe Sargsyan for allowing me to photograph this most beautiful building.
To view against a black background click here: www.fluidr.com/photos/jerryi
The reverse side of the card had these 2 young ladies identified as "Ethel Hackworth" and "Rosa Leath"
I was able to connect them on ancestry.com:
Ethel Hackworth was born on August 12, 1873, in Anderson County, Tennessee when her father, Morgan Columbus Hackworth was 31 and her mother, Nancy, was 22. She married Walter Pearson Brady on March 12, 1904, in Anderson County, Tennessee. She died on January 18, 1948, in Knoxville, Tennessee.
Rosa Bell Leath was born on June 1, 1881, in Tennessee, her father, Clark Barton Leath, was 30 and her mother, Ruth Hackworth Leath, was 30. Rosa married Joseph Houston Holt on May 22, 1904, in Anderson County, Tennessee. They had two children during their marriage. She died on March 2, 1964, at the age of 82.
Ethel & Rosa were cousins. They both married in 1904 so I would suspect this photo was taken around that time.
© All Rights Reserved
====================
This is a scanned image from a batch of wire photos, publicity photos, film negatives, vintage snapshots, cabinet cards, CDVs and real photo postcards purchased at auction. You are welcome to pin, re-post, embed and share this image, but please do not reproduce for your personal gain or profit without my permission.
I did some small, cosmetic clean-up retouches in photoshop.
Any comments or observations are much appreciated!
The Asahiflex Test experience...
Cherry blossoms. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2002.
Asahi Opt. Co. Asahiflex IIb (1954 late model) + . Takumar 83mm f1.9
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan
A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I and quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 83mm f1.9
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Blosom shooting. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
Staff Park
Film is not dead.
Fujifilm Pro160C
Expired color negative film
Minolta XD5
Minolta Rokkor 50mm f/1.7
Low-res scan
#OWL #Lippe #Lemgo #StaffPark
My kind of greeting for the whole day.
Seen in Bremen.
Short for "Moien Dag" (Have a great day!)
Northern Germany and beyond.
Film is not dead
Expired Rossmann HR200 @ 100
Cewe low-res scan
Minolta XD5
Minolta Rokkor 50 mm f/1.7
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 83mm f1.9
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Blosom shooting. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.
A grab shot during the change of trains at Arth-Goldau where there are three connections twice every hour that work like clockwork. Fuji 100 low res scan
The shadows getting longer late in the day. BLS hauled heavy oil consist heading south. Fuji 100 low-res scan
The first of two train pairs still using loco and stock from Milano to Bellinzona. Those trains were a main target for me in this area. Basic low res scan of Fuji 100 slide
Cargo livery example heads north, through the Gotthard Mountains. Nikon FM2/Fuji 100 slide- low res scan
The Asahiflex Test experience...
Mode Gakuen Cocoon Tower. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
• Asahi Opt. Co. Asahiflex IIb (1954 late model) + Takumar 58mm f2.4
• Lomochrome Purple XR 100-400
• Fuji Color Service Low-res scan
A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I and quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.
Rolleiflex: 120-film low-res scan.
I am flattered and overwhelmed to be one of 5 photographers whose image was selected by international pianist/artist Lang Langand SonyMusic to commemorate the release of the Chopin Album. Please give his latest album your full attention. My deepest gratitude to Lang Langfor his contributions to the world, and to SonyMusic for their support. Please visit the link below.-GJC
Marketplace and St. Nikolai Church
Fujifilm Sensia 100
Expired slide film
Minolta XD5
28 mm f2.8
Low-res scan
The deep snow cut the wheels off completely on one of the nicest views around Bever. Fuji 100 slide - low res scan
33005 heads the London-Uckfield from East Croydon, using the 'reversable' road to South Croydon. Low Res scan by my friend Dave Warwick with thanks
Kölner Dom
Hohenzollernbrücke
Rhein
Rhine and blue sky
Cathedral and bridge over the Rhine river
Cologne, Germany
Cologne Cathedral - probably the best view from the eastern bank of the Rhine River
Film is not dead
Expired Kodak VR200
Cewe low-res scan
Minolta XD5
Minolta MD 35-70 f/3.5
Scenic shot on the north ramp of the Gotthard. Re10/10 formation winds around the mountains with a load steel products consist. Nikon FM2/Fuji 100 - low res scan
The Asahiflex Test experience
Asahi Opt. Co. Asahiflex IIb (1954 second model) + Takumar 83mm f1.9
Lomochrome Purple XR 100-400
Fuji Color Service Low-res scan from negative
Stalking the blosssoms. Shinjuku, Tokyo, Japan. © Michele Marcolin, 2022.
Some of weeks ago (during my banning from FB), while waiting for the slide film of a Miranda S Test to be processed, I spotted a LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda (which turned out with a cut curtain-later repaired), I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago. A camera so far I used only for... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - and I was quite satisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious chrome Takumar 83mm f1.9. A very beautiful portrait lens, I have to say. Will post some later.
I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. A bit of grain here is the fault also of the low-res film scan: the prints are way smoother. Unfortunately the shop refuses to do high-res scan to avoid losing printing customers, knowing that digitally reproducing negatives is not that straightforward task you can do with one single command or in batch. But, don't worry... we have also Pentax Film Duplicator.
Second model Asahiflex II b starts around noº 52117.
Differences:
- vertical lug for straps.
- bold arrow on rewind knob
- smaller AOCO logo, slimmer type
- filled triangles instead of arrows
- different design on shutter time dial
- flash sync X in red
- bold type arrow on winder in bold type
- logo on the back removed.