View allAll Photos Tagged Low-Res-Scan

Red rocks, West Kirby (2022)

Wirral

England

 

Olympus OM40 (circa 1985)

Zuiko 50mm lens

 

Ilford XP2 super

(desaturated low res scan)

This is one of those images why I love to shoot film and use the Holga or almost any plastic camera. Low res scan here. No post processing. Yodica film used.

Zeiss Ikon Nettar,

Fompan 400,

Fomadon 1+50,

Barbican, London.

 

60 second exposure, low res scan.

Calanais standing stones.

- Explore on Christmas Day 2022 -

Isle of Harris and Lewis. Scotland. (April 2022)

 

Equipment and process:

 

Olympus OM40 circa 1985

zuiko 50mm prime lens

Iford XP2 super

 

low res scan

Elbows tucked in.

black coffee.

HP5 film, low res scan

Vivitar Slim & Wide Camera

Kodak Ektar Film

Low Res scan, Nikon F4, Kodak Tmax 400

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So, I have a little project up and running for 2016. It is to shoot some fillm, with the goal of having a number of nice prints that I am proud of, framed and ready to hang on the walls, by the end of 2016. Black and White is the current plan. To get me started I fired up my Dad's Canon 3000 N, dusted down some of my canon lens (50 mm f/1.4 to start) and shot a few rolls of colour film.

It's certainly different. I give it that :)

 

I kept expecting the electronic level, and the green focal point box on my view finder to help me. When I thought I got a good shot, I checked the back of the camera only to find a plain black piece of plastic looking back at me.

 

The look of the images is as I say, certainly different. Perhaps thats the film I used, perhaps the camera, perhaps its just me. Who knows, not I at this time.

 

I'll give it a go and enjoy the journey. (I'll still shot digital as well of course)

 

This image is a relatively low res scan of the negative. I hope to get higher res scans in the future.

Some run to catch a train, others stand in line, some more wait for their time and yet others watch...

 

(old low-res scan)

A low res scan of a Wayne Olsen shot taken at Duluth's Port Terminal in September 1959 (I used this in the all-color Morning Sun "Trackside Around Duluth with Wayne C. Olsen" book). It had rolled unattended off the Wisconsin Draw into St. Louis Bay on 9/13/59. It was then strapped under a barge and floated to the Port Terminal where cranes could lift it out. This S-4 ended up as MD&W No. 20.

Its been a gut wrenching week in Los Angeles - I'm one of the lucky ones. I want to share something that Musician John Mayer wrote that will resonate with you my photo friends.

 

A folder of photos of my father, spanning his life from being a baby, an educator, a husband and a father. It’s the only evidence of his life that will exist over time. These are the “documents” you read about people taking from their homes. When you hear someone say they’ve lost everything in a fire, this is much of that everything, if not all of it. Those who say they’ll be okay still have their folders and their albums. Those who are inconsolable have lost them. Just behind the immeasurable loss of life is the loss of the proof of life. I don’t practice prayer but tonight I will say one for everyone who no longer has these items. It’s not about the art and the collectibles. It’s the photos, the letters, the class rings, the eyeglasses and the things we keep to remind us that those we loved were here. May those who have lost so much find some semblance of hope and support from their family and friends. Stay safe, look out for yourself and for one another, and trust that humanity and all it entails, though sometimes hard to see, is alive and well. This is truly devastating.

 

Approaching the neglected station with a southbound freight.

Thought to be taken in April 1982 as the signalbox was still in use at that time.

A low-res scan of a ropey neg

Copyright David Price

No unauthorised use

Created with GIMP

Nearing the summit of Sgùrr nan Gillean in the rain. This is one of the more awkward sections of the "tourist route" up the south east ridge, which is the only one that doesn't require ropes. The person in the background is standing in front of the summit cairn. Obviously there was no view whatsoever - "inside of a ping pong ball" as one friend described it. We did climb it again 3 years later in glorious sunshine.

 

This is an old (2002!), low res scan from a print - I must scan the negs.

Port Arthur Tasmania - shot on HP5 with vintage Pentax. Low res scan.

My Leica M3, Summicron 50mm, film first efforts (Fuji Velvia 50, developing and LOW res scan by www.thedarkroom.com) / Kasha-Katuwe Tent Rocks National Monument (Kasha-Katuwe = "White Cliffs" in traditional Keresan language), near the Pueblo of Cochiti, in North-Central New Mexico. The cone-shaped tent rock formations are the product of volcanic eruptions that occurred 6 to 7 millions years ago, and which left pumice, ash and tuff deposits over 1,000 feet thick.

Pat Metheny, Roy Haynes and Dave Holland in Brecon Market Hall, August 1992.

 

This is an old, low res scan from a print - I really need to find and scan the negatives.

2 second exposure on Kodak Ektar, Pentax sp1000 and Takumar 35mm 3.5 lens. Low res scan

Sunflowers

Cemetery Rintelner Str. Lemgo

Kodak FW400 @ ASA100

Expired color negative film

Film is not dead.

Minolta XD5

Minolta Rokkor 50mm f/1.7

Low-res scan

A low res scan from a 'Velvia 50' medium format transparency.

14 Zenit e. HP5 low res scan of negative. somewhere on Sandy Row, Belfast at a time of "redevelopment" 1978/9

120 format Ilford HP5 film

Bronica ETR

Catalina Island.

Camera: Nikon FE2

Lens: Nikkor 24mm f/2.0

Film: Fujicolor 200

Low Res. scan by ______ Photo Lab.

 

In 1993 I stayed for 3 month in downtown New York during my study at the Royal Art Academy in Den Hague, the Netherlands. I had a Nikon F2 and I shot about 20 rolls of Kodak Tri-x films. I did not have the money to shoot more. I never have done anything with these photographs which is a real pity I think. I finally scanned in everything in a low resolution and put them on my website. Here are a couple of the low res scans (all rights reserved). I am hoping on a museum or a gallery who's interested in the series.

Kodak Farbwelt 400 @ 100

Expired color negative film

Film is not dead.

Minolta XD5

Minolta Rokkor 50 mm f/1.7

Low-res scan

Japanese Garden at Norfolk Botanical Garden - For more info on the garden visit, norfolkbotanicalgarden.org/explore/our-gardens/year-round... - This is a test shot from the first roll of film that came through a new to me Nikon F90X/N90S - Film = Kodak Color Plus 200 - Low Res Scan from film developed and scanned by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com - Even the low res scan looks great. Everything @thedarkroomlab does is great! Film purchased from the filmphotographystore.com run by the great folks over at the Film Photography Project.

16: zenit-e+ low res scan of HP5 neg.

Stepbar identified this as King St

Kodak VR200plus @ 100

Expired color negative film

Film is not dead.

Minolta XD5

Minolta Rokkor 50 mm f/1.7 with CPL

Low-res scan

#OWL #OWL #Externsteine

On a warm April Saturday in Bremen

Herdentorswallmühle, Bremen, Germany

Beck's Mühle

Windmill

de.wikipedia.org/wiki/Herdentorswallm%C3%BChle

 

Expired Rossmann HR200

Cewe low-res scan

Minolta XD5

Minolta Rokkor MD 50 mm f/1.7

 

China Garden - The Garden grows from the sign. - This is a test shot from the first roll of film that came through a new to me Nikon F90X/N90S - Film = Kodak Color Plus 200 - Low Res Scan from film developed by The Darkroom Lab in San Clemente, CA, USA - TheDarkroom.com

Wolsfeld Woods SNA

Medina, Minnesota

 

Low res scan of a large format transparency

Kodak Ektachrome E100VS

Developed by The Camera Shop, St. Cloud, MN

Kodak Farbwelt 400 @ 100

Expired color negative film

Film is not dead.

Minolta XD5

Minolta Rokkor 50 mm f/1.7

Low-res scan

Kodak VR200plus @ 100

 

Expired color negative film

 

Film is not dead.

 

Minolta XD5

 

Minolta Rokkor 50 mm f/1.7

 

Low-res scan

 

#OWL

Low Res Scan of 120 Neg. Taken with Hasselblad

The Asahiflex Test experience...

 

Sakura view. Shakujii river, Tokyo, Japan. © Michele Marcolin, 2022.

 

• Asahi Opt. Co. Asahiflex IIb (1954 late model) + Takumar 58mm f2.4

• Lomochrome Purple XR 100-400

• Fuji Color Service Low-res scan

 

A couple of weeks ago, while waiting for the slide film of the Miranda S Test to be processed, and still overburden by bore, I spotted this LOMOChrome Purple film, in a photo shop I check out frequently. And I couldn't resist the curiosity, being the results so reminiscent of infra-red and cross processed film (which I like so much). So I decided to give it a try. However, not being sure if everything was fine with the Miranda, I was left only with the old Asahiflex IIb that came with the Takumar 58mm f2.4, quite some time ago, and used only as a... 'decoration'. Fortunately it worked pretty well - marvels of the golden age of camera making - I and quite safisfied with the results, considering that I have not been shooting color film (and in complete manual mode) since years. I am particularly happy with the results of the precious Takumar 83mm f1.9. A very beautiful portrait lens, I have to say.

I still need to understand well, when and how the film reacts better to produce purples and greens, but I really like the results. The grain a bit less: I will have the negative printed by the service asap and in meanwhile I will scan them with the film duplicator we have and treat them.

Summer mist across the Stour at Wrabness.

 

A low res scan from a Fuji 'Velvia' medium format transparency.

 

www.barrycrossphotography.com

In 1993 I stayed for 3 month in downtown New York during my study at the Royal Art Academy in Den Hague, the Netherlands. I had a Nikon F2 and I shot about 20 rolls of Kodak Tri-x films. I did not have the money to shoot more. I never have done anything with these photographs which is a real pity I think. I finally scanned in everything in a low resolution and put them on my website. Here are a couple of the low res scans (all rights reserved). I am hoping on a museum or a gallery who's interested in the series.

Townhall Bückeburg

 

Fujifilm C200 (made in USA)

Minolta XD5

Minolta MD35-70 f/3.5

Low-res scan

Försterteiche im Stadtwald Lemgo

Water lilies

Kodak VR200

Expired color negative film

Film is not dead.

Minolta XD5

Minolta Rokkor 50mm f/1.7 with polarizer

Low-res scan

View from the Elbphilharmonie Plaza

St. Michaelis - Heinrich Hertz TV Tower - Columbus House

Spires and steeples

Fujifilm Superia 100

Expired color negative film

Minolta Dynax 500 SI

Minolta AF 35-70

Low-res scan

Gate of Bückeburg Castle

Fujifilm C200 (Made in USA)

Minolta XD5

Minolta MD35-70 f/3.5

Low-res scan

 

Low res scan of one of thelast pics take on my Voigtlander before it went for a swim.

Milano- Zurich EC services were branded CIS at this stage. Northbound approaching Biasca. Nikon FM2/Fuji100- low res scan

Orange burning sky at sunset and black silhouette of single-family homes

As shot and scanned with expired color negative film

Film is not dead.

Kodak Farbwelt 400

Expired color negative film not much overexposed to darken the buildings

Minolta XD5

Minolta MD 28 mm f/2.8

Low-res scan

Staff Park

Kodak VR200 @ ASA50

Expired color negative film

Film is not dead.

Minolta XD5

28mm f/2.8

Low-res scan

Fragrance garden in Lage, Lippe

Lavender field

Kodak VR200 @ 100

Expired color negative film

Minolta XD5

Minolta MD 50mm f/1.7

Low-res scan

I think this was the first occasion I saw it. Local Cressida alongside, which will be seen in another photo.

 

Unusual to see the whitewall tyre, I think some 1200s may have had them from new.

 

I think a friend may have had the windscreen off this for the 1200 saloon that I had previously owned.

 

Previous low-res scan and comments below.

Shot from my Bronica SQ-am . First time using it and was pleased with the results. The film was FP4 125 ( Shot at 64 iso and developed in ordinal for 21 minutes )

 

This is a low res scan but was pleased with the out come

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