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Parking Structure,

Downtown Los Ángeles,

California

LAOWA 25mm F2.8 2.5-5X ULTRA MACRO

 

High-level segment Mr Robert Strayer

Deputy Assistant Secretary and Coordinator for International Communications and Information Policy

United States

 

© ITU/E. DOMINGUEZ

Irrigation of laser-leveled land in Phoenix, Az. Laser-leveling techniques allow for the optimal management of irrigation flow across fields maximizing water-use efficiency.

 

Photo Credit: McCabe | U.S. Department of Agriculture

DB Schenker Class 66 no. 66035 approaches Tamworth on 6E54 10.40 Kingsbury - Humber discharged tanks.

24th July 2012

This is a photograph from the 3rd Annual Meath Spring Half Marathon and 10KM Road Races hosted by Bohermeen AC on the 2nd March 2014 at 12:00 at Bohermeen, Ardbraccan, Navan, Co. Meath, Ireland. This year's event included a 10KM race which replaced the 5KM event held on the previous years. This event has grown quickly in popularity over the past few years with this year's entry of 700 beating the previous race numbers of 680. This half marathon event is perfectly placed in the Irish running calendar as it provides runners of all levels and abilities an opportunity to test the half marathon distance in preparation for a Spring Marathon or as the first serious running goal of the New Year. Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful. The very heavy rain that fell on the 10KM race and the begining of the Half Marathon did nothing to dampen the spirits of the participants. In fact, despite a head wind at certain parts of the course, this was a perfect day for road racing.

 

Our full set of photographs from today's event are available on Flickr at the following link http://www.flickr.com/photos/peterm7/sets/72157641717197563/. This set of photographs is mostly of the Half Marathon race but there are some from the 10KM event.

 

Don't forget to scroll down to see more information about the race and these photographs!

 

Event Management was provided by Irish Company PRECISION TIMING who provided electronic timing for both events. The results from today's events can be found on Precision Timing's website at this URL [www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...]

 

The Satellite Navigation Coordinates to Bohermeen are [53.650882,-6.77989] and is accessible using the M3, N2 and N52

 

The routing for the 2014 event has changed slightly from previous year. In 2014 the race starts about 100m away from the Bohermeen Club Race HQ [See Google StreetView in the direction of the imagery goo.gl/maps/rtj1X] and the race proceeds down the road towards Navan. Just before the 1st mile the race takes a right turn [see Google Streetview goo.gl/maps/iGrR0] which brings runners on the route of the famous Patrick Bell 5KM Road Race route held at Bohermeen every summer. Then the route turns slightly eastwards and this brings the race along a beautiful stretch of rural countryside road. This connects runners with the main loop [see Google StreetView goo.gl/maps/gLI1l] where the race follows the N51 towards Navan. The race must now complete this loop (which passes through the start area and past the finish) and then a full loop again before finishing in the Athletics track. The only hills to speak of in this course are on the the stretch where the race route crosses the M3 motorway (see Google Streetview - as of March 2014 their imagery is a little out of date for the M3 goo.gl/maps/tcdJX). The only major climb on the course must be tackled twice as the road rises up over the M3 Motorway. This comes at about the 5M and 11.5 Mile mark in the race.

 

Some useful links to other web-resources related to this race

 

Bohermeen AC Facebook Page: www.facebook.com/bohermeen.ac?fref=ts

 

2014 Spring Half Marathon Route: www.runningmap.com/?id=641747

2014 Spring Half Marathon 10KM Race Option Route: www.runningmap.com/?id=641752

Google Streetview of the Race Start: goo.gl/maps/rtj1X

Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR

Internet Homepage for the Spring Half Marathon [www.meathspringhalfmarathon.com/]

 

Results from 2013 from Precision Timing: www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...

Results from 2012 from Precision Timing: www.precisiontiming.net/result/racetimer?v=%252Fen%252Fra...

 

The Boards.ie Athletics Forum Thread For 2013 Race [www.boards.ie/vbulletin/showthread.php?t=2056785036&p...]

The Boards.ie Athletics Forum Thread For 2014 Race [www.boards.ie/vbulletin/showthread.php?t=2057078579]

 

Photographs from previous events

 

Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/

Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/with...

Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]

  

We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.

 

This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

How can I get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

Freightliner Class 66 no. 66590 speeds through Tamworth on 4O49 09.23 Basford Hall - Southampton liner as 6M44 05.36 Southampton - Halewood car carriers disappears in the distance (worked by no. 66001).

12th March 2013

This is the second level of a megadungeon drawn on custom printed 11x17 paper with 8 squares per inch.

 

Blue areas are water.

 

Level 1 is here: www.flickr.com/photos/druclimb/5520470975/in/set-72157625...

 

Level 3 is here www.flickr.com/photos/druclimb/7043110273/

This is the Art Print version of the gigposter I did for the Appleseed Cast's show in Austin. This 12x24 print has an edition of 75, a split fountain, and glows in the dark. Will be for sale on my site, NakatomiInc.com.

High-Level Forum Africa-Europe on 18 December 2018 - Closing. Picturing Federal Minister Karin Kneissl. Copyright BKA/Martin Votava

This shot shows the interior of the Texas State Capitol rotunda . It's an HDR comprising 5 exposures that I subsequently turned into a duotone and did some other Photoshop mucking around with.

MA57 YCW

 

1896cc Diesel / 103HP / Manual

 

184,285 Miles (08/2022 MOT)

 

Seen - Car Park Level 1, Golden Square, Warrington

In 1653, on the banks of the river in the wasteland Klyazma Ivanishkovo Prince Jacob Nikitich Odoyevski built a wooden church in honor of the Holy Trinity, and this area became known as the church of the village on the Trinity. So, know the exact date of construction of the temple and the village education Trinity.

Then, in 1695 Prince Mikhail Yakovlevich Cherkassky, who at the time owned the village of Trinity, construction of the stone church, and was completed in 1704, and in 1815-1822 years. with the new owner of the village column Dmitri Sheremeteva stone bell tower was erected.

  

Occurred in 1917, and with it came the hardest test for the Orthodox Church, which has not been spared and Trinity Church. His last three priors had a lot of patience from the atheist regime.

 

Last rector of Trinity Church was Archpriest Sergei Tretyakov in 1931 to 1936. In 1936, he was arrested and the fate of Father Sergius unknown. Immediately after that, the church was closed, and in the same year, he was cleared bell. Then in 1940, he lost his completions and was desecrated.

During the War of 1941-1945, the temple was used as a bomb shelter. In 1945, it housed a weaving factory, and at the end of the 70's it was replaced foundry, which worked until 1990. Over the years, the temple was not recognizable and much decayed, and on its roof rose trees.

 

Life in the church in the village of Trinity was revived in 1995, but the church has not yet been handed over to the church and on the services were held at the walls of the temple first service in it was made to celebrate the finding of the relics of St. Sergius, July 18, that is, one of the his feast day. Since then, the restoration of the temple.

A lot of work had to parishioners and benefactors of the church of the Holy Trinity, to their church regained once lost grandeur. In 1999, took its rightful place once again cast the bell, and in that same year, the church gave the house located across the street of the clergy, who as well as the church was in need of serious restoration. Now the work is almost complete vostanavleniyu temple, constructed its territory, a new building was constructed and the christening fence

Running along after this bad boy and trying to get some low ground shots didn't really work. At least not how I thought it might. I didn't get the car in focus, but I think it really works!

The Grand Falls can be an awesome sight - especially when the water level is high - which wasn't the case this time but it was still worth the trip. The Grand Falls are located east of Flagstaff on Navajo land; it's not well marked but with simple directions you can find it. A high clearance vehicle would help - the last section of road is nasty. Per the locals, Flagstaff did not have a lot of snow this year, hence there wasn't much water. The Grand Falls is seasonal - once the snow melts it dries up, so if you go in the summer it might be completely dried up.

 

Heather and I had the place almost to ourselves (there was one other couple there). We walked down to the bottom and played around the Falls, shooting at different angles. Great late afternoon light. The one disappointment we had was all the trash at the bottom - cans, bottles, tires, toys, and even some appliances. I would definitely go back here again - hopefully with more water flowing!!

 

I took these photos in March 2014.

Level (NJS) Level(NJS)made in japan.

Deep Level Shelter stairs from street

Etchingham Signalbox & Level crossing on the A265, looking towards Hurst Green. Summer 1985,

Sunset in Venice, Fl.

SAO PAULO - SP - 03/12/2016 - NEXT LEVEL SPORTS. Foto: Mauro Horita

DB Schenker Class 66 nos. 66187 and 66124 on 3J01 14.36 Macclesfield - Rugby RHTT.

3rd November 2011

 

Looks like they've run out of squirting juice.

My new level was not quite on the level;

so I decided to perform an exploratory bubblectomy.

My trusty little Swiss Army knife easily popped out one of the plugs at the end of the main vial.

As I had hoped there was a screw underneath.

The second plug was much more difficult to remove and was nearly destroyed in the process.

Apparently the factory used glyptal, lock-tight or some similar substance to lock the screws in place and some of it locked the second plug in place as well.

I removed the screws to view their fine threads for precise adjustments.

I removed the vial and found the final item I hoped for; namely a pair of rubber pads.

(If the pads had not been there, I would have had to make my own out of an old inner-tube.)

It will now be a simple matter to reassemble the level and then to re-calibrate it; by adjusting the two screws to compress the two rubber pads as required to make the bubble center when the level is level.

Tribute to Serana ENB

Ivan Class 2MT - 41312 - Mid hants Railway (Allen Falconer Charter) at Arleside (DSC 1640)

Coal (lignite) extracted by strip mining near Elsdorf, Germany: Hambach. The bottom of the pit is 299 meters (981 ft) below sea level.

The second man on 33109 reaches out for the single line token.

This shot precedes the Duvet Hound requesting her close up. Its was, only a slug

Ground level view of the Astronomers Monument, Griffith Observatory, Los Angeles; July 2011

Level(3) Working away in our data center OC192 interlinks between our Data Center pods and the outside world.

inside Eleven homes

The series Eleven is a collection of images documenting the interiors of

Frank Relle’s immediate families’ homes. Below is an excerpt from Frank’s

interview with writer Patrick Strange.

Relle’s current creations reveal bare portraits of interior spaces-often eye-level

accounts of everyday household objects and furniture. Like an inventory of life’s

generic commodities, many of the new images border on the mundane, centering

on such items like Norman Rockwell-screened throw pillows, dirty oven mitts, a

set of kitchen knives, a stack of paperback books, an over-sized plastic coin bank

shaped as a Budweiser bottle. At first, the images seem unremarkable, but as one

follows the pathways of Relle’s wandering eye, a pattern begins to emerge. These

photographs are not just a catalogue of materials, but attest to the fragile lives of

those who possess them and-in the regional context of southern Louisiana—they

suggest the nature of things that can so quickly be lost.

“After the scare of Hurricane Gustav, I started thinking, ‘Why the hell do we

keep doing this?’” Relle says. “And I realized that it was because of family.

My connection to New Orleans is more than habit, it’s because my family is here.

So, I started to ask myself what that really means—what it means to build a life that

can be washed away.”

Thus, Relle’s inquisitions have led him to the countertops and bedposts of his

childhood, and forced him to reconsider the worth of objects that have been

present from his earliest memories.

“It becomes a question of why the objects in our daily lives are important and

why they are glorified,” Relle says. “Is it because they are glorious before they are

destroyed, or is it only in the drama of loss that they are glorified? All I can do is

keep asking.”

Such questions may never be answered, but that doesn’t seem to keep Relle from

pondering the meaning of that which surrounds him. And as long as he continues

to investigate the objects and spaces that populate our lives-no matter the method

or the final result-those inanimate things will only continue to reveal secrets about

our inner selves.

Is it only in the drama of loss that the objects

of our daily lives are glorified?

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