View allAll Photos Tagged LensCap
Here you can see how the filter and lens cap look when the hood is removed. The lens hood can be handled with filter and lens cap in place: i.e. you don't have to remove either the filter or the lens cap in order to remove or put on the lens hood.
Taken somewhere in Venice, right before I dropped my camera lens-cap in the water and refrained from putting my hand in the nasty water to retrieve it.
from my 35mm archive (scanned from a print). Circa 1993.
the temperature rose to about 20 degrees and the sun was out. Good enough for a beer on the deck. I was home early because of an appointment.
the lens cap on my nikon s4 broke. apparently these break all the time.
i ordered one online and the shipping cost more than the cap itself.
but the 3-5 day shipping resolved itself in slightly less than two days, which left me very happy.
First day back at work after a long holiday isn't something to look forward to...sigh. Monday blues ahoy...lucky I make it a point to bring my camera to work. :)
The desk I'm stuck at.
Fujica ST701 ~ Fujinon 55/1.8 ~ Expired Kodak Gold 100
My friend once more approached me to do some product shots for her. This time it's for the JJC Auto lens cap for the LX5. I get to keep the cap in return. :)
With the exception of the 18-55mm SAM Sony lens the rest of the gear is full frame capable and consists of a 2x tele-converter made by Vivitar - a 70-210mm Minolta zoom - a 28-80mm Minolta zoom and a Auto Rikenon prime lens of 55mm f2.8.
They can in fact all be multiplied by the formula 1.5 giving longer focal range by a half again.
Contaflex Zeiss Ikon Set
Carl Zeiss Pro-Tessar 1:4/35mm
Carl Zeiss Pro-Tessar 1:4/85mm
Lens cap zeiss Ikon 1110 A28.5
UV 1x Filter Zeiss Ikon A.G. S60
Sold It!
I had already wound the camera, and not wanting to leave a shot to accidentally snap the inside of my lenscap, I had to take my cat for a walk instead.
All provided by my brother-in-law in Southern Germany. Many thanks for all of the above cameras
IS10
IS100S
IS1000
I lost the lens cap of my camera and had ti buy a replacement. I feel that I have been judged, found guilty and sentenced to displaying the results of my carelessness so that passers-by may laugh. (Or I am displaying my allegiance to the Netherlands while I am in Amsterdam.)
I can print any size lens cap size or strap width, in any color I have on hand. Even a double holder like the big green one which is an 87mm & a 52mm in one for my Black Rapid strap
Kurt Dressler Photography | View Large On White
I got my new umbrella/stand today in the mail! Im pretty exited to go out and shoot! i can't wait, hopefully everything goes well at the location that were going to be at :]
Once i got my stuff in the mail i just had to test it out, me and my good friend Micheael from MA Photography decided to do a couple test runs with it and this is him being a canonfag. <3
Strobist;
Canon 480ex 2 through umbrella camera left
With the exception of the 18-55mm SAM Sony lens the rest of the gear is full frame capable and consists of a 2x tele-converter made by Vivitar - a 70-210mm Minolta zoom - a 28-80mm Minolta zoom and a Auto Rikenon prime lens of 55mm f2.8.
They can in fact all be multiplied by the formula 1.5 giving longer focal range by a half again.
www.vogueo.fr/vogueo/index.jsp
Voguéo
Le trafic est fluide...
La ligne dessert : Gare d’Austerlitz, Bibliothèque François Mitterrand (à l’aller), Bercy (au retour), Ivry Pont Mandela et École vétérinaire de Maisons-Alfort . Au total, le trajet durera 55 mn pour effectuer la boucle en aller-retour.
fr.wikipedia.org/wiki/Vogu%C3%A9o
Voguéo est un service public de transport en commun par navette fluviale assuré sur la Seine et la Marne.
Défini par le syndicat des transports d'Île-de-France (STIF) en 2007, le service a été inauguré le 28 juin 2008 entre la gare d’Austerlitz à Paris et l'école vétérinaire de Maisons-Alfort, avec un temps de parcours moyen de trente-cinq minutes, réduit à vingt-huit minutes l'année suivante.
Voguéo offre aux franciliens et touristes la possibilité de découvrir la Seine en amont de Paris, en utilisant les forfaits de transports habituels, ce qui n'est pas le cas des compagnies touristiques. Le service permet de découvrir plusieurs ponts et lieux de Paris, rarement inclus dans les parcours touristiques : le viaduc hélicoïdal d'Austerlitz qui supporte la ligne 5 du métro, le pont Charles-de-Gaulle, plus récent pont routier de la ville ouvert en 1992, la passerelle Simone-de-Beauvoir, dernière lancée sur la Seine à Paris en 2006, la bibliothèque François-Mitterrand, les Grands Moulins de Paris et le nouveau quartier de Paris Rive Gauche, le ministère de l'Économie, des Finances et de l'Industrie, unique édifice parisien ayant des piliers dans le cours du fleuve, le palais omnisports de Paris-Bercy et des échappées sur le parc de Bercy. Dans le Val-de-Marne, le paysage est plus industriel et la rive droite est longée par l'autoroute de l'Est, mais permet néanmoins de découvrir Chinagora et les rives de la Marne.
actually, the surface of where the lens cap is kept is light grey and a little shiny... (kind of like marble - in fact, i think it is marble...???) - but i underexposed this capture by quite a bit... and i like how it came out... black on black :-)
1/125 sec; f/2; ISO 400
Jupiter 9 85mm f2 AUTOMAT Kiev 10-15 Mount adapted for Canon EF Mount
Manual; Evaluative metering
During todays photoshoot this was the most abstract photo. With a zoneplate lenscap, 2 seconds shutterspeed, 3 colorgels and a lot of movements
I could stare at this for hours.
The amount of detail was a result of the use of a slow flash and a nice macro lens.
Comparison Silent vs. EFCS Mode.
Please note: These Images have been shot in completely dark with lenscap on lens. The originals are completely black.
So, since I was asked, here's what I typically carry when I'm going out… It's actually fairly low-key…
1 - Sigma DP2 (hooray!)
2 - Lensmate filter adaptor for DP2. Only leaves the camera if I need to use the flash (throws a shadow…)
3 - Hoya +10 diopter close-up filter. My primary macro attachment, it is a wonderful piece of optics.
4 - 52mm lenscap attached to the camera strap. I don't really know why I keep it attached - I've never lost a lenscap before in my life, and the thing gets in the way sometimes. Shrug.
5 - Moleskine Cahiers or similar pocket-sized notebook. For field notes, if I remember.
6 - TEC Accessories PicoPen, recent addition, always on my keychain now, and great for making said field notes. I briefly discuss this pen here.
7 - Romisen RC-C6-II, adjustable focus flashlight which produces a nice flood and is small enough to hold in my camera-steadying hand. Good for illuminating plants in the woods…
8 - Marumi +4, +2, +1 macro filters. Never heard of this brand before, and they're not great quality. They're good to have on hand because if I need to swap them out quickly I can toss them on the ground without worrying about damage. I'd still like to get a nice (read- Hoya) +1, +2, +4 set one of these days so that I can dial in my macro settings without sacrificing so much quality… But for now these come in fairly handy.
Also in the future, my kit will include a second (maybe third) battery for the DP2, and a Manfrotto Modopocket.
Cheers!
Experimenting with extension tubes and the 35mm f/1.8 DX lens. This is the lens cap from the 35mm lens.
A try out of manual focus on the camera (no instructions).
The instruction booklets (about 6 miniscule pages if you are lucky) that come with new electronic equipment these days are no help. You either go on line to find something or guess and hope you remember what you've done!
half frame camera with a 32mm f1.7 manually focusing lens. Focusing is from infinity to 2.5 feet. A selenium meter around the lens automatically sets the correct aperture and shutter speed in program fashion -- 1/30 at f1.7 to 1/800 at f 16.
Mendoza has a "Vines of Mendoza" tasting room where for a fee you can sample wines from various producers. They offer a $75 or $150 US per person tasting flight of 5 wines. We opted for the cheaper version. Tiny tastings in tiny glasses and not the quality we expected for the price. Since it was happy hour 50% off from 7 to 9 pm we sat on the street patio and sampled a still expensive wine but at least a decent pour in a nicer glass. Once was enough. The wine was Gimenez Rui Malbec and the next night in a restaurant we had the whole bottle for less money than the 2 glasses here. Geeez!