View allAll Photos Tagged LensCap
Experimenting with my new found love for speedlights :D
The one on the top has an sb900 about 1ft behind the lens cap, and the one posted in the comments is an example of when the sb900 is just on top of the camera. Both are non edited so you can see the difference :)
After a disappointing Bluebell shoot, I was surprised to see that Rapeseed had been planted this year, which was the perfect accompaniment to the gorgeous sunset.
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My bright Yellow Holga 120GN with flash.
It takes 120 film, but I just ran some 35mm through it and have reloaded with 120.
Will post photos in coming weeks/months.
Camera: Canon EOS 7D
Lens: Canon EF 50mm f/1.4 USM
Exposure: 1/20 sec
Aperture: f/1.4
Focal Length: 50 mm (x1.6)
ISO Speed: 100
Shot in RAW format in Av mode with automatic focus.
Developed with Canon Digital Photo Professional.
Check the EXIF data ;)
I just got my first DSLR. And I couldn't think of any better way to christen my new camera than to take the first picture with the lens cap on. This is as minimal as it gets. :)
And I just want to take this short space to thank all of my contacts who have supported me so much and contributed to my development along the way. I wouldn't be here, with this camera, if it weren't for all of you. Your support, encouragement, helpful advice, and inspiration has been incredible. I don't know how to express my thanks enough. You are all amazing. Thank you.
By the way, please remove your name if you don't want to be tagged in a black square. I just wanted to let you all know my thanks :)
Oh, and I HIGHLY recommend you View On Black. Soooo much better. It really helps bring out the fine details.
I bought an old (ca. 1890) lens with no maker's marks on it, but in the rectilinear style of the time. It came with a set of Waterhouse stops. I mounted it on a board and put it on my 5x7 Gundlach Korona and went for a test shoot. Here's the result, shot on some Efke 100 and souped in HC110 dil. B. I used the lenscap "shutter' method, roughly one second at f/44.
A work in progress. I think I can get this a lot neater, but it'll take some careful measuring and a special custom built tripod head. Watch this space...
Oh, and this is straight out the Canon, no adjustments!
...through a water drop, that is.
A falling water drop in front of my lens cap makes a dandy fish-eye lens. Go ahead, check it out in LARGE size.
I just got my camera back from a servicing job by Canon. Initially, they told me it would take up to six working days to fix the problem of a broken shutter, but I got it back in two days. :)
This shot was taken sometime back though.
Fujifilm Delta 400, orange filter.
There is some vignetting in the corners caused by not deploying the lenscap enough.
Canon AE1.
At the request of the Interstellar Council, the Hullbull Remote Space Telescope recently warped to an area approximately 100 LY from Metropolis 1 to investigate the source of a large gamma ray burst. Using the variable-geometry neutral density filter and other proprietary sensors delivered to the HRST last year by the spaceChaser, the HRST collected data in the vicinity of a 100-stellar mass black hole. Processing data from the proprietary sensors and x-ray and infrared sensors, the IDIOTs (Intergalactic Digital Imaging Optical Technicians) resolve the black hole in unprecedented detail. Visible near image center, the black hole's event horizon can clearly be seen. Nebular material, likely the remains of a former supergiant star, are being energized by the black holes intense radiation, while large jets are seen emanating from the poles of the black hole. The IDIOTs also used data from the Doppler sensor to highlight the rotational motion of material near the black hole, with red indicating motion away from the HRST and green indicating motion toward the HRST.
Not a real space photo. Light art.
Single exposure. Zoom burst on wet strip mall parking lot, Waterworld technique to create 'stellar remains nebulae', and jets. Lens change from 70-300 zoom to 100mm prime, lenscap off and on.
I’ve loaded up my single stroke Leica M3 with this rather large awkward grip and just about every other accessory I could put on it at once just for fun.
The grip attaches to the camera via the tripod socket so the grip can be on the right or the left of the camera. Both sides were difficult and problematic. From the back of the camera (as if you were to shoot with it) on the right side you would need to add a shutter release cable and mount the trigger on the grip (there seems to be s threaded hole for this). This is what I suspect the previous owner did, the little old man.
Here is the details of the camera and gear:
-Camera: Leica M3 single stroke
-Flash: Ricoh BC-605 Cordless Unit with adaptor and bulb
-Lens: Summicron 50mm F2 with Dual Range goggles and lens cap
-Grip: Made in Japan, unknown manufacture (no manufacture found)
-Light Meter: Leica Meter MC
Lightpainter: Frodo DKL Brand Ambassador at Light Painting Paradise, y Víctor Peseta
Photography: Frodo Álvarez Children of Darklight
Date: 28/01/2019
Sponsors:
Shot made with OLYMPUS DIGITAL CAMERA OM-D E-M1 MrkII Live Composite
www.olympus.es / @esolympus #esolympus #olympus
A quick outing with fellow photographer, Richard. I was a little concerned when he hoisted himself up on the wet slippery pipe. The lengths we go to :/
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Sometimes the last thing you want to do when you're hungover is get everything out and make a toasted cheese sandwich.
I could have been lazy and not bothered, but i feel like i've accomplished something quite special today. =o)
...
Lenscaps off for all of you suffering today.
I just wanted to capture the bokeh given off by these translucent beads on a decorative candle holder. The lens cap was about 12 inches in front of them. Shot with f/2.8.
Euromast is an observation tower in Rotterdam, Netherlands, designed by Hugh Maaskant constructed between 1958 and 1960. It was specially built for the 1960 Floriade, and is a listed monument since 2010. The tower is a concrete structure with an internal diameter of 9 m (30 ft) and a wall thickness of 30 cm (12 in).[6] For stability it is built on a concrete block of 1,900,000 kg (4,200,000 lb) so that the centre of gravity is below ground. It has a "crow's nest" observation platform 96 m (315 ft) above-ground and a restaurant. Originally 101 m (331 ft) in height it was the tallest building in Rotterdam. It lost this position for a while, but regained it when the Space Tower was added to the top of the building in 1970, giving an additional 85 m (279 ft). Euromast is a member of the World Federation of Great Towers. (source wikipedia)
I've recently been shooting with this Minolta Maxxum 7000 that I put together from bits I won on eBay. The body, lens, lens cap and film were all bought separately (cost in notes on pic) and it works great and is pretty solid.
Released in 1985, cost around $400.
#Funleader #LensCap 18mm F8.0 #Full Frame #LMount #JustShoot #NoExcuse #F8andBeThere
The lens features 6 elements in 4 groups, multi-coated glass, a 0.8m minimum focusing distance, and 100-degree FOV. The model is constructed from brass with a chrome plating finish and it is ultra-light at 80g (2.8oz).
[Good]
- Native L mount
- Ultra wide Fixed aperture 18mm f8, No accidentally moving the focusing ring or Aperture ring
- Ultra thin lens cap compliment fp's minimalist design
- Compliment Sigma fp minimalism and making the full frame camera truly pocketable
[Bad]
• Usual vignetting + Greenish corners
• No aperture No Bokeh No Sunstars
Ref -
www.dpreview.com/news/3707382415/funleader-lenscap-18mm-f...
This place is magical & by far the most breath taking location I have ever visited.
Canon 5D MK III | Canon 24-70 f2.8L | f8 | 0.5sec | ISO 100 | CP | NDH .6
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LX3 mit angesetztem Ricoh LC-1 Lenscap und Modifikationam LC-1 um bei 60mm ohne Vignetierung fotografieren zu können
This is Stephen Oachs
flickr.com/photos/stephenoachs/2132192392/
I met up with Stephen a little over a month ago, in Lower Antelope Canyon. He seemed like a nice guy. He let me use a tumbleweed that he brought in with him as a prop, so I let him borrow my new Canon, fisheye lens to take a shot. Well, a couple hours later, I started looking all through my bag for my lenscap. It's gone. I thought, 'Damn... Did he stick my lenscap in his pocket?' Well, luckily, we had exchanged business cards. I was embarrassed to contact him and accuse him of stealing it. Luckily, he emailed me, and said he had it. Well, being on my whirlwind tour of the southwest, I had no address to mail it to. When he saw I was in Yosemite, he decided to take a drive out there and meet up. So here they are. Reunited at long last. My fisheye lens, and it's beloved lenscap.