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Aspen leaves on the road. Can’t wait to develop the Portra160 4x5

9.25x7.5 tintype

12" Laverne Paris Petzval lens

more: emilytebbetts.blogspot.com/2012/01/large-format-photograp...

 

A test shoot with Mia yesterday to test out my large format camera with instant back. I'm in love with it :)

Haven't been posting here for a while, but still playing around with light and chemicals.

 

I have been experimenting with the salt process over the last year or so, off and on, without great success until today.

 

The 8×10 negative from which this sun-exposed contact print was made is on Fomapan 100 sheet film, exposed in the Sinar P for 60 seconds at f64 and developed in TMAX developer (1+4) for 6.5 mins at 22 degrees C. The lens used was a vintage 9″ Apotal. It is a contrasty negative but seems well-suited to salt printing.

 

The paper is Daler Rowney Aquafine Smooth watercolour, sized with gelatin. After drying it was coated with an ammonium chloride base coat, tweaked with potassium dichromate, using a 3″ Japanese hake brush. When dry, a solution of silver nitrate was freshly made and the paper coated. A 3″ foam brush was used and the paper dried in darkness using a drying cabinet.

More info may be found on my site at real-photographs.co.uk/

Type 559 4x5, Gundlach Korona

London. 2011.

 

instagram.

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Intrepid 4x5 mk2 Nikkor 90mm f4.5, Ilford Delta 100 @80 iso developed in Rodinal 1+100

Epson 4990 Fluid mount

Kullaberg. Waves breaking the shore.

 

Camera: ONDU 4x5 inch Pinhole camera

 

Film back: Polaroid 545 Land Film holder

 

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)

 

Exposure: 2 seconds

 

Scanner: Epson Perfection V700

New55PN film print taken on MPP Mk8 camera

Print Method: Digital C-Print

Original: Fujifilm Velvia 4Ñ…5" (Large Format)

Place: Russia. Taganay is a group of mountain ridges in the Southern Urals

 

www.efimch.com

shanghai gp3 100 developed in hc-110(b)

Learning wet plate collodion process with the incomparable Ray Bidegain.

Don Winery "Elbuzd"

 

Toyo 45A

Nikkor-W 180/5.6

Adox CHS 100 ii

Epson V750

Sinar Norma 4x5

Fujinon 90mm f8

Ilford HP5+

Calumet C1

Vitax No.4

4x5 Xray film

Dektol

Westlake Amidst Misty Rain - Hangzhou China

Option8 conversion, taken with Gen1 50 ISO film, print

4x5 Pacemaker Speed Graphic + Kodak Aero Ektar lens 178mm f2.5 + 2007 expired Fuji FP-100C colour instant film

 

I met will fellow photographer / model Elizabeth this morning to try my Speed Graphic outside. This was my favourite of those shot on colour film, shooting into the sun. You can see the unique bokeh from the Aero Ektar lens

 

Photo scan

 

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

Having neglected to bring the dark bag I thought I'd have a go at loading sheets in the cellar. A partial success.

 

We're Here, scarred negatives and all.

 

Hand-held wobble focused macro (Dah!) of a 4x5 negative laid on an LED lightbox dingus that I acquired for the purpose of digitising negatives with a DSLR. I haven't used this process for ages, so Thanks WAH!

 

WakaWaka Pelcomb Portraits.

Film developed on site outdoors. Good fun.

158x126cm or 80x64cm, Lightjet on photographic paper

The gorge at Letchworth State Park

 

Intrepid 4x5

125mm f5.6

Kodak Ektar

...around dawn.

 

Chamonix 045F1, Skink 0.4mm f.214 pinhole in Copal shutter, Kodak Ektar 100

Shot on my Graflex. The new Portra 400.

A ruined building on the site of Tangmere Airfield, a WW2 RAF base. Famous for being one of the bases Douglas Bader flew from.

Same story. I've been so busy this year that I haven't had much time to play with my cameras much less my beloved 5x4. So finally I decided to take a picutre of it together with my favorite lamp, the Rosy Angelis from Flos.

 

This is a nod to the original ad for the lamp which had the designer, Philippe Starck, peeking under the skirt (lamp shade).

I had always seen the similarities of the lamp and the LF camera (the tripod legs, the belows and the pleated shade) but I only thought of the ad last night.

 

Shot with Fomapan 100 and processed in Rodnial

Blooming dogwood and Giant Sequoia in the fog, Sequoia National Park, California 1993

Very expired Type 55 Polaroid film

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