View allAll Photos Tagged LargeFormat

Toyo 45CF 4x5 Horseman 210mm F5.6 on Foma 100

Very expired Polaroid 4x5 sheet film. My Polaroids are slowly becoming too old to use...

 

Camera: ONDU 4x5 inch Pinhole camera

 

Film back: Polaroid 545 Land Film holder

 

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004

 

Scanner: Epson Perfection V700

Different view from previously; still see the relatively low contrast due to the diffuse lighting, but clouds were brought out with a yellow filter held over the lens.

Graflex "Pre Anniversary" Speed Graphic / Kodak Aero Ektar 178mm f2.5 / Fomapan 200 (Rodinal R09 1:50 20℃ 10min)

Kullaberg. Waves breaking the shore.

 

Camera: ONDU 4x5 inch Pinhole camera

 

Film back: Polaroid 545 Land Film holder

 

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)

 

Exposure: 2 seconds

 

Scanner: Epson Perfection V700

Toyo 45cx

Fujinon 250mm 6.3

Ilford Delta 100

Behind thte scenes of large format Polaroid photo photography. Taken with Leica M9

 

Camera gear in photo

 

Modified 1947 4x5 Pacemaker Speed Graphic + Kodak Aero Ektar 178mm f2.5 + Cambo back + Polaroid film holder + Fuji FP100C instant film

 

Karla - Miss Coventry 2014

 

I will try to do a how to video when I get time. Not sure when that will be!

 

mrleica.com/2014/11/29/large-format-4x5-pacemaker-speed-g...

One of my increasingly rare shoots with colour 4x5 film. I shot this with Portra 160.

Nancy and my son have been friends since they were two. Shot on 4x5 with a 210mm Apo Symmar.

4x5 Inch collodion wet plate shot handheld

MakingOf Video: youtu.be/y0ccDnXw9xE

Instagram: instagram.com/mhaustria/

www.mhaustria.com - wet plate workshops and more

MPP Mk8, New55 Colour film

Cambo SC Rodenstock Sironar 210mm f5.6

Ilford HP5 in D76 1+1

Epson scan

Model: Halyna

Camera: Sinar P2 8x10"

Lens: Taylor Hobson Cooke Ser IIE "Knuckler"

Film: Fomapan 200

Taken in fall 2020 on large format (4x5) Kodak Ektar film.

Loaded up five 4x5 negatives in the Jobo I got the other day.

 

Loading the negatives was a bit tricky in the dark but I am sure I will get used to it. As I shot all of these negatives in the same lighting conditions, I loaded them all and mixed up some Rodinal to see how the Arista EDU Ultra 100 would pan out.

 

I went with a 1:100 stand development for 50 minutes.

 

Negatives look pretty good, just need to scan them and see how everything turned out.

Taken by Sinar F1, Fuji Provia 100F. My grandma.

10 seconds at f4.5 18 inch Taylor-hobson cooke portrait setting 3 diffusion- one 450wcfl and reflector

Old farm in Kuhmo, eastern Finland

Intrepid 4x5, 150mm

Ilford HP5+ 400ASA f32 44s

Adox XT-3 6min

New55PN negative scan taken on MPP Mk8 camera

Orange

4x5 Tintype, varnished.

Chamonix 45n2

Congo 150mm f4

 

TMAX 100 @D76 8'30" at 20º

V700

LR

Camera .. Rittreck View

Lens .. Raptar Telephoto Wallensack 10 inch F5.8

Film .. ARISTA EDU ULTRA100

An alternative shot from my sitting with Alison last month.

 

Visit my blog and website Tobias Key Photography

   

Otmoor RSPB, 7th June 2020, 5pm

 

Chamonix 810V, Rodenstock Apo-Sironar S 240mm f/5.6

Ilford FP4+ 8x10

½” f/45

15mm front fall, and lots of front tilt

 

Printed this today (600dpi, A3+, Canon Pro-300, Fotospeed Platinum Baryta), and decided to darken it substantially from the original version, and tone it. Like it this way!

Large format, Heliar 4,5/30cm from 1940

Aspen leaves on the road. Can’t wait to develop the Portra160 4x5

more: emilytebbetts.blogspot.com/2012/01/large-format-photograp...

 

A test shoot with Mia yesterday to test out my large format camera with instant back. I'm in love with it :)

Haven't been posting here for a while, but still playing around with light and chemicals.

 

I have been experimenting with the salt process over the last year or so, off and on, without great success until today.

 

The 8×10 negative from which this sun-exposed contact print was made is on Fomapan 100 sheet film, exposed in the Sinar P for 60 seconds at f64 and developed in TMAX developer (1+4) for 6.5 mins at 22 degrees C. The lens used was a vintage 9″ Apotal. It is a contrasty negative but seems well-suited to salt printing.

 

The paper is Daler Rowney Aquafine Smooth watercolour, sized with gelatin. After drying it was coated with an ammonium chloride base coat, tweaked with potassium dichromate, using a 3″ Japanese hake brush. When dry, a solution of silver nitrate was freshly made and the paper coated. A 3″ foam brush was used and the paper dried in darkness using a drying cabinet.

More info may be found on my site at real-photographs.co.uk/

Type 559 4x5, Gundlach Korona

London. 2011.

 

instagram.

___________

 

Intrepid 4x5 mk2 Nikkor 90mm f4.5, Ilford Delta 100 @80 iso developed in Rodinal 1+100

Epson 4990 Fluid mount

Kullaberg. Waves breaking the shore.

 

Camera: ONDU 4x5 inch Pinhole camera

 

Film back: Polaroid 545 Land Film holder

 

Film: Polaroid Polacolor 79 4x5 inch large format sheet film. Expired November 2004 (Photo taken August 2016)

 

Exposure: 2 seconds

 

Scanner: Epson Perfection V700

New55PN film print taken on MPP Mk8 camera

Print Method: Digital C-Print

Original: Fujifilm Velvia 4х5" (Large Format)

Place: Russia. Taganay is a group of mountain ridges in the Southern Urals

 

www.efimch.com

shanghai gp3 100 developed in hc-110(b)

Learning wet plate collodion process with the incomparable Ray Bidegain.

Sinar Norma 4x5

Fujinon 90mm f8

Ilford HP5+

Calumet C1

Vitax No.4

4x5 Xray film

Dektol

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