View allAll Photos Tagged LargeFormat
Burke and James Grover 8x10, Wollaston 125mm f1.6 (@~f5.6), Expired Kodak RC paper negative (single strobe)
More tests with the super wide meniscus, in my lair, playing banjo.
#BelieveInFilm #LargeFormat #WollastonLens
Graflex "Pre Anniversary" Speed Graphic / Meyer-Görlitz Trioplan 10.5cm f6.3 / Fomapan 200 (Rodinal R09 1:50 20℃ 10min)
Glen Canyon Dam Arizona, Intrepid 4x5 mk2, Ilex Agugon 90mm f8, Kodak Ektar 100 developed in Unicolor C41
Camera:Sinar f1
Lens:Symmar-S 150mm f/5.6
Filter:no
Light:natural
Settings:1" f/32
Focus:camera tilt, front tilt
Film:Rollei RPX25
Developing:R09 1:40 10' agitation first 30" & every 1'45"
Scaning: Epson V550
Software:no adjustments made
Viewing Large on Black is a MUST!!!!
Sinar F2 + Rodenstock Sinaron-N 210mm/5.6
Exposure 1/200sec f8.0 ISO 1500
Film: POLAROID SEPIA GIAMBARBA EXPIRED
Scanned from print with Epson 4870
10 seconds at f4.5 18 inch Taylor-hobson cooke portrait series II setting 3 diffusion- one 450wcfl and reflector
check out this Video By Mr. Patrick Wright on the wet plate process
2 of the strips fell off or something, didn't have time to redo anything because i had to do them all in one day.
Robert Siegelman was generous enough to come over last night and let me blind him with flashes a few thousand times.
The final shot is 555 megapixels and you could print it 105" by 60" at 300dpi.
This is my second homemade scanning back. It's a real digital large format back... not like the tiny Better Light backs. So you get the real large format look. The actual scan area with a 300mm lens is approximately 8.5x10.6".
Taken by my "new" 9x12 cm plate camera, a Voigtlander Avus, ca. 1930. Skopar anastigmat lens, 135mm/f5.6, on green sensitive X-ray film with yellow filter. A bit compensation during scanning, no post-processing at all.
I got an amazing deal I couldn't resist: this camera in pristine condition, the Skopar lens on a perfect Compur shutter, a Schneider 150mm lens on a good polaroid shutter, 3 film holders, a 6x9 cm roll film back, and some film. :-)))
The only problem is with the cable release adapter on the Skopar: it broke off due to metal fatigue the moment I started working with it, but with a good tripod I'll manage manually.
Please take a look at my most interesting photos Or take a look at my entire portfolio
Stopped by one of the local breweries while I was out testing some outdated HP-5 I picked up for a song. The exposure was about 1/2 hour or a pints worth. Either works.
Shot with the 4X10 on HP-5 in Pyro PMK for 10 min @ 68f constant agitation.
Trying out FP4 in 4x5 for the first time. It seems fine. A guy walking by with his son stopped and said "someone is still using a Linhof camera!" He seemed really happy. So that was nice.