Sinar
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Camera: Wista 45DX
Lens: Nikkor W 150mm f5.6
Film: Kodak 320TXP (ei: 160)
Subject: Stopped in to a church I passed along the way
Date: October 10, 2022
Bellows Extension: 165mm
Bellows Compensation: +2/3
Reciprocity Compensation +29s
Actual Exposure: 37s @ f/22.7
Processing: Tray Development
Developer: HC-110 H 1:62
Temperature: 20°c
Developing Time: 8’ 0” (N)
Digitized: Nikon D850, Nikkor 55mm Micro ais
Stopped in to a church I passed along the way…
I been visiting for over three years now, and every time I visit it’s been empty. At first I felt awkward sitting alone, but soon realizing it’s the first church I sat in where I truly feel spiritually enlightened. Today I quietly prayed for Dad. Three days later he passed peacefully at the age of ninety-seven. And although he never knew I like to photograph or seen any of my photos…this one’s for you Dad.
May you Rest In Peace 🙏
-Thomas
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
Paper negative, overexposed and underdeveloped. The uneven development makes a really nice effect. Linhof Color 4x5, Computar Symmetrigon 150mm f6.3.
I originally said it was a Direct positive, but I was mislead by a wrong prefix in the name of the file from 2018. (Silverfast repeats the prefix from previous session unless you change it)
The picture was finished long time ago and when I put it out here, I was misled by the prefix.
I am sorry about it, but now I have corrected it. I found the result a bit difficult to explain and had to check the original. But at that time I treated both paper negatives and positives the same way, with highly diluted paper developer.
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
The weather this past 10 days has been awful. Long grey days of unrelenting rain and cold. I want to venture out, but it's not photography weather, so I work with what I have, ya know?
Photographed on 8x10 inch Bergger Pancro 400 film (well past its expiration date: 2019), developed in Rodinal 1:25
Camera: Deardorff with the 12" f4.5 Ektar lens (@f16)
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
From the Napoelon war to protect production of salt.
Taken with Linhof color, Computar Symmetrigon 150mm.
Kodak Plus X at ISO 50, developed in Fomadon Excel.
Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle
The old graveyard is peaceful. The place connects me emotionally to the ancient mysteries. The magic and beauty of the place is there to see and feel, but so difficult to capture.
It was raining but it did not stop me from taking the picture.
Taken with Linhof Color 4x5 and Fomapan 100. Developed in Fomadon Excel.
This day started out cloudy but around noon the clouds started breaking up. I had a few places in mind to shoot some film and as I was driving some of the backroads near my home I encountered this scene. I'm a big fan of windmills and this one is nicely representative of ones you see in this part of the country. I don't think this one is still in operation, but many like this are. They are typically used these days to water livestock. I wanted to bring in some of the road and the trees in the distance to give a sense of scale. I was hoping for better clouds, but sometimes you take what the scene gives you. Image captured with my Linhof Technika IV on FPPs Frankenstein 200 film. Self-developed with Xtol at 1:1 dilution.
Taken with Linhof color 4x5 and Computar Symmetrigon 150mm f6.3. Fomapan 100 developed in Ilford DD-X 1:4.
Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.
Speedlight with softbox, left. White V-flat right.
2:1 Magnification.
Father and daughter...
Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.
Speedlight with grid and black flag above left.
From a small street in Åsgårdsstrand in Norway, leading towards a house where Edvard Munch had his studio and lived during summer time.
A contact print made on Fomaspeed 311.
Taken with Linhof color, Leitz EPIS 400mm f4 at f8 and 5x7" Fomapan 200.