Sinar
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Sinar F 4x5 camera
Schneider 150mm F5.6
Shanghai GP3 ISO 100
Blazinal 1+25 20C 10mins
Fix 5mins.
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Sinar F
Schneider-Kreuznach 150mm F5.6
Shanghai GP3 100
Kodak HC110 1+31 19C 8:17mins
Epson Scan V800
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Graflex Speed Graphic Large Format 4X5
Lens: Cooke Telephoto Anastigmat F/5.6 320mm 12 1/2 Inch Series III (Made by Taylor-Hobson England (Maybe Year 1906-1923)
120 film Back
Kodak EPP
CineStill D9 First Developer Bath 1+1 9mins 15 Sec)
Rinse 6 Lifes or 6 Inversion Cycles
Color&Reversal Bath 7mins
Rinse Fill and Empty Tank 6 times
Bleaches & Fixer Bath 8mins
Wash fill and Empty 10 times
Stabilizer: 1min
Scan：Epson V800
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Toyo 45G Fujinon A 240mm/F9 Yellow Filter. Ilford FP4+ 125 ASA.
1/30s F25. Mangrove Base Zone II; Cloud Highlights Zone VIII/IX.
Standard development Ilfosol-3.
11 AM, Bright sun. The cumulus clouds had built up through the morning, and blew off soon after I finished shooting.
Curbar Edge under overcast morning sky, early Autumn. Taken from Froggatt. Goodbye Summer...
Chamonix 4x10
Nikkor SW 120mm, F16, 15
Rollei Ortho 25 BW Film
ID 11 Developer
Scanned with Epson V750
Thanks to all of my friends for visiting this picture. Kindly leave your comments. Have a wonderful day !
Paper negative
Self-made film holder still lets in light.
But the effect of it makes the picture almost picturesque.
The thin strip of light only hits the elevations in the paper.
Linhof color 5x7 (by adapter from 4x5), Computar Symmetrigon 150mm. one second exposure in the wind.
Fomaspeed 311 with yellow filter and exposed at ISO3.
I recently acquired a box of 5x7 Adox CHS 100 II and gave it a spin a couple days ago. This image was made with a Kodak Anastigmat 162mm lens, at f5.6 (closed down one stop).
I exposed two sheets: one received 3 seconds exposure and the second got 5 seconds. This is the 3 second sheet.
This sheet was processed in FX-37 (1:3) for 6 minutes, and the sheet that got 5 seconds exposure was processed in D-76 (1:1) for 8 minutes, and yet the FX-37 sheet is clearly more dense in the lower values than the one processed in D-76. This tells me that FX-37 does indeed give a speed boost to most films, possibly as much as a full stop.
January 2026 Entry
Date: December 5, 2025
Camera: Nikon Df
My love and fascination for the Field Camera began in the early eighties and still continues today. What started as a hobby has now evolved into a Photographic Zen Experience. I truly enjoy creating photos with b&w sheet film, following in the traditions our pioneers of Group f/64 paved for us.
Looking forward to new compositions in ‘026.
…in my Field of Dreams,
-Thomas Alan Nakashima
The time is up now.
Days are getting shorter and the darker moments become more strength. For the most people this could ne a mental problem. So it’s important to have periods like this week where people can find some happiness and warmth for their heart like here on the autumn Polaroidweek.
Have a nice week ✌️
Roidweek Day 1, Image 1
Paper negative
Linhof color
f27 and 30 sec
The paper negative can give excellent results, but it also requires respect for the light and the right exposure.
I am beginning to suspect that I should go for exposure closer to ISO 8 thant ISO 6.
Van Dyke - Large Format 6x8 (Full Plate) Negative - UV Light Exposure - Gold Toned - Arches Aquarelle
This day started out cloudy but around noon the clouds started breaking up. I had a few places in mind to shoot some film and as I was driving some of the backroads near my home I encountered this scene. I'm a big fan of windmills and this one is nicely representative of ones you see in this part of the country. I don't think this one is still in operation, but many like this are. They are typically used these days to water livestock. I wanted to bring in some of the road and the trees in the distance to give a sense of scale. I was hoping for better clouds, but sometimes you take what the scene gives you. Image captured with my Linhof Technika IV on FPPs Frankenstein 200 film. Self-developed with Xtol at 1:1 dilution.
Toyo 45G. Nikon 120mm/5.6 AM*ED Macro Lens. Ilford FP4+@100. F16@ 1/30s.(3.5-stop bellows factor.) Normal development in Rodinal 1:50 for 15 minutes.
Speedlight with softbox, left. White V-flat right.
2:1 Magnification.
Father and daughter...
Toyo45G Fujinon A 240/9. Red Filter 2.3 stops. Ilford FP4+ @100. Standard development in Ilfosol-3 @1:9. Negative scanned on D850.
Speedlight with grid and black flag above left.
July 2025 Entry
Location: Shannon Rd, San Jose, CA
Date: January 24, 2025
Camera: Linhof Master Technika 2000
Lens: Nikkor-W 150mm
Film: Ilford FP4+
Exposure Index: 125
Bellows Extension: 150mm
Bellows Compensation: 0
Exposure: 1/15s @ f/11 .7
Developer: Kodak HC-110 1:62
Development: Tray (continuous agitation)
Temperature: 20°c
Developing Time: 9’ 0” (Normal Dev)
Digitized: Nikon D850 w/Nikkor Micro 55AiS
Full Frame
-Thomas
From a small street in Åsgårdsstrand in Norway, leading towards a house where Edvard Munch had his studio and lived during summer time.
A contact print made on Fomaspeed 311.
Taken with Linhof color, Leitz EPIS 400mm f4 at f8 and 5x7" Fomapan 200.
No season for snow this year.
Fomapan 100 developed in Rodinal 1:50.
Linhof color, Computar Symmetrigon 150mm f6.3.
Restored Dolmen
An old dolmen in a small wood called "Babylone" north of Copenhagen. The place is exceptionally beautiful and about 6000 years old.
Camera: Toyo Field 45A
Lens: Fujinon-W 135mm f:5.6 (yellow filter)
Exposure: 1/4 @ F32
Film: Fomapan 200 Creative 4x5" hand developed in Xtol Replenished
Reveni Labs Spot Meter
Taken from the same spot as the last photo I uploaded. The Zero 45 makes the Hasselblad Superwide look positively telescopic!
Pinhole
Zero 45
Expired Kodak T Max
June 2021
Oseberghaugen the grave mound from the famous ship that was discovered in 1904 is decorated with a beautiful landscape and trees.
I love the way the blue sky looks like from the combination of the red filter and fogging from the expired film.
Taken with Intrepid 8x10 and Fujinon 250mm F6.3 W with red filter on expired Bergger Pancro 400. It was developed in Perceptol 1:1
Hyons Wood, Walker Titan SF with Nikkor 210mm, Ilford Ortho Plus in HC110 8x10" Silver Gelatin Print on Ilford RC Multigrade Satin,
Baker Nevada just outside of the Great Basin Range National Park. This is a re-edit of a large-format film photo I took several years ago.
Every time i enter the #gate to the #forest it is like something is #soaking me in. I #enter a #special #world. It is filled with #mood, #easy #vibes and #simple #living. It is like coming #home. I #love this #feeling. It #heals my #heart.
#polaroid 59, #4x5 #ebonycera
waiting for new developer and fixer.
these were 4x5 paper negatives taken ????
I used the wrong developer. sigh..
but they're fun to play with.
5 more after this.
of course, no comments needed.
some paper, dunno which.
see what you can see.
**wednesday I was playing with the LF camera and managed to screw up four more negatives. I'm glad it's photo paper and not 4x5 film.
this is how I learn, and in this case, relearn.