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The Wistarion, pp. 56-57, 1971, Archives & Special Collections, Hunter College Libraries, Hunter College of the City University of New York, New York City.
For more information:
Thomas Struth ‘Paradise 3 Daintree, Australia’, 1998, Düsseldorf School of Photography, exhibit ‘Language of Photography’, Minsheng Art Museum, 北京民生现代美术馆, Beijing, ‘Deutschland 8: Deutsche Kunst in China’
I was looking forward to some modern Chinese art, but at many of the museums they had a series of exhibitions on ‘Deutschland 8: Deutsche Kunst in China’. At the Minsheng Art Museum ‘The Language of Photography and the Düsseldorf School’.
The onion pancake guy kept motioning that I should take a picture of this, but I'm not exactly sure what I was taking a picture of. The wires? The scaffolding? The blue sky? I took the shot and he seemed very pleased with it.
Whatever it is, Green Onion Pancake Guy, this one's for you.
There's no way to say "I didn't realize I was trespassing" when you're taking pictures of No Trespassing signs. Fortunately, this was a No Tresfassing sign, and I wouldn't even know how to tresfass.
Title in other languages:
English: Higher Regional Court of Cologne, Germany, part of a photography walk
Nederlands: Hogere regionale rechtbank van Keulen (Duitsland), deel van een fotografie wandeling
English:
Welcome and thank you for being here! This image forms part of a collection of photographs of moments on Planet Earth.
If you enjoy this work and want to support me financially, I’m glad to receive your donation via Paypal: paypal.me/jankohoener
If you intend to use this picture for your own purposes, please credit me with the following attribution line: Janko Hoener / CC-BY-SA-4.0. This is required by the license terms. A link back to this page and informing me about your usage via FlickrMail is appreciated.
Deutsch:
Willkommen und vielen Dank, dass Sie hier sind! Dieses Bild stellt Teil einer Sammlung von Fotografien von Augenblicken auf dem Planet Erde dar.
Wenn Ihnen diese Arbeit zusagt und Sie mich finanziell dabei unterstützen möchten, so freue ich mich über Ihre Spende via Paypal: paypal.me/jankohoener
Wenn Sie dieses Foto für eigene Zwecke nutzen möchten, geben Sie bitte Janko Hoener / CC-BY-SA-4.0 in der Bildunterschrift an. Dies ist per Lizenz gefordert. Über einen Link auf diese Seite und eine Benachrichtigung über die Nutzung via FlickrMail freue ich mich.
The Saudi students of Languages International prepared a magnificent Ramadan feast for the other students and staff. Over 100 people attended, and everybody enjoyed the meal very much. We would like to thank Bandar and the other students for such a pleasant and well organised event.
Read more about the Ramadan Feast at our blog: languagesint.blogspot.com/2009/09/ramadan-feast-auckland....
Suggestions about #refresh01 #LAYERS
“Refresh” is an exhibition series and a work in progress that wants to research Italian contemporary art and offer an update on practices that confront with the issues, languages and forms emerged with the digital turn of the last twenty years. The title of the series hints to the freshness of languages and to the wish to offer an update on recent artistic developments. The project consists of a series of mid-scale exhibitions, organized in temporary spaces with the involvement of different curators, in order to offer a full, detailed view on the contemporary Italian art scene.
Every step of “Refresh” presents new projects and researches by artists from different generations, who started working from the Mid Nineties onward. All the exhibitions will be accompanied by a bilingual (Italian / English) publication, published by Link Editions.
Curated by Fabio Paris, “Refresh01: #Layers” is the first event of the series. The show will open at Spazio Contemporanea, Brescia on October 22, 2016. Broad and comprehensive as it seems, this title refers to the various ways in which the complexity of the digital environment manifests itself in the works on show: the distinction between code and interface in generative art and glitch art; the layers in a digital image; the strata of time in the archives of digital memory; the distinction between public and private, material and immaterial, visible and invisible.
Under the hashtag #Layers, a selection of 12 artists will be presented: Marco Cadioli, Alessandro Capozzo, Alka Cappellazzo, Pier Giorgio De Pinto, Luca Grillo, IOCOSE, Kamilia Kard, Eva and Franco Mattes, Marco Mendeni, Filippo Minelli, Simone Monsi, Alice Palamenghi.
#Layers focuses on Italian artists in the effort, on the one hand, to investigate how contemporary Italian art confronted with the issues and the languages of the digital, with a specific interest in the relationships between artists and their geographical dislocation; on the other hand, in the attempt to present their work on an international platform.
During the show, the Link Cabinet – Link Art Center’s online gallery – will host the online project “Untitled” by Giovanni Fredi (curated by Matteo Cremonesi, from October 22 at www.linkcabinet.eu). The work is inspired to the Qingming Festival, a religious event in China when people burn paper objects in the attempt to make them reach their dearly departed: in the beginning it was mostly fake money or written prayers, now it’s paper replicas of luxury objects such as cars, watches and every kind of iPhone model. Scanned and turned into a 3D model, Fredi’s iPhone 4s 32GB will thus ascend to the sky, as a diary and an archive of his personal memory from November 2011 to July 2016, and as a kind of technological soul of its owner.
#LinkArtCenter #exhibition #contemporaryart
To better serve students and their families, West Chicago District 33 educators, administrators and staff members are working together with College of DuPage to complete Spanish courses in a unique dual-language program offered by COD onsite at West Chicago’s Leman Junior High School.
Change the language on LG Stylo 3 Plus : We Provide you instructions with pictures to Change language on device from any language to English, Finnish, French, German, Greek, Hebrew, Hindi, Hungarian, Indonesian, Arabic,...
changelang.com/how-to-change-the-language-on-lg-stylo-3-p...
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Hindsight is Always 20/20 examines the history of American political discourse through the
metaphor of vision. Drawing from the annual State of the Union (SOTU) addresses given by
presidents to Congress, Hindsight consists of a single Snellen-style eye chart for each president
who gave a SOTU address. Instead of the typical characters present in an eye chart, the
piece employs words drawn from their speeches, presented in order of most frequently used
(top line) to least frequently used (bottom line). The result is a startlingly clear snapshot of the
lexicon of each presidency, containing a mix of historically topical keywords and the rhetoric
unique to each president. For this exhibit, 16 of the 43 limited-edition letterpress prints are shown.
DuBois completed his M.F.A. at Columbia University. His exhibitions include the Cleveland
Museum of Art; Daelim Contemporary Art Museum, Seoul; the 2008 Democratic National
Convention; and the Weisman Art Museum, Minneapolis, MN.
Hardly any Translations of Foreign Works in the United States
Are the United States regressing into cultural isolation? This is what American writers and linguists are afraid of, with hardly any translations from foreign authors being published in the U.S. According to the former Nobel Prize winner, Portuguese Jose Saramago “world literature is made by translators”. However, only 3% of the books that appear in the United States are translations from foreign languages. This figure also includes non-fiction books. Overall 340 foreign fiction books are published by American publishing companies every year: an appallingly low number! It was as far back as the Cold War when the last boom of published translations in America occurred, with the public wanting to understand issues beyond the Iron Curtain. Nowadays critics such as the famous Spanish translator Edith Grossman, speak of a “linguistic apartheid” in the U.S., while others such as the British author Tim Parks consider the lack of translations to be a new form of internationalism.