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PRESIDIO OF MONTEREY, California -- The Defense Language Institute Foreign Language Center Joint Service Color Guard and marching elements from the Army, Navy, Air Force and Marines celebrated our nation's independence by participating in the City of Monterey 4th of July parade in downtown Monterey, July 4.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
UH Hilo Hawaiian language students and high schools students from Nāwahīokalaniʻōpuʻu laboratory school holding ti leaves, symbolizing spiritual blessings for the dedication ceremonies.
Students from the Foreign Languages department on the campus of Eastern Illinois University in Charleston, Illinois on August 27, 2015. (Jay Grabiec)
PRESIDIO OF MONTEREY, Calif. -- For the fifth consecutive year, service members from the Defense Language Institute Foreign Language Center and Coast Guard Station Monterey represented the military during the final three day of the AT&T Pebble Beach National Pro-Am Feb. 13-15 by tending a special pin adorned with the United States Flag at Pebble Beach Golf Links hole-15. The 15th hole was also the location of the Support Our Troops tent, sponsored by Group O, which provided free food, drink and other amenities to service members who had special tickets donated by the Monterey Peninsula Foundation.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Michael K. Beaton, Presidio of Monterey Public Affairs.
PRESIDIO OF MONTEREY, California -- The 2017 Language Day celebration was held by the Defense Language Institute Foreign Language Center at the Presidio of Monterey, May 12. Language Day is open to the public and attended by schools throughout the region to promote an understanding of diverse customs and cultures from around the world. Approximately 5,000 people attended the annual event featuring cultural displays, activities and international ethnic cuisine served by local vendors on Presidio’s Soldier Field.
The event featured a Vietnam War veterans recognition ceremony. Vietnam War lapel pins authorized by Congress were individually presented by POM Garrison Commander Col. Lawrence Brown and Garrison Command Sgt. Maj. Roberto Marshall to approximately 75 Vietnam War veterans in attendance.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
i have not found a good english language explanation of semana santa but here is something from the website of a spanish language school:
"While Semana Santa is a national tradition throughout Spain, the "Andalucians" arguably "feel" the week more than other regions of Spain. Throughout seven days, Andalucia is surrounded by a spiritual halo. Semana Santa is a tradition which is repeated year after year; a time when the devout and curious join together to participate in the procession and converge on the streets and squares which take on the ambience and mystique of an open air temple.
The skill and expertise behind the parades rest with the religious fraternities and brotherhoods. They have the responsibility of maintaining the statues as well as coordinating the penitents and musicians. Sometimes up to two thousand members of a brotherhood take part, some carry candles, rods or banners depending on their level of seniority. The most senior is the president who carries a golden rod.
The "costaleros" who carry the weight of the floats and their sculptured representations of the biblical scene are directed by the overseer or head of the group who ensure that the float is carried with maximum seriousness, grace and tradition. To be able to survive the long hours and distance carrying the heavy "thrones" the costaleros have a cushion, known as the costal, which prevents the direct contact of the wood rubbing against the skin. The thrones are followed by "nazarenos" dressed in tunics, hoods and masks and women dressed in traditional costume.
The high point of the procession is when the float exits and enters the respective church. This is the moment when art and religion seem merged into one. A sculpture of images created by superb craftsmen. The best floats date back to the 16th and 17th centuries and can still be seen today.
The entire scene is alive with colour and sound, thanks to the polychromatic variety of tunics, hoods, ensigns and banners. Emotions are stirred by the slow rythmic beating of the drums and processional marches, the swaying paces of the bearers and the poignant wailing of the "saeta" which is a sacred song, similar to the flamenco and sung through the Holy Week processions.
Even if you are not religious, it is difficult not to be moved, the atmosphere is so vital and poignant. For some it is a fun filled fiesta time, for others a week of ritual and reflection. Without a doubt, Holy Week in Andalucia is a tradition that is an integral part of the culture and appropriately reflects the spirit of the people.
Year after year, each and every village proudly enjoys the beauty and mystery of "Semana Santa" although there are variances and some towns for instance, will preserve certain traditions more than others. The villages and hamlets generally hold their parades on Thursdays and Fridays, while the large capital cities have week long celebrations and attract thousands of people from far and wide.
Irrespective of size, each float represents the pride and enthusiasm of every Andaluz who will spend the entire night, from dusk until dawn, accompanying them in solemn reverence to his or her religion.
The considerable variants of the Holy Week are determined by the historical evolution of religious fiestas and, above all, by folk traditions which determine individuality and character. Malaga and Seville are the two Andaluz cities where the festivities are perhaps the best known for the sheer sense of spectacle and size. "
PRESIDIO OF MONTEREY, Calif. -- The 2016 Language Day event was held by the Defense Language Institute Foreign Language Center at the Presidio of Monterey, May 13. Language Day is open to the public and is attended by schools throughout the region to promote an understanding of diverse customs and cultures from around the world.
Approximately 5,000 people attended the annual event featuring cultural displays, activities and international ethnic cuisine served by local vendors on Presidio’s Soldier Field.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
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For More Details Visit - www.rdinstitutes.com/german-language-classes.php
PRESIDIO OF MONTEREY, Calif. - For the first time in more than a decade, the Defense Language Institute Foreign Language Center opened its doors to the local community for its annual Language Day celebration.
Held May 11, on the open grounds of historic Soldier Field and surrounding classrooms, Language Day was a colorful celebration of foreign languages and cultural education highlighting the 26 different languages taught to military personnel at the Presidio of Monterey.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
PRESIDIO OF MONTEREY, Calif. - The quarterly running of the Defense Language Institute Foreign Language Center Commander's Cup races was held at the Price Fitness Center Field on Nov. 2. The two-mile run features a men's and women's team representing each military service branch with the best combined times being awarded the coveted Commander's Cup trophy. The Air Force’s winning streak continues as they claimed first place in both the men's and women's division and were presented with the Commander’s Cup.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Cristo Redentor 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
Red Cloud Indian School's Lakota Language Project takes the classroom to the badlands. Read about the trip and watch the video by Keloland Television here: www.keloland.com/newsdetail.cfm/red-cloud-students-find-l...
For media use or inquires please email: info@redcloudschool.org.
© 2015 Red Cloud Indian School, Inc.
President Cyril Ramaphosa with Mr Jabulane Blose, CEO of the South African National Deaf Association (SANDA) during public signing ceremony of the Sign Language Bill into the law. [Photo: GCIS]
PRESIDIO OF MONTEREY, Calif. - For the first time in more than a decade, the Defense Language Institute Foreign Language Center opened its doors to the local community for its annual Language Day celebration.
Held May 11, on the open grounds of historic Soldier Field and surrounding classrooms, Language Day was a colorful celebration of foreign languages and cultural education highlighting the 26 different languages taught to military personnel at the Presidio of Monterey.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Pfc. Robert A. Wilson completes a quiz March 17 at the Camp Courtney Education Center during a Japanese language class. The class was started by Midori Chinen as a way to give back to the military community which helped teach her English. "I hope (the military community) will gain more interest in communicating with Okinawa people to make friendships and become more interested in Japanese culture," said Chinen. Wilson is a legal services specialist with the Office of the Staff Judge Advocate, 3rd Marine Division, III Marine Expeditionary Force. Chinen is a professional language teacher who coordinated through the Camp Courtney community relations office to voluntarily teach Japanese to interested participants on the installation.
Photos Taken by Edwin Ladd - Mr Ladd Media for the Language of Leadership Dinner 2022 hosted by Gowling WLG held at the Library of Birmingham on 30th June 2022.
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The English Language Fellow Program sends experienced U.S. TESOL professionals on paid teaching assignments at universities and other academic institutions around the world. As a U.S. Department of State public diplomacy initiative, Fellows are cultural ambassadors that promote English language learning and mutual understanding through cultural exchange.
From August 6-8, 2019, over 200 Fellows going to over 75 countries to teach English and train teachers met in Washington, DC for the Pre-Departure Orientation. Representing the Bureau of Educational and Cultural Affairs of the U.S. Department of State, Assistant Secretary Marie Royce and State Department Spokesperson Morgan Ortagus spoke at the event.
Rafael Mariano Grossi, IAEA Director General, attended the UN Chinese Language Day opening ceremony held at the Vienna International Centre, Vienna, Austria. 2 May 2023.
Photo Credit: Dean Calma / IAEA
PRESIDIO OF MONTEREY, Calif. -- The 2016 Language Day event was held by the Defense Language Institute Foreign Language Center at the Presidio of Monterey, May 13. Language Day is open to the public and is attended by schools throughout the region to promote an understanding of diverse customs and cultures from around the world.
Approximately 5,000 people attended the annual event featuring cultural displays, activities and international ethnic cuisine served by local vendors on Presidio’s Soldier Field.
Official Presidio of Monterey Web site
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PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Arizona Ballet Theatre's "International Language of Dance 2012" Performances at The University of Arizona's Stevie Eller Dance Theatre
ACT 1:: Colors Ballet :: Grand Finale
Arizona Ballet Theatre in Tucson, Arizona
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PRESIDIO OF MONTEREY, Calif. -- The Defense Language Institute Foreign Language Center Joint Service Color Guard, along with marching units from the four service branches, once again kicked off Pacific Grove's Good Old Days festival by leading the parade along Pine St. on April 11.
The Annual Good Old Days Celebration and Music Festival started in 1957 and is a two-day event in downtown Pacific Grove with live music, parade, vendors and carnival rides.
Official Presidio of Monterey Web site
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PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
PRESIDIO OF MONTEREY, Calif. -- Garrison Commander Col. Paul Fellinger dedicated a new Functional Fitness Training Facility inside the Price Fitness Center here April 7. The goal for the new facility is to provide a greater range of physical training options for service members at the Defense Language Institute Foreign Language Center to achieve combat readiness. Funding for the facility was provided by local community activist Bud Colligan.
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PHOTO by Gary Harrington, DLIFLC Public Affairs.
"Say It with Hands" is a fun-filled week learning basic conversational signs through games and instruction. Get “hands-on” experience as we bring some music to life through American Sign Language (ASL). Parents and grandparents are welcome to come on the last day for a heartwarming and unforgettable performance. Photos by Laura Inlow, L&C Marketing & PR
It’s been a long debate for years that what is the oldest language in the many scholars from different countries and culture claims different languages to be the oldest. OVer the time language evolved and changed. So today let’s find out what are the oldest language in the world in the word.
www.lovekarmapassion.com/what-are-the-oldest-languages-in...
PRESIDIO OF MONTEREY, Calif. - The quarterly running of the Defense Language Institute Foreign Language Center Commander's Cup races was held at the Price Fitness Center Field on Nov. 2. The two-mile run features a men's and women's team representing each military service branch with the best combined times being awarded the coveted Commander's Cup trophy. The Air Force’s winning streak continues as they claimed first place in both the men's and women's division and were presented with the Commander’s Cup.
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PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.