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Buy (can include any and all other types of books EXCEPT textbooks and comic books):
10 get 1 free
20 get 3 free
30 get 5 free
40 get 7 free
50 get 10 free
SELLING FOR $7
Drachenreiter (Cornelia Funke) [Dragon Rider]
Garten, Asche (Danilo Kiš) [Garden, Ashes]
SELLING FOR $5
Les Trois Mousquetaires (Alexandre Dumas) [The Three Musketeers]
Nachdenken über Christa T. (Christa Wolf) [The Quest for Christa T.]
Der Verschollene (Franz Kafka) [Amerika]
Winn-Dixie (Kate DiCamillo) [Because of Winn-Dixie, not pictured]
FREE TO A GOOD HOME
Pronounce It Perfectly in Russian (2 cassette tapes)
Meine freie deutsche Jugend (Claudia Rusch) [My Free German Youth]
Haus ohne Hoffnung (Leichte Lektüren, short story meant for vocab-building)
ALL POETRY SELLING FOR $6
Note: The T.S. Eliot book is not for sale.
Not pictured: The Complete Poems of Michelangelo
Pictured:
Book of Longing (Leonard Cohen)
Songs of Innocence and of Experience (William Blake)
Twenty Love Poems and a Song of Despair (Pablo Neruda)
DISCOUNTS AND BUNDLES (not stackable with buy x get y free deal)
$25 for all 7 German books (Drachenreiter, Garten, Asche, Nachdenken über Christa T., Der Verschollene, Winn-Dixie, Meine freie deutsche Jugend, Haus ohne Hoffnung)
$35 for all 7 German books + Treffpunkt Deutsch textbook (see next photo)
SOLD
Wisława Szymborska: Poems New and Collected 1957-1997
In the Grip of Strange Thoughts: Russian Poetry in a New Era (ed. J. Kates)
Relocations: 3 Contemporary Russian Women Poets
Once I Gazed at You in Wonder (Jan Heller Levi)
Челябинск: История моего города [Chelyabinsk: History of My City]
ДЖ.Д. Сэлинджер: Рассказы [J.D. Salinger: Short stories]
L’étranger (Albert Camus) [The Stranger]
Urmia (Turkish language: Urmu, Urmiyə, اورمیه; farsi: ارومیه) variously translitterated as Oroumiyeh, Orūmīyeh and Urūmiyeh, is a city in and the capital of West Azerbaijan Province, Iran. At the 2006 census, its population was 577,307, with 153,570 households.
The city lies at an altitude of 1,330 m above sea level on the Shahar Chay river (City River). Urmia is the 10th most populated city in Iran. The population is mainly mainly Azerbaijanian Turkish(85-90%), with Kurdish, Assyrian Christian, and Armenian minorities.
Urmia is situated on a fertile plain called Urmia Plain, on western side of Lake Urmia; and eastern side of Turkish border and marginal range of mountains.
Urmia is the trade center for a fertile agricultural region where fruit (especially Apple and Grape) and Tobacco are grown. An important town by the 9th cent., Urmia was seized by the Seljuk Turks (1184), and later occupied a number of times by the Ottoman Turks.
Urmiye (Türkçesi:اورمو, Urmu, اورمیه, Urumiyə;Farsça: ارومیه, Orumieh), İran'ın Batı Azerbaycan Eyaleti'nin yönetim merkezi olan şehir. Şehir, bağlı olduğu eyaletin orta kısmında, Urmiye Gölü ile Türkiye sınırı arasında, kendi adıyla anılan ovada kuruludur. Nüfusu 2006 yılı verileriyle 577,307 kişidir ki Urmiye ülkenin en büyük 10. şehridir.
Urmiye şehrinde nüfusun çoğunluğunu (tahmini 90%) Türklerdir, azınlık kısmınıysa Kürtler, Süryaniler ve Ermeniler oluşturuyor.
Underwater Odyssey snorkeling sea tour in Pattaya Thailand 10 January 2025
One of the best for observing the tropical underwater world, guided snorkeling tour from Pattaya City to Samae Sarn National Park. In the first half of the day there will be a speed boat trip with snorkeling near a group of uninhabited islands, where Nemo fish and sea turtles live. And secondary, after a delicious lunch - time to relax at Hat Nang Ram, the beach in Sattahip. Snorkeling equipment, meal and transfer are provided.
Details and reservation online: thai-online.tours
Instant reservation: +66-838-383-539
WhatsApp: +66-838-383-539
Viber: +66-838-383-539
Telegram: @thaionlinetours
E-mail info@thai-online.org
Read in Russian language: thai-online.org/
Around the world excursions and guided tours: www.7stars-tours.com. Use the link to search best deals and online reservations with the lowest prices!
ALL THINGS TO DO IN PATTAYA
All the best, newest, popular and not expensive excursions in Pattaya - on our THAI-ONLINE website. Can read and download the price with all of our proposals.
Reserve excursions in Pattaya online +668-3838-3539
Pattaya exhibitions and galleries
Beaches and islands of Pattaya
Pattaya snorkeling tours, sea cruises
Pattaya water parks and attraction parks
Pattaya sea fishing, lake fishing
Religious tour, Sak Yant tattoos
Journays from Thailand to other countries
Overnight island tours from Pattaya
Kanchanaburi - River Kwai from Pattaya
Cambodia Angkor Wat from Pattaya
Tours to Northern Thailand from Pattaya, Phuket, Bangkok
Phuket, Samui, Songkla, Narathiwat from Pattaya
Exclusive overnight excursions
Package tours to Thailand and not only
TOURIST OFFERS IN OTHER COUNTRIES:
Submitted for Elements of Visual Communication class. The task was to design an infographic about nonverbal communication cues.
Feasibly-factual-info-but-more-likely-to-be-inaccurate-but-fun-assumptions compiled by Monica Esquivel, Alex Cruz, Sara Erasmo, and yours truly.
As seen from the top of the Juche Tower the other side of the river. The large building in the centre is the Grand People's Study House. Working people can use the Study House to learn foreign languages, use the extensive library etc.
Body Language, Body Language cards, communication, presentations, management, NLP, coaching, Presentation skills
The English Language Fellow Program sends experienced U.S. TESOL professionals on paid teaching assignments at universities and other academic institutions around the world. As a U.S. Department of State public diplomacy initiative, Fellows are cultural ambassadors that promote English language learning and mutual understanding through cultural exchange.
From August 6-8, 2019, over 200 Fellows going to over 75 countries to teach English and train teachers met in Washington, DC for the Pre-Departure Orientation. Representing the Bureau of Educational and Cultural Affairs of the U.S. Department of State, Assistant Secretary Marie Royce and State Department Spokesperson Morgan Ortagus spoke at the event.
Dutch postcard.
The founding father of Dutch-language rock and roll, Peter Koelewijn (1940), has his 85th birthday today!. His most famous song is 'Kom van dat dak af', which he recorded with the Rockets in 1960. It is still one of the best Dutch language songs. Koelewijn is also a successful producer and songwriter for other Dutch artists.
Peter Koelewijn was born on 29 December 1940 in in the southern Dutch city of Eindhoven. He was the son of a fishmonger. At the age of thirteen, he received his first guitar. In 1957, he started writing his first songs in English. He started his first band at secondary school with guitarists Karel Jansen and Roelof Egmond and singer Anneke Grönloh, who would become a pop legend in the Netherlands herself. Later on, Harry van Hoof, who later became a famous conductor, and drummer Peter van der Voort, joined the band. Around the same time, Grönloh left the band.
In 1959 the band, now called 'Peter and his Rockets', was joined by saxophone player Klaus Buchholz and bass guitarist Karel Jansen. In December, the band recorded 'Kom Van Dat Dak Af' for record company Bovema. The combination of American rock and roll and Dutch lyrics was revolutionary at the time. In May 1960, 'Kom Van Dat Dak Af' was a massive success in both the Netherlands and Belgium. Koelewijn, who moved on to grammar school, was told by his parents that he had to finish his schooling. Peter and His Rockets signed at Philips. Follow-up singles 'Laat Me Los' (Let Me Go) and 'Marijke' charted lower. By 1967 Koelewijn disbanded the Rockets to focus on writing and producing for other artists; he also hosted radio shows.
Source: Wikipedia.
The English Studio, English language school. British Study Centres. London, UK. Photo: Alessandro Filizzola | www.alefilizzola.com
The running I can do, even if I have to crawl every last mile - Terry Fox
Many people don't know this, the proceeds from the run go to the funding of research of cancer in the host country where the run is held. The funds raised from the Terry Fox Run KL is used to research cancer that is prevalent in Malaysia. The beneficiary is CARIF, the first independent cancer research unit to be established in Malaysia. Last year, The Terry Fox Run KL raised RM441,000.
You can contribute in other ways too, check out the volunteers needed.
Major Chizu Kurita, a married 36-year-old Japanese military officer, joined United Nations Integrated Mission of Timor-Leste in March 2011. Major Kurita is working as a Military Liaison Officer (MLO) in Baucau district. UNMIT Communications and Public Information Office (CPIO) team joined Chizu and her military liaison colleagues in patrol duty one morning last week. The plan was to visit the Hospital Referencia De Baucau.
Chizu shared the vehicle for a ride with the CPIO team to the hospital. “I come from a town called Kyoto in Japan. Despite a difficult situation back home in the aftermath of a severe disaster, I was thrilled when I got the opportunity to work for a UN peacekeeping mission,” Chizu said. “I am the first Japanese woman military officer who is serving individually in a UN mission. The experience that I gain here is precious as this will be my first and the last mission abroad.” Chizu is here on a six-month misson.
A group of six Japanese women officers joined UNMISET in 2002. Chizu is the only woman amongst three Japanese colleagues who are presently working for the Military Liaison Group in UNMIT. “My work starts with a daily patrol in the morning from Monday to Friday with support of a language assistant. On Saturday and Sunday, we go on a roaming patrol. Afternoons are spent writing reports.” she said. “I together with my colleagues visit local communities, hospitals, schools, NGOs and local police. Some sucos (villages) are in very remote and isolated locations where we have to go for a long patrol and stay overnight. We gather information on food situation, health issues, law & order, security, activities of political parties and Marshal Art Groups (MAG).”
“My first month was difficult. It was a challenge to gather information. It is a skill that I am learning overtime,” she said. “It can be lonely sometimes in Baucau but I am lucky to have considerate, kind and gentle colleagues.”
Arriving at Hospital Referencia De Baucau, Chizu interviewed Dr. Aniceto Manash, the medical specialist, about the patients’ and health problems the hospital faced. Chizu took notes of common illnesses, insufficient medical officers, unavailability of equipment, medicines and facilities like ambulances. Later Chizu and Dr Manash went around the wards, talked to the patients and checked the facilities.
“I write a report on the information gathered,” Chizu said. “This is shared by the HQ in Dili with the UN agencies for their information and possible action.”
The Military Liaison team in Baucau is responsible for six sub-districts of Baucau district that has 59 sucos.
On Thursday 11 February 2016 the EBRD hosted the showing of the film '1944'. The film’s producer, Kristian Taska, and actor Kristjan Üksküla, attended and participated in a Q&A session with the audience following the film. The event was organised in collaboration with the Embassy of Estonia.
“1944” tells the story of Estonia during the last year of WWII, from the Blue Hills to the Sõrve Peninsula. The story is told through the eyes of Estonian soldiers who are in a moral quandary, forced to pick sides between invading armies when their real dream is re-establishing Estonian independence. This often meant, quite literally, brother fighting brother. Today, 70 years on, the filmmakers explore their moral dilemma, show the hopes, disappointments and drama of these men and their loved ones.
“1944” (100 mins.) was directed by Elmo Nüganen, the creative director of Tallinn City Theatre. It was the Estonian contender for the 88th (2016) Academy Awards for Best Foreign Language film. His first feature film, “Names in Marble”, (2002) broke audience records in Estonia.
PRESIDIO OF MONTEREY, Calif. -- For the fifth consecutive year, service members from the Defense Language Institute Foreign Language Center and Coast Guard Station Monterey represented the military during the final three day of the AT&T Pebble Beach National Pro-Am Feb. 13-15 by tending a special pin adorned with the United States Flag at Pebble Beach Golf Links hole-15. The 15th hole was also the location of the Support Our Troops tent, sponsored by Group O, which provided free food, drink and other amenities to service members who had special tickets donated by the Monterey Peninsula Foundation.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Michael K. Beaton, Presidio of Monterey Public Affairs.
PRESIDIO OF MONTEREY, Calif. - The Presidio's Defense Language Institute Foreign Language Center welcomed a new leader during a ceremony held here May 6.
For the full story go to: Presidio’s DLIFLC changes command
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
Photo by Hiro Chang, Presidio of Monterey Public Affairs.
Lzone Cafe is a place in Busan where foreigners and koreans come together for studying. We offer many different language lessons, for example english, french, spanish etc. If you live in Busan or visit Busan for awhile you are always welcome to pay us a visit and check Lzone Cafe out by yourself. Our teachers are capable and friendly. And of course we are friendly too. As you can see beside studying you can play games like foosball or pool. If you are thirsty or hungry, you can have a coffee or order some food at our counter ^^
If you want to come to Busan but do not know where to stay then there is no problem. We also own 3 Hostels in Busan: Pusan Hostel, Kyungsung Hostel and L-zone Hostel. Our Hostels (Guesthouses) in Busan are cheap, clean and our staff is really nice.
Video Mapping Philipp Geist_Ano da Alemanha no Brasil - Santa Marta 2014
„VideoInstallation by Philipp Geist“, "Philipp Geist", „Copyright 2014 Philipp Geist / VG Bildkunst 2014", www.videogeist.de, mail@videogeist.de, „Rio de Janeiro“, "Santa Marta“, „Cristo Redentor“, „Dona Marta“, „Deutschland + Brasilien 2013-2014“, “Alemanha + Brasil 2013-2014”
Photo by Fred Pacífico
©2014 Philipp Geist / VG BIldkunst Bonn
Rio de Janeiro / Brazil 2014
Christ statue (Cristo Redentor) – May 12
Dona Marta favela – May 15 and 16,2014
Light Art-Video-Mapping-Installations Philipp Geist in Rio de Janeiro / Brazil 2014
on the Christ statue (Cristo Redentor) - May 12 and in the Dona Marta favela - May 15 and 16,
2014
Installation Philipp Geist Year of Germany in Brazil 2013/2014
Concept Time Drifts May 2014
At the end of the Year of Germany in Brazil 2013/2014, the artist Philipp Geist (Berlin, 1976)
develops two light installations in Rio this year; the first one on the world-famous Christ statue
(Cristo Redentor) and the other installation in the Santa Marta favela. For the installation the
artist presents artistic-liberal and poetic German and Brazilian themes and develops a building
and floor light installation of colored words and phrases in Portuguese, German, and in other
international languages. The installation deals with cultural characteristics and achievements of
both countries and visualizes the issues of time and space, volatility and presence in a free
artistic style. The two projects are in fact a double project which is combined. The installation
on the symbol of Rio and Brazil, the Christ statue, is recorded and projected onto the small
buildings and huts of the favela. The Christ statue, which has been built to protect the city and
the sailors, is symbolically projected on the shantytown, the favela, in a protective way. The
installation in the favela will be seen not only on a facade as a large cinema projection or as a
static image, but on several winding buildings, the roofs, the floor and on the steps. Thus, the
visitor becomes a part of the installation and can immerse into the projection and the light and
introduce himself. Chalk crayons are put out on the streets in the favela and the young and old
residents and visitors can write and paint words on the street, the ground, the stairs or even on
the house walls. The residents and several institutions should be addressed to submit words and
associations dealing with Rio, Brazil and Germany.
For the installation, which was shown at the Luminale in 2012, the artist Philipp Geist won the
German Lighting Design Award 2013 (Deutscher Lichtdesign-Preis 2013) in the category Light Art.
The series 'Time Drifts' is characterized by the complex and subtle way of visualizing various
currents and voices in cultural contexts and to provide institutions and visitors with the
opportunity of substantive participation: different personalities, visitors and institutions may be
addressed in advance and then contribute words and associations. Current and historico-cultural
topics are researched in advance by the artist and then integrated in a sensitive and subtle way.
The projection dismisses the use of screens, because concepts and associations are projected on
a large area onto the floor surface on several facades and in theater fog. Over the course of two
days, the installation can be seen on-site in the favela on May 15 and 16 and on the Cristo
Redentor on May 12 for a day.
Short, tall, young and old visitors can interactively participate in the installation by tracing and
adding words with colored chalk crayons available on the streets. Thus, over the period of the
installation, a carpet of words is evolved with terms that are contributed locally by the visitors
by means of the temporary and volatile 'medium' of chalk crayons. Philipp Geist develops in this
way a dialogue between the place, the visitors and his artistic work.
The concrete, tangible projection of the architecture and the static terms on the floor area
represents the facts and visible relics that are responsible for our understanding of history. The
transparent and volatile projection in the fog reminds us that part of the history can not be
preserved and that it is created in our individual imagination in a single moment. Words are
briefly visible as a metaphor for transience and then disappear again. This interplay of the
various text and image layers in the space refers to the location and the history/-ies of Brazil
and Germany and the cultural exchange between the two countries. The visitors themselves are
part of the installation: they dive into the large floor projection. In this way, different
perspectives and experiences of space are unified. Abstract passages which are created, then
overlapped and displaced by each other symbolize the constant changes in history, the passage
of time and the transience of existence. Even the understanding of the past is in the flux. The
modern writings and formations created on the computer establish a connection to the present
and the possibilities of today's technology and show that the perception of history and culture
depends always on the possibilities and constraints of the present.
'Time Drifts - Words of Berlin' is part of a series of installations, which has been shown in recent
years by Philipp Geist, and which are always re-developed site-specifically and adapted to the
local conditions: In October 2012, Philipp Geist showed the installation on the entire Potsdamer
Platz (public square) and the Kolhoff Tower and Renzo Piano Tower skyscrapers. In April 2012
the installation was shown at the Luminale in Frankfurt where it was seen by more than 40,000
visitors and thus the main project of the Luminale 2012. In 2011, Philipp Geist presented the
'Time Drifts' installation in Vancouver at the Jack Poole Plaza, as well as in Montreal on the
Place des Arts in 2010. The 'Timing' installation was shown at the 2009 Glow Festival in
Eindhoven. In the end of 2009, on the occasion of the birthday of the King of Thailand, 2-3
million visitors saw his facade installation at the royal throne in Bangkok. Other projects
include: 'Timelines' at the prestigious Pallazzio delle Esposizioni (Rome, 2007), 'Time Fades'
at the Cultural Forum of Berlin and 'Broken Time Lines' at the old spa Kurhaus Ahrenshoop
(Germany, 2008).
Geist's projects are primarily characterized by their complexity concerning the integration of
space, sound and motion images. His video mapping installations waive screens and transform a
wide range of architectures in moving, picturesque light sculptures which challenge the viewer's
perception of two- and three-dimensionality.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Arte de luz - Instalações de Mapeamento de Vídeo por Philipp Geist no Rio de Janeiro / Brasil
2014 no Cristo Redentor no dia 12 de maio e na favela Santa Marta nos dias 15 e 16 de maio de
2014
Instalação Philipp Geist Ano Alemanha + Brasil 2013/2014
Conceito Time Drifts Maio 2014
No final do ano Alemnaha + Brasil 2013/2014, o artista Philipp Geist (1976, Berlim) desenvolverá
duas instalações de luz no Rio; uma delas será exibida na mundialmente famosa estátua do
Cristo Redentor, e a outra na favela Santa Marta. Para a instalação, o artista traz temas teutobrasileiros
de maneira liberal-artística e poética desenvolvendo instalações de luz em edifícios e
no solo a partir de palavras e conceitos coloridos em Português, Alemão e em outros idiomas
internacionais. A instalação lida com as peculiaridades e realizações culturais de ambos os países
e visualiza as questões de tempo e espaço e de volatilidade e presença no estilo liberal-artístico.
Os dois projetos em questão representam um projeto duplo que é combinado. A instalação na
estátua do Cristo Redentor, como um símbolo do Rio e do Brasil, será gravada e projetada nos
pequenos prédios e barracos da favela. A estátua do Cristo Redentor, que foi erguida para
proteger a cidade e os marinheiros, será então projetada como um símbolo de proteção em uma
favela. A instalação na favela é visto não apenas em uma fachada como uma projeção grande de
cinema ou como uma imagem estática, mas em vários prédios sinuosos, em telhados, no solo e
nas escadas. Desta maneira, o visitante conseguirá ser parte da instalação e imergir e mergulhar
na projeção e na luz. Na favela, será distribuído giz para pintura de rua, e os moradores e
visitantes, tanto jovens quanto velhos, podem escrever e pintar conceitos na rua, no solo, nas
escadas ou até mesmo nas paredes das casas. Os moradores e diversas instituições serão
convidados a contribuir com conceitos e associações que representam o Rio, o Brasil e a
Alemanha.
Para as instalações apresentadas na Luminal em 2012, o artista Philipp Geist ganhou o
'Deutscher Lichtdesign-Preis 2013” (Prêmio Alemão de Desenho de Luz de 2013) na categoria
Arte de Luz. A série Time Drifts caracteriza-se pela forma complexa e sutil de visualizar várias
correntes e vozes em contextos culturais e de oferecer a instituições e aos visitantes a
oportunidade de participar: diferentes personalidades, visitantes e instituições podem ser
contatados antecipadamente para contribuir com termos e associações. Temas atuais, históricos
e culturais serão previamente pesquisados pelo artista e, depois, integrados de uma forma
sensível e sutil. A projeção é realizada sem o uso de telas porque conceitos e associações são
projetados, em grande estilo, sobre a superfície do solo, em diversas frentes e envolvidos em
fumaça. Ao longo de dois dias, a instalação estará em exibição em 15 e 16 de maio na favela, e
em 12 de maio, por um dia, no Cristo Redentor.
Visitantes jovens e velhos podem envolver-se na instalação e traçar ou adicionar palavras com
giz colorido, que será distribuído, e assim participar interativamente na instalação. Desta
maneira, durante a duração da instalação, será desenvolvido um tapete de palavras. As palavras
serão fornecidas, no próprio local, pelos visitantes usando o giz, um meio temporário e volátil.
Philipp Geist desenvolve assim um diálogo entre o local, os visitantes e seu trabalho artístico.
A área de projeção concreta e tangível da arquitetura e os termos estáticos sobre a superfície do
solo representam os fatos e as relíquias visíveis que compõem a nossa compreensão da história. A
área de projeção transparente e sumindo por dentro da fumaça lembra que parte da história não
pode ser preservada e que ela é criada na nossa imaginação individual momentaneamente.
Conceitos são brevemente visíveis, como uma metáfora para a transitoriedade e, logo mais,
desaparecem. Esta interação entre as várias camadas de texto e de imagens no espaço refere-se
à localização e a(s) história(s) do Brasil e da Alemanha e o intercâmbio cultural entre os dois
países. Os próprios visitantes tornam-se parte da instalação: eles imergem na grande projeção
do solo. Desta forma, diferentes perspectivas e experiências de espaço são unidas. Passagens
abstratas que são formadas, sobrepostas e suprimidas pela próxima simbolizam as mudanças
contínuas na história, a passagem do tempo e a transitoriedade da existência. A compreensão do
passado também está no fluxo. As fontes e formações modernas criadas no computador
estabelecem uma conexão com o presente e com as possibilidades da tecnologia de hoje: a
percepção da história e da cultura sempre dependende das capacidades e limitações do
presente.
'Time Drifts - Words of Berlin' faz parte de uma série de instalações, que foram apresentadas
durante os últimos anos por Philipp Geist e que são sempre redesenvolvidas para as condições
locais específicas: em outubro de 2012, Philipp Geist exibiu a instalação em toda a praça
Potsdamer Platz (Berlim) e nos dois arranha-céus Kolhoff Tower (Berlim) e Renzo Piano Tower
(Londres). Em abril de 2012, a instalação foi apresentada no evento da Luminal em Frankfurt
onde foi vista por mais de 40.000 visitantes sendo o principal projeto da Luminal de 2012. Em
2011, Philipp Geist mostrou a instalação Time Drifts na praça Jack Poole Plaza em Vancouver
bem como em Montreal, Canadá, no centro de arte Place des Arts, em 2010. A instalação Timing
foi exibida no Glow Festival de 2009 in Eindhoven, Holanda. No final de 2009 e por ocasião do
aniversário do rei tailandês, aprox. 2 a 3 milhões de visitantes viram a instalação de fachada do
artista no trono real em Banguecoque. Seus outros projetos incluem: Time Lines, no prestigiado
museu Palazzio delle Esposizioni (Roma, 2007); Time Fades, no Fórum Cultural de Berlim;
Broken Time Lines, no antigo spa Kurhaus Ahrenshoop (Alemanha, 2008).
Os projetos de Geist são principalmente caracterizados por sua complexidade na integração de
espaço, som e imagens de movimento. Suas instalações de mapeamento de vídeo renunciam
telas e transformam uma ampla gama de arquiteturas em esculturas móveis e pitorescas que
desafiam a percepção do espectador de duas e três dimensões.
www.alemanha-brasil.org/br/node/8542
www.alemanha-brasil.org/Programme/Dia/2014-05-12
www.alemanha-brasil.org/Programme/Dia/2014-05-15
www.alemanha-brasil.org/Programme/Dia/2014-05-16
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Lichtkunst-VideoMappingInstallationen Philipp Geist in Rio de Janeiro / Brasilien 2014
an der Christstatue (Cristo Redender) 12.5 und in der Favela Santa Marta 15./16.5.2014
Installation Philipp Geist Deutsch-Brasilianisches Jahr 2013/2014
Konzept Time Drifts Mai 2014
Zum Abschluss des Deutsch-Brasilianischen-Jahres 2013/2014 entwickelt der Berliner Künstler
Philipp Geist (1976) zwei Lichtinstallation in Rio d.J.; eine an der weltbekannten Christstatue
(Cristo Redender) und in die andere Installation in der Favela Santa Marta. Bei der Installation
greift der Künstler künstlerisch frei und poetisch deutsch brasilianische Themen auf und
entwickelt eine Gebäude- und Boden-Lichtinstallation aus farbigen Wörtern und Begriffen in
portugiesischer, deutscher, und in weiteren internationalen Sprachen. Die Installation thematisiert
kulturelle Besonderheiten und Errungenschaften beider Länder und visualisiert die Themen Zeit
und Raum, Flüchtigkeit und Präsenz in freien künstlerischen Art. Bei den beiden Projekten handelt
es sich um ein Doppelprojekt welches kombiniert wird. Die Installation auf das Wahrzeichen von
Rio und Brasilien die Christstatue, wird aufgenommen und auf die kleinen Gebäude und Hütten
der Favela projiziert. Die Christstatue die errichtet worden ist um die Stadt und Seeleute zu
schützen, wird so symbolisch schützend über ein Armenviertel die Favela projiziert. Dabei ist die
Installation in der Favela nicht nur auf einer Fassade als große Kinoprojektion oder als statisches
Bild zu sehen, sondern auf mehreren verwinkelten Gebäuden, den Dächern, den Boden und auf
den Stufen. Der Besucher wird vielmehr auf diese Weise selbst Teil der Installation und kann in die
Projektion und das Licht eintauchen und sich einbringen. In der Favela werden Strassenmalkreide
ausgelegt und die Bewohner und Besucher ob jung oder alt können Begriffe auf die Strasse, den
Boden, die Treppenstufen oder sogar auf die Hauswände schreiben und malen. Die Bewohner und
verschiedene Institutionen sollen angesprochen werden Assoziationen und Begriffe die für Rio,
Brasilien und Deutschland stehen einzureichen.
Für die 2012 bei der Luminale gezeigten Installation hat der Künstler Philipp Geist den Deutschen
Lichtdesign-Preis 2013 in der der Kategorie Lichtkunst gewonnen. Die Serie 'Time Drifts' zeichnet
sich aus durch die komplexe und die subtile Möglichkeit, verschiedenste Strömungen und
Stimmen in kulturellen Kontexten sichtbar zu machen und Institutionen und Besuchern die
Möglichkeit zur inhaltlichen Partizipation zu geben: Es können verschiedene Persönlichkeiten,
Besucher und Institute im Vorfeld angesprochen werden, die Begriffe und Assoziationen
beisteuern. Aktuelle und kulturhistorische Themen werden im Vorfeld vom Künstler recherchiert
und auf sensible und subtile Weise integriert. Die Projektion verzichtet auf den Einsatz von
Leinwänden, denn Begriffe und Assoziationen werden grossflächig auf die Bodenfläche, auf
mehrere Fassaden und in Theaternebel projiziert. Über den Zeitraum von 2 Tagen wird die
Installation vor Ort in der Favela am 15/16.Mai und die Installation am Cristo Redentor am 12.Mai
für einen Tag zu sehen sein.!
Kleine, große, junge und alte Besucher können sich einbringen in die Installation und mit farbiger
Straßenmalkreide, die ausgelegt wird, Wörter nachzeichnen und hinzufügen und so interaktiv an
der Installation teilnehmen. Über die Installationsdauer entsteht somit ein Wörterteppich aus
Begriffen, die vor Ort von den Besuchern selbst mittels dem temporären und flüchtigen 'Medium'
der Strassenmalkreide beigesteuert werden. Geist entwickelt auf diese Weise einen Dialog
zwischen dem Ort, den Besuchern und seiner künstlerischen Arbeit. ! !
Die konkrete, greifbare Projektionsfläche der Architektur und die statischen Begriffe auf der
Bodenfläche stehen für die Fakten und sichtbaren Relikte, welche unser Geschichtsverständnis
ausmachen. Die transparente, sich verflüchtigende Projektionsfläche im Nebel erinnert daran,
dass ein Teil der Geschichte nicht konserviert werden kann und im Moment in unserer individuellen
Vorstellung entsteht. Begriffe werden als Metapher für die Vergänglichkeit kurzzeitig sichtbar und
verschwinden sofort wieder. Dieses Zusammenspiel der verschiedenen Text- und Bildschichten im
Raum verweist auf den Ort und die Geschichte(n) Brasiliens und Deutschlands und den kulturellen
Austausch beider Länder. Die Besucher selbst werden Teil der Installation: sie tauchen in die
großflächige Bodenprojektion ein. Auf diese Weise vereinen sich unterschiedliche Perspektiven
und Raumerfahrungen. Abstrakte Passagen, die sich aufbauen, überlagern und gegenseitig
verdrängen, symbolisieren die ständigen Veränderungen in der Geschichte, den Lauf der Zeit und
die Flüchtigkeit des Seins. Auch das Verständnis von der Vergangenheit ist im Fluss. Die
modernen Schriften und Formationen, die am Computer entstanden sind, stellen eine Verbindung
zur Gegenwart und den Möglichkeiten der heutigen Technik her und zeigen, dass die Erfahrbarkeit
von Geschichte und Kultur immer von den Möglichkeiten und Rahmenbedingungen der Gegenwart
abhängig ist.
'Time Drifts - Words of Berlin' ist Teil einer Serie von Installationen, die Philipp Geist in den letzten
Jahren gezeigt hat, und die dabei immer wieder neu an die örtlichen Gegebenheiten ortsspezifisch
weiterentwickelt wird: Im Oktober 2012 zeigte Geist die Installation auf dem gesamten Potsdamer
Platz und den beiden Hochhäusern Kolhoff Tower und Renzo Piano Tower. Im April 2012 wurde die
Installation in Frankfurt auf der Luminale gezeigt, wurde von mehr als 40.000 Besuchern gesehen
und war das Hauptprojekt der Luminale 2012. Im Jahr 2011 zeigte Geist die Installation Time Drifts
in Vancouver am Jack-Poole Plaza, ebenso wie in Montreal am Place des Arts in 2010. Die
Installation 'Timing' war 2009 auf dem Glow Festival in Eindhoven zu sehen. Ende 2009 sahen
anlässlich des Geburtstages des thailändischen Königs ca. 2-3 Millionen Besucher seine
Fassadeninstallation am königlichen Thron in Bangkok. Andere Projekte waren u.a.: 'Time Lines'
am renommierten Museum delle Esposizioni (2007), 'Time Fades' am Berliner Kulturforum,
'Broken Time Lines' am alten Kurhaus Ahrenshoop (2008).
Geists Projekte sind in erster Linie gekennzeichnet durch ihre Komplexität in der Integration von
Raum, Ton und Bewegbild. Seine Video-Mapping-Installationen verzichten auf Leinwände und
verwandeln verschiedenste Architekturen in bewegte, malerische Lichtskulpturen, die die
Wahrnehmung der Betrachter von Zwei- und Dreidimensionalität herausfordern.
UNICODE 5.1.0 meets Or-Omcode∞.1.0
Unicode represents the Tower ob Babel en.wikipedia.org/wiki/Tower_of_Babel In computing, Unicode is an industry standard allowing computers to consistently represent and manipulate text expressed in most of the world's writing systems. Developed in tandem with the Universal Character Set standard and published in book form as The Unicode Standard, Unicode consists of a repertoire of more than 100,000 characters, a set of code charts for visual reference, an encoding methodology and set of standard character encodings, an enumeration of character properties such as upper and lower case, a set of reference data computer files, and a number of related items, such as character properties, rules for normalization, decomposition, collation, rendering and bidirectional display order (for the correct display of text containing both right-to-left scripts, such as Arabic or Hebrew, and left-to-right scripts). en.wikipedia.org/wiki/UniCode
Or-Omcode∞.1.0 represents a new Universal Language de.wikipedia.org/wiki/Universalsprache derived within the Doctine Of Essense by
de.wikipedia.org/wiki/Karl_Christian_Friedrich_Krause
Encoding Unicode into the Or-Omcode∞.1.0 all traditional languages become semantically transformed within the new universal language parameters. portal.or-om.org/art/UnicodemeetsOrOmCode/tabid/6319/Defa...
Strolling along the street after supper, we saw this delightful "Chinglish" sigh that made absolutely no sense.... Is it a Language school or a coffee shop?
Barstow chapters of Spanish, French and Chinese language honor societies inducted new members at a celebration assembly on March 10, 2020. (Photo by Todd Race)
PRESIDIO OF MONTEREY, Calif. - Service members from the Defense Language Institute Foreign Language Center once again led the parade at the 55th Annual Good Old Days, held in Pacific Grove April 14-15. Monterey County’s largest arts and crafts show, Good Old Days featured over 200 art and food vendors in downtown Pacific Grove, live entertainment, which included a performance by the DLIFLC Air Force Choir, old-fashioned games and contests, in addition to the parade.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Urmia (Turkish language: Urmu, Urmiyə, اورمیه; farsi: ارومیه) variously translitterated as Oroumiyeh, Orūmīyeh and Urūmiyeh, is a city in and the capital of West Azerbaijan Province, Iran. At the 2006 census, its population was 577,307, with 153,570 households.
The city lies at an altitude of 1,330 m above sea level on the Shahar Chay river (City River). Urmia is the 10th most populated city in Iran. The population is mainly mainly Azerbaijanian Turkish(85-90%), with Kurdish, Assyrian Christian, and Armenian minorities.
Urmia is situated on a fertile plain called Urmia Plain, on western side of Lake Urmia; and eastern side of Turkish border and marginal range of mountains.
Urmia is the trade center for a fertile agricultural region where fruit (especially Apple and Grape) and Tobacco are grown. An important town by the 9th cent., Urmia was seized by the Seljuk Turks (1184), and later occupied a number of times by the Ottoman Turks.
Urmiye (Türkçesi:اورمو, Urmu, اورمیه, Urumiyə;Farsça: ارومیه, Orumieh), İran'ın Batı Azerbaycan Eyaleti'nin yönetim merkezi olan şehir. Şehir, bağlı olduğu eyaletin orta kısmında, Urmiye Gölü ile Türkiye sınırı arasında, kendi adıyla anılan ovada kuruludur. Nüfusu 2006 yılı verileriyle 577,307 kişidir ki Urmiye ülkenin en büyük 10. şehridir.
Urmiye şehrinde nüfusun çoğunluğunu (tahmini 90%) Türklerdir, azınlık kısmınıysa Kürtler, Süryaniler ve Ermeniler oluşturuyor.
The international day to celebrate the Spanish language, which is spoken by 450 million people around the world, was celebrated here
The Cervantes Institute, which promotes Spanish language and culture, said it held open days at its 73 branches "to increase the visibility of the Spanish language in the world."