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Casa Rossell, Ordino historic center. Vall nord, Andorra, Pyrenees
BIG image artwork! A historic architecture motive of Andorra's iron family from 17th century. It is recommended for LFP (large format printing) on aluminium for public areas & outdoor.
More Ordino poble & Ordino parroquia images: Follow the group links at right side.
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About this image:
* Full frame format 3x2 quality image
* Usage: Large format prints optional
* Motive is suitable as symbol pic
* "Andorra authentic" edition (10 years decade 2008-2018)
* "Andorra camis & rutes" active collection
We offer 100.000+ photos of Andorra and North of Spain. HighRes & HighColor GeoCoded stock-photo images including metadata in 4-5 languages. Prepared for an easy systematic organising of large image portfolios with advanced online / print-publishing as "Culture-GIS" (Geographic Info System). The big stockphoto collection from the Pyrenees.
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In this picture: Jahanara is being stimulated.
CEID (Center for Early Intervention on Deafness)
CEID is an inclusive program that provides a wide range of exemplary services and supports for families to maximize the communication potential of children, from birth through age five, who are deaf, hard of hearing, and/or have severe speech and language delays.
CEID's philosophy believe in a "Total Communication" approach, which combines spoken English, hearing aids, and Signing Exact English (S.E.E.).
Signing Exact English (S.E.E.) is a sign language system in which signs and finger spelling represent the word order, grammar, and vocabulary of spoken and written English. It’s different than ASL (American Sign Language), which has it’s own grammar and syntax, as all sing languages.
Local: Berkeley, USA
CEID (Centro de Intervenção Precoce em Surdez)
CEID é um programa inclusivo que oferece apoio e serviços para famílias no intuito de melhorar o potencial de comunicação de crianças, – desde seu nascimento até a idade de 5 anos – surdas, com perda auditiva e ou com grave atraso na linguagem e fala.
A filosofia do Centro acredita na “Comunicação Total”, que combina inglês falado, uso de aparelhos auditivos e SEE (Signing Exact English).
S.E.E. é um sistema de língua de sinais no qual sinais e soletração através dos dedos e mãos representam a ordem das palavras, a gramática e o vocabulário exato do inglês falado e escrito. É, portanto, diferente da Língua de Sinais Americana, que possui gramática e sintaxe própria, como toda língua de sinais.
PRESIDIO OF MONTEREY, Calif. -- More than 60 Soldiers from Company F, 229th Military Intelligence Battalion, participated in military operations training with foreign language integration at an Army training site located on the former Fort Ord July 19. The Soldiers' primary objective at the Military Operations on Urban Terrain (MOUT) training site was to locate and recover service members from a simulated helicopter crash while traversing an approximately 1.5-mile course that had the squads gathering intelligence from locals in a variety of foreign languages, responding to direct and indirect fire, encountering improvised explosive devices and clearing buildings.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Madurai is a major city and cultural headquarters in the state of Tamil Nadu in southern India. It is the administrative headquarters of Madurai District and the 31st largest urban agglomeration in India. Madurai is the third largest city by area and third largest city by population in Tamil Nadu. Located on the banks of River Vaigai, Madurai has been a major settlement for two millennia and is one of the oldest continuously inhabited cities in the world.
Madurai is closely associated with the Tamil language, and the third Tamil Sangam, a major congregation of Tamil scholars, is said to have been held in the city. The recorded history of the city goes back to the 3rd century BCE, being mentioned by Megasthenes, the Greek ambassador to India, and Kautilya, a minister of the Mauryan emperor Chandragupta Maurya. Signs of human settlements and Roman trade links dating back to 300BC are evident from excavations by Archeological Survey of India in Manalur. The city is believed to be of significant antiquity and has been ruled, at different times, by the Pandyas, Cholas, Madurai Sultanate, Vijayanagar Empire, Madurai Nayaks, Carnatic kingdom, and the British.
The city has a number of historical monuments, with the Meenakshi Amman Temple and Tirumalai Nayak Palace being the most prominent. Madurai is an important industrial and educational hub in South Tamil Nadu. The city is home to various automobile, rubber, chemical and granite manufacturing industries. It has developed as a second-tier city for information technology (IT), and some software companies have opened offices in Madurai. The Tamil Nadu government has planned a satellite town for Madurai near Thoppur.
Madurai has important government educational institutes like the Madurai Medical College, Homeopathic Medical College, Madurai Law College, Agricultural College and Research Institute. Madurai city is administered by a municipal corporation established in 1971 as per the Municipal Corporation Act. Madurai is the second corporation in Tamil Nadu next to Chennai corporation. The city covers an area of 242.97 km2 and had a population of 1,017,865 in 2011. The city is also the seat of a bench of the Madras High Court, one of only a few courts outside the state capitals of India.
ETYMOLOGY
The city is referred by various names including "Madurai", "Koodal", "Malligai Maanagar", "Naanmadakoodal" and "Thirualavai". The word Madurai may be derived from Madhura (sweetness) arising out of the divine nectar showered on the city by the Hindu god Shiva from his matted hair. Another theory is that Madurai is the derivative of the word Marutham, which refers to the type of landscape of the Sangam age. A town in the neighbouring Dindigul district is called Vada Madurai (North Madurai) and another in Sivagangai district is called Manamadurai. The different names by which the city has been referred to historically are listed in the 7th-century poem Thiruvilayaadal puraanam written by Paranjothi Munivar.
Koodal means an assembly or congregation of scholarly people, referring to the three Tamil Sangams held at Madurai. Naanmadakoodal, meaning the junction of four towers, refers to the four major temples for which Madurai was known for. Tevaram, the 7th- or 8th-century Tamil compositions on Shiva by the three prominent Nayanars (Saivites), namely Appar, Sundarar and Thirugnanasambandar address the city as Thirualavai. As per Iravatham Mahadevan, a 2nd-century BCE Tamil-Brahmi inscription refers to the city as matiray, an Old Tamil word meaning a "walled city" derived from an older Dravidian source.
HISTORY
Madurai has been inhabited since at least the 3rd century BCE. Megasthenes may have visited Madurai during the 3rd century BCE, with the city referred as "Methora" in his accounts. The view is contested by some scholars who believe "Methora" refers to the north Indian city of Mathura, as it was a large and established city in the Mauryan Empire. Madurai is also mentioned in Kautilya's (370–283 BCE) Arthashastra. Sangam literature like Maturaikkāñci records the importance of Madurai as a capital city of the Pandyan dynasty. Madurai is mentioned in the works of Roman historians Pliny the Younger (61 – c. 112 CE), Ptolemy (c. 90 – c. CE 168), those of the Greek geographer Strabo (64/63 BCE – c. 24 CE), and also in Periplus of the Erythraean Sea.
After the Sangam age, most of present-day Tamil Nadu, including Madurai, came under the rule of the Kalabhra dynasty, which was ousted by the Pandyas around 590 CE. The Pandyas were outsted from Madurai by the Chola dynasty during the early 9th century. The city remained under the control of the Cholas until the early 13th century, when the second Pandyan empire was established with Madurai as its capital. After the death of Kulasekara Pandian (1268–1308 CE), Madurai came under the rule of the Delhi Sultanate. The Madurai Sultanate then seceded from Delhi and functioned as an independent kingdom until its gradual annexation by the Vijayanagar Empire in 1378 CE. Madurai became independent from Vijayanagar in 1559 CE under the Nayaks. Nayak rule ended in 1736 CE and Madurai was repeatedly captured several times by Chanda Sahib (1740 – 1754 CE), Arcot Nawab and Muhammed Yusuf Khan (1725 – 1764 CE) in the middle of 18th century.
In 1801, Madurai came under the direct control of the British East India Company and was annexed to the Madras Presidency. The British government made donations to the Meenakshi temple and participated in the Hindu festivals during the early part of their rule. The city evolved as a political and industrial complex through the 19th and 20th centuries to become a district headquarters of a larger Madurai district. In 1837, the fortifications around the temple were demolished by the British. The moat was drained and the debris was used to construct new streets – Veli, Marat and Perumaal Mesthiri streets. The city was constituted as a municipality in 1866 CE. The British government faced initial hiccups during the earlier period of the establishment of municipality in land ceiling and tax collection in Madurai and Dindigul districts under the direct administration of the officers of the government. The city, along with the district, was resurveyed between 1880 and 1885 CE and subsequently, five municipalities were constituted in the two districts and six taluk boards were set up for local administration. Police stations were established in Madurai city, housing the headquarters of the District Superintendent.
It was in Madurai, in 1921, that Mahatma Gandhi, pre-eminent leader of Indian nationalism in British-ruled India, first adopted the loin cloth as his mode of dress after seeing agricultural labourers wearing it. Leaders of the independence movement in Madurai included N.M.R. Subbaraman and Mohammad Ismail Sahib. The Temple Entry Authorization and Indemnity Act passed by the government of Madras Presidency under C. Rajagopalachari in 1939 removed restrictions prohibiting Shanars and Dalits from entering Hindu temples. The temple entry movement was first led in Madurai Meenakshi temple by independence activist A. Vaidyanatha Iyer in 1939.
ARCHITECTURE
Madurai is built around the Meenakshi Amman Temple, which acted as the geographic and ritual center of the ancient city of Madurai. The city is divided into a number of concentric quadrangular streets around the temple. Vishwanatha Nayak (1159–64 CE), the first Madurai Nayak king, redesigned the city in accordance with the principles laid out by Shilpa Shastras (Sanskrit: śilpa śāstra, also anglicised as silpa sastra meaning rules of architecture) related to urban planning. These squares retain their traditional names of Aadi, Chittirai, Avani-moola and Masi streets, corresponding to the Tamil month names and also to the festivals associated. The temple prakarams (outer precincts of a temple) and streets accommodate an elobrate festival calendar in which dramatic processions circumambulate the shrines at varying distances from the centre. The temple chariots used in processions are progressively larger in size based on the size of the concentric streets. Ancient Tamil classics record the temple as the center of the city and the surrounding streets appearing liken a lotus and its petals. The city's axes were aligned with the four quarters of the compass, and the four gateways of the temple provided access to it. The wealthy and higher echelons of the society were placed in streets close to the temple, while the poorest were placed in the fringe streets. With the advent of British rule during the 19th century, Madurai became the headquarters of a large colonial political complex and an industrial town; with urbanisation, the social hierarchical classes became unified.
DEMOGRAPHICS
Madurai has a population of 1,561,129. According to 2011 census based on per-expansion limits, Madurai had a population of 1,017,865 with a sex-ratio of 999 females for every 1,000 males, much above the national average of 929. A total of 100,324 were under the age of six, constituting 51,485 males and 48,839 females. Scheduled Castes and Scheduled Tribes accounted for 6.27% and .31% of the population respectively. The average literacy of the city was 81.95%, compared to the national average of 72.99%. There were a total of 391,315 workers, comprising 1,224 cultivators, 2,178 main agricultural labourers, 11,282 in house hold industries, 348,849 other workers, 27,782 marginal workers, 388 marginal cultivators, 616 marginal agricultural labourers, 1,611 marginal workers in household industries and 25,167 other marginal workers. The urban agglomeration had a population of 1,465,625. Madurai metropolitan area constitutes the third largest metropolitan area in Tamil Nadu and the 31st in India.
According to the religious census of 2011, Madurai had 85.8% Hindus, 8.5% Muslims, 5.2% Christians and 0.5% others. Tamil is spoken by most, and the standard dialect is the Madurai Tamil dialect. Saurashtrian is the mother tongue of the Patnūlkarars who migrated from Gujarat in the 16th century CE. Roman Catholics in Madurai are affiliated with the Roman Catholic Diocese of Madurai, while Protestants are affiliated with the Madurai-Ramnad Diocese of the Church of South India.
In 2001, Slum-dwellers comprise 32.6 per cent of the total population, much higher than the national average of 15.05 per cent. The increase in growth rate to 50 per cent from 1971 to 1981 is due to the city's upgrade to a municipal corporation in 1974 and the subsequent inclusion of 13 Panchayats into the corporation limits. The decline in the population growth rate between 1981 and 2001 is due to the bifurcation of Madurai district into two, Madurai and Dindigul in 1984, and the subsequently of part of the city into the Theni district in 1997. The compounded annual growth rate dropped from 4.10 per cent during 1971–81 to 1.27 per cent during 1991–2004.
RELIGIOUS SITES
Meenakshi Amman Temple is a historic Hindu temple located on the south side of the Vaigai River in Madurai and is one of the most prominent landmarks of the city. It is dedicated to Meenakshi and her consort, Sundareswarar. The complex houses 14 gopurams (gateway towers) ranging from 45–50 metres in height, the tallest being the southern tower, 51.9 metres high. There are also two golden sculptured vimana (shrines) over the sanctum of the main deities. The temple is a significant symbol for Tamils and has been mentioned since antiquity in Tamil literature, though the present structure was built between 1623-55 CE. The temple attracts on average 15,000 visitors a day, which grows to around 25,000 on Fridays. There are an estimated 33,000 sculptures in the temple, and it was in the list of top 30 nominees for the "New7Wonders of the World".
Koodal Azhagar Temple is a Vishnu temple located in the city. It has idols of the Navagraha (nine planet deities), which are otherwise found only in Shiva temples. Alagar Koyil is a celebrated Vishnu temple 21 kilometres northeast of Madurai situated on the foothills of Solaimalai. The deity, Azhagar, is believed to be the brother of Meenakshi, the presiding deity at the Meenakshi temple. The festival calendars of these two temples overlap during the Meenakshi Thirukalyanam festival.
Pazhamudircholai, one of the other six abodes of the Hindu god Murugan, is located atop the Solaimalai hill. Tirupparankunram is a hill 8 kilometres away from Madurai where the Hindu god Murugan is said to have married Deivanai. The temple is the first among the Six Abodes of Murugan and is one of the most visited tourist spots in Madurai, next only to the Meenakshi Amman Temple. The temple has a wide range of Hindu gods carved on the walls.
Kazimar Big Mosque is the oldest Islamic place of worship in the city. It was constructed under the supervision of Kazi Syed Tajuddin, who is a descendant of Islamic Prophet Muhammad and the Madurai Maqbara is located inside the mosque. Kazi Syed Tajuddin came from Oman and received the piece of land as a gift from the Pandyan ruler Kulasekara Pandyan I, during the 13th century for the construction of the mosque. Goripalayam Mosque is located in Gorippalayam, the name of which is derived from the Persian word gor ("grave") and the graves of Sulthan Alauddin, Sulthan Shamsuddeen and Sulthan Habibuddin who are part of the Delhi Sultanate who ruled Madurai for a shorter reign are found here. Tirupparankunram Dargah is located at the top of the Thiruparankundram hill where the cemetery of Sultan Sikandhar Badushah the then ruler of Jeddah and Madurai who travelled to India along with Sulthan Syed Ibrahim Shaheed of Ervadi during 12th century is located. St. Mary’s Cathedral is the seat of the Roman Catholic Archdiocese of Madurai. CSI church at South gate falling under the Madurai-Ramnad CSI Diocese is the head quarters for CSI Christians in the city.
WIKIPEDIA
PRESIDIO OF MONTEREY, Calif. -- The 2014 Korean Hangul Day Award Ceremony for the Yonsei University Writing Contest and the Defense Language Institute Foreign Language Center Korean Video Contest was held inside the Tin Barn Oct.9. This year’s award recipients representing DLIFLC were: Seaman Lexus Porter, Airman 1st Class Daniel Krall, Pfc. Brent Faurie, Airman 1st Class Richard Vanoverloop, Staff Sgt. Darren Cohen, Staff Sgt. Richard Rah, Airman 1st Class Taylor Purvis, Capt. Todd Boese, Capt. Harper Foley, Pfc. Ollice Page and Airman 1st Class Tommaso Carli. DLIFLC has participated for more than a decade in partnership with the Yonsei University Alumni Association of Southern California. The contest is open to all non-native speakers learning Korean and is used to promote the continuing study and development of the foreign language learning of Korean.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
Photo by Michael Beaton, Presidio of Monterey Public Affairs.
Sanlıurfa, often simply known as Urfa in daily language, in ancient times Edessa, is a city in south-eastern Turkey. It is a city with a mixed Arab, Kurdish and Turkish population. Urfa is situated on a plain about eighty kilometres east of the Euphrates River.In the Byzantine period Edessa was a powerful regional centre with churches, schools and monasteries.Islam first arrived in Urfa around 638 C.E.
Urfa was officially renamed Sanliurfa (Urfa the Glorious) by the Turkish Grand National Assembly in 1984, in recognition of the local resistance in the Turkish War of Independence..........Don't use and don't link this images on websites, blogs or other media without my explicit permission.All rights reserved.
Joan Capote's Abstenencia (politica) at the Museum of Fine Arts. Capote (who lives in Havana) "cast the hands of many individual Cubans in specific gestures. He then assembled them to spell the word 'politics' in sign language."
PRESIDIO OF MONTEREY, Calif. -- The 26th commandant of the Defense Language Institute Foreign Language Center retired during a ceremony on Soldier Field here April 18. Retired Brig. Gen. Russell D. Howard officiated the ceremony in which Col. Danial D. Pick was recognized for his nearly three decades of Army service. Pick, a graduate of the DLIFLC Basic Arabic Course, speaks Arabic, Persian-Farsi, Persian-Dari and Assyrian. Prior to taking the position of DLIFLC commandant on May 6, 2010, Pick served as the director of the Army’s Foreign Area Officer program here.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
Photo by Hiro Chang, Presidio of Monterey Public Affairs
The Defense Language Institute Foreign Language Center opened its doors to the public on May 15 for its annual Language Day event.
The event showcased the cultures of the different departmental languages being taught here through dance, skits and fashion shows.
Exhibits were also presented throughout the school grounds with local Monterey ethnic vendors selling their local cuisines to the customers.
Nearly 2,000 high school students and teachers attended Language Day.
Cashel (an Anglicised form of the Irish language word Caiseal, meaning "stone fort"). Where king Aengus was said to have baptized by St. Patrick around 450 AD. Rock of Cashel, an ancient, hilltop fortress complex for which Cashel is named.In 1101, the King of Munster, Muirchertach Ua Briain, donated his fortress on the Rock to the Church.
Ageing cathedral built on this old pagan site in county Tipperary , Munster province, Ireland/Eire. Interior of the cathedral, looking west. The cathedral was built 1235-70 and the tower-house at the west end was added in the 15th century. Rock of Cashel, County Tipperary, Ireland.Seat of Irish Kings for 700 years.
More: www.sacred-destinations.com/ireland/rock-of-cashel
As I visited Christian lands ,Eastern Armenia and the Baltics on this same trip couldn't help to notice similarites , a contiguousness of christian culture, across much of old Europe, such as the churches, buried bishops or others in old graves within the sacred space.Often over Iron Age sacred sites.
(Matthew 14:13-21; Mark 6:30-44; Luke 9:10-17; John 6:1-15)
Science and Technology Connection
Scratch Block Coding (Computer Languages for Kids)
Use under the sea background, fish, and ocean wave sound
scratch.mit.edu/projects/editor/?tutorial=getStarted
References
"Jesus Feeds the Five Thousand" (Episode 22, Friends & Heroes multilingual animation available in English, Chinese, Korean, Spanish, and other languages)
www.friendsandheroes.tv/episode22-feed5000.html
www.friendsandheroes.com/uk/now-available-in-ten-languages
"Joy & Heron" is an animation about sharing that features a white dog and a mother heron; it was produced by Passion Pictures for Jingdong, a Chinese retailer.
"Seven Miracles of Jesus" by Jill Kemp & Richard Gunther
www.lambsongs.co.nz/New%20Testament%20Books/Miracles%20of...
Shown in photo
Fisher Price Little People prince & boy with backpack
Haba trees
Kunin pirate green felt
Pepperidge Farm Goldfish crackers
Snyder's Sourdough Nibblers
Levi's Bandana
FILE PAI
Paulista Avenida Interativa
Paulista Interactive Avenue
Karolina Sobecka – Sniff - Estados Unidos - United States
Karolina Sobecka – Chase | Estados Unidos - United States
Kurt Hentschläger - ZEE - Kurt Hentschläger
Movimento Crie Futuros: Lala Deheinzelin - Fale com o futuro: crie futuros desejáveis – Brasil | Brazil
Patrick Smith | vectorpark.com – Feed the Head | Estados Unidos
Patrick Smith | vectorpark.com – Levers | Estados Unidos
Patrick Smith | vectorpark.com – Park | Estados Unidos
Patrick Smith | vectorpark.com – Spiders | Estados Unidos
Patrick Smith | vectorpark.com – Thomas | Estados Unidos
Patrick Smith | vectorpark.com – Windosill | Estados Unidos
Q-Games - Pixeljunk Eden – Japão | Japan
Rejane Cantoni & Leonardo Crescenti – PISO - Brasil | Brazil
Rejane Cantoni & Leonardo Crescenti – Infinito ao Cubo - Brasil | Brazil
Steger Produção de Efeitos Especiais Ltda. - Simulador de Ondas e Simulador de Turbilhão – Brasil | Brazil
That Game Company – Flower – Estados Unidos | United States
That Game Company – flOw – Estados Unidos | United States
Vanderlei Lucentini - Omnibusonia Paulista – Brasil | Brazil
VR/Urban: Patrick Tobias Fischer, Christian Zöllner, Thilo Hoffmann & Sebastian Piatza – SMSlingshot – Reino Unido | United Kingdom
FILE ANIMAÇÃO | FILE ANIMATION
Siggraph
Japan Media Arts Festival
FILE SYMPOSIUM – de 27 a 30/07
27/07
Jorge Hernández [coordenador/coordinator], Raquel Rennó, Ricardo Veja, Vicky Messi & Jorge Villacorta | Peru, Argentina, Chile e Brasil
Colóquio de Arte Digital Sul-americano: Brasil e Cone Sul dialogam
Electronic Shadow: Naziha Mestaoui & Yacine Aït Kaci | França
Echo & narcissus
Andrew Hieronymi | Estados Unidos
Jogos físicos: Além dos Minigames
Espen Aarseth | Estados Unidos
A Estética do Bottom-up: Histórias, Games e o Metacronotópio
Lala Deheinzelin (coordenação); Liliana Magalhães (Santander Cultural); Luciane Gorgulho (BNDES); Maria Arlete Gonçalves (Oi Futuro) | Brasil
Economia Criativa, Fomento e Tecnologias
28/07
SWAMP: Douglas Easterly & Tiago Rorke | Nova Zelândia
Tardigotchi
VR/Urban: Christian Zöllner & Patrick Tobias Fischer | Reino Unido
Nós Declaramos “O Ato sobre Bens Híbridos!”
Tim Webster | Australia
Terras Maravilhosas: Machu Pichu
Kenneth Hansen | Dinamarca
Formas de arte digitais como projetos de experiência global para o desenvolvimento internacional?
Regine Debatty | Itália
Nós fazemos dinheiro, não arte
Jörg Piringer | Áustria
abcdefghijklmnopqrstuvwxyz for iPhone
Anna Barros | Brasil
Acredite ou não nós somos nano
Mathias Kassmannhuber | Áustria
“Reflection Eternal” - medindo o espaço auditivo com som focalizado
Kurt Hentschlager | Áustria
Composição audiovisual e ambientes imersivos
29/07
Agnus Valente | Brasil
Hibridação Interformativa em processos artísticos interativos
Philip Mangione | Brasil
Chameleon Puzzle Runners
Maxuino: Chris Coleman and Ali Momeni | Estados Unidos
Maxuino
Clarissa Ribeiro, Renata La Rocca & Graziele Lautenschlaeger | Brasil
Instantes de Metamorfose 01
Julio Lucio Martin | Brasil
Passeio Sonoro
David Clark | Canadá
Sign after the X
30/07
Vivian Caccuri | Brasil
A Escuta na Arte Contemporânea questionando categorias com “See This Sound” e Cildo Meirelles
Artur Matuck | Brasil
Um Manifesto pela Re-Informação
Edson Zampronha | Espanha e Brasil
Da criação do som à invenção do sentido
Ernesto Klar | Estados Unidos e Venezuela
“Luzes relacionais”, 2009-2010
Rejane Cantoni e Leonardo Crescenti | Brasil
Como, quando e porque desenhar interfaces áudio-tátil-visuais
Pau Waelder Laso | Espanha
Inner voices and data flows
Vaugelas - Remarques sur la langue française
Nouveaux Classiques Larousse, Paris, 1969
Couverture: "L'Assemblée des académiciens", gravure du XVIIe siècle
The Toraja are an ethnic group indigenous to a mountainous region of South Sulawesi, Indonesia. Their population is approximately 1,100,000, of whom 450,000 live in the regency of Tana Toraja ("Land of Toraja"). Most of the population is Christian, and others are Muslim or have local animist beliefs known as aluk ("the way"). The Indonesian government has recognized this animist belief as Aluk To Dolo ("Way of the Ancestors").
The word toraja comes from the Bugis Buginese language term to riaja, meaning "people of the uplands". The Dutch colonial government named the people Toraja in 1909. Torajans are renowned for their elaborate funeral rites, burial sites carved into rocky cliffs, massive peaked-roof traditional houses known as tongkonan, and colorful wood carvings. Toraja funeral rites are important social events, usually attended by hundreds of people and lasting for several days.
Before the 20th century, Torajans lived in autonomous villages, where they practised animism and were relatively untouched by the outside world. In the early 1900s, Dutch missionaries first worked to convert Torajan highlanders to Christianity. When the Tana Toraja regency was further opened to the outside world in the 1970s, it became an icon of tourism in Indonesia: it was exploited by tourism developers and studied by anthropologists. By the 1990s, when tourism peaked, Toraja society had changed significantly, from an agrarian model - in which social life and customs were outgrowths of the Aluk To Dolo - to a largely Christian society. Today, tourism and remittances from migrant Torajans have made for major changes in the Toraja highland, giving the Toraja a celebrity status within Indonesia and enhancing Toraja ethnic group pride.
ETHNIC IDENTITY
The Torajan people had little notion of themselves as a distinct ethnic group before the 20th century. Before Dutch colonization and Christianization, Torajans, who lived in highland areas, identified with their villages and did not share a broad sense of identity. Although complexes of rituals created linkages between highland villages, there were variations in dialects, differences in social hierarchies, and an array of ritual practices in the Sulawesi highland region. "Toraja" (from the coastal languages' to, meaning people; and riaja, uplands) was first used as a lowlander expression for highlanders. As a result, "Toraja" initially had more currency with outsiders - such as the Bugis and Makassarese, who constitute a majority of the lowland of Sulawesi - than with insiders. The Dutch missionaries' presence in the highlands gave rise to the Toraja ethnic consciousness in the Sa'dan Toraja region, and this shared identity grew with the rise of tourism in the Tana Toraja Regency. Since then, South Sulawesi has four main ethnic groups - the Bugis (the majority, including shipbuilders and seafarers), the Makassarese (lowland traders and seafarers), the Mandarese (traders and fishermen), and the Toraja (highland rice cultivators).
HISTORY
From the 17th century, the Dutch established trade and political control on Sulawesi through the Dutch East Indies Company. Over two centuries, they ignored the mountainous area in the central Sulawesi, where Torajans lived, because access was difficult and it had little productive agricultural land. In the late 19th century, the Dutch became increasingly concerned about the spread of Islam in the south of Sulawesi, especially among the Makassarese and Bugis peoples. The Dutch saw the animist highlanders as potential Christians. In the 1920s, the Reformed Missionary Alliance of the Dutch Reformed Church began missionary work aided by the Dutch colonial government. In addition to introducing Christianity, the Dutch abolished slavery and imposed local taxes. A line was drawn around the Sa'dan area and called Tana Toraja ("the land of Toraja"). Tana Toraja was first a subdivision of the Luwu kingdom that had claimed the area. In 1946, the Dutch granted Tana Toraja a regentschap, and it was recognized in 1957 as one of the regencies of Indonesia.
Early Dutch missionaries faced strong opposition among Torajans, especially among the elite, because the abolition of their profitable slave trade had angered them. Some Torajans were forcibly relocated to the lowlands by the Dutch, where they could be more easily controlled. Taxes were kept high, undermining the wealth of the elites. Ultimately, the Dutch influence did not subdue Torajan culture, and only a few Torajans were converted. In 1950, only 10% of the population had converted to Christianity.
In the 1930s, Muslim lowlanders attacked the Torajans, resulting in widespread Christian conversion among those who sought to align themselves with the Dutch for political protection and to form a movement against the Bugis and Makassarese Muslims. Between 1951 and 1965 (following Indonesian independence), southern Sulawesi faced a turbulent period as the Darul Islam separatist movement fought for an Islamic state in Sulawesi. The 15 years of guerrilla warfare led to massive conversions to
CHRISTIANITY
Alignment with the Indonesian government, however, did not guarantee safety for the Torajans. In 1965, a presidential decree required every Indonesian citizen to belong to one of five officially recognized religions: Islam, Christianity (Protestantism and Catholicism), Hinduism, or Buddhism. The Torajan religious belief (aluk) was not legally recognized, and the Torajans raised their voices against the law. To make aluk accord with the law, it had to be accepted as part of one of the official religions. In 1969, Aluk To Dolo ("the way of ancestors") was legalized as a sect of Agama Hindu Dharma, the official name of Hinduism in Indonesia.
SOCIETY
There are three main types of affiliation in Toraja society: family, class and religion.
FAMILY AFFILIATION
Family is the primary social and political grouping in Torajan society. Each village is one extended family, the seat of which is the tongkonan, a traditional Torajan house. Each tongkonan has a name, which becomes the name of the village. The familial dons maintain village unity. Marriage between distant cousins (fourth cousins and beyond) is a common practice that strengthens kinship. Toraja society prohibits marriage between close cousins (up to and including the third cousin) - except for nobles, to prevent the dispersal of property. Kinship is actively reciprocal, meaning that the extended family helps each other farm, share buffalo rituals, and pay off debts.
Each person belongs to both the mother's and the father's families, the only bilateral family line in Indonesia. Children, therefore, inherit household affiliation from both mother and father, including land and even family debts. Children's names are given on the basis of kinship, and are usually chosen after dead relatives. Names of aunts, uncles and cousins are commonly referred to in the names of mothers, fathers and siblings.
Before the start of the formal administration of Toraja villages by the Tana Toraja Regency, each Toraja village was autonomous. In a more complex situation, in which one Toraja family could not handle their problems alone, several villages formed a group; sometimes, villages would unite against other villages. Relationship between families was expressed through blood, marriage, and shared ancestral houses (tongkonan), practically signed by the exchange of water buffalo and pigs on ritual occasions. Such exchanges not only built political and cultural ties between families but defined each person's place in a social hierarchy: who poured palm wine, who wrapped a corpse and prepared offerings, where each person could or could not sit, what dishes should be used or avoided, and even what piece of meat constituted one's share.
CLASS AFFILIATION
In early Toraja society, family relationships were tied closely to social class. There were three strata: nobles, commoners, and slaves (slavery was abolished in 1909 by the Dutch East Indies government). Class was inherited through the mother. It was taboo, therefore, to marry "down" with a woman of lower class. On the other hand, marrying a woman of higher class could improve the status of the next generation. The nobility's condescending attitude toward the commoners is still maintained today for reasons of family prestige.
Nobles, who were believed to be direct descendants of the descended person from heaven, lived in tongkonans, while commoners lived in less lavish houses (bamboo shacks called banua). Slaves lived in small huts, which had to be built around their owner's tongkonan. Commoners might marry anyone, but nobles preferred to marry in-family to maintain their status. Sometimes nobles married Bugis or Makassarese nobles. Commoners and slaves were prohibited from having death feasts. Despite close kinship and status inheritance, there was some social mobility, as marriage or change in wealth could affect an individuals status. Wealth was counted by the ownership of water buffaloes.
Slaves in Toraja society were family property. Sometimes Torajans decided to become slaves when they incurred a debt, pledging to work as payment. Slaves could be taken during wars, and slave trading was common. Slaves could buy their freedom, but their children still inherited slave status. Slaves were prohibited from wearing bronze or gold, carving their houses, eating from the same dishes as their owners, or having sex with free women - a crime punishable by death.
RELIGIOUS AFFILIATION
Toraja's indigenous belief system is polytheistic animism, called aluk, or "the way" (sometimes translated as "the law"). In the Toraja myth, the ancestors of Torajan people came down from heaven using stairs, which were then used by the Torajans as a communication medium with Puang Matua, the Creator. The cosmos, according to aluk, is divided into the upper world (heaven), the world of man (earth), and the underworld. At first, heaven and earth were married, then there was a darkness, a separation, and finally the light. Animals live in the underworld, which is represented by rectangular space enclosed by pillars, the earth is for mankind, and the heaven world is located above, covered with a saddle-shaped roof. Other Toraja gods include Pong Banggai di Rante (god of Earth), Indo' Ongon-Ongon (a goddess who can cause earthquakes), Pong Lalondong (god of death), and Indo' Belo Tumbang (goddess of medicine); there are many more.
The earthly authority, whose words and actions should be cleaved to both in life (agriculture) and death (funerals), is called to minaa (an aluk priest). Aluk is not just a belief system; it is a combination of law, religion, and habit. Aluk governs social life, agricultural practices, and ancestral rituals. The details of aluk may vary from one village to another. One common law is the requirement that death and life rituals be separated. Torajans believe that performing death rituals might ruin their corpses if combined with life rituals. The two rituals are equally important. During the time of the Dutch missionaries, Christian Torajans were prohibited from attending or performing life rituals, but were allowed to perform death rituals. Consequently, Toraja's death rituals are still practised today, while life rituals have diminished.
CULTURE
TONGKONAN
Tongkonan are the traditional Torajan ancestral houses. They stand high on wooden piles, topped with a layered split-bamboo roof shaped in a sweeping curved arc, and they are incised with red, black, and yellow detailed wood carvings on the exterior walls. The word "tongkonan" comes from the Torajan tongkon ("to sit").
Tongkonan are the center of Torajan social life. The rituals associated with the tongkonan are important expressions of Torajan spiritual life, and therefore all family members are impelled to participate, because symbolically the tongkonan represents links to their ancestors and to living and future kin. According to Torajan myth, the first tongkonan was built in heaven on four poles, with a roof made of Indian cloth. When the first Torajan ancestor descended to earth, he imitated the house and held a large ceremony.
The construction of a tongkonan is laborious work and is usually done with the help of the extended family. There are three types of tongkonan. The tongkonan layuk is the house of the highest authority, used as the "center of government". The tongkonan pekamberan belongs to the family members who have some authority in local traditions. Ordinary family members reside in the tongkonan batu. The exclusivity to the nobility of the tongkonan is diminishing as many Torajan commoners find lucrative employment in other parts of Indonesia. As they send back money to their families, they enable the construction of larger tongkonan.
WOOD CARVINGS
To express social and religious concepts, Torajans carve wood, calling it Pa'ssura (or "the writing"). Wood carvings are therefore Toraja's cultural manifestation.
Each carving receives a special name, and common motifs are animals and plants that symbolize some virtue. For example, water plants and animals, such as crabs, tadpoles and water weeds, are commonly found to symbolize fertility. In some areas noble elders claim these symbols refer to strength of noble family, but not everyone agrees. The overall meaning of groups of carved motifs on houses remains debated and tourism has further complicated these debates because some feel a uniform explanation must be presented to tourists. The image to the left shows an example of Torajan wood carving, consisting of 15 square panels. The center bottom panel represents buffalo or wealth, a wish for many buffaloes for the family. The center panel represents a knot and a box, a hope that all of the family's offspring will be happy and live in harmony, like goods kept safe in a box. The top left and top right squares represent an aquatic animal, indicating the need for fast and hard work, just like moving on the surface of water. It also represents the need for a certain skill to produce good results.
Regularity and order are common features in Toraja wood carving (see table below), as well as abstracts and geometrical designs. Nature is frequently used as the basis of Toraja's ornaments, because nature is full of abstractions and geometries with regularities and ordering. Toraja's ornaments have been studied in ethnomathematics to reveal their mathematical structure, but Torajans base this art only on approximations. To create an ornament, bamboo sticks are used as a geometrical tool.
FUNERAL RITES
In Toraja society, the funeral ritual is the most elaborate and expensive event. The richer and more powerful the individual, the more expensive is the funeral. In the aluk religion, only nobles have the right to have an extensive death feast. The death feast of a nobleman is usually attended by thousands and lasts for several days. A ceremonial site, called rante, is usually prepared in a large, grassy field where shelters for audiences, rice barns, and other ceremonial funeral structures are specially made by the deceased family. Flute music, funeral chants, songs and poems, and crying and wailing are traditional Toraja expressions of grief with the exceptions of funerals for young children, and poor, low-status adults.
The ceremony is often held weeks, months, or years after the death so that the deceased's family can raise the significant funds needed to cover funeral expenses. Torajans traditionally believe that death is not a sudden, abrupt event, but a gradual process toward Puya (the land of souls, or afterlife). During the waiting period, the body of the deceased is wrapped in several layers of cloth and kept under the tongkonan. The soul of the deceased is thought to linger around the village until the funeral ceremony is completed, after which it begins its journey to Puya.
Another component of the ritual is the slaughter of water buffalo. The more powerful the person who died, the more buffalo are slaughtered at the death feast. Buffalo carcasses, including their heads, are usually lined up on a field waiting for their owner, who is in the "sleeping stage". Torajans believe that the deceased will need the buffalo to make the journey and that they will be quicker to arrive at Puya if they have many buffalo. Slaughtering tens of water buffalo and hundreds of pigs using a machete is the climax of the elaborate death feast, with dancing and music and young boys who catch spurting blood in long bamboo tubes. Some of the slaughtered animals are given by guests as "gifts", which are carefully noted because they will be considered debts of the deceased's family. However, a cockfight, known as bulangan londong, is an integral part of the ceremony. As with the sacrifice of the buffalo and the pigs, the cockfight is considered sacred because it involves the spilling of blood on the earth. In particular, the tradition requires the sacrifice of at least three chickens. However, it is common for at least 25 pairs of chickens to be set against each other in the context of the ceremony.
There are three methods of burial: the coffin may be laid in a cave or in a carved stone grave, or hung on a cliff. It contains any possessions that the deceased will need in the afterlife. The wealthy are often buried in a stone grave carved out of a rocky cliff. The grave is usually expensive and takes a few months to complete. In some areas, a stone cave may be found that is large enough to accommodate a whole family. A wood-carved effigy, called Tau tau, is usually placed in the cave looking out over the land. The coffin of a baby or child may be hung from ropes on a cliff face or from a tree. This hanging grave usually lasts for years, until the ropes rot and the coffin falls to the ground.
In the ritual called Ma'Nene, that takes place each year in August, the bodies of the deceased are exhumed to be washed, groomed and dressed in new clothes. The mummies are then walked around the village.
DANCE AND MUSIC
Torajans perform dances on several occasions, most often during their elaborate funeral ceremonies. They dance to express their grief, and to honour and even cheer the deceased person because he is going to have a long journey in the afterlife. First, a group of men form a circle and sing a monotonous chant throughout the night to honour the deceased (a ritual called Ma'badong). This is considered by many Torajans to be the most important component of the funeral ceremony. On the second funeral day, the Ma'randing warrior dance is performed to praise the courage of the deceased during life. Several men perform the dance with a sword, a large shield made from buffalo skin, a helmet with a buffalo horn, and other ornamentation. The Ma'randing dance precedes a procession in which the deceased is carried from a rice barn to the rante, the site of the funeral ceremony. During the funeral, elder women perform the Ma'katia dance while singing a poetic song and wearing a long feathered costume. The Ma'akatia dance is performed to remind the audience of the generosity and loyalty of the deceased person. After the bloody ceremony of buffalo and pig slaughter, a group of boys and girls clap their hands while performing a cheerful dance called Ma'dondan.
As in other agricultural societies, Torajans dance and sing during harvest time. The Ma'bugi dance celebrates the thanksgiving event, and the Ma'gandangi dance is performed while Torajans are pounding rice. There are several war dances, such as the Manimbong dance performed by men, followed by the Ma'dandan dance performed by women. The aluk religion governs when and how Torajans dance. A dance called Ma'bua can be performed only once every 12 years. Ma'bua is a major Toraja ceremony in which priests wear a buffalo head and dance around a sacred tree.
A traditional musical instrument of the Toraja is a bamboo flute called a Pa'suling (suling is an Indonesian word for flute). This six-holed flute (not unique to the Toraja) is played at many dances, such as the thanksgiving dance Ma'bondensan, where the flute accompanies a group of shirtless, dancing men with long fingernails. The Toraja have indigenous musical instruments, such as the Pa'pelle (made from palm leaves) and the Pa'karombi (the Torajan version of a jaw harp). The Pa'pelle is played during harvest time and at house inauguration ceremonies.
LANGUAGE
The ethnic Toraja language is dominant in Tana Toraja with the main language as the Sa'dan Toraja. Although the national Indonesian language is the official language and is spoken in the community, all elementary schools in Tana Toraja teach Toraja language.Language varieties of Toraja, including Kalumpang, Mamasa, Tae' , Talondo' , Toala' , and Toraja-Sa'dan, belong to the Malayo-Polynesian language from the Austronesian family. At the outset, the isolated geographical nature of Tana Toraja formed many dialects between the Toraja languages themselves. After the formal administration of Tana Toraja, some Toraja dialects have been influenced by other languages through the transmigration program, introduced since the colonialism period, and it has been a major factor in the linguistic variety of Toraja languages. A prominent attribute of Toraja language is the notion of grief. The importance of death ceremony in Toraja culture has characterized their languages to express intricate degrees of grief and mourning. The Toraja language contains many terms referring to sadness, longing, depression, and mental pain. Giving a clear expression of the psychological and physical effect of loss is a catharsis and sometimes lessens the pain of grief itself.
ECONOMY
Prior to Suharto's "New Order" administration, the Torajan economy was based on agriculture, with cultivated wet rice in terraced fields on mountain slopes, and supplemental cassava and maize crops. Much time and energy were devoted to raising water buffalo, pigs, and chickens, primarily for ceremonial sacrifices and consumption. Coffee was the first significant cash crop produced in Toraja, and was introduced in the mid 19th century, changing the local economy towards commodity production for external markets and gaining an excellent reputation for quality in the international market .
With the commencement of the New Order in 1965, Indonesia's economy developed and opened to foreign investment. In Toraja, a coffee plantation and factory was established by Key Coffee of Japan, and Torajan coffee regained a reputation for quality within the growing international specialty coffee sector Multinational oil and mining companies opened new operations in Indonesia during the 1970s and 1980s. Torajans, particularly younger ones, relocated to work for the foreign companies - to Kalimantan for timber and oil, to Papua for mining, to the cities of Sulawesi and Java, and many went to Malaysia. The out-migration of Torajans was steady until 1985. and has continued since, with remittances sent back by emigre Torajans performing an important role within the contemporary economy.
Tourism commenced in Toraja in the 1970s, and accelerated in the 1980s and 1990s. Between 1984 and 1997, a significant number of Torajans obtained their incomes from tourism, working in and owning hotels, as tour guides, drivers, or selling souvenirs. With the rise of political and economic instability in Indonesia in the late 1990s - including religious conflicts elsewhere on Sulawesi - tourism in Tana Toraja has declined dramatically. Toraja continues to be a well known origin for Indonesian coffee, grown by both smallholders and plantation estates, although migration, remittances and off-farm income is considered far more important to most households, even those in rural areas.
TOURISM AND CULTURAL CHANGE
Before the 1970s, Toraja was almost unknown to Western tourism. In 1971, about 50 Europeans visited Tana Toraja. In 1972, at least 400 visitors attended the funeral ritual of Puang of Sangalla, the highest-ranking nobleman in Tana Toraja and the so-called "last pure-blooded Toraja noble." The event was documented by National Geographic and broadcast in several European countries. In 1976, about 12,000 tourists visited the regency and in 1981, Torajan sculpture was exhibited in major North American museums. "The land of the heavenly kings of Tana Toraja", as written in the exhibition brochure, embraced the outside world.
In 1984, the Indonesian Ministry of Tourism declared Tana Toraja Regency the prima donna of South Sulawesi. Tana Toraja was heralded as "the second stop after Bali". Tourism was increasing dramatically: by 1985, a total number of 150,000 foreigners had visited the Regency (in addition to 80,000 domestic tourists), and the annual number of foreign visitors was recorded at 40,000 in 1989. Souvenir stands appeared in Rantepao, the cultural center of Toraja, roads were sealed at the most-visited tourist sites, new hotels and tourist-oriented restaurants were opened, and an airstrip was opened in the Regency in 1981.
Tourism developers have marketed Tana Toraja as an exotic adventure - an area rich in culture and off the beaten track. Western tourists expected to see stone-age villages and pagan funerals. Toraja is for tourists who have gone as far as Bali and are willing to see more of the wild, "untouched" islands. However, they were more likely to see a Torajan wearing a hat and denim, living in a Christian society. Tourists felt that the tongkonan and other Torajan rituals had been preconceived to make profits, and complained that the destination was too commercialized. This has resulted in several clashes between Torajans and tourism developers, whom Torajans see as outsiders.
A clash between local Torajan leaders and the South Sulawesi provincial government (as a tourist developer) broke out in 1985. The government designated 18 Toraja villages and burial sites as traditional tourist attractions. Consequently, zoning restrictions were applied to these areas, such that Torajans themselves were barred from changing their tongkonans and burial sites. The plan was opposed by some Torajan leaders, as they felt that their rituals and traditions were being determined by outsiders. As a result, in 1987, the Torajan village of Kété Kesú and several other designated tourist attractions closed their doors to tourists. This closure lasted only a few days, as the villagers found it too difficult to survive without the income from selling souvenirs.
Tourism has also transformed Toraja society. Originally, there was a ritual which allowed commoners to marry nobles (puang) and thereby gain nobility for their children. However, the image of Torajan society created for the tourists, often by "lower-ranking" guides, has eroded its traditional strict hierarchy. High status is not as esteemed in Tana Toraja as it once was. Many low-ranking men can declare themselves and their children nobles by gaining enough wealth through work outside the region and then marrying a noble woman.
WIKIPEDIA
2.52
"Touch comes before sight, before speech. It is the first language and the last, and it always tells the truth."
~Margaret Atwood, The Blind Assassin
Photo by Hiro Chang
The Defense Language Institute Foreign Language Center opened its doors to the public on May 15 for its annual Language Day event.
The event showcased the cultures of the different departmental languages being taught here through dance, skits and fashion shows.
Exhibits were also presented throughout the school grounds with local Monterey ethnic vendors selling their local cuisines to the customers.
Nearly 2,000 high school students and teachers attended Language Day.
PRESIDIO OF MONTEREY, California -- The 2018 Language Day celebration was held by the Defense Language Institute Foreign Language Center at the Presidio of Monterey, May 11. Language Day is open to the public and attended by schools across the nation to promote an understanding of diverse customs and cultures from around the world. Approximately 6,000 people attended this annual event featuring cultural displays, activities and international ethnic cuisine served by local vendors.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
On the Li Zheng Gate 麗正門, the name is written in Mongolian, Chagatai (an older, now extinct, form of Uighur), Han (ie. Chinese), Tibetan, and Manchu - the five main languages given more prominent recognition by the Qing Dynasty.
Chengde, December 2017
The language of the message on the card is Czech. The card is addressed to a student in "Pisek," which was a city in Bohemia (the present-day Czech Republic).
Many, MANY thanks to Olmin, who translated the text and by so doing determined where the photograph was probably taken, to whom the postcard was addressed, and that the rank of the officer in photo was lieutenant.
Olmin (from below): It is definetely written in Czech language. I'm not sure but I think it was sent from K.u.k. military unit somewhere in Herzegovina (present-day Bosnia and Herzegovina) to town Písek, Bohemia (present-day Czech Republic) because in text is written "herzegovinian horse". I try to translate it but I apologize in advance for my English.
Address:
Esteemed gentleman
Mr M. Košatka, student (maybe Kósatka but less likely)
Písek
Jeronýmova street
Text:
Our little herzegovinian horse whereon sitting a mister Lieutenant.
Love to all family.
(and at end is author's signature which is unreadable to me)
As an added bonus from Olmin's wonderful translation, I was able to determine the breed of the beautiful (although somewhat short-legged) little horse. He is a Bosnian Mountain Horse (sometimes called a Bosnian-Herzegovinian Mountain Horse). To see a modern-day photograph of a Bosnian Mountain Horse, click on the link below. cache.daylife.com/imageserve/05j69N38y29HU/610x.jpg
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Bosnian Mountain Horse
Origin: Yugoslavia
Aptitudes: Riding, pack, driving
Average Height: 12.3 to 14.3 hands
Population Status: Common
Originating in the Balkans and closely related to the Hutsul or Hucul of Romania and the Myzequea of Albania, the Bosnian is a small, compactly built horse. The small horse breeds found in the Balkans are all thought to be close descendants of the Tarpan with varying degrees of Mongolian influence. Horses of the area were influenced during the Roman occupation of the Balkan penunsula, and when the Turkish cavalry of the Ottoman Empire overtook the area, the blood of the eastern horses was infused. By the seventeenth and eighteenth centuries there were several types found within the Bosnian Breed, but not all were considered to be improvements.
Since 1900 the breeding of Bosnian horses has been selective and controlled and the rustic, hardy qualities of this small horse have been preserved. Bosnian horses are bay, brown, black, grey, chestnut, palomino, or dun in color.
This is a strongly made horse. The head is somewhat heavy with a straight profile and small ears. The eye is large and expressive. The neck is short and muscular with a full mane; withers are moderately pronounced; the back short and straight; the croup slightly sloping; the chest deep and wide; and the shoulder long and sloping. The legs are short and strong, well muscled, with broad joints and clean, strong tendons. The hoof is well formed and very hard.
Bosnian horses are bred in large numbers in Yugoslavia and are sill very much in use on farms and for transport. Stallions are strictly controlled by the state, while ownership of mares is left to private breeders. The breed has been used for centuries for transport in the mountains and is surefooted and hardy.
The breed is quite popular in Germany, where numbers are increasing steadily.
(From the International Encyclopedia of Horse Breeds by Bonnie Lou Hendricks 1995)
this rather cheerfull man cooks over 1200 meals per day - cooking with a small group of men at the "Beijing Foreign Language School", - late afternoon - Shangqiu Henan, China
A variety of Welsh language phrases for landscape terms
Welsh origin postcard - Judges
Blank
Sent to:
Volodymyr (ettlers), Canada 06/03/2026 direct swap
Kai, Germany 24/02/2026 as GB-1935944
Oong, Malaysia 11/05/2017 as GB-893593
Beckie, USA 26/01/2015
PRESIDIO OF MONTEREY, California -- The 2018 Language Day celebration was held by the Defense Language Institute Foreign Language Center at the Presidio of Monterey, May 11. Language Day is open to the public and attended by schools across the nation to promote an understanding of diverse customs and cultures from around the world. Approximately 6,000 people attended this annual event featuring cultural displays, activities and international ethnic cuisine served by local vendors.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.
This is also from an older shoot; I think this was shot in 2012 but I may be wrong. The piece that she is wearing is a necklace that I made to sell, and consequently never got around to selling. Woe is me!
so. the update.
i moved back home. i'm here. the plane trip was long, only because i got sick right before i left. oh man, i met this super cool old man, sat next to me on the way to philadelphia. 80 year old armenian russian, he used to fix space shuttles, now he's like a biology teacher. he's seen every state, a ridiculous number of countries. spoke eight different languages. heavy, heavy accent, and he talked my ears off. sometimes, when i didnt have any idea what our conversation was about, i was just being polite, but sometimes he was awesome to talk to. when we got into a talk about how america needs some more socialism, he insisted on buying me a beer, on the plane. and then he asked for some peanuts, which the attendant said they no longer carried, and he politely, and kind of humorously, put up a fuss, saying he'd always gotten peanuts! so later, they came back with a tall kitchen bag full of chips, nuts, granola bars – whatever they could find, they gave to him, his wife, and me. stuff they usually charge for. the attendant called both me and his wife saints for putting up with him.
so i was exhausted from coachella, sick with a cold, and lugging around a 30 lb bag on my achy back. my dad picked me up around 930. i think i was asleep by 931.
but the very next day, i woke up relatively early, because my dad needed help gathering stuff for the yard sale. we're having a big ol' yardsale. furniture from the barn, old stuff mom used to sell, stuff i didn't want anymore – anything we could find. lots of heavy lifting. exhausting.
and then today was the first day of the sale. i woke up as early as i could (7:30am, btw), but had already missed a lot of selling. the intense garage salers came at 6, my dad said, despite the sale specifically being listed as 8 - 3. but i arranged things (my dad prefers to keep everything in big boxes, but once i took some stuff out and arranged it, it sold better). some of the stuff was cheapcheapcheap, to get rid of it. books, 3 fora dollar. CD's, 25¢. stuff that was mine, or that i took from my room, went to me, and everything else went to dad. i dunno how he made out, but my books & cd's are almost gone, someone took a bunch of very expensive guitar pedals for $15, and someone else took my old electric guitar. i've still got a handful of stuff to sell, but i made about $130. which is awesome, considering my only goal was to clear out my room, and i didn't really expect to make any money at all.
it was tiring, for sure, but i really like that kind of stuff. running around, being in charge, calling shots, getting thing set up for people to appreciate. kind of like stage managing, a bit. also, charlie had some trouble starting, because i'd left his battery for a month or so without doing anything. so AAA came to make sure he was okay, and he was. helpful, but i've already used my 4 allotted AAA visits for the year, and i have till september. grumble. but after, i put on his new vanity plates, that my dad got me for my birthday. they're really fun. it's a fun gift, but it's functional, and useful.
and then tonight, i went over to hang out at kyle & mike's new place. kyle brought back some "friends" of his, girls he & mike thought were hot. maybe i got spoiled by all the beautiful girls in LA. they sure were loud, though, and... intense. they were compensating. but it was still fun, despite the strange behavior, and i promised them i'd be seeing more of 'em. my goal is to become the ultimate wingman for them, to introduce them to wonderful, beautiful girls. i think it'll be very fun.
i tried to call kcatherine again tonight. we never met up before i left, and she left me a message feeling a little guilty, but still defensive, about it. i'm not mad. i'm not entirely sure what i want to say to her, but i guess i intend to tell her how i fell in love with her, how i know i lost her when i decided to go to boston, and how i don't regret a single second i've spent with her. i'm not sure what that'll do, exactly, but i want her to know those things.
tomorrow, more sale. seeing missy, because she's coming home. have to remember to call leah, because i was supposed to one wednesday. and call the insurance company, because they want a statement from me.
Michelle Menefee provides American Sign Language interpretation at the 2012 United Methodist General Conference in Tampa, Florida. Menefee is a member of First United Methodist Church in Houston, Texas. A double exposure for UMNS by Paul Jeffrey.
Gendersprache ist umständlich und unlogisch. Entsprechend skurril sind die Umständlichkeiten und Unstimmigkeiten.
Gender language is cumbersome and illogical. The inconveniences and inconsistencies are bizarre.
Siehe Anmerkungen / annotations.
Frankfurt Konstabler Wache
PRESIDIO OF MONTEREY, Calif. – More than 3,000 students from across California visited the Presidio of Monterey on May 13 for DLIFLC’s Language Day. Students, educators and other participants were treated to stage performances, classroom displays and ethnic cuisine, highlighting the cultures of the many foreign languages taught here.
Official Presidio of Monterey Web site
Official Presidio of Monterey Facebook
PHOTO by Steven L. Shepard, Presidio of Monterey Public Affairs.