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This image is on Flickr because I put it in my personal journal today. dennissylvesterhurd.blogspot.com/2025/08/something-to-do-...
An El Zorro grain train led by all preserved VR scheme locos in the form of X31,T341,T357,T320,B74 near Culgoa from Berriwillock after earlier loading at Nullawill then running around at Berriwillock on 15-10-11
LED Downlight Fittings – If you are looking for a great way to improve the overhead lighting in your home then LED recessed downlights may be the perfect solution.
LED downlight fittings should be installed by a qualified electrician since LED downlight fittings are recessed up into ...
www.ultrabeamlighting.co.uk/lighting-articles/led-downlig...
This is a shot from a photocall for 'Missing' by Gecko Theatre at The Pleasance earlier today.
I was able to photograph a few scenes...and it looks a really beautiful show. The performers are framed by frames which have LED lights around the borders...and it makes for a really striking image.
I love this shot to bits. :-)
You can find out more about the show (and book tickets) here:
www.pleasance.co.uk/edinburgh/events/missing
My thanks are due to Alex from The Pleasance Press Office and Rosalind Wynn, Producer of "Missing"
A trip through downtown Sarasota yesterday gave me an opportunity to find out some new subject matter. I have some shots ofthis building taken through the canon, but no ability to dl at the moment (aaarrgghhhh!). But I will post asap for iPhone 20d comparo purposes. I'm happy with the way the tones came out and caught a nice cloud reflection. The backlight helps to divide the dark small columns from the main bldg. So this was taken with hipstamatic, blackeys film and John s lens. Minimal post edit - gamma adjusted in iris.
3. LED strip series
Flexible LED Strip/Decorative Lighting with 120-degree Wide Angle Illumination
* ****Features:
oContinuous length and flexible
o5 meters/roll, cuttable every 5cm
oRuns on 12V systems like solar cell charged batteries
oSuper-bright SMD top LED
oSolid-state, high shock- or vibration-resistant
o120-degree wide angle illumination
oNo RF interference
oMaintenance-free, with 3m adhesive tape on back for easy installation
oLong life: 100,000+ hours (10+ years), white LED: 50,000+ hours
oLow power consumption and high intensity
* ****Applications:
oArchitectural decorative lighting
oArchway, canopy and bridge edge lighting
oAmusement park, theater and aircraft cabin mood lighting
oEmergency hallway lighting
oAuditorium walkway lighting
oStairway accent lighting
oConcealed lighting
oBacklighting for signage letters
oChannel letter lighting
oEmergency exit path lighting
oCove lighting
A simple, quick, and very cheap circuit to turn on an LED when it gets dark. Read more about this project here.
State-of-the-art lighting technology illuminates the approximately 5,100-m2 glass shell that enwraps the Ars Electronica Center. The LED strips mounted behind the 1,100 glass panes that comprise the façade are individually programmable. Brightness and color mixture can be fine-tuned. There are a total of 40,000 diodes—a quarter each emitting red, green, blue and white. In normal nighttime operation, 3-5 kilowatts of electrical power are all it takes to produce innovative special effects.
credit: Nicolas Ferrando, Lois Lammerhuber
I finally took time to research the booths I had never seen in other airports.
February 21, 2020 St. Louis Post-Dispatch
Author: Erin Hefferman
How Group Led to ‘Free Speech Booth’ at St. Louis Airport
Tucked near a rarely used escalator in Terminal 1 at St. Louis Lambert International Airport is a blue sign that hangs over a nondescript stand announcing in all caps the spot’s purpose: FREE SPEECH BOOTH.
Underneath the sign on a recent morning sat Gregory Brown, 66, and Charles Ryskamp, 70, calling out to travelers and asking for donations in exchange for books about their Hare Krishna beliefs. Most passed without a second look.
“It’s like fishing,” Ryskamp said after a woman pulling a suitcase power-walked away from them. “Sometimes they are biting, and sometimes they’re not.”
The two men sit at this booth, on stools they bring themselves, six or seven days a week. For decades they’ve spent hours each day trying to entice people over to their selection of books on topics like yoga and reincarnation, taking advantage of an airport program that offers just about anyone a soapbox to proselytize, protest or raise money for a nonprofit.
Their spot is one of three free speech booths at Lambert that often puzzle travelers with their signs nodding to the First Amendment of the U.S. Constitution.
“Yeah, what’s the deal with these?” asked traveler Tienna Simons after a couple of minutes speaking with Ryskamp and Brown about karma. “Isn’t the whole country kind of one big freedom of speech booth?”
The first of the booths at the airport dates to the 1970s, stemming from years of legal battles over speech rights at Lambert. The disputes largely focused on Hare Krishna members who used to approach travelers throughout the airport offering flowers, candy or books in exchange for donations that funded their temple.
Today, the booths draw much less attention.
Three years of schedules show the booths are most often manned by the same few groups that have gotten permits from the airport. The regulars include the Hare Krishna devotees, Jehovah’s Witnesses and the United Service Organization military nonprofit, though booths have been used as Christmas caroling stations and for a protest message on occasion over the years.
“It’s a reasonable accommodation to allow people to express free speech,” said Jeff Lea, the airport’s spokesman. “And we don’t discriminate on who can reserve them.”
Airport management does makes a point to distance itself from the messages.
“The Airport Authority does not endorse the opinions or positions of the users of the Free Speech Booths,” read signs attached to all sides of the stands.
Still, Ryskamp and Brown told the St. Louis Post-Dispatch that they’re often mistaken for airport employees.
“We get a lot of people asking for directions to the bathroom,” Brown said.
Lambert was among the first airports in the country to attempt to restrict solicitations by Hare Krishna members and other groups when the first version of a free speech booth was introduced in 1977. Then-director Leonard L. Griggs, a former Air Force colonel, came up with the booth idea after years of battles with the Hare Krishna followers.
Griggs told the Post-Dispatch in a 1979 feature that the Hare Krishnas were the most frequent topic of complaints from travelers.
“If they want war, we will give them war,” he commented in reference to a group he said was harassing people.
In the early 1970s, the Hare Krishna followers were distinctive in most airports across the country with their bright orange robes and shaved heads. But by 1979 in St. Louis they had taken to wearing street clothes and wigs to keep people from avoiding them, according to a Post-Dispatch report. For a time, they even carried spray bottles of chemicals to defend themselves when passengers reacted aggressively to their approach, according to the newspaper.
The Hare Krishnas took both the city of St. Louis and St. Louis County to court in an attempt to ensure they could approach travelers. Early court decisions went in their favor, most notably a 1979 ruling from a St. Louis Circuit Court judge who ruled that the right to speech was protected at Lambert much like it would be on a busy street.
A few other groups also sued for the right to protest at the airport, including followers of cult political figure Lyndon LaRouche, who ran for president eight times, and a former baggage handler for Trans World Airlines who wanted to protest his firing with the sign “TWA discriminates against the handicapped.”
But in 1992 the tide shifted when the U.S. Supreme Court ruled against Hare Krishnas who had sued New York City airports over bans on solicitation in terminals.
The court ruled 6-3 that the airport was not a “public forum” like a street, but rather government property with a specific business purpose in which solicitation or speech that could interfere with its core purpose could be placed under reasonable restrictions.
“There are some publicly owned places like military bases or some government office buildings where the courts acknowledge there can be limits on free speech,” said Chad Flanders of St. Louis University Law School. “That decision made an airport one of those places.”
In the years since, Lambert, along with airports in Atlanta, Minnesota, San Francisco and elsewhere, introduced the current iteration of free speech booths as a way to confine speech to certain times and spaces.
Among the heaviest users of the booths across the country has been Jehovah’s Witnesses, including in St. Louis.
Bill Lane, 73, has been manning booths with his wife at Lambert for about a year. He attempts to talk to people about his faith and hands out pamphlets about roles in a family, among other topics.
The work may seem like a lot of rejection, but Lane spent years going door to door as a Jehovah’s Witness. By comparison, he’s able to reach many more people in the same amount of time at the airport, he said.
“We have to change our approach as life changes,” Lane said. “A lot of people don’t stop, but we’re not pushing something at people. We want them to come by their own initiative.”
The Hare Krishnas at Lambert, Ryskamp and Brown, said their work completes their mission to spread their philosophy and helps to financially support their temple. Hare Krishna, also known as the International Society for Krishna Consciousness, holds certain Hindu beliefs and stresses devotion to the Hindu deity Krishna. It was founded in the U.S. in 1966.
Ryskamp and Brown get donations for about 25 to 40 books they give out each day, they said.
There have been some complaints about the booths at Lambert over the years, including the United Service Organization taking issue with the Hare Krishnas targeting military service members in uniform, Ryskamp and Brown said.
Representatives from the USO have stood in front of the Hare Krishna booths in the past, telling military personnel to stay away.
“They can do that. We can’t stop them,” Brown said. “That is their freedom of speech, but we are practicing ours.”
The Sinaia Monastery, located in Sinaia, in Prahova County, Romania, was founded by Prince Mihail Cantacuzino in 1695 and named after the great Saint Catherine's Monastery on Mount Sinai in Egypt. As of 2005, it is inhabited by 13 Christian Orthodox monks led by hegumen Macarie Bogus. It is part of the Bucharest archdiocese. The Old Church was built in 1695. In 2006, it was closed to begin a restoration project to return it to its former beauty. The original interior painting was completed by Pârvu Mutu and were restored for the first time in 1795. The Old Church has reopened as of 2016. WIKIPEDIA
In the days of my youth
I was told what it means to be a man,
Now I've reached the age
I've tried to do all those things the best I can.
No matter how I try,
I find my way into the same old jam.
Good Times, Bad Times
A Led Zeppelin tribute I created with Potato-shop.
CSX local freight train, led by a GE U23B # 3261 (former L&N), is seen near the Amtrak curved interconnection track between the former SAL to ACL mainline routes in Auburndale, Florida, 1989. The local freight train is operating on the former SAL right-of-way that continues across the diamond and heads north to service the plants and industries located nearby the Auburndale area. The line between north Auburndale and Coleman was placed out of service in 1988, then was removed shortly thereafter.
We aren't as happy with LED lighting as we used to be. They are expensive, don't last long and clearly are a major source of e-waste.
A simple, quick, and very cheap circuit to turn on an LED when it gets dark. Read more about this project here.
An LED wine charm. Simple but effective. No, it doesn't blink. You could certainly put a tiny lithium battery on the back side of the stem if you wanted it to light up, but it might start to get in the way of using it as a wine glass. =(
This is part of a DIY "solder your own wine charms" project; read more about it here.
Paraphrasing Infernal Overdrive's Facebook page:
Genre
Heavy Rock
Members
• Marc Schleicher- Lead Guitar and Vocals
• Rich Miele- Lead Guitar and Backing Vocals
• Mike Bennett- Lead Drums
• Keith Schleicher- Lead Bass Guitar
On the web
Photos of their shows
• O'Brien's, Allston MA, 16 Jul 2011
• Great Scott, Allston MA, 2 Apr 2011
• O'Brien's, Allston MA, 4 Sept 2010
• O'Brien's, Allston MA, 16 Jan 2010
Hometown
Red Bank, NJ
Record Label
Small Stone Records
About
Infernal Overdrive is a heavy rock and roll band formed in early 2008 when Marc Schleicher (fmr. Quintaine Americana [Wikipedia, MySpace, AllMusic], Cracktorch [MySpace], Antler, Liquor Tricks [MySpace]) of Allston , Mass. started jamming with Mike Bennett (fmr. Loud Earth [Reverb Nation, Facebook]) in Red Bank. Soon they got Rich Miele (fmr. Loud Earth [Reverb Nation, Facebook]) on board playing second lead guitar. During some of their early shows, Jake Metz (Godzero [MySpace]) joined the band on bass, but he was soon replaced by Keith Schleicher.
Their sound is a combination of their classic influences such as Led Zeppelin, Blue Cheer, Free, Grand Funk, Cactus, Deep Purple and Pink Floyd and newer heavy bands like Kyuss, Nebula, Soundgarden, STP, QOTSA and Monster Magnet.
Biography
Rumors abound that somewhere in the depths of New Jersey time stands still and it is always 1977. Trapped in this interstellar time warp, making electric amageddon is Infernal Overdrive. Fronted by the mysterious, oft reckless Marc Schleicher (Cracktorch [MySpace], Quintaine Americana [Wikipedia, MySpace, AllMusic], Antler) - a Boston native transplanted in time and space to this 4th dimension - summoned by the all-powerful duo of Mike Bennett and Rich Miele of Loud Earth [Reverb Nation, Facebook]. After a treacherous search to find his long lost brother, Keith Schleicher was sucked into the vortex to fulfill his destiny on bass guitar. They journey in the last of the V8 interceptors, proving themselves worthy of the Small Stone pedigree. Forces to be reckoned with on their own, as a group their wonder team powers activate to kick into Infernal Overdrive.
Armed with their wits, New Jersey dialect and a passion for surviving the likes of the Tall Man, flying orbs, giant sharks, the Turnbull AC's and an occasional family of albino zombies, Infernal Overdrive will be coming to an area near you soon. Can you dig it?
Current Location
Red Bank, NJ
Artists We Also Like
Cortez, Maegashira, Monster Magnet, Roadsaw, Pigs, The Brought Low
Influences
Delta Blues, Led Zeppelin, Grand Funk Railroad, Soundgarden, Monster Magnet, Cactus, Deep Purple, Nebula, Pink Floyd, Cream, Mountain, Kyuss, James Gang and shit loads of other bands.
Reviews
Review by The Obelisk / Stoner Rock:
Infernal Overdrive Kick into Gear
With production by Andrew Schneider (Throttlerod, The Brought Low, Hackman) and mastering by Nick Zampiello at New Alliance East in Boston, there’s no doubt that New Jersey riff rockers Infernal Overdrive are going for that Small Stone Records sound. The four tracks that comprise their new self-titled EP fall in line with the kind of straightforward guitar-led rock the Detroit label has proffered for well over a decade now, and with a similar southern/classic ‘70s influence to New York’s The Brought Low, Infernal Overdrive seem remarkably conscious of what they’re doing sonically. More so than you might expect for a band just releasing their first EP.
The story goes that when guitarist/vocalist Marc Schleicher (ex-Cracktorch [MySpace], Antler) moved from Massachusetts to central New Jersey, he got hooked up with drummer Mike Bennett and guitarist/backing vocalist Rich Miele (both ex-Loud Earth [Reverb Nation, Facebook]). Keith Schleicher (relation assumed) was added on bass and Infernal Overdrive began rocking out early 2008. The EP was recorded over two days in February and four in April, and though that seems quick, none of the songs feels rushed or underdone. Schneider, who also shows up on extra backing vocals, makes his mark sound-wise in the tone of Schleicher and Miele’s guitars and Bennett’s snare sound, which has the same pop Schneider has become known for – not too bright, but able to cut through the mix and propel the songs forward. Some of Schleicher’s leads, as on EP closer “Motor,” feel a little too thought out, too structured where what I’d like to hear is a little bluesy ‘70s recklessness, but they get the job done nonetheless, and the vocals are never out of place.
Although the highway for which it’s named runs down through the whole East Coast, there’s no question that when Infernal Overdrive open the EP with “I-95,” they’re talking about Jersey. The song is a southern-hued guitar rocker that sets the tone well for the three tracks that follow with an ear toward rock traditionalism and, once again, like-minded Small Stone heavy-hitters Sasquatch, Dixie Witch, et al. It’s hard to argue with the approach when it works as well as it does on the speedy “The Edge,” which forgoes central Jersey’s reputation for heavy psychedelia in the style of Monster Magnet in favor of Halfway to Gone’s stripped-down take on rock. “Duel” slows down the pace somewhat but still keeps a mid?paced groove that makes use of some well?placed lead lines that start the song reminding me of Iron Maiden filtered through Nebula’s druggy haze. Only “Motor,” which devolves into an extended jam that brings the track to a total of just under 12 minutes, is longer, as the songs on Infernal Overdrive go in order from shortest to longest. Whether or not that’s on purpose on the part of the band, I don’t know – I’d imagine at least putting “Motor” last is – but I suppose it’s as good a method of organization as any.
There’s a short message from the Devil after “Motor” finishes up, and that’s the end of the EP. Infernal Overdrive are out relatively quick when you consider their first release is only 26 minutes and three of the four songs take up about 11 of it. No complaints though, as the four-piece know precisely how to get the most out of their sound and show exactly that on these tracks. It’s a hell of an investment to make with a self-released debut to hook up with the likes of Schneider and Zampiello, but Infernal Overdrive make the most of Schleicher and co.’s collected experience, and come off sounding confident and notably mature for a band who’s been together less than three years. It may not be changing the game, but Infernal Overdrive is definitely worth checking out for anyone who wants to hook into some solid and unpretentious heavy rock.
Review by Cutting Edge Rocks:
A couple years ago we reviewed a strong up-and-coming Jersey band Loud Earth [Reverb Nation, Facebook]. Well, it seems they dissolved and morphed into Infernal Overdrive. The new band is two parts Loud Earth [Reverb Nation, Facebook] (drummer Mike Bennett and guitarist/backing vocalist Rich Miele), one part Cracktorch [MySpace], Antler (guitarist/vocalist Marc Schleicher) and one part brother (bassist Keith Schleicher). Mike contacted me letting me know the band formed after Marc relocated from Boston and set up shop in Jersey. He sent along the EP for my listening pleasure. And a pleasure it is! The songs are baked in southern ‘70s hard rock with catchy riffs and plenty of power rumbling in the pipes. The info is sketchy but according the record’s liner notes, the four-song EP was recorded this year in Brooklyn, NY over five days (Feb 27, 28 & April 17, 18, 24, 25). Production was handled by Andrew Schneider (Throttlerod, The Brought Low, Hackman) with mastering by Nick Zampiello. Fans of our site will immediately make the Small Stone connection and that seems to be where the band are heading as the vibe is defiantly Detroit retro.
Take for instance “I-95” which opens the disc with a solid guitar wail and foot-stomping drum beat. Tambourine is added for flavor but the song bellows like fellow Boston-natives Roadsaw, mixing biker thunder with a Pat Travers/Leslie West riff-fest. Second track, “The Edge” is pure old school Nugent, including the repeat riff and frantic, almost MC5 delivery. Schleicher voice is ragged and ready to rock. The drums hammer and the bass drives laying down a solid bed for some sexy solo leads. “Duel” has more Fu Manchu in the groove. It’s mostly in the chorus, but the build in the verse is still very Scott Hill/Brant Bjork. The track also boasts our favorite solo - frayed, not over played and sparked with cosmic energy. “Motor” is a 13-minute stoner masterpiece. A heavy bottom end brings to mind Sabbath, Sasquatch and Mountain. The riff is clean but thick with a layered solo painting in all the little nuances - perfect for a psychedelic ride. The echo on the vocals adds to the songs dripping mysticism while the guitar is allowed to float, pierce and melt the brain. Yeah, it only four songs, but dude, sometime that’s all you need when they’re this good.
Review by Heavy Planet
I recently had a chance to hear some new material from thee guys and I'll tell you right now, this is a band to be on the look out for. They're going places. Their sound is straight up southern stoner rock. If I had to compare them, I'd say they're a bit harder version of The Brought Low. Checkout the usual social media spots (links below) to hear what I'm talking about and keep up to date with all their happenings because you'll certainly be hearing from them again.
After the mind-bending X-BASS program headlined by Skrillex, Rudimental, and unbelievable back2back sets at Dance Arena led by Disclosure and Carl Cox, the music wildfire spreads its flames onto the Fusion stage, whose first acts promise the best, freshest, most blazing program ever at the third biggest stage of EXIT festival. Fusion 2014 headliners are the one and only, and our audience's favourite, the ASIAN DUB FOUNDATION (UK), followed closely by the AFGHAN WHIGS (US), MIGHTY OAKS (Germany), TRICOT (Japan), while JAMBINAI (South Korea) join the Riffs&Beats stage. From British dub to Korean ambient metal, over German indie-folk, all the way to cult American sounds, and Japanese alternative rock, the Fusion and Riffs&Beats stages will be blasting with guitars, drums, bass, tambourines, and traditional instruments from America, Europe, and Asia!
Friday, 11th July, is D-day: the British MIDI warriors of the 21st century are coming to Fusion Stage. Asian Dub Foundation have a spicy combination of sounds like jungle rhythms, dub, punk rock guitar, and traditional Indian melodies. During their fruitful and bountiful carrier, ADF shared the hallowed ground of a stage with the likes of Rage Against The Machine, The Cure, and Radiohead. Their summer tour is fueled by their new album “The Signal and Noise”. Their concert is definitely something you don’t want to miss, because when will you again get the chance to see one of the best live bands in the world who are able to make every gig so unique, they entrench it in your head so vividly - they make it look easy.
The cult-status American rock band, The Afghan Whigs, announced their seventh (also comeback) album, “Do to the Beast”, and they’re coming back to alternative rock with a bang. The crew that influenced many followers of this genre presented their very best at the record that’s coming out this spring, heralded by the latest single “Algiers”. They’ll play their dark, brooding rock sound peppered by true american riffs, and lined with unique lyrics that are borderline black humour at the Fusion Stage at EXIT Festival on 10th July.
The German band Mighty Oaks, made up of three guys from three different countries, will perform on Fusion Stage on Sunday, 13th July. What may seem like the beginning of joke, an American, Italian and Briton walk into a bar in the middle of Berlin’s electronic flux, and they end up forming an indie-folk sanctuary where they create unassuming and yet powerful music that caught the eye of the internet community in no time. Their subtle acoustic sound of guitar, mandolin, and tambourine is given depth and texture by electric guitar, bass, and drums, as they create songs about love and nature. They’ve been the opening act for Kings of Leon and Chvrches, and they’ve released “Howl”, their first studio release, about a month ago. “Brother”, the last single on the album became a revered hit in the indie scene.
Who would’ve thought that an ambient metal bend from South Korea would blaze the stages of festivals worldwide in 2014? The completely transcendent post-rock, post-avantgarde sound that Jambinai pushes for is achieved by traditional Korean instruments, supported by electric guitars and electronic instruments. After the great hit of their first album “Difference” the Korean five-member band is announcing their second album, set for May 2014. They will be performing on Riffs & Beats on on 13th July.
On the same date Fusion stage will welcome the Japanese alternative rock group from Kyoto - Tricot. Three chicks and a dude on drums make the band seem like they just came out of a chewing gum commercial. Don’t be fooled. Their experimental sound will blow you away - there’s no way you won’t get the urge to start jumping and dancing with their post-rock rhythms, coupled with unpredictable transitions. It’s as if you’re being punched in the face by a fist made out of strawberries. “T H E”, their debut album, was published in October last year, and they’ve been playing at the most important Japanese music festivals during the past two years, like Fuji Rock and Rock In Japan. They’re about to conquer Europe this summer, so be one of the first who’ll hear them on this side of the globe!
www.exitfest.org/en/news/fusion-and-riffsbeats-stages-are...
Welcome to EXIT ADVENTURE!
Line-up; www.exitfest.org/en/lineup/lineup-2014
Tickets; www.exitfest.org/en/tickets & www.exitfest.org/sr/ulaznice
EXIT FESTIVAL - 10-13 July, Petrovaradin Fortress, Serbia
SEA DANCE FESTIVAL - 15-17 July, Jaz Beach, Montenegro
One Adventure, Two Countries, Seven Days = EXIT Adventure
Confirmed acts for EXIT FESTIVAL 2014 so far include:
DAMON ALBARN
AFROJACK vs QUINTINO / CARL COX vs DANNY TENAGLIA / DEEP DISH / DISCLOSURE LIVE / RUDIMENTAL LIVE / SKRILLEX / STROMAE
ADVENTURE CLUB / ANDY C / ASIAN DUB FOUNDATION / BEN KLOCK vs MARCEL DETTMANN / BETTER LOST THAN STUPID [MARTIN BUTTRICH vs DAVIDE SQUILLACE vs MATTHIAS TANZMANN] / CARL CRAIG vs GREEN VELVET / DUB FX / DUSKY vs PAUL WOOLFORD / EATS EVERYTHING vs CASSY / GORGON CITY / HEIDI vs KIM ANN FOXMAN / JAGUAR SKILLS / MACEO PLEX vs DANNY DAZE / PLANETARY ASSAULT SYSTEMS LIVE / PRETTY LIGHTS Live Visual Show / SUB FOCUS DJ SET / THE AFGHAN WHIGS / TIGA vs DJ HELL
DIMENSION / FRED V & GRAFIX feat DYNAMITE MC / JACKMASTER & ONEMAN PRESENTS 'CAN U DANCE' / JAMBINAI / JAYMO vs ANDY GEORGE / KOVEN LIVE / MIGHTY OAKS / MY NU LENG / SHADOW CHILD / TC / TRICOT / WAZE vs ODYSSEY and many more to come!
Tickets for EXIT Festival, as well as the EXIT ADVENTURE pack (EXIT + SEA DANCE Festival) are currently available. Tickets for SEA DANCE Festival separately will be sold at a later time.
More information on tickets can be found at:
- www.exitfest.org/sr/ulaznice
All tourist information, including accommodation and transport to and from Novi Sad as well as to and from Budva, you can find at:
For all other important and interesting questions and answers, please write us at answerme@exitfest.org.
Follow EXIT Festival:
www.soundcloud.com/exitfestival
www.instagram.com/exitfestival
www.pinterest.com/exitfestival
EXIT Festival Wikipedia:
en.wikipedia.org/wiki/Exit_festival
Video-Report Erciyes & Kayseri - youtu.be/-2lLv_IZvgE
Video-Teaser Lena @ Erciyes - youtu.be/ZiSP6X0wDGw
V-Blog Erciyes mit Lena - bit.ly/V-Blog-Kayseri
Tolle Unterkünfte in Kayseri buchen - www.booking.com/searchresults.en.html?city=-759102&ai...
Mehr zum Skigebiet am Erciyes - kayserierciyes.com.tr