Easily LED
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Macro Mondays
Radiant
Led torch shining on a crystal glass
laying on holographic paper.
Hand held to give
a bit of movement.
Gannet - Morus Bassanus
Bempton Cliffs
The gannets are large white birds with yellowish heads; black-tipped wings; and long bills. Northern gannets are the largest seabirds in the North Atlantic, having a wingspan of up to 2 metres (6.6 ft). The other two species occur in the temperate seas around southern Africa, southern Australia and New Zealand.
Gannets hunt fish by diving into the sea from a height and pursuing their prey underwater. Gannets have a number of adaptations which enable them to do this:
no external nostrils, they are located inside the mouth instead;
air sacs in the face and chest under the skin which act like bubble wrapping, cushioning the impact with the water;
positioning of the eyes far enough forward on the face for binocular vision, allowing them to judge distances accurately.
Gannets can dive from a height of 30 metres (98 ft), achieving speeds of 100 kilometres per hour (62 mph) as they strike the water, enabling them to catch fish much deeper than most airborne birds.
The gannet's supposed capacity for eating large quantities of fish has led to gannet becoming a description of somebody with a voracious appetite.
Gannets are colonial breeders on islands and coasts, normally laying one chalky, blue egg. Gannets lack brood patches and they use their webbed feet to warm the eggs. It takes five years for gannets to reach maturity. First-year birds are completely black, and subsequent sub-adult plumages show increasing amounts of white.
The most important nesting ground for northern gannets is the United Kingdom with about two thirds of the world's population. These live mainly in Scotland, including the Shetland Isles. The rest of the world's population is divided between Canada, Ireland, Faroe Islands and Iceland, with small numbers in France (they are often seen in the Bay of Biscay), the Channel Islands, Norway and a single colony in Germany on Heligoland. The biggest northern gannet colony is on Scotland's Bass Rock; in 2014, this colony contained some 75,000 pairs. Sulasgeir off the coast of the Isle of Lewis, St. Kilda, Grassholm in Pembrokeshire, Bempton Cliffs in the East Riding of Yorkshire, Sceilig Bheag, Ireland and Bonaventure Island, Quebec are also important northern gannet breeding sites.
Young gannets were historically used as a food source, a tradition still practised in Ness, Scotland, where they are called guga. Like examples of continued traditional whale harvesting, the modern day hunting of gannet chicks results in great controversies as to whether it should continue to be afforded exemption from the ordinary protection afforded to sea birds in UK and EU law". The Ness hunt is currently limited to 2,000 chicks per year, and dates back at least to the Iron Age. The hunt is considered to be sustainable, as between 1902 and 2003 Gannet numbers in Scotland increased dramatically from 30,000 to 180,000.
Population:
UK breeding:
220,000 nests
A wonderful calm walk along the Afon Mellte, on the quiet side of the valley led me to this tranquil spot. A place to reflect and take in the beauty of nature. The arms of the falls were wrapped around me . Can I sleep in your arms is covered by Phosphorescent on my playlist.
The combination of isolation, attacks on the Evans Cherry Tree community and adolescent cherry testosterone has led to an increase in incidents of bizarre and freakish behaviour.
One example of this increase in cherry rage was this past Sunday at the C.F.L. (Cherry Football League) game. A small group of adolescent cherries got into a fight which resulted in some sliced cherries, one to the pit. Thank goodness the injuries were not life threatening.
A tip through Cherry Stoppers led the authorities to the alleged instigator of the fight, which in turn led to a key witness having to identify the sour cherry.
This freak behaviour has to stop. It's time to make Sundays great again and put the cherry on top.
Take care and stay safe
The construction, in 1765, of the École Militaire designed by Ange-Jacques Gabriel, was the first step toward the Champ de Mars in its present form. Grounds for military drills were originally planned for an area south of the school, the current location of the place de Fontenoy. The choice to build an esplanade to the north of the school led to the erection of the noble facade which today encloses the Champ de Mars.
Casalecchio di Reno (BO)
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"Amo la fotografia e, soprattutto, amo la fotografia di strada, per questo motivo fotografo spesso nei luoghi pubblici in cui appaiono le persone.Nella maggior parte dei casi non chiedo il permesso di fotografare perché probabilmente cambierei le immagini che cerco di ottenere. Queste foto obbediscono sempre ad un intento culturale, estetico, artistico e / o documentaristico e in nessun caso hanno lo scopo di mostrare a nessuno una situazione che potrebbe lederne l'immagine, minacciare la loro dignità o ottenere un beneficio economico. Tutto questo non significa affatto che non mi interessi delle persone che appaiono nelle mie immagini, quindi se ti riconosci in una delle mie fotografie e questo ti infastidisce, devi solo farmelo sapere e la ritirerò immediatamente . Allo stesso modo se vuoi una copia della tua immagine su carta o in un formato che ti permetta di stamparla tu stesso , ovviamente è tua. Grazie."
White crayon on black cardboard, one LED lamp. Imagine a space of total equality and perfect non-distinction. The space would not be empty, but everything in it - energy and matter - would be completely evenly distributed. Because of this, there would be no movement, no energy consumed or generated. Therefore no heat and no light and no life. It would be the end. The space could be our universe, and its death.
The back of the house is pitch black in winter as there are no street lights, so it's always handy to keep a torch around. This small LED torch is always in my pocket and has lit the way up the back path on quite a few occasions.
Cada atardecer es un libro abierto a las emociones del alma; —el de hoy me recuerda que detrás de los grises siempre habrá un rayo de luz, como un fulgor de esperanza, solo necesitamos hacer una pausa y, mirar al cielo...
Leda.
www.youtube.com/watch?v=J7aGg3dVsFw
The Louvre Melody.
World Philharmonic Orchestra - Tema
I was at Big Sur this weekend in the California coast. The State park nearby has a tunnel access to a beautiful water fall. Trying some light painting with LED.
Thanks for taking the time to view my photo
The smallest 35 mm camera ever made in mass production (made in Singapore). Modern digital pocket cameras are smaller, but I found the pictures on Flickr made by this filmbox of great quality, so I decided to buy one, also inspired by a photograph made by Paul van Eik. The name LED refers to lightmeter indicator within the viewer, but it needs a battry which is not available today for reasons of environmental pollution. It also works on a pile of SR44 batteries but that costs about 20 euros, and I already have a separate lightmeter, so no LED for me.
The picture is too green, and I leave it that way as a protest against the overdone blue of the colour black which I can't get rid of in digital cameras, without affecting the other colours too much.
I am very proud to announce that I am now officially sponsored by Led Lenser, this is a very proud moment in my life and I only have good things to say and many thanks to the people at Led Lenser, within the sponsorship deal they send me torches to help with my work and help promote their products.
This is an honour for me, to be sponsored by the worlds best torch company. So Thanks Led Lenser, I shall be doing product reviews on all of Led Lensers products on my Youtube channel, to help light painters making the right desicion before buying a torch.
Thanks to my wife for helping me with the lighting and light writing.
My Yema LED watch - a modern reincarnation of an original design from the 1970’s. My very first watch when I was a kid was a red LED black plastic thing … and I thought it was the most amazing technological masterpiece! Of course it stopped working in less than a year and being a future engineer I pulled it apart and eventually it got discarded.
Matthew 24:10 “Then many will be led into sin, and they will betray one another and hate one another.”
I last photographed the Thames Barrier a little over a year ago, but became inspired to revisit the location after coming across an article about the 1953 North Sea Flood, which overwhelmed British sea defences in the Thames Estuary and led to the deaths of more than 300 people across several counties. It was remarkable to read that the gates protect not only the immediate East London borough against tidal surges, but also the infratructure, underground network and power supplies stretching beyond the O2 Arena, the Docklands and Tower Bridge and all the way to Westminster. In addition to this, the barrier now also needs to contend with the impact of climate change and rising sea levels.
With all of this in mind, my aim with this image was a darker, moodier and altogether more sinister alternative to my last take on the location, capturing the formidable size and scale of the barrier's piers at dusk, but also contrasting the peaceful flow of the Thames and the reassuring glow of the piers' evening lights with the foreboding tones of the evening sky.
The final image is a blend of a dozen exposures captured over two hours, starting with a 90-second exposure as the sun was setting and continuing into the evening, at which point the shutter speed had extended to 12 minutes. My intention all along had been to weight the emphasis on the later exposures, but I knew I would also be using the earlier and brighter exposures to enhance the lighting across the roof of the piers and the tones along the Thames. Having created Pen Tool selections in Photoshop for the barrier's piers, the sky and the river, I blended in portions of each of these exposures using a combination of Soft Light, Lighten, Luminosity, Linear Dodge, Colour Dodge and Screen blend modes. The goal at this stage was to bring out the reflective finish and dimensionality along the tip of the piers, to emphasise the glow of the lights inside the barrier, to produce a clean finish in the concrete at the base of each pier, and to brighten the water and darken the sky. After blending the exposures,
I applied a gentle radial blur to the sky and used Silver Efex Pro to lower its midtone structure and soften its texture, creating a subtle contrast between the piers and their surroundings. I then used Colour Efex Pro to add some minor tonal contrast adjustments, with a gentle Detail Extractor to bring out the gritty nuance in the piers. The final touches were a combination of a Gradient Map to emphasise the chilly evening tones and a Colour Lookup set to Bleach Bypass to desaturate the tip of the piers, which helped to bring out their metallic texture and to add some definition to their background.
The end result involved more planning and attention to detail at both the shooting and editing stages than my previous take, but it hopefully brings out the immense feat of engineering behind the barrier's design, as well as the rock-steady industrial strength of the barrier against a sometimes menacing force of nature, which was the aspect that inspired me to revisit the location in the first place.
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Metal dragon sculpture in Borrego Springs. Sculpture by Ricardo Braceda.
Light painted with LED flashlight (Proto Machines LED 8).
(There's a metal support stancion that I Photoshop'd out.)
I wasn't going to post any more of the smoke shots but last night I figured something out. Even though the red and blue LED light panels were washed out by the strobe the colors were still there I just had to jack up the saturation and vibrance. My place needs a break, it smells like "hippy".
With heartfelt and genuine thanks for your kind visit. Have a wonderful and beautiful day, be well, keep your eyes open, appreciate the beauty surrounding you, enjoy creating and stay safe! ❤️❤️❤️
Product Description
Product: LED Lamps / LED Light Bulbs / LED Spotlights MR16 3x1W
Item No.: MR16-1W3-W
Features:
Input voltage: 12v ac/dc with reversed polarity protect
Output power: 3w
Total length: 52mm(including pins)
Beam angle: 15/30degrees
Light source: 3*1w high power led
Body temperature: <53centigrade
Led working temperature: <62centigrade
Temperature: -40~70 celsius degree
Life span: 50, 000 hours
Full range of color: Cool white, warm white, blue, green, red, yellow
Net weight: 55g
Aluminium housing
No uv or ir radiation
Certifications: CE & ROHS
Applications:
replacement for traditional halogen light bulbs, esp in galleries, museums, cosmetic counters where UV or IR radiation is undesirable