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"El Pensador"
RĆ©plica en bronce de la escultura de Auguste Rodin, en el museo que lleva su mismo nombre, en ParĆs.
"The Thinker"
Bronze cast of the Auguste Rodin sculpture, at the Rodin Museum, Paris.
Ā« Le Penseur Ā»
Copie de bronze de la statue d'Auguste Rodin, au musĆ©e de nom homonyme, Ć Paris.
Le zoo de La Palmyre est l'un des dix parcs zoologiques les plus visitƩs de France, avec plus de 700 000 visiteurs en 2014.
Photo: Photo LĆŖ Trung
Model: LĆŖ TrĆ¢n
Makeup: Nam Lį»£i
Retouch:LĆŖ Trung
Mį»i chi tiįŗæt vį» chį»„p įŗ£nh vui lĆ²ng liĆŖn hį»: 0903036756
Yahoo: photography_letrung
Le Salvine sono un'area ai piedi del Pian dal Turo e Truc d'l Buscajun, appartenenti alla frazione Bagneri del comune di Muzzano, mantenute ad alpeggio, ancora abitate tutto l'anno dagli ultimi irriducibili. Ecco alcuni bellissimi alpeggi, questi abitati sono d'estate.
... Lorsque mes amis me l'ont proposĆ©, j'Ć©tais hĆ©sitant... mais sur place, j'ai vite Ć©tĆ© conquis... Spectacle provenƧal de haut-niveau par des artistes et danseurs (+100) qui nous ont charmĆ© de par leur musique, instrument et Ć©lĆ©gante tenue vestimentaire, dans le monde de l'ancienne musique revisitĆ©e et adaptĆ©e Ć notre gĆ©nĆ©ration.. Jean-FranƧois Gerold Ć menĆ© sa troupe comme un grand chef...
ScĆØne montĆ©e sur l'eau alors que nous Ć©tions de l'autre cĆ“tĆ© du canal qui nous permettait une vue (en plein nature) de toute beautĆ©...
Ćcoutez cette vidĆ©o: www.youtube.com/watch?v=XpsM77YO994
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" Le Condor " ... When my friends proposed it to me, I was hesitantā¦ but on the spot, I was quickly conquered... A high-level Musical show of Provence by artists and dancers (100+) who charmed us from their elegant music, instrument and appropriate outfits, in the world of the old music revisited and adapted to our generation... Jean-FranƧois Gerold with carried out his troop like a good leader...
Listen to this video: www.youtube.com/watch?v=XpsM77YO994
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Photo ID: 75938 Le Boreal
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French postcard. Film PathĆ©, No. 3664. Croissant, Paris. Series for the French film Le chemineau (The Tramp, Albert Capellani, PathĆ© frĆØres 1905), based on the first part of Victor Hugo's novel Les misĆ©rables. See filmographie.fondation-jeromeseydoux-pathe.com/5943-chemi.... Caption: C'est moi qui les lui ai donnĆ©s (It's I who gave them to him).
Plot: it's winter, snow falls on the desolate countryside. An exhausted tramp in vain asks for an alimony from passers-by. He presents himself at the presbyterium and is hosted by the pastor, who lets him dine at his table and sleep in his bed, sleeping himself in his chair. At night, the tramp sees golden objects that serve for mass in a cupboard in the bedroom. He sticks them in his bag and secretly sneaks away, trying not to awake the pastor. Arrested at a jeweller, to whom he tries to sell his loot, the gendarmes bring him back to the pastor. Despite all, the pastor wants to exonerate the miserable man's soul and tells a lie to the gendarmes: I gave the objects myself to him. The thief repents.
Unclear is who the actors are, but sets were by Hugues Laurent. The film appeared in the "ScĆØnes dramatiques et rĆ©alistes (8ĆØme SĆ©rie)" by PathĆ©.
"Among PathĆ©'s filmmakers, Capellani undoubtedly figured among those who, at the forefront, developed and systematized a good number of techniques of representation destined to be quickly standardized in the narrative cinema. Recent retrospectives of his restored films (for example at Cinema Ritrovato in Bologna) and many special editions in DVD now attest to Capellani's contribution, particularly in the use of deep staging shots, various changes in framing and even rudimentary editing techniques. A former actor who had worked with AndrĆ© Antoine, Capellani tended to specialize in several "genres" within the PathĆ© FrĆØres catalog: historical films, fables, fantastic adventures and dramatic scenes - that is to say realistic cinema - and / or family melodramas - some of which were adaptations. [...]
One of Capellani's first films, Le Chemineau (January 1906), staged an episode from Les Miserables by Victor Hugo in which Jean Valjean, who was granted lodging by the parish priest of a village, stole several silver candlesticks and escapes the arrest thanks to the false testimony of the priest. This film mainly uses the usual representation system of the beginnings of the cinema: its six exhibition boards, the majority of which consist of long shots, were filmed in studio with decorations painted on panels for indoor and outdoor scenes. The first two paintings, for example, depict a winter landscape with a small village (church included) visible in the distance, in the background, while in the foreground, the tired silhouette of Jean Valjean staggers in the falling snow. However, there are at least three occurrences of unusual framing or editing choices.
What is particularly surprising, in the very first painting, is to see Valjean arrive thanks to an unexpected big plan that not only serves to catch the spectator but also to describe briefly the character, emphasizing his disillusioned gaze, his sad mouth and ragged appearance. After being rejected by a series of peasants on his way and facing a woman opening the door where he just knocked, Valjean appears in front of the presbytery door and is invited by a maid to enter a small room where the priest is seated at the table. This scene follows its movement through a sequence of exterior and interior shots, from one side of the door (on the right of the screen) to the other (on the left of the screen). When the servant surprises him with a plate of food in her hand, a horizontal panning to the right reveals an adjoining room where the priest and the maid lead him to spend the night. This sequence continues, while he discovers, in the background, a cupboard filled with silverware, stuffs the candlesticks in a bag and, in a reverse plane of horizontal panning to the left, goes on tiptoe in front of the priest asleep in the first room and go out the door.
Only one of the two final plans has been preserved: the picture of the interior of a shop where Valjean pledges candlesticks, the maid, unsure of nothing, enters and is shocked to see them; the gendarmes stop him. The final painting apparently brings the viewer back into the priest's room, but probably without the need for a similar panoramic view, when the latter declares to the gendarmes, against all odds, in a recreated intertitle: "Let this man go, I gave him the candlesticks. [...]
During this period of transformation [c. 1906-1908], Capellani and his fellow directors at PathĆ© FrĆØres, but also Alice Guy and especially Louis Feuillade at Gaumont, successfully tested many narrative and representative strategies that would characterize the narrative discourse of French cinema during the most most of the 1910s. The American filmmakers, first at Vitagraph, then at Biograph, where D.W. Griffith began shooting films in the summer of 1908, would develop them even more and lay the groundwork for what would be called later "Hollywood classic cinema". Although there is little direct evidence, French films, particularly those of Capellani, most likely have had a strong impact on American cinema as they were widely distributed and screened in the United States.
PathƩ films not only served to close the variety shows in hundreds of theaters, they also formed the main entertainment of the Nickelodeon, a new kind of theaters, which quickly counted by the thousands from early 1907 onwards."
(Richard Abel, 'Capellani avant Griffith, 1906-1908', 1895, 68, 2012, p. 15).
Je connaissais se parc,mais que de l'avoir traversĆ© lors de mes footings.LĆ cette fois j'ai pris la peine de venir m'y promener,sauf que j'ai tĆ¢chĆ© ma jupe avec de la rĆ©sine de pins.
Pour le coup,moins drƓle!....
Le 27/08/2012.
Tramway Breda nĀ° 14
NumĆ©rotation : 01 Ć 24
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
ā Tramway Breda de Lille Roubaix Tourcoing.
ā 3e LivrĆ©es ( Couleur )
ā Inauguration du tramway Breda le jeudi 5 mai 1994.
ā Inauguration du Grand Boulevard de Lille Roubaix Tourcoing Le 04 dĆ©cembre 1909.
ā Inauguration de la ligne de tramway Lille Roubaix Tourcoing le 11 dĆ©cembre 1909 en prĆ©sence d'Alfred Mongy.
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
Le tramway VLC Breda
ā Fiche technique :
ā¢ Longueur : 29.6 mĆØtres
ā¢ Largeur : 2,4 mĆØtres
ā¢ Hauteur : 3,425 mĆØtres
ā¢ Masse Ć vide : 40 tonnes
ā¢ CapacitĆ© avant ā 2015 : 200 personnes ( 50 assises et 150 debout )
ā¢ CapacitĆ© Ć©voluĆ© aprĆØs rĆ©novation āŗ 2016 : 245 personnes ( 40 assises et 205 debout )
ā¢ Vitesse maxi : 80 km/h
ā¢ Captage : pantographe unijambiste Faiveley
ā¢ Ecartement : Voie mĆ©trique ( 1 mĆØtre )
ā¢ Constructeur : Breda Costruzioni Ferroviaire
Source : Trans'Lille
www.translille.com/spip.php?article4
Page dāacceuil :
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
Exploitant : Transpole āŗ IlĆ©via. depuis le 28/01/2019 ( Site officiel )
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
ā DĆ©nomination des compagnies au fil du temps des tramways T et R de la ligne de Lille Roubaix Tourcoing sur le grand Boulevard soit :
āŗ ELRT ( 1905 - 1968 )
āŗ SNELRT ( 1968 - 1982 )
āŗ TCC ( 1982 - 1994 )
āŗ TRANSPOLE ( 1994 - 2019 )
āŗ ILEVIA ( 28-01-2019 - >>>> )
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
Transpole / IlƩvia ( WikipƩdia )
fr.wikipedia.org/wiki/Il%C3%A9via
š¬š§ UK
Transpole / IlƩvia ( WikipƩdia )
en.wikipedia.org/wiki/Il%C3%A9via
š©šŖ DE.
Transpole / IlƩvia ( WikipƩdia )
de.wikipedia.org/wiki/Il%C3%A9via
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
Tramway de Lille - Roubaix - Tourcoing ( WikipƩdia )
fr.wikipedia.org/wiki/Tramway_de_Lille_Roubaix_Tourcoing
š¬š§ GB. UK.
en.wikipedia.org/wiki/Lille_tramway
š©šŖ DE.
StraĆenbahn Lille
de.wikipedia.org/wiki/Stra%C3%9Fenbahn_Lille
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
Breda ( WikipƩdia )
fr.wikipedia.org/wiki/Breda_VLC
Construction ferroviaire de BrƩda
fr.wikipedia.org/wiki/Breda_costruzioni_ferroviarie
š®š¹ It.
it.wikipedia.org/wiki/Breda_Costruzioni_Ferroviarie
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
Liste des tramways de France
fr.wikipedia.org/wiki/Liste_des_tramways_en_France
Liste des projets de tramways en France
fr.wikipedia.org/wiki/Liste_des_projets_de_tramways_en_Fr...
š¬š§ GB. UK.
List of town tramway systems in France
en.wikipedia.org/wiki/List_of_town_tramway_systems_in_France
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
š«š· Fr.
Alfred Mongy
Le Grand Boulevard
AprĆØs son dĆ©part des services municipaux, il rĆ©alise avec Arthur Stoclet le grand projet de la percĆ©e du Grand Boulevard entre Lille, Roubaix et Tourcoing. Avec les ingĆ©nieurs Roger Francq et LĆ©on Francq, Alfred Mongy est l'un des fondateurs en 1900 de la Compagnie des Tramways et Voies FerrĆ©es du Nord, qui met en Åuvre la construction du Grand Boulevard de Lille-Roubaix-Tourcoing. Le projet paraĆ®t dĆ©mesurĆ© Ć l'Ć©poque, mais le 5 dĆ©cembre 1909, le boulevard, large de 50 m, est inaugurĆ©13. Ce boulevard accueille sur deux voies, conƧues par l'ingĆ©nieur LĆ©on Francq, un tramway Ć©lectrique rapide qui sera surnommĆ© Ā« le Mongy Ā». De nombreuses modifications ont Ć©tĆ© apportĆ©es mais deux lignes du Mongy existent toujours actuellement avec quelques mises en souterrain aux passages cruciaux.
Distinction :
Alfred Mongy est nommĆ© chevalier dans l'ordre national de la LĆ©gion d'honneur en 1892 et fait officier d'acadĆ©mie en 1880 puis officier de lāinstruction publique en 1887.
Source :
fr.wikipedia.org/wiki/Alfred_Mongy
Alfred Mongy fut ingƩnieur de la ville de Lille puis du DƩpartement et fondateur de l'ELRT (le tramway de l'Electrique Lille Roubaix Tourcoing).
NĆ© en 1840 et mort en 1914, cet ingĆ©nieur est surtout cĆ©lĆØbre pour l'ouverture le 4 dĆ©cembre 1909 du Grand Boulevard qui relie Lille Ć Roubaix et Tourcoing et du tramway qui y circule. En quelques annĆ©es, le projet fut rĆ©alisĆ©, grĆ¢ce aux travaux menĆ©s par Alfred Mongy, Ć qui l'on doit cette mĆ©tonymie cĆ©lĆØbre et employĆ©e au quotidien par des milliers de voyageurs: "Je vais prendre le Mongy". En effet, si les rames utilisĆ©es aujourd'hui ont remplacĆ© les anciennes, il n'empĆŖche que le tracĆ© du tramway actuel est quasiment le mĆŖme que celui qui avait Ć©tĆ© dĆ©cidĆ© Ć l'Ć©poque.
Source :
Alfred Mongy
Le journal Le ProgrĆØs du Nord et du Pas-de-Calais dans son nĀ° 339 de son Ć©dition du dimanche 5 dĆ©cembre 1909, relate ainsi l'inauguration des nouvelles lignes de tramways du Grand Boulevard Lille-Roubaix-Tourcoing.
Source :
100ansgrandboulevard.blogspot.com/2008_01_01_archive.html...
Effectivement il peut paraƮtre assez Ʃtonnant qu'Alfred Mongy ait ƩtƩ absent lors de l'inauguration de "Son" Grand Boulevard le 4 dƩcembre 1909.
Mais il sera prƩsent le dimanche suivant pour l'inauguration de "Son" tramway.
Article de presse :
amongy.blogspot.com/2009/12/alfred-mongy-netait-pas-prese...
š¬š§ GB. UK.
Alfred Mongy
en.wikipedia.org/wiki/Alfred_Mongy
ā¬ā¬ā¬ā¬ā¬ā¬ā¬ą®Ū©ŪŪ©ą®ā¬ā¬ā¬ā¬ā¬ā¬ā¬
French postcard by Editions P.I., Paris, nr. 1095. Photo: Sam LĆ©vin.
Les Chats Sauvages (The Wild Cats) was a French rock and roll band, that was formed in 1961. Together with Les Chaussettes Noires, they were among the first outfits to perform rock and roll music in France. Les Chats Sauvages was originally composed of Dick Rivers (HervĆ© Forners) on vocals, John Rob (Jean-Claude Roboly) on guitar, James Fawler (GĆ©rard Roboly) on guitar, Jack View (GĆ©rard Jaquemus) on bass, and Willy Lewis (Wiliam TaĆÆeb) on drums. In 1961, their concert at the Palais des Sports de Paris, whilst headlining with Vince Taylor, reportedly turned ito a full-scale riot. The departure of Rivers in the summer of 1962, who was replaced by Mike Shannon, affected the band's popularity, which nevertheless continued its career. Les Chats Sauvages broke up in 1964, before briefly reappearing twice, including an album release in 1982 with Dick Rivers, to celebrate the twentieth anniversary of their formation.