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From 1558 until 1829, Roman Catholics in England were not permitted to practice their faith openly. Someone during that era wrote the 12 days of Christmas carol as a catechism song for young Catholics.
It has two levels of meaning: the surface meaning plus a hidden meaning known only to members of their church. Each element in the carol has a code word for a religious reality which the children could remember.
"...The partridge in a pear tree was Jesus Christ."
actor designer Richie Lillard dresses as Jesus Christ for Folsom Street Fair 2011. To see more check out www.flickr.com/richielillard, www.youtube.com/RichieLillard
Photo © Tristan Savatier - All Rights Reserved - License this photo on www.loupiote.com/456040971
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Easter Sunday in Dolores Park, San Francisco
If you like this photo, follow me on instagram (tristan_sf) and don't hesitate to leave a comment or email me.
New King James Version (NKJV)
The Parable of the Wedding Feast
And Jesus answered and spoke to them again by parables and said: “The kingdom of heaven is like a certain king who arranged a marriage for his son, and sent out his servants to call those who were invited to the wedding; and they were not willing to come. Again, he sent out other servants, saying, ‘Tell those who are invited, “See, I have prepared my dinner; my oxen and fatted cattle are killed, and all things are ready. Come to the wedding.”’ But they made light of it and went their ways, one to his own farm, another to his business. And the rest seized his servants, treated them spitefully, and killed them. But when the king heard about it, he was furious. And he sent out his armies, destroyed those murderers, and burned up their city. Then he said to his servants, ‘The wedding is ready, but those who were invited were not worthy. Therefore go into the highways, and as many as you find, invite to the wedding.’ So those servants went out into the highways and gathered together all whom they found, both bad and good. And the wedding hall was filled with guests. “But when the king came in to see the guests, he saw a man there who did not have on a wedding garment. So he said to him, ‘Friend, how did you come in here without a wedding garment?’ And he was speechless. Then the king said to the servants, ‘Bind him hand and foot, take him away, and cast him into outer darkness; there will be weeping and gnashing of teeth.’ “For many are called, but few are chosen.”
Romans 8:28
New King James Version (NKJV)
And we know that all things work together for good to those who love God, to those who are the called according to His purpose.
Our lady of Kfarmalkoun, or Our lady of ruins - Kfarhelda
Dating back to the 13th century, and laying on the high hills of Kfarhelda, this church was built following the traditional medieval style.
This church is located in the old Kfarmalkoun village that is found in the Ottoman records. With time, the villagers had left their village and the buildings started to fall apart, especially after it was hit by an earthquake. Thus the name: Our Lady of the Ruins.
Some of the Church walls are covered with a black layer caused by the fires that the pastors lit when they were cold.
On the Church's apse, one can find the Deisis fresco, surrounded by the words Jesus Christ written in a royal syriac font.
On the northen wall, we can see the drawing of a bald bishop, St. John Chrysostom. On the same wall, we can find the words Domtius written in Greek.
On the sourhern wall, on can find the remains of a fresco depicting the Nativity scene with four angels and a pastor playing on the flute next to two sheep.
كنيسة سيّدة كفرملكون (سيّدة الخرايب) - كفرحلدا
ترقى الكنيسة الى القرن الثالث عشر ، في أعالي بلدة كفرحلدا وكانت قد بنيت هذه الكنيسة بالطريقة البدائية التقليدية كما كان قائماً في القرون الوسطى، أما قبة الجرس فهي حديثة الصنع. هذه الكنيسة كانت جزءاً من قرية كفرملكون الواردة في السجلات العثمانية. مع مرور الزمن هُجّرت القرية وبدأت الابنية بالتفكك والانهيار خاصة بعد حدوث زلزال كان قد ضرب المنطقة أدى الى خرابها فسُميت بسيّدة الخرايب. أما السواد الذي يغطي بعضاً من معالم الرسومات داخل جدران الكنيسة، فكان بسبب ان بعض الرعاة كانوا يرتادون المكان ويشعلون النار للتدفئة.
في حنية الكنيسة جدارية الشفاعة مع كتابة يسوع المسيح بالخط السرياني الملكي في الوسط.
على الجدار الشمالي رسماً لأسقف أصلع الرأس، هو القديس يوحنا الذهبي الفم. وعلى الجدار نفسه نقرأ اسم ضومطيوس باللغة اليونانية.
أما على الجدار الجنوبي بقايا مشهد الميلاد مع أربع ملائكة وراعٍ يعزف على الناي وبجانبه حملان.
#fresco #art #sacredart #Lebanon #catholic #church #maronite #maronitechurch #jesuschrist #jesus #savior
Luke 21:25-26
New King James Version (NKJV)
The Coming of the Son of Man
25 “And there will be signs in the sun, in the moon, and in the stars; and on the earth distress of nations, with perplexity, the sea and the waves roaring; 26 men’s hearts failing them from fear and the expectation of those things which are coming on the earth, for the powers of the heavens will be shaken.
Romans 8:28
New King James Version (NKJV)
And we know that all things work together for good to those who love God, to those who are the called according to His purpose.
Central round gold stamp of the Baptism of Christ with motto: HIC EST FILIVS MEVS DILECTTVS [sic] IN QVO (cf. Matt. 3:17).
Penn Libraries call number: GC55 Ei833 564c
"At the moment of writing to you, I am hoping that I may be with you soon; but in case I should be delayed, I wanted you to know how people ought to behave in God’s family – that is, in the Church of the living God, which upholds the truth and keeps it safe. Without any doubt, the mystery of our religion is very deep indeed:
He was made visible in the flesh,
attested by the Spirit,
seen by angels,
proclaimed to the pagans,
believed in by the world,
taken up in glory."
– 1 Tim 3:14-16, which is today's 1st reading at Mass.
Looking up at the Nativity facade of the amazing basilica of La Sagrada Familia in Barcelona, designed by Antonio Gaudí.
Crucifixion was often performed to terrorize and dissuade the onlookers from perpetrating the crimes punishable by it. Victims were left on display after death as warnings so that others who attempt dissent might be forewarned. Crucifixion was usually intended to provide a death that was particularly slow, painful (hence the term excruciating, literally "out of crucifying"), gruesome, humiliating, and public, using whatever means were most expedient for that goal. Crucifixion methods varied considerably with location and time period.
Our lady of Kfarmalkoun, or Our lady of ruins - Kfarhelda
Dating back to the 13th century, and laying on the high hills of Kfarhelda, this church was built following the traditional medieval style.
This church is located in the old Kfarmalkoun village that is found in the Ottoman records. With time, the villagers had left their village and the buildings started to fall apart, especially after it was hit by an earthquake. Thus the name: Our Lady of the Ruins.
Some of the Church walls are covered with a black layer caused by the fires that the pastors lit when they were cold.
On the Church's apse, one can find the Deisis fresco, surrounded by the words Jesus Christ written in a royal syriac font.
On the northen wall, we can see the drawing of a bald bishop, St. John Chrysostom. On the same wall, we can find the words Domtius written in Greek.
On the sourhern wall, on can find the remains of a fresco depicting the Nativity scene with four angels and a pastor playing on the flute next to two sheep.
كنيسة سيّدة كفرملكون (سيّدة الخرايب) - كفرحلدا
ترقى الكنيسة الى القرن الثالث عشر ، في أعالي بلدة كفرحلدا وكانت قد بنيت هذه الكنيسة بالطريقة البدائية التقليدية كما كان قائماً في القرون الوسطى، أما قبة الجرس فهي حديثة الصنع. هذه الكنيسة كانت جزءاً من قرية كفرملكون الواردة في السجلات العثمانية. مع مرور الزمن هُجّرت القرية وبدأت الابنية بالتفكك والانهيار خاصة بعد حدوث زلزال كان قد ضرب المنطقة أدى الى خرابها فسُميت بسيّدة الخرايب. أما السواد الذي يغطي بعضاً من معالم الرسومات داخل جدران الكنيسة، فكان بسبب ان بعض الرعاة كانوا يرتادون المكان ويشعلون النار للتدفئة.
في حنية الكنيسة جدارية الشفاعة مع كتابة يسوع المسيح بالخط السرياني الملكي في الوسط.
على الجدار الشمالي رسماً لأسقف أصلع الرأس، هو القديس يوحنا الذهبي الفم. وعلى الجدار نفسه نقرأ اسم ضومطيوس باللغة اليونانية.
أما على الجدار الجنوبي بقايا مشهد الميلاد مع أربع ملائكة وراعٍ يعزف على الناي وبجانبه حملان.
#fresco #art #sacredart #Lebanon #catholic #church #maronite #maronitechurch #jesuschrist #jesus #savior
Quelle profondeur dans ce tableau émouvant !
Jésus âgé de 4 à 6 ans, est assis sur un genou de Joseph. Un moment d’intimité entre père et fils. Leurs deux têtes sont toutes proches, Joseph tient Jésus par l’épaule avec affection et respect. Il semble que Jésus soit en train de parler, Il lève les yeux vers son Père des Cieux. Joseph écoute de toute son âme, les yeux baissés, il reçoit les paroles de Jésus dans son cœur. Son beau visage d’homme jeune, fort et doux (le concile de Trente, achevé en 1563, a demandé que l’on représente saint Joseph jeune), est penché vers celui de l’Enfant divin. Toute la subtilité de leur relation est suggérée : Joseph aide Jésus dans de nombreux apprentissages de sa vie humaine, et Jésus, Fils de Dieu, fait entrevoir à Joseph quelque chose du mystère de la Rédemption. Herrera montre ici à la perfection la paternité adoptive de Joseph.
La posture de Jésus et de Joseph rappelle les Vierges de tendresse des icônes. Les peintres espagnols, à la suite de sainte Thérèse d’Avila, aimaient particulièrement prier saint Joseph.
Jésus tient une branche d’épines, qui annonce sa Passion et la couronne d’épines dont sa tête sera ceinte.
Les fleurs blanches tenues par saint Joseph rappellent son bâton qui a fleuri miraculeusement, indiquant qu’il était choisi par Dieu pour épouser Marie en respectant son choix de virginité.
A tiny pewter pocket statue of Infant of Prague and a medal of Virgin Mary with Baby Child are inside a pocket watch and adorned with vintage lace, pearls and a stunning vintage rhinestone
Our lady of Kfarmalkoun, or Our lady of ruins - Kfarhelda
Dating back to the 13th century, and laying on the high hills of Kfarhelda, this church was built following the traditional medieval style.
This church is located in the old Kfarmalkoun village that is found in the Ottoman records. With time, the villagers had left their village and the buildings started to fall apart, especially after it was hit by an earthquake. Thus the name: Our Lady of the Ruins.
Some of the Church walls are covered with a black layer caused by the fires that the pastors lit when they were cold.
On the Church's apse, one can find the Deisis fresco, surrounded by the words Jesus Christ written in a royal syriac font.
On the northen wall, we can see the drawing of a bald bishop, St. John Chrysostom. On the same wall, we can find the words Domtius written in Greek.
On the sourhern wall, on can find the remains of a fresco depicting the Nativity scene with four angels and a pastor playing on the flute next to two sheep.
كنيسة سيّدة كفرملكون (سيّدة الخرايب) - كفرحلدا
ترقى الكنيسة الى القرن الثالث عشر ، في أعالي بلدة كفرحلدا وكانت قد بنيت هذه الكنيسة بالطريقة البدائية التقليدية كما كان قائماً في القرون الوسطى، أما قبة الجرس فهي حديثة الصنع. هذه الكنيسة كانت جزءاً من قرية كفرملكون الواردة في السجلات العثمانية. مع مرور الزمن هُجّرت القرية وبدأت الابنية بالتفكك والانهيار خاصة بعد حدوث زلزال كان قد ضرب المنطقة أدى الى خرابها فسُميت بسيّدة الخرايب. أما السواد الذي يغطي بعضاً من معالم الرسومات داخل جدران الكنيسة، فكان بسبب ان بعض الرعاة كانوا يرتادون المكان ويشعلون النار للتدفئة.
في حنية الكنيسة جدارية الشفاعة مع كتابة يسوع المسيح بالخط السرياني الملكي في الوسط.
على الجدار الشمالي رسماً لأسقف أصلع الرأس، هو القديس يوحنا الذهبي الفم. وعلى الجدار نفسه نقرأ اسم ضومطيوس باللغة اليونانية.
أما على الجدار الجنوبي بقايا مشهد الميلاد مع أربع ملائكة وراعٍ يعزف على الناي وبجانبه حملان.
#fresco #art #sacredart #Lebanon #catholic #church #maronite #maronitechurch #jesuschrist #jesus #savior
"On leaving the synagogue, Jesus went with James and John straight to the house of Simon and Andrew. Now Simon’s mother-in-law had gone to bed with fever, and they told him about her straightaway. He went to her, took her by the hand and helped her up. And the fever left her and she began to wait on them.
That evening, after sunset, they brought to him all who were sick and those who were possessed by devils. The whole town came crowding round the door, and he cured many who were suffering from diseases of one kind or another; he also cast out many devils, but he would not allow them to speak, because they knew who he was.
In the morning, long before dawn, he got up and left the house, and went off to a lonely place and prayed there. Simon and his companions set out in search of him, and when they found him they said, ‘Everybody is looking for you.’ He answered, ‘Let us go elsewhere, to the neighbouring country towns, so that I can preach there too, because that is why I came.’ And he went all through Galilee, preaching in their synagogues and casting out devils."
– Mark 1:29-39, which is the Gospel for the 5th Sunday of Ordinary Time.
This early medieval capital which shows Christ healing and exorcising is in the Metropolitan Museum of Art, NYC.
~TITLE OF PAINTING~
JUDGE, JURY AND EXECUTIONER
APPROXIMATE SIZE: 8.5" x 11" inches
Media: Acrylics, Pen & Ink , Pencil on Card Stock Paper.
* This piece is Signed Dated
for authenticity by the artist.
Created in March 2012.
ABOUT THIS PIECE
...
VERSE OF THE DAY 8/8
Mark 8:8 And they ate and were satisfied. And they took up the broken pieces left over, seven baskets full.
Isn't it incredible how when man saw no way, Jesus was able to provide even more than they needed from almost nothing? Have you seen Jesus do this in your own life? Please share!
#Christian #Bible #Bibleverse #verseoftheday #Jesus #Christ #God #Lord #Christianity
The North Visitor Center at Temple Square, where a copy of Thorvaldsen's "Christus" is prominently displayed.
Three Icons:
1, Noli Me Tangere - Do not Cling to Me
2, Anastasis - Resurrection
3, The Faith of Thomas - My Lord and My God
Painted for exhibition in the Resurrection Exhibition held in the Hurtado Centre and Farm St Centre, London, Easter 2017.
Egg Tempera and Acrylic gold paint on Plywood
Some photos from my pilgrimage to Santiago de Compostela started in France and finished in Spain. Amazing memories and spiritual experience. If you would like images in super high resolution, please check my Shutterstock portfolio: www.shutterstock.com/g/benheineart
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Quelques photos de mon pèlerinage vers Santiago de Compostelle commencé en France et terminé en Espagne. Ce fut une expérience spirituelle incroyable. Si vous souhaitez des images en super haute définition, voici mon portfolio Shutterstock: www.shutterstock.com/g/benheineart