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Computed from the deformations of two Sierpinscylinders stuck together.
First iteration of mimicking metal flexing form in clay, using actual metal pieces as templates. Actually this structure is quite difficult. Next up: massage some other configuration in metal, then build that.
Recursion examples for my iterations workshops in Amiens, France.
This is a series of workshops that looks in detail at four fundamental concepts in programming ; variables, functions, control structures and iteration. In each workshop I tackle one of these concepts, discussing their use and applications within artistic practices.
The above image was produced using a simple recursion program that highlights the particularity of functions calling themselves in a program. Written in Processing after reading a wonderful article by the great Robert Sedgewick :
introcs.cs.princeton.edu/java/23recursion/
WORKSHOPS ITERATIONS
This is just another iteration of the dark field lighting. A black sheet behind the glass blocks most of the light of a simple studio strobe with a softbox. The area of the softbox that is not blocked reflects in the sides of the glass and water. I used some dark sheets to the left and right to block ambient light. The 300W at roughly 1/8th was triggered by a Speedlite 430EX on the camera that was set manual mode.
Das ist nur eine weitere Aufnahme mit der Dark Field Lighting Methode (aus dem Buch Light: Science & Magic). Dabei wird das Licht eines 300W Blitz mit Softbox hinter dem Glas durch eine dunkle Platte weitgehend blockiert. Das Licht an den Stellen der Softbox, die über das Hindernis ragen, ist dann in den Rändern des Glases sichtbar. Der 300W Blitz wurde mit einem Speedlite auf der Kamera ausgelöst. Das Umgebungslicht wurde mit einigen dunklen Plastikplatten abgeschattet.
100X100CM / SOLD
Fractal,
iteration to imaginary
Exhibition
september 23th till October 7th
i'll expose my works on Fractals on big canvas (44")
in Amiens
" La Briqueterie "
september 23th /7PM (vernissage)
Fractales, itération vers l'imaginaire
carrés (1m x 1m)
exposition à la Briqueterie
vernissage le 23 septembre à 19 heures.
vous êtes les bienvenues !
expo visble du 23 Septembre au 7 Octobre 2005
ch_P
la Briqueterie - 2, rue lescouvé - 80 000 AMIENS
tél : 03.22.95.12.95
mail : ch_p{at}mac.com
Fractal type:mandelbrot
Plot size (w,h):2210,2210
Maximum iterations:22000
Center Point (real, imaginary):-0.615332350674,0.404469879358 i
Plot Width (real):1.5E-10
Color scheme name:Valentines1
Date: May 2016
Medium: Digital Photomontage
Locations: Tokyo Japan and Santa Cruz, CA.
Dimensions: 64" x 32"
© 2016 Tony DeVarco and Mayako Nakamura
In collaboration with the artist Mayako Nakamura www.flickr.com/photos/ma85/
Two of my favorite things: logarithmic spirals and a hexachromatic color scheme.
This is a 6-color logarithmic spiral, mapped 5x by Newton-Raphson iterator (function: z^3-1). A rotation is applied at each iteration.
Since the iterator maps 3 points to zero, and zero to itself, there are 3^5+1=244 spiral origins here. Not counting the one at infinity.
Iteration or repetition of a subject makes for good composition. Look for a repeating pattern today and make a photo. www.dailyshoot.com/assignments/205
Strobist: 285hv in shoot through umbrella camera left triggered by flashpoint wireless speedlite trigger.
The last iteration for the week, back at Pikes Peak but with Pro Image 100, a film I'd not shot before. C41 kit although a bit long in the tooth was able to handle without much issue. With such a vista the Xpan was just a joy to use despite the freezing cold and winds on this 14-er. I didn't bring gloves so had to heat my hands on some tea and of course, since they were available, the requisite donuts made at the high altitude. Thanks again to those flicker-ans who continue to share their images - they are fantastic!
Third iteration of a poster for a concept product series about songwriting utilizing the guitar.
Strum & Write is a concept of a series of products (a mobile app, a magazine and a day-long seminar) geared toward songwriting utilizing the guitar.
Image credit:
Hosted by McIntosh Gallery and LOMAA - London Ontario Media Arts Association
Thursday July 27, 2017 / 7-9 pm
McIntosh Gallery / Western University
Presented in partnership with London Ontario Media arts Association and McIntosh Gallery, MEDIATIONS II is the second iteration in LOMAA’s Summer.17 artist talk series, which brings artists on the forefront of media art and activism to the Forest City. With a line-up of provocative contemporary practitioners, each event hosts 2 artists to present on their practice and research.
For the second event in the series, LOMAA and McIntosh Gallery will present London-based artists Jamelie Hassan and Rehab Nazzal. This coincides with Nazzal’s exhibition Choreographies of Resistance currently on view at McIntosh Gallery.
Rehab Nazzal: Choreographies of Resistance
July 8 to July 29, 2017
Opening Reception: July 8 from 2-6 PM
McIntosh Gallery at Western University is pleased to present a PhD. thesis exhibition by activist artist Rehab Nazzal. The show is based on Nazzal’s year-long field research in the occupied West Bank and features an array of works that engage gallery-goers through sight, hearing and smell. In this multi-media exhibition, social commentary and critique intersect with expressive response to the severe realities in the conflict zone, and offers a space where critical inquiry as well as reflection may take place.
Nazzal is a Palestinian-born artist whose works have been widely shown throughout Canada and internationally. “As an artist whose life is shaped by the violence of Israel’s military occupation, it’s my responsibility to provide an alternative representative record of the daily struggles of the Palestinians. I am hoping this show will fill a void in contemporary art and address visually and sonically the Palestinians’ experiences of resisting colonial violence,” she said.
The exhibition, entitled Choreographies of Resistance, includes photographs, video, and sound works that focus on the Palestinian struggle against settler-colonialism in one of the world’s most volatile hotspots, Nazzal notes. It includes a video installation seen through the “eyes” of a gas-mask, and an installation in which photographic images are projected onto hundreds of handmade slingshots as it pays tribute to Palestinians who have lost their lives in what the artist notes is an "intifada, or uprising."
More info: mcintoshgallery.ca
© 2017; Department of Visual Arts; Western University
This second iteration of The C.U.R.B. is a roving picnic through East Williamsburg in which guests will participate in various acts of environmental remediation and stewardship, followed by a meal of experimental tamales and wild brews foraged (almost entirely) from the city streets. Learn how Mugwort, Mulberries, Amaranth, Pigeons, and more came to be our neighbors, and what they can teach us about surviving and thriving in the midst of our own hot mess. Through citizen science and storytelling, Banquet host Candace Thompson seeks to render visible our fragile food web in the era of manmade climate change, explore our historically complicated relationship(s) to land, and imagine alternative forms of economy and ecology that are regenerative and resilient rather than exploitative and extractive. NOTE: this event will be video documented, and some of the food items are slightly contaminated due to human activity. As such, the meal is not suitable for young children, and individuals who are, or are planning to become, pregnant should use some caution.
Ashley and I. In the dark. Derp.
An excellent show, as expected. Diru becomes less showy and more art with each iteration.
This show was strange because the whole crowd skewed towards an even younger crowd than expected - the majority weren't able to wear wrist bands (the bartender's worst fears.) The Houston kids had a strange mashup style, with a straight-forward focus on enjoying the show. I'm ok with that.
Birthday Massacre (who I didn't think to take pictures of) are even better when seen live. They just seemed to have so much fun despite their srs bisness keel.
Well worth the eight hour drive for this show. I'd do it again!
www.direngrey.co.jp/english/e-newrelease.html
Setlist:
KYOUKOTSU NO NARI
HAGESHISA TO, KONO MUNE NO NAKA DE KARAMITSUITA SHAKUNETSU NO YAMI
OBSCURE
JUUYOKU
LOTUS
THE FATAL BELIEVER
ROTTING ROOT
mazohyst of decadence
INWARD SCREAM
THE BLOSSOMING BEELZEBUB
TSUMI TO BATSU
INWARD SCREAM
"YOKUSOU NI DREAMBOX" ARUIWA SEIJUKU NO RINEN TO TSUMETAI AME
DIFFERENT SENSE
DECAYED CROW
GRIEF
REIKETSU NARISEBA
Encore:
KODOU
RED SOIL
RASETSUKOKU
Second iteration of the Wipeout inspired craft for the Intentor AG Team.
It features a slightly different color scheme, air brakes and minor engine updates.
Next iteration in the winder design. The one on the left was the one in winder1 and winder2 (the two posted earlier to the winder thread on the KAP forum) with new handles. The one on the right is the new one.
It's flatter, allowing 2" of space between the plates. The handles are about palm-width on me, from the end of the handle to the curved transition. The ID of the string is 10.38", with 2" of space before hitting the outer edge of the plate. The handles are 10" from axle-to-axle, which is about what feels "right" to my arms. This also minimizes leverage losses because of the handles being inboard of the string.
I still have mixed feelings about having a long handle on the same side as the center handle. Like Brooks said, it'd be an arm-breaker. (And with my luck it WOULD be an arm-breaker...) But with a fold-flat handle that locks either in the flat or the extended position? That might work.
EDIT: I changed the design of this winder significantly between this rendering and the final build:
www.flickr.com/photos/tbenedict/3152304968/
Among other things, the changes addressed safety issues of having handles on both sides of the winder (a bone-breaker!)
Fractal type:mandelbrot
Plot size (w,h):2000,2000
Maximum iterations:51000
Center Point (real, imaginary):-0.74990920185,0.0137476983157 i
Plot Width (real):6E-10
Color scheme name:Winning
The next iteration of the Kaiser Permanente Center for Total Health in Washington, DC will bring our members and patients to life in 3 dimensional form, so that their stories can be told better. Follow the #CTHNext hashtag or the @KPTotalHealth handle to follow our progress
Royal Thai Airforce Airmen watch on as Royal Thai and U.S. Armed Forces prepare to land after jumping out of a Boeing C-17 Globemaster III during a combined strategic air drop demonstration during Exercise Cobra Gold 2014 in Lop Buri, Kingdom of Thailand, Feb. 15. Cobra Gold, in its 33rd iteration, demonstrates the U.S. and the Kingdom of Thailand's commitment to our long-standing alliance and regional partnership, prosperity and security in the Asia-Pacific region. The aerial insertion of over 400 combined troops belonging to the Royal Thai and U.S. Armed Forces was held in order to demonstrate forcible entry capabilities. (U.S. Marine Corps photo by Sgt. Artur Shvartsberg/Released)
Chili con carne is a fun recipe. There are a lot of opinions about chili online but what matters (in my humble opinion) is that it contains meat, onions, chili peppers and vegetables and it should simmer for some time, the longer the better. How hot it ends up, what spices are used and whether beans are included is your own business.
Anyway, this batch was made with:
- beef strips, browned separately
- onions
- yellow and red paprika
- diced zucchini
- several cloves of garlic
- a single chili pepper
- can of tomato paste
- spices: black pepper, chili powder, paprika powder, cumin seeds, clove powder, coriander and some basilicum
Chili is quite hard to mess up I think, but of course I already thought of improvements such as using fresh tomatoes, better quality meat and longer simmer time.
Author: Paula Fernandes
Date: April 2008
Description: The active contour method is a semi-automatic image segmentation process based on deformable models, i.e., closed parametric curves or surfaces with physical properties that, under the influence of external and internal mechanical forces, deform and coalesce adapting to image features. This figure exhibits the active contour evolution of a cervical spine, showing a transversal section of the segmented image data (left) and the corresponding 3-D evolution (right).
Source: Ribeiro, N. S., Fernandes, P. C., Lopes, D. S., Folgado, J. O., Fernandes, P. R., 3-D Solid and Finite Element Modeling of Biomechanical Structures - A Software Pipeline, In: Proceedings of the 7th EUROMECH Solid Mechanics Conference, Portugal, 2009.
Image and caption provided by: Paula Fernandes, IDMEC/IST-TU Lisbon
Later iterations of the Gemeinde Wien projects extended the perimeter block typology to span multiple blocks. Here, Eduard Leisching Hof spans Gießaufgasse at Josef-Schwarz Gasse. The buildings lining Gießaufgasse are also Gemeinde Wien buildings.
The Hundsturm section along the Margaretengürtel has quite a concentration of early public housing. The planar economy here -- as much a stylistic decision of the 1920s as an economic decision -- is undeniable, but it's interesting to see how these three architects chose different architectural vocabularies to express essentially identical programs.
The third iteration of the original Leica M4, the M4-P, is the successor to the M4-2 or the rangefinder that saved Leitz's rangefinder line of cameras. Produced in Midland, Ontario, by Ernst Leitz Canada and released in 1980. The M4-P offers up auto-adjusting frame lines for a set group of focal lengths and is often called the inexpensive M-Series Rangefinder.
The total review drops in September 2023!
Leitz Leica M4-P - 7Artisans DJ-Optical 35/2 - Kodak Tri-X 400 @ ASA-320
Ilford Ilfotec HC (1+47) 8:30 @ 20C (Constant Rotation)
Meter: ReveniLabs Incident Meter
Scanner: Epson V700 + Silverfast 9 SE
Editor: Adobe Photoshop CC
Some iterations of the simple pattern generator. Source code can be downloaded from Open Processing.
>>>http://www.openprocessing.org/visuals/?visualID=14117