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My first sketch with Processing using the bezier() method and random numbers.
void setup()
{
size(800, 400);
noFill();
noLoop();
smooth();
PImage b;
b = loadImage("himmel.jpg");
background(b);
}
void draw()
{
int iter = 56;
int mx = width;
int my = height + 300;
for(int i=0; i<iter; i++)
{
bezier(-100, number(my), number(mx), number(my), number(mx), number(my), number(mx), number(my));
stroke(number(234),number(12),number(23));
strokeWeight(number(8));
strokeCap(PROJECT);
}
}
int number(int val)
{
int t = floor(random(val));
return t;
}
Sue Hettmansperger
University of Iowa, Iowa City, IA
collage of lithographs, digital images and oil paint
5" x 5"
2020
Cutting images from 2 identical litho prints, and 2 identical digital prints, collaged iterations with matte Medium and painted over with oil paint.
My first sketch with Processing using the bezier() method and random numbers.
void setup()
{
size(800, 400);
noFill();
noLoop();
smooth();
PImage b;
b = loadImage("himmel.jpg");
background(b);
}
void draw()
{
int iter = 56;
int mx = width;
int my = height + 300;
for(int i=0; i<iter; i++)
{
bezier(-100, number(my), number(mx), number(my), number(mx), number(my), number(mx), number(my));
stroke(number(234),number(12),number(23));
strokeWeight(number(8));
strokeCap(PROJECT);
}
}
int number(int val)
{
int t = floor(random(val));
return t;
}
Installation > Art that Iterates
September 2012
MACY GALLERY
Teachers College Columbia University
Kathleen putting the final nails into the wall!
This iteration of Epyon had AMD X2 4400 fitted on ASUS A8N-SLI Deluxe 939 NVIDIA nForce4 SLI ATX AMD Motherboard.
Building is on Cuba Street and flowers are just past Kelburn. In this image I began trialing overlaying two images within my glitch which I thought would link it to the analogue nicely as well. I need to change how the second image appears to make it more aesthetic
Seamlessly Looping Background Animation Of Iterative High Contrast Minimal Background Patterns. Checkout GlobalArchive.com, contact ChrisDortch@gmail.com, and connect to www.linkedin.com/in/chrisdortch
For my 2D iteration of my project, I created scanned images of Band-Aids. These scans depict just how deep a lack of diversity goes in society. It is extremely difficult to find Band-Aids that cater to people with darker skin tones; the vast majority of Band-Aids are tailored to white/pale skin. Band-Aids are also representative of healing and protection, something which both ethnicity and identity play into. For example, people who experience white privilege (ex. Can find Band-Aids that match their skin tone, an instance examined in Peggy McIntosh’s “Unpacking the Invisible Knapsack”) are often protected from discrimination. Hair and how one identifies can also act as forms of protection in many ways. For instance, many people use their hair as a “security blanket” when they do not feel confident in other aspects of themselves. In the same vein, the way people express their identity and individuality (through hair, style, etc.) can act in a similarly comforting way.