View allAll Photos Tagged Iteration
S4 Craft & Design pupils are generating ideas. They have a lot of work to do before these ideas become finally resolved working concepts. Still some members of the class are off to a great start...
U.S. Air Force Tech. Sgt. Mark Rogowski and Staff Sgt. David Deskins, aerospace propulsion technicians assigned to the 140th Wing, Colorado Air National Guard, performs a 100-hour engine inspection on an F-16 Fighting Falcon during Saber Strike 18, Amari Air Base, Estonia, June 13, 2018. Saber Strike 18 is the eighth iteration of the long-standing U.S. Army Europe-led cooperative training exercise designed to enhance interoperability among allies and regional partners, focusing on improving land and air operational capabilities while training with NATO's enhanced Forward Presence (eFP) battlegroups. (U.S. Air National Guard photo by Staff Sgt. Bobbie Reynolds)
image of the 2nd iteration of my micropolis plate. reworked the bottom to help it flow around the corner better. and added 2x1x1 1/3 curved bricks for awnings.
Test album done with a camera and a technology that inspired people over the past one or two years. The Fuji X100s is said to be the newest iteration of Fuji X technology (resolved AF, resolved operation speed, etc…), sporting the newest X-Trans sensor. Prior to shooting I have read Zach Arias’ article on the camera and my friend Charles Lanteigne’s article as well.
After thorough shooting, I have concluded that this camera and the fujifilm brand caters to people who love shooting with fujifilm film rolls and hate retouching their images.
The Fuji X100s does a few of things right. Experiencing such pleasures is quite motivating to keep using that camera. Makes me wish other cameras had them.
- Images out of camera: They are gorgeous, film-like and very pleasing as opposed to the standard AWB digital look of other cameras. The reason why I believe a lot of people shoot film is that the colors of film don’t require must retouching to be beautiful. So does the images from the X100s. As such, you spend less time in front of the computer and more time shooting.
- Style: The camera is gorgeously retro and operates “kinda” well.
- Provides film-style controls where shutter and aperture are assigned to dial and lens.
- Dat ND filter makes shooting in sunlight enjoyable
- Digital publishing: The images are gorgeous on any digital screen.
From there, it falls apart…
- Images are unusable in conventional ways of digital processing (Lightroom in particular handles badly the files). Files stand up horrible when seen up close. While many of my fujifilm owner friends are trying to convince me to play around with alternative ways of processing, I am not ready to give up my workflow for a more complicated and time consuming one. This just break the camera for me.
- AF is reliable 1/3 of the time, often missing its target
- Hybrid viewfinder mechanism gets stuck in the middle of switching
- The EVF is disgustingly slow and hard to use (coming from the OMD and the NEX-6), so I end up using just the optical which is nice
- Navigating the laggy Fujifilm UI is a frustrating mess
- The system needs to drop out of shooting mode to reboot into preview mode
- In preview mode, you need to enter a “burst” folder in order to view all the burst shots you’ve shot.
- It’s really hard to check to see if your image is in focus or is sharp
- The list goes on and on…
In the end, using the camera is an exercice in patience and frustration for a digital camera user providing files that aren’t optimal for post-processing and an unreliable operation that frustrates more than rewards. Yet with a film approach, the process could turn into a happy ending thx to controls that make the camera operate on a similar path as film. The fact that the camera produces gorgeous out of camera images saves a whole lot of computer time for the people who don’t know much about digital post-processing.
Next Iteration of the fully printed music box. I closed the case that holds everything in place and now it's much more stable and also sounds better.
The snapping axis holders are now very tight but the gears will stay in place even if you drop it on the floor...I tested this ;)
printed music box at thingiverse:
Document name:Sep09wmb1g.FWrk
Fractal type:mandelbrot
Plot size (w,h):2210,2210
Maximum iterations:21000
Center Point (real, imaginary):-0.7778142364117,0.1152484058749 i
Plot Width (real):3.75E-11
Color scheme name:Itsacolor
Color scheme last modified:2008-09-10 16:29:01 -0700
Plot uses DE:Yes
Plot uses fractaional iterations:Yes
Plotted with symmetry:Yes
Plotted with boundary following:Yes
Plotted with multiple processors:Yes
Total plot time:208.883 seconds
Total iterations:15438851837
Iterations/second:73911363
Pixels skipped:2129
Iterations skipped:44709000
Percent of pixels calculated:100
Percent of iterations calculated:99.7
Plot height:0.3
Peak steepness:1
Plot flipped:Yes
Camera x:0
Camera y:0
Camera z:-1.52
Ambient light:0.5
Directional light:0.6
Specular light:0.7
Surface shininess: 70
Light x direction:-1
Light Y direction:1
Light z direction:1
Background color red:204
Background color green:204
Background color blue:204
Fractal type:julia
Plot size (w,h):2210,2210
Maximum iterations:33000
Center Point (real, imaginary):-1.58443e-07,4.75328e-07 i
Plot Width (real):0.0007
Julia origin (real, imaginary):-1.750857891846228,-0.01041441723000482 i
Source mandelbrot width:1.2E-12
Color scheme name:ColorfulDCMod
Back to a previous work. www.flickr.com/photos/22603020@N04/3045883337/in/set-7215...
Fractal type:mandelbrot
Plot size (w,h):2210,2210
Maximum iterations:20000
Center Point (real, imaginary):-0.097248652543884,0.65024132722605 i
Plot Width (real):9.38E-12
Color scheme name:POP0
Raven SSTO - Iteration 12, Single Stage to Orbit - Space Plane (This is not a graphics design)
New iteration update, Raven SSTO, up to 15,000 LBS payloads to orbit for apx $2 mln per launch. Compresses O2 and H2 fueled, not liquid fueled. Graphene Airframe, 6,000+F thermal resistance. Air Breathing Aerospike, along with the primary U-TBCC propulsion.
Details at link www.ioaircraft.com/hypersonic/raven.php
Link to Raven www.ioaircraft.com/hypersonic/raven.php
Link to Discovery www.ioaircraft.com/hypersonic/discovery-218.php
Link to Conforming Tank Patent patents.google.com/patent/US20210080060
spaceplane, ssto, hypersonic, hypersonics, rocket, ksc, cape canaveral, space coast, space force, smallsat, orbital debris, satellite service, hydrogen, graphene, satellites, Space Tech, Reusable Rockets, Sustainable Space, RocketEngine, Spaceflight, darpa, air force research lab, afwerx, defwerx, nasa, aviation, airbus, engineering, defense, icao, aiaa, nro
Virgin Orbit
Virgin Galactic
Sierra Nevada Corporation
Aevum Inc
NASA
NASA Jet Propulsion Laboratory
AFOSR, Air Force Office of Scientific Research
Defense Advanced Research Projects Agency
AFWERX
United States Air Force
Air Force Research Laboratory
Firefly Aerospace
ESA - European Space Agency
SpaceX
Axiom Space
Airbus
Airbus Defence
BAE Systems
Northrop Grumman Corporation
Lockheed Martin
Raytheon Technologies
Rolls-Royce plc
National Reconnaissance Office
The Aerospace Corporation
Collins Aerospace
BlackSky
United Launch Alliance
TÉLÉSAT
ONE.Web
ICAO - International Civil Aviation Organization
Dassault Aviation
United States Space Force
Blue Origin
Northrop Grumman Corporation
Arianespace
iMAL, Brussels, June, 2016
A collective installation by Constant & esc
"I don’t know where this is going" is the second part of Iterations, a project investigating the future of collaborative artistic practices in a technologically networked context. The exhibition presents a collective installation by Pascale Barret (BE/FR), Miriam Raggam (AT), Claire Williams (BE/FR), François Zajega (BE), Julien Deswaef (USA/BE) and Annie Abrahams (NL/FR).
Raven SSTO - Iteration 12, Single Stage to Orbit - Space Plane (This is not a graphics design)
New iteration update, Raven SSTO, up to 15,000 LBS payloads to orbit for apx $2 mln per launch. Compresses O2 and H2 fueled, not liquid fueled. Graphene Airframe, 6,000+F thermal resistance. Air Breathing Aerospike, along with the primary U-TBCC propulsion.
Details at link www.ioaircraft.com/hypersonic/raven.php
Link to Raven www.ioaircraft.com/hypersonic/raven.php
Link to Discovery www.ioaircraft.com/hypersonic/discovery-218.php
Link to Conforming Tank Patent patents.google.com/patent/US20210080060
spaceplane, ssto, hypersonic, hypersonics, rocket, ksc, cape canaveral, space coast, space force, smallsat, orbital debris, satellite service, hydrogen, graphene, satellites, Space Tech, Reusable Rockets, Sustainable Space, RocketEngine, Spaceflight, darpa, air force research lab, afwerx, defwerx, nasa, aviation, airbus, engineering, defense, icao, aiaa, nro
Virgin Orbit
Virgin Galactic
Sierra Nevada Corporation
Aevum Inc
NASA
NASA Jet Propulsion Laboratory
AFOSR, Air Force Office of Scientific Research
Defense Advanced Research Projects Agency
AFWERX
United States Air Force
Air Force Research Laboratory
Firefly Aerospace
ESA - European Space Agency
SpaceX
Axiom Space
Airbus
Airbus Defence
BAE Systems
Northrop Grumman Corporation
Lockheed Martin
Raytheon Technologies
Rolls-Royce plc
National Reconnaissance Office
The Aerospace Corporation
Collins Aerospace
BlackSky
United Launch Alliance
TÉLÉSAT
ONE.Web
ICAO - International Civil Aviation Organization
Dassault Aviation
United States Space Force
Blue Origin
Northrop Grumman Corporation
Arianespace
This second iteration of The C.U.R.B. is a roving picnic through East Williamsburg in which guests will participate in various acts of environmental remediation and stewardship, followed by a meal of experimental tamales and wild brews foraged (almost entirely) from the city streets. Learn how Mugwort, Mulberries, Amaranth, Pigeons, and more came to be our neighbors, and what they can teach us about surviving and thriving in the midst of our own hot mess. Through citizen science and storytelling, Banquet host Candace Thompson seeks to render visible our fragile food web in the era of manmade climate change, explore our historically complicated relationship(s) to land, and imagine alternative forms of economy and ecology that are regenerative and resilient rather than exploitative and extractive. NOTE: this event will be video documented, and some of the food items are slightly contaminated due to human activity. As such, the meal is not suitable for young children, and individuals who are, or are planning to become, pregnant should use some caution.
Test album done with a camera and a technology that inspired people over the past one or two years. The Fuji X100s is said to be the newest iteration of Fuji X technology (resolved AF, resolved operation speed, etc…), sporting the newest X-Trans sensor. Prior to shooting I have read Zach Arias’ article on the camera and my friend Charles Lanteigne’s article as well.
After thorough shooting, I have concluded that this camera and the fujifilm brand caters to people who love shooting with fujifilm film rolls and hate retouching their images.
The Fuji X100s does a few of things right. Experiencing such pleasures is quite motivating to keep using that camera. Makes me wish other cameras had them.
- Images out of camera: They are gorgeous, film-like and very pleasing as opposed to the standard AWB digital look of other cameras. The reason why I believe a lot of people shoot film is that the colors of film don’t require must retouching to be beautiful. So does the images from the X100s. As such, you spend less time in front of the computer and more time shooting.
- Style: The camera is gorgeously retro and operates “kinda” well.
- Provides film-style controls where shutter and aperture are assigned to dial and lens.
- Dat ND filter makes shooting in sunlight enjoyable
- Digital publishing: The images are gorgeous on any digital screen.
From there, it falls apart…
- Images are unusable in conventional ways of digital processing (Lightroom in particular handles badly the files). Files stand up horrible when seen up close. While many of my fujifilm owner friends are trying to convince me to play around with alternative ways of processing, I am not ready to give up my workflow for a more complicated and time consuming one. This just break the camera for me.
- AF is reliable 1/3 of the time, often missing its target
- Hybrid viewfinder mechanism gets stuck in the middle of switching
- The EVF is disgustingly slow and hard to use (coming from the OMD and the NEX-6), so I end up using just the optical which is nice
- Navigating the laggy Fujifilm UI is a frustrating mess
- The system needs to drop out of shooting mode to reboot into preview mode
- In preview mode, you need to enter a “burst” folder in order to view all the burst shots you’ve shot.
- It’s really hard to check to see if your image is in focus or is sharp
- The list goes on and on…
In the end, using the camera is an exercice in patience and frustration for a digital camera user providing files that aren’t optimal for post-processing and an unreliable operation that frustrates more than rewards. Yet with a film approach, the process could turn into a happy ending thx to controls that make the camera operate on a similar path as film. The fact that the camera produces gorgeous out of camera images saves a whole lot of computer time for the people who don’t know much about digital post-processing.
Iteration on earlier image ; that vent pipe was a bit annoying, and a friendly design elf tipped me off that it could become a candy cane. So be it.
*******************************************************************************
This image and its name are protected under copyright. All
their rights are my own property. Any download, copy,
duplication, edition, modification, printing, resale is prohibited.
*******************************************************************************
Latest iteration of the Hauptwerk Organ setup with AMT-173 Touchscreens mounted in portrait orientation. Note the monitors are rotated such that nominal top of each touchscreen when in landscape mode are at the outer edges of the picture. This overcomes problems with viewing angles.
The latest iteration of a buisiness card design for Jodi's ETSY store, seams nice. It is an improvment from earlier versions where legibility was an issue.
The card echos the website’s banner. The front contains images of three kinds of objects that are crafted and sold on seams nice: stuffed octopod, books, and wallets. On the back is all of her essential information.
View more at changecase.
the fourth iteration of the McQueen Symbol or Elle Signal.
it is not the 'McQueen logo' because l am not a business, l am a monarch. this could be construed as a 家紋 or a symbol that can be used in a coat of arms to indicate me.
first iteration of the McQueen Symbol
second iteration of the McQueen Symbol
third iteration of the McQueen Symbol
The present symbol uses the ornate and effete Ambroise by Jean François Porchez, a contemporary Didone released in 2001.
Since this is a 21 century font, along with the 3rd McQueen Symbol, they illustrate the break from the bonds of supposed technological advancement, resultant of the remnant gestalt of the 20th century, that actually compromise our quality of life. Where the last iteration is a victim of its environment, this version returns to aesthetics.
and the 5th McQueen Symbol
Raven SSTO - Iteration 12, Single Stage to Orbit - Space Plane (This is not a graphics design)
New iteration update, Raven SSTO, up to 15,000 LBS payloads to orbit for apx $2 mln per launch. Compresses O2 and H2 fueled, not liquid fueled. Graphene Airframe, 6,000+F thermal resistance. Air Breathing Aerospike, along with the primary U-TBCC propulsion.
Details at link www.ioaircraft.com/hypersonic/raven.php
Link to Raven www.ioaircraft.com/hypersonic/raven.php
Link to Discovery www.ioaircraft.com/hypersonic/discovery-218.php
Link to Conforming Tank Patent patents.google.com/patent/US20210080060
spaceplane, ssto, hypersonic, hypersonics, rocket, ksc, cape canaveral, space coast, space force, smallsat, orbital debris, satellite service, hydrogen, graphene, satellites, Space Tech, Reusable Rockets, Sustainable Space, RocketEngine, Spaceflight, darpa, air force research lab, afwerx, defwerx, nasa, aviation, airbus, engineering, defense, icao, aiaa, nro
Virgin Orbit
Virgin Galactic
Sierra Nevada Corporation
Aevum Inc
NASA
NASA Jet Propulsion Laboratory
AFOSR, Air Force Office of Scientific Research
Defense Advanced Research Projects Agency
AFWERX
United States Air Force
Air Force Research Laboratory
Firefly Aerospace
ESA - European Space Agency
SpaceX
Axiom Space
Airbus
Airbus Defence
BAE Systems
Northrop Grumman Corporation
Lockheed Martin
Raytheon Technologies
Rolls-Royce plc
National Reconnaissance Office
The Aerospace Corporation
Collins Aerospace
BlackSky
United Launch Alliance
TÉLÉSAT
ONE.Web
ICAO - International Civil Aviation Organization
Dassault Aviation
United States Space Force
Blue Origin
Northrop Grumman Corporation
Arianespace
Next Iteration of the fully printed music box. I closed the case that holds everything in place and now it's much more stable and also sounds better.
The snapping axis holders are now very tight but the gears will stay in place even if you drop it on the floor...I tested this ;)
printed music box at thingiverse:
Recursion examples for my iterations workshops in Amiens, France.
This is a series of workshops that looks in detail at four fundamental concepts in programming ; variables, functions, control structures and iteration. In each workshop I tackle one of these concepts, discussing their use and applications within artistic practices.
The above image was produced using a simple recursion program that highlights the particularity of functions calling themselves in a program. Written in Processing after reading a wonderful article by the great Robert Sedgewick :
introcs.cs.princeton.edu/java/23recursion/
WORKSHOPS ITERATIONS
Iteration 3.1, responds to certain concerns brought up in the iteration 3 blog post.
In this screen the inflow is shown, this time with a single column of widgets as opposed to the grid view. The single column allows for minimized widgets which have no new activity. Also new is the way in which notifications act. Instead of having a general notifications box and a general broadcast message box, these types of messages are counted on specific url widgets.
For example in this box the twitter widget tells you you have 3 new notifications, and 15 new broadcast messages, as indicative by the icon. Below that you see that the Raindrop Dev mailing list has 2 new mailing list messages for you, also indicative of the icon.
View full size: blogs.mozillamessaging.com/raindropdesign/files/2009/10/r...
Blog post: blogs.mozillamessaging.com/raindropdesign/2009/10/26/03-t...
The first iterations of dingbats appeared as response to the needs of early press technologies. A cultural zeitgeist of sorts, dingbats were used as space markers and simple ornamentation in metal typesetting of the late 19th century. The term itself is derived from the technique of “’ding’ing an ornament into space then ‘bat’ing tight for inking.”
Quite removed from the necessities of print, Zapf’s 1973 dingbats exist in relation to the beginnings of the digital frontier. Assuming the position of Professor of Typographic Computer Programs at Rochester Institute of Technology, Zapf was one of the first typographers to work with IBM and Xerox to develop the publishing software necessary to bring print into the digital realm. The historical significance of Zapf’s Dingbats is solidified once introduced as one of 35 post script fonts built into Apple’s LaserWriter Plus, achieving both the blessings and curses of ultimate democratic distribution.
Abstract symbols and representations of readily identifiable forms make up the dingbat language. Hands, religious symbology, airplanes, and a simple pair of scissors lie next to one of another in comical ambiguous combination. Noting the awkward and exceedingly real interaction of such object trouves with our most powerful cultural logos, we approach some understanding of what seems a natural human endeavor to invest in symbols of permanence.
Raven SSTO - Iteration 12, Single Stage to Orbit - Space Plane (This is not a graphics design)
New iteration update, Raven SSTO, up to 15,000 LBS payloads to orbit for apx $2 mln per launch. Compresses O2 and H2 fueled, not liquid fueled. Graphene Airframe, 6,000+F thermal resistance. Air Breathing Aerospike, along with the primary U-TBCC propulsion.
Details at link www.ioaircraft.com/hypersonic/raven.php
Link to Raven www.ioaircraft.com/hypersonic/raven.php
Link to Discovery www.ioaircraft.com/hypersonic/discovery-218.php
Link to Conforming Tank Patent patents.google.com/patent/US20210080060
spaceplane, ssto, hypersonic, hypersonics, rocket, ksc, cape canaveral, space coast, space force, smallsat, orbital debris, satellite service, hydrogen, graphene, satellites, Space Tech, Reusable Rockets, Sustainable Space, RocketEngine, Spaceflight, darpa, air force research lab, afwerx, defwerx, nasa, aviation, airbus, engineering, defense, icao, aiaa, nro
Virgin Orbit
Virgin Galactic
Sierra Nevada Corporation
Aevum Inc
NASA
NASA Jet Propulsion Laboratory
AFOSR, Air Force Office of Scientific Research
Defense Advanced Research Projects Agency
AFWERX
United States Air Force
Air Force Research Laboratory
Firefly Aerospace
ESA - European Space Agency
SpaceX
Axiom Space
Airbus
Airbus Defence
BAE Systems
Northrop Grumman Corporation
Lockheed Martin
Raytheon Technologies
Rolls-Royce plc
National Reconnaissance Office
The Aerospace Corporation
Collins Aerospace
BlackSky
United Launch Alliance
TÉLÉSAT
ONE.Web
ICAO - International Civil Aviation Organization
Dassault Aviation
United States Space Force
Blue Origin
Northrop Grumman Corporation
Arianespace
Days usually start here at 9:00. I aim to be at the office 15 minutes before the stand up, but occasionally I shamefully walk in the middle of it, to the great displeasure of my colleagues.
S4 Craft & Design pupils are generating ideas. They have a lot of work to do before these ideas become finally resolved working concepts. Still some members of the class are off to a great start...
A new iteration of my logo merged with image of the Sun, Sol as well as my own logo for 10th anniversary.
Iterations on Lever's marketing page. The earlier sketches are in the top left, and the later ones are in the bottom right.
Raven SSTO - Iteration 12, Single Stage to Orbit - Space Plane (This is not a graphics design)
New iteration update, Raven SSTO, up to 15,000 LBS payloads to orbit for apx $2 mln per launch. Compresses O2 and H2 fueled, not liquid fueled. Graphene Airframe, 6,000+F thermal resistance. Air Breathing Aerospike, along with the primary U-TBCC propulsion.
Details at link www.ioaircraft.com/hypersonic/raven.php
Link to Raven www.ioaircraft.com/hypersonic/raven.php
Link to Discovery www.ioaircraft.com/hypersonic/discovery-218.php
Link to Conforming Tank Patent patents.google.com/patent/US20210080060
spaceplane, ssto, hypersonic, hypersonics, rocket, ksc, cape canaveral, space coast, space force, smallsat, orbital debris, satellite service, hydrogen, graphene, satellites, Space Tech, Reusable Rockets, Sustainable Space, RocketEngine, Spaceflight, darpa, air force research lab, afwerx, defwerx, nasa, aviation, airbus, engineering, defense, icao, aiaa, nro
Virgin Orbit
Virgin Galactic
Sierra Nevada Corporation
Aevum Inc
NASA
NASA Jet Propulsion Laboratory
AFOSR, Air Force Office of Scientific Research
Defense Advanced Research Projects Agency
AFWERX
United States Air Force
Air Force Research Laboratory
Firefly Aerospace
ESA - European Space Agency
SpaceX
Axiom Space
Airbus
Airbus Defence
BAE Systems
Northrop Grumman Corporation
Lockheed Martin
Raytheon Technologies
Rolls-Royce plc
National Reconnaissance Office
The Aerospace Corporation
Collins Aerospace
BlackSky
United Launch Alliance
TÉLÉSAT
ONE.Web
ICAO - International Civil Aviation Organization
Dassault Aviation
United States Space Force
Blue Origin
Northrop Grumman Corporation
Arianespace
I was shopping last weekend and I came across a 1950's-style kitchen timer.
This is now the third iteration of my time lapse device. So far so good.
It seems to keep the camera more stable than its predecessors.
It does need to be mounted better than it's current configuration of just using the adhesive clips that came with my GoPro.
I used some Sugru (www.Sugru.com, it's incredible stuff if you haven't heard of its amazing properties or seen it in action, go buy some.) on the bottom of the timer and used an old metal ring from ball head I had laying around so it threads nicely onto a 1/4" bolt or tripod.
I think I might make a custom epoxy solution to marry the mount to the timer apparatus to give it some rigidity and strength, but that will have to wait until later in the week.
The latest iteration of a buisiness card design for Jodi's ETSY store, seams nice. It is an improvment from earlier versions where legibility was an issue.
The card echos the website’s banner. The front contains images of three kinds of objects that are crafted and sold on seams nice: stuffed octopod, books, and wallets. On the back is all of her essential information.
View more at changecase.