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the shade garden is coming on quit well plants to be seen are a mix of primulas and aquilegia foxgloves selfheal teasels muscari armeniacum in front corner gooseberry and a fern and an acer in the pot
Brussels is the de facto capital city of the European Union (EU) and the largest urban area in Belgium. It comprises 19 municipalities, including the City of Brussels proper, which is the capital of Belgium, Flanders and the French Community of Belgium.
Brussels has grown from a 10th-century fortress town founded by a descendant of Charlemagne into a metropolis of more than one million inhabitants. The metropolitan area has a population of over 1.8 million, making it the largest in Belgium.
Since the end of the Second World War, Brussels has been an important centre for international politics. The presence of the main EU institutions as well as the headquarters of the North Atlantic Treaty Organization (NATO) has made the city a polyglot home of many international organisations, politicians, diplomats and civil servants.
Although historically Dutch-speaking, Brussels became more and more French-speaking over the 19th and 20th centuries. Today a majority of inhabitants are native French-speakers, although both languages have official status.
Linguistic tensions remain, and the language laws of the municipalities surrounding Brussels are an issue of much controversy in Belgium.
This photograph is from the collection of Barry Howard, who was an Electrician at local coal mines such as Hebburn No. 2 and Northern (Rhondda) Colliery, and at Saxonvale Colliery, further up the Hunter Valley. Mr Howard has very kindly permitted us to to publish these photographs on this website for the benefit of researchers and for those who served in the mines and their families.
If you have any information about the photograph, please contact us or leave a comment. We greatly value your contribution.
Please contact us if you are the subject of the image, or know the subject of the image, and have cultural or other reservations about the image being displayed on this website and would like to discuss this with us.
This image can be used for study and personal research purposes. If you wish to reproduce the image for any other purpose you must obtain permission by contacting the University of Newcastle's Cultural Collections.
This work is protected under copyright laws and agreements.
All Rights Reserved © 2012 Bernard Egger :: rumoto images
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If you may want to see out more of my images, or you ever have questions for buying and usages of the photographs - I'd love to hear from you.
☆ :: rumoto images | differs from all the turkeys out there
TO SEE IN 30/60 OPTED OUT GROUPS !
please do not invite my images to 30/60 restricted groups !
:: Бернхард Эггер, фото, rumoto, фотограф, photography, Fotográfico, supershot, action, emotion, emotions, Faszination, motoring, classic, Classic-Motorrad, historic, historique, historisch, storiche, vintage, Oldtimer, Oldtimersport, Leidenschaft, passion, Maschine, Moto, motocyclisme, Motorcycle, Motorcycles, Motorrad, Motorräder, Motorbike, Мотоциклы и байкеры, 摩托, 車, バイク, Motorräder, دراجةنارية, λέταאופנוע, 오토바이, Motocicletă, Мотоцикл, รถจักรยานยนต์, 摩托车, Motorcykel, Mootorratas, Moottoripyörä, Motosiklèt, Motorkerékpár, Motocikls, Motociklas, Motorsykkel, Motocykl, Motocicleta, Motocykel, Motosiklet, motorbike, sidecars, sidecar, sidecarrace, Beiwagen, klassik, Szene, scene, old, Motorradsport, Zweirad, speed, race, action, Motorsport, motorracing, supershot, Nikon, FX, full-frame, Nikkor, Fotos, Bilder, images, photofiles, pictures, カメラマン, stunning, Sportfoto, supershot, canvas, printed, posters, Poster, prints, print, quality, fine art, large, xxl, Kunstdruck, Grußkarte, Europe, gallery, Galerie, collection, Sammlung,
Event, Events, Oldtimer Grand Prix, Bergpreis, Bergrennen, Bergtrophy, Bol D’Or, Grand Prix, IOM, Manx, MotoGP, Gedächtnisrennen, memorial, Mugelo, Österreichring, Salzburgring, Red Bull Ring, Hausruckring, Rennen, race, roadracing, road race, Straßenrennen, Strassenrennen, TT, Tourist Trophy, race trake, circuit, Rennstrecke, Meisterschaft, Weltmeisterschaft,
legends, Weltmeister, world champion, Giacomo Agostini, Auinger, Steve Baker, Bartol, Jonny Cecotto, Maria Costello, Michael Doohan, Joe Dunlop, Everts, Rupert Hollaus, Mike Hailwood, Carlos Lavado, Eddie Lawson, Marco Luccinelli, Randy Mamola, Alois Maxwald, Minich, Eduard Stöllinger, Phil Read, Kenny Roberts, Valentino Rossi, Jarno Saarinen, Renzo Pasolini, Barry Sheene, John Surtees, Luigi Taveri, Franco Uncini, Freddie Spencer, Bruno Kneubühler, Karl Zach,
sidecar, sidecars, Seitenwagen, Beiwagen, Kneeler, LCR, Klaus Enders, Werner Schwärzel, Siegfried Schauzu, Wolfgang Kalauch, Heinz Luthringshauser, Rolf Steinhausen, Rolf Biland, Klaus Klaffenböck, Klaffi, Christian Parzer, George O'Dell, Jock Taylor, Alain Michel, Egbert Streuer, Steve Webster, Darren Dixon, Paul Güdel, Steve Abbott, Tim Reeves, Tristan Reeves, Pekka Päivärinta, Adolf Hänni, Ben Birchall, Tom Birchall, Josef Moser, Michael Grabmüller, Aicher, Pitzenberg, Aich, Schwauna, MSV Schwanenstadt, Schwanenstadt, Oberösterreich, Austria,
Vom Oldtimer Grand Prix Schwanenstadt gibt es tausende weitere Aufnahmen. Nikon FX-Format - Qualität & optimale Eignung für Mega-Poster. Hier sehen Sie ein Bild in stark reduzierter Auflösung.
This is a censored paper towel dispenser located in the women's bathroom in the Math and Physics building. This is green because it helps prevent wasting too much paper. It only dispenses a certain amount of paper each tim.
Operation AVRO is a forcewide initiative that delivers a surge of extra resources and specialist officers to a different part of Greater Manchester each month.
This month saw the operation take place on the region's transport network.
The operation targets crimes that members of the public in that district have told us give them the most concern.
Members of the press and key partners, including local representatives, are invited to attend Operation AVRO deployments to see results first-hand and conduct important multi-agency work, such as welfare visits.
More details on AVRO can be found by visiting gmp.police.uk and following us on social media.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
10 Mile Race Start: This is a photograph from the annual Ardagh Moydow Glen Community Games 5KM and 10 Mile road races, fun runs, walks and challenges which were held in the heritage village of Ardagh, Co. Longford, Ireland on Saturday 26th February 2022 at 13:00. This race has grown year on year since its first running a few years ago. This is the first time the races have been held in February due to the postponement of the traditional Christmas time fixture from January 2nd 2022.
We have an extensive set of photographs from the race start and the finish on our Flickr photostream set at
www.flickr.com/photos/peterm7/albums/72177720296976089
Timing and Event management was provided by Irish company MyRunResults - check their website at www.myrunresults.com/
The 10 mile race takes in the local 'Ardagh Mountain' which is a 1 mile continuous climb starting at the 2 mile mark of the 10 mile race. There is, of course, then the reward of a long down-hill stretch after the summit. This forested hill or mountain was once a famous centre of pre-Christian religious worship and is believed to have been the home of a pre–christian diety named Midir (the God of the Underworld), and also a Prince of the "Tuatha De Dannan", the fairy people of Ireland. The hill or mountain itself is named after Brí, the daughter of Midhir and her doomed love, Leith who are reputed to be buried on the hill. The top of the hill offers impressive views of the landscape, particularly north to Longford town and towards the south. The remainder of the race is challenging but fair, with some much smaller and less steep hills in the race profile. Miles 3 - 7 benefit from some downhill as the race route travels around the base of the hills. The roads are predominantly rural roads with little traffic. There is a gradual climb in the final mile of the race which brings runners back into Ardagh village. The 10 mile race finishes in the same finish as the 5KM race. Water stops and adequate stewarding at junctions is provided.
The 5KM race takes a loop around the heritage village of Ardagh. This allows runners, walkers and joggers of all ability to take part over a more manageable distance. Overall this is a very well organised race with accurate courses, good marshalling and traffic control and excellent after race refreshments. The 10 mile race is one of the longest road races held during the Christmas period anywhere in Ireland and has appeal to runners who want to add a longer distance race to their festive calendar of running.
The weather at this year's race was almost perfect for running. The rain managed to stay away and there was only a breeze on certain exposed parts of the course. Indeed conditions could be described as mild with temperatures of 11C. In 2014 there was very frosty icy weather and in 2015 participants were given a very very windy day with heavy rain at the finish of both races. The 2016 and 2017 event seen very suitable weather for road racing in late December in Ireland.
Ardagh is probably County Longford's most picturesque village with many historical and architecturally important features. It is located about 6 miles from Longford town. There has been settlement in the area since around the 5th century.
Our Photographs from Ardagh 10 Mile 2019: www.flickr.com/photos/peterm7/albums/72157712400793232
Our Photographs from Ardagh 10 Mile 2018: www.flickr.com/photos/peterm7/albums/72157703633931361
Our Photographs from Ardagh 10 Mile 2017: www.flickr.com/photos/peterm7/albums/72157688852560892
Our Photographs from Ardagh 10 Mile 2016: www.flickr.com/photos/peterm7/albums/72157678237005786
Our Photographs from Ardagh 10 Mile 2015: www.flickr.com/photos/peterm7/sets/72157662725299342
Our Photographs from Ardagh 10 Mile 2014: www.flickr.com/photos/peterm7/albums/72157649570517620
Warsaw Polish: Warszawa, officially the Capital City of Warsaw, is the capital and largest city of Poland. The metropolis stands on the River Vistula in east-central Poland, and its population is officially estimated at 1.86 million residents within a greater metropolitan area of 3.1 million residents.
Raghurajpur is a heritage crafts village in Puri district, Odisha, known for its master Pattachitra painters, an art form which dates back to 5 BC in the region and Gotipua dance troupes, the precursor to the Indian classical dance form of Odissi; it is also known as the birthplace of one of the finest Odissi exponents and Guru, Kelucharan Mohapatra. Apart from that, the village is also home to crafts like Tussar paintings, palm leaf engravings, stone and wood carvings, wooden, cowdung and papier mache toys, and masks.
In 2000, after a two-year research and documentation project by INTACH, starting 1998, the village was chosen to be developed as state's first heritage village and developed as a Crafts village, soon the village had an interpretation centre, commissioned artwork on the walls of the artists’ homes and a rest house.
It also has the distinction of the only place where the traditional decoration called Patas, used under the throne of Lord Jagannath and on the three chariots during the annual Rath Yatra festival, that takes place at pilgrimage town of Puri, some 14 km away, known for the Jagannath Temple.
OVERVIEW
Situated amidst groves of coconut, palm, mango and jack fruit, the main village has two streets with over 120 houses, most decorated with mural paintings, where the painters reside and practice their pattachitra craft, besides many other that practices throughout the village, including traditional masks, stone idols, papier mache, sculptures, wooden toys. The village also a series of temples dedicated not only to Bhuasuni, the local deity but also to various Hindu gods including, Radha Mohan, Gopinath, Raghunath, Laxminarayan and Gouranga.
Around, 2000 it was developed as a heritage village by INTACH, and soon became a major rural tourist destination of the state, drawing tourist, both domestic and foreign to the village. Villagers were also trained to provide heritage walks to the visitors by the organisation, and has since become a template for heritage tourism in the region.
Today it is also the venue of the annual Basant Utsav - Parampara Raghurajpur (Spring Festival), which was first organized in 1993 under the aegis of State Tourism Department and astern Zonal Cultural Centre, Kolkata, held in the month of February/March and an important tourist draw.
PATTACHITRA
The pattachitra paintings are made over a piece of cloth known as Patta or a dried palm leaf, which is first painted with a mixture of chalk and gum. Over the prepared surface, colorful and intricate pictures of various Gods, Goddesses, and mythological scenes with ornamentation of flowers, trees and animals are then painted. The paintings on Tussar saris, especially the Sambalpuri Saree depicting Mathura Vijay, Raslila and Ayodhya Vijay owe their origin to ‘Raghurajpur Pattachitra paintings’.
LOCATION
It is situated 14 km away from Hindu pilgrimage town of Puri, on the southern banks of river Bhargabi (Bhargavi). Visitors from Puri take the Bhubaneswar road, near Chandanpur, on NH 203, and upon reaching the Chandanpur Bazaar, they can take a right turn to reach Raghurajpur. The village is then around 1.5 km from Chandanpur.
WIKIPEDIA
Mariah Carey - Bye Bye
Mariah Carey (born March 27, 1969 or 1970) is an American singer, songwriter, record producer, and actress. In 1990, she rose to fame with the release of "Vision of Love" from her eponymous debut album. The album produced four chart-topping singles in the US and began what would become a string of commercially successful albums which solidified the singer as Columbia's highest selling act. Carey and Boyz II Men spent a record sixteen weeks atop the Billboard Hot 100 in 1995–96 with "One Sweet Day," which remains the longest-running number-one song in US chart history. Following a contentious divorce from Sony Music head Tommy Mottola, Carey adopted a new image and traversed towards hip hop with the release of Butterfly (1997). In 1998, she was honored as the world's best-selling recording artist of the 1990s at the World Music Awards and subsequently named the best-selling female artist of the millennium in 2000.
Carey parted with Columbia in 2000, and signed a record-breaking $100 million recording contract with Virgin Records America. In the weeks prior to the release of her film Glitter and its accompanying soundtrack in 2001, she suffered a physical and emotional breakdown and was hospitalized for severe exhaustion. The project was poorly received and led to a general decline in the singer's career. Carey's recording contract was bought out for $50 million by Virgin and she signed a multi-million dollar deal with Island Records the following year. After a relatively unsuccessful period, she returned to the top of music charts with The Emancipation of Mimi (2005). The album became the best-selling album in the US and the second best-seller worldwide in 2005 and produced "We Belong Together," which became her most successful single of the 2000s, and was later named "Song of the Decade" by Billboard. Carey once again ventured into film with a well-received supporting role in Precious (2009), and was awarded the "Breakthrough Performance Award" at the Palm Springs International Film Festival.
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This is an amazing image. Well not the image but the fact that it is even here.
I had one negative left in an open pack of 8x10 809 Polaroid material. I thought I would give my 8x10 Leonardo 3' pinhole camera a shot at it. My day started with a wonderful cup of Kona coffee and that was the last time anything went right.
Go to #12 if you would like the Reader Digest Condensed version.
1. In loading the Polaroid film holder I pushed the envelope to far and exposed the edge of negative about 3/4 of an inch, then buckled the edge, after about 3-4 tries got it loaded.
2. Found that you can not use the Leonardo "pressure plate" too thick with the wider Polaroid film holder but decided to try it anyway, grabbed my focusing cloth to drape over the film holder and back to help with potential light leak. (Why am I worried I already exposed the film to daylight)
3. Double checked my light meter to make sure that it went to f 256, f220 close enough. Didn't check the battery.
4. Camera flew to the floor of the Jeep just backing out of my barking space.
5. Got to the cemetery, chose my location. Set up the camera. Knew the exposure was going to be in minutes so was going to use my cell phone clock for a timer.
6. Meter doesn't have enough battery to give me a reading, but enough juice to blink at me and tell me the battery is low. Ok I'll guess. Used the meter to weight down the focusing cloth, no free rides here. Guessing 15 to 20 minutes exposure.
7. Cell phone - flat out like a lizard drinking. Guess the 3 minute charge I gave it the day before was not enough. Last resort use the clock in the Jeep.
8. Breeze kicks up.
9. Shoot it, head back to the shop to process it. Whacked the camera on the steering wheel getting back in the Jeep.
10. Loaded the positive about three times, not sure which slot it went in. Checked the instructions. Cat walks on processor.
11. Miracle out of scripture there was an image when peeled.
12. Incorrectly loaded negative, camera fell off car seat, got whacked on steering wheel, man handled the positive, no meter, no clock, wind kicked up. AMAZING that there is an image here.
Film: Polaroid 809 heavily expired, Scanned in grayscale.
19 minute exposure, + / - one minute, Timer complements of Jeep.
Camera: Leonardo 8x10 3" Focal Length, 012" pinhole lens
Image by: Leslie Lazenby, 28 Jul 2012
Maple Grove Cemetery, Findlay, OH
Not sure I should take credit for the image, I did every thing in my power to ruin it.
Northern Ireland
Northern Ireland, is a separate country from The Republic of Ireland, Northern Ireland is a part of the UK, United Kingdom in the north-east of the island of Ireland. Since the signing of the Good Friday Agreement in 1998, Northern Ireland is largely self-governing.
Belfast is the capital of, and largest city in, Northern Ireland. Belfast has been the capital of Northern Ireland since its establishment in 1921 following the Government of Ireland Act 1920. It had been the scene of various episodes of sectarian conflict between its Catholic and Protestant populations. These opposing groups in this conflict are now often termed republican and loyalist respectively, although they are also referred to as 'nationalist' and 'unionist'.
Today, Belfast remains a centre for industry, as well as the arts, higher education and business, a legal centre, and is the economic engine of Northern Ireland.
For more on Northern Ireland visit:
www.discovernorthernireland.com/
Fore more on Belfast visit:
www.discovernorthernireland.com/Belfast
BELFAST–CAIRNRYAN
Cross the North Channel by ferryCross into Northern Ireland, pass the Mountains of Mourne, and stop in vibrant Belfast before boarding a ferry bound for Scotland.
Globus Travel
Essential Britain & Ireland Tour
October 21st 2013 thru November 1st 2013
Ten day tour visiting five countries
England
Wales
Ireland
Northern Ireland
Scotland
www.globusjourneys.com/Product.aspx?trip=4GB
For more on Globus Travel
866-755-8581
Photo
Belfast, Northern Ireland, UK United Kingdom in Northern Europe
10/27/2013
SIX is an experimental electronic, surround sound performance series presented by the BFA in Video and Sound program. This iteration of SIX will feature renowned international sound artist Robert Henke along with several other performers. In lieu of traditional listening orientation, the music and sound is produced in an open, multi-directional format. This allows the performer, sound, environment, and audience to form an exploratory relationship. The audience is encouraged to walk around, lay down (bring a pillow or blanket if you like), and experience the sound from different angles.
Featured Performers
Robert Henke
Marcus Fischer
Strategy + Jetfinger
Solenoid
Dweomer
Mike Jedlicka + wndfrm
Robert Henke is a visiting artist from Europe, and is presenting a lecture on September 24 titled "Sound, Structures and Machines."
The BFA in Video and Sound at PNCA promotes an expansive investigation of video and sound as disciplines both distinct and allied. Cultivating a practice-based media literacy, this program supports the acquisition of critical, aesthetic and technical skills, which are vital to cultural production in today’s media environment.
Please join PNCA for the fifth edition of SIX, an experimental, surround sound performance series.
Artist Info
ROBERT HENKE, born 1969 in Munich, Germany, is a composer, sound designer, software developer, installation artist and audiovisual performer. His art is focused on carefully shaped details and gradual changes of repeating structures in different time scales. His sonic explorations are rooted in academic sound research and computer music as well as in contemporary club culture.
monolake.de/
MARCUS FISCHER is a musician + multimedia artist currently based in Portland, Oregon. He has released two albums on the 12k label along with numerous EPs and collaborations for a variety of other outlets. Field recordings, chance, and DIY instruments, coupled with acoustic instrumentation and visual art, define what has become Marcus’s minimal signature.
mapmap.ch
STRATEGY, otherwise known as multi-instrumentalist and programmer Paul Dickow, wires together programming and performing experience via a hodgepodge of table top electronics, computers and realtime musicianship. A musical explorer, Paul has been a longtime participant in Portland’s underground music community.
community-library.net
ROMEO FAHL ( JETFINGER ) currently lives in Portland, Oregon and has been playing music since the mid-80’s. He has been custom-building a massive modular synthesizer for the last 18 years. SIX has been proving a great outlet to hear and see this beast in all it’s burbling, growling, buzzing, multi-channel glory.
soundcloud.com/jetfinger
SOLENOID is the moniker of David Chandler, who loves synthesizer music and sound design. His unique mix of experimental and dance music has found him performing in festivals in the USA and Europe. He’s had many recordings released on various formats and from various countries over the last 13 years, but his home continues to be Portland.
community-library.net
DWEOMER (Jef Drawbaugh ) is an urban druid of sound. His new work is in sound design and composition for media, leaning heavily on cinematic themes. His live music and recorded soundscapes blossom with connections and juxtapositions between the technical world of electronic instruments and songcraft, rife with the fluid and nebulous areas of the cosmos and emotional response. He discovers patterns and shapes amidst chaotic spaces and lets stories unfold through cosmic voyages.
cascadnacsound.com
MIKE JEDLICKA runs Optic Echo Records and has a weekly show on Portland Radio Authority. He uses a multitude of instruments and electronics to create a wide variety of music, recently focusing on field recording laden acoustic ambient and experimental noise. His last release was a split 12" in 2010 entitled “Tabor / NW Passage”, on Optic Echo Records.
opticecho.com
WNDFRM is Tim Westcott, who has been working with sound as a creative medium since the early 90’s. He treats sound as an architectural element, incorporating manipulated field recordings, minimalistic sine tones, lush atmospheric harmonics, and the occasional dub-wise rhythmic foundation.
nuevaforma.com
September 23, 2012.
Photographs by: Marshall Astor '13.
These are Towers 8 and 9, of 10 (running out Radio Road, from west to east) on San Bruno Mountain, the 1300-foot ridge that isolates San Francisco and its climate from the rest of the Peninsula. To the FCC, it is ASR (antenna structure registration) number 1010566. Details on Tower 9:
Structure Coordinates: 37-41-12.3 N 122-26-7.3 W (NAD 83)
Structure Address: 700 Radio Rd (san Bruno Mtn T9 #8250)
Structure City: Daly City, CA
Structure County: San Mateo County
Elevation Info
Site Elevation: 390.1 meters (1280 ft)
Height of Structure: 61.3 meters (201 feet)
Overall Height Above Ground: 78.3 meters (257 feet)
Overall Height Above Mean Sea Level: 468.4 meters (1537 feet)
Scott Fybush in 2011: "Tower 9 is the original KRON-TV/FM tower, now used by KTSF (RF 27/virtual 26) and by KRZZ 93.3)." It was part of a complex built by KRON, then the NBC TV affiliate on channel 4, in 1949.
Perhaps the longest tenant on this tower was KTSF/26, which had been broadcasting after the digital transition on channel 27, but relinquished that channel in the spectrum auction, and is now, in the great repack, a "guest" of KDTV-DT, virtual channel 14, pre-repack on channel 51, and post-repack on channel 20. It broadcasts from Mount Allison in the East Bay.
At the top now is the four-bay antenna of KRZZ/93.3 fm, which has radiated from a number of other sites around the Bay. In my time there (starting in 1985), it was on the KOIT/1260 (originally KYA) tower on Candlestick Hill, moved up to San Bruno after that tower was dropped in a storm, and then moved to the East Bay hills while maintaining an auxiliary transmitter on the new KOIT tower, and eventually moving back here. Details:
Effective Radiated Power: 6 kW
Transmitter Output Power: 5.3 kW
Antenna Center HAAT: 415 m (1362 ft.)
Antenna Center AMSL: 458 m (1503 ft.)
Antenna Center HAG: 72 m (236 ft.)
Calculated Site Elevation: 386 m. (1266 ft.)
Height Overall*: 79.6 m (261 ft.)
Omni-Directional Antenna
Antenna Make/Model: Electronics Research Inc. (ERI) MP-4C-HW
The lone TV antenna on Tower 9 right now is
KMMC-LD Channel 40
ERP: 14 kW
R/C AGL: 48 m (157 ft.)
Site Elevation: 390.1 m. (1280 ft.)
Height Overall*: 78.3 m (257 ft.)
Directional Antenna - Antenna Make/Model: ALI ATC-BCC78CW-40
KCNZ/28 also has both a construction permit CP and an application for this tower. Details on the CP:
Channel Sharing Guests:
KMTP-TV, San Francisco, California
KOFY-TV, San Francisco, California
KQRM-LP, Petaluma, California
Repacking Information:
Pre-Repack Channel: 28
Post-Repack Channel: 21
Post-Repack ERP: 12.8 kW
Phase: 9 Completion Deadline: 5/1/2020
Site Location: 37-41-12.3 N 122-26-07.3 W (NAD 83)
ERP: 12.5 kW
Polarization: Circularly polarized
Electrical Beam Tilt: 1.0 degree
R/C AGL: 59.4 m (195 ft.)
R/C AMSL: 449.5 m (1475 ft.)
Site Elevation: 390.1 m. (1280 ft.)
Height Overall*: 78.3 m (257 ft.)
Directional Antenna - Antenna Make/Model: R.F. Systems PEPL5U-CM4
Antenna ID: 1004992
The KCNZ application is for—
Site Location: 37-41-12.3 N 122-26-07.3 W (NAD 83)
ERP: 15 kW
Polarization: Circularly polarized
Electrical Beam Tilt: 1.0 degree
R/C AGL: 59.4 m (195 ft.)
R/C AMSL: 449.5 m (1475 ft.)
Emission Mask: Full Service
Site Elevation: 390.1 m. (1280 ft.)
Height Overall*: 78.3 m (257 ft.)
Directional Antenna - Antenna Make/Model: R.F. Systems PEPL5U-CM4
Antenna ID: 1005308
Polarization: Circularly polarized
There is also an FM translator: K327GZ(FX)/95.3
for KDOW.1220am.
Effective Radiated Power: 0.04 kW
Transmitter Output Power: 0.043 kW
Antenna Center HAAT: 0 m
Antenna Center AMSL: 420 m (1378 ft.)
Antenna Center HAG: 30 m (98 ft.)
Site Elevation: 390 m. (1280 ft.)
Height Overall*: 78 m (256 ft.)
Directional: aimed northwest
When I wrote about it in Linux Journal, back in 2010, with guidance from my last docent on the mountain, Tim Pozar, wireless Internet service was provided to scientists on the Farallon Islands, offshore, from the base of this tower..
We visit Tower 8 in other shots.
This is a photograph from the second running of the Athlone Flatline Half Marathon ("The Flatline") was held at Athlone, Co. Westmeath, Ireland on Saturday 14th September 2013 at 11:00. There was beautiful weather for the event which started and finished at St. Aloysius College near the Canal Banks area of the town just slightly west of the River Shannon. This event was professionally organised and the very flat course meant that many runners both seasoned and new to the scene achieved season or personal bests. Almost 1,000 participants successfully completed the event in the beautiful September sunshine. Everyone involved must be congratulated for the flawless running of the event. This event is sure to go from strength to strength over the coming years. The "Flatline" also included an option for a full marathon which was fully supported by the Marathon Club of Ireland and the East of Ireland Marathon Series. This allowed participants to run the Flatline twice for the qualifying marathon distance. About 80 people took part.
This is a photograph which is part of a larger set of photographs taken at the start and finish of "The Flatline" 2013. The URL of the main set is www.flickr.com/photos/peterm7/sets/72157635495089498/. There are some photographs of the finishers of the marathon.
For reference the satellite navigation Coordinates to the event HQ are (Longitude: -7.948153, Latitude: 53.420575)
Event management and timing was provided by PRECISION TIMING. See their website at [www.precisiontiming.net/]
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
Overall Race Summary
Participants: Such is the popularity of the race this year that registration closed for the race in mid-August 2013. There were well over 1,000 participants who took to the start line.
Weather: The weather on the day was almost perfect for running. The runners were bathed in warm September sunshine for the duration of the race and into the early afternoon. In the sections of the race out towards Clonown and around the Bord na Mona areas there was a stiff breeze but nothing major.
Course: "The Flatline" ceratinly lived up to its name. It is as flat a course as one is likely to find. A garmin connect gps trace of the route is provided here [connect.garmin.com/activity/199678412] Geographically the course spends much of the race in County Roscommon with only the first and last kilometers actually in County Westmeath. This gives geographically inclined runners the novel opportunity to race in two Irish provinces in one race. The course had distance markers at every kilometre and mile along the way. There were official pacers provided by the race organisers.
Location Map: Start/finish area and registration etc on Google StreetView [goo.gl/maps/8qCes] - Ample parking was supplied with some over-flow car-parking options also available.
Refreshments: An Alkohol Frei bottle of Erdinger was provided to every finisher as they crossed the line. Light refreshments were served.
Some Useful Links
Precision Timing Results Page: www.precisiontiming.net/result/racetimer
Facebook Event Page for the 2013 www.facebook.com/events/495900447163378/ (Facebook logon required)
Boards.ie Athletics Discussion Thread about the 2013 race: www.boards.ie/vbulletin/showthread.php?t=2056984967
Boards.ie Athletics Discussion Thread about the 2012 race: www.boards.ie/vbulletin/showthread.php?p=80049447
GARMIN GPS Trace of the Route for 2013: connect.garmin.com/activity/199678412
Race HQ Venue in 2013: St.Aloysius College Athlone : staloysiuscollege.ie/
Race Sponsors Vision Express Athlone: www.visionexpress.ie/opticians/opticians-in-republic-of-i...
Action Physio Athlone: www.actionphysio.ie/
Race photographs from 2012's Flatline - supplied by PIXELS PROMOTIONS: pixelspromotions.zenfolio.com/p126168889 (on route) and at the Finish line pixelspromotions.zenfolio.com/p31872670 - please note these are not our photographs (see www.pixelspromotions.com/).
How can I get full resolution copies of these photographs?
All of the photographs here on this Flickr set have a visible watermark embedded in them. All of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution WITHOUT watermark. We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us. This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc.
If you would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably www.flickr.com/peterm7/sets
The Reichstag building is a historical edifice in Berlin, Germany, constructed to house the Reichstag, parliament of the German Empire. It was opened in 1894 and housed the Reichstag until 1933, when it was severely damaged in a fire set by Dutch communist Marinus van der Lubbe, who was post-humously pardoned in 2008.[1] During the Nazi era, the few meetings of members of the Reichstag as a group were held in the Kroll Opera House. After the Second World War the Reichstag building fell into disuse as the parliament of the German Democratic Republic met in the Palace of the Republic in East Berlin and the parliament of the Federal Republic of Germany met in the Bundeshaus in Bonn.
The building was made safe against the elements and partially refurbished in the 1960s, but no attempt at full restoration was made until after the reunification of Germany on October 3, 1990, when it underwent reconstruction led by internationally renowned architect Norman Foster. After its completion in 1999, it became the meeting place of the modern German parliament, the Bundestag.
The Reichstag as a parliament dates back to the Holy Roman Empire and ceased to act as a true parliament in the years of the Nazi regime (1933–1945). In today's usage, the German term Reichstag or Reichstagsgebäude (Reichstag building) refers to the building, while the term Bundestag refers to the institution.
This is the last of the b/w images i have taken by Cyril Cooper
(i believe) . and comes from the early 60s.
In truth it could be anytime between 1960 and 1968.
This shows the business end of Leyland Tiger JOJ 238. (2238).
She as been fitted with blister side indicators and the fleet number as been moved up to the cream waistband, from the bottom of the forward lower blue panel.
The driver is a desperate looking long haired ruffian whom the authorities would dearly like to interview.
The intrusion of the angled windscreen can clearly be seen.
My most treasure memory of these machines took place in the Summer of 1963.
Myself and a lad named Tommy where of the same age and both became 21 that year, and the BCT,in its wisdom decided to instruct us to drive on the road,.
We set off in one of these,No unknown, under the guidance of one of BCTs Driving Instructors , a pleasant,quietly spoken chap named Ronnie Bunting.
Tommy was driving as we descended the hill towards Bournville Village Green on Linden Rd on the Outer Ring Rd.
Ron,who was sat on the front offside seat behind the cab, instructed Tom to turn right into Woodbrooke Rd. The 27 route.
This would of course entail the usual signal,hand and mechanical, changing down to 2nd gear and slowing before negotiating the turn in the approved manner,steadily whilst pushing and pulling at the steering wheel.
Tom slowed down, went to change gear and there was a sudden clattering noise, a couple of Anglo Saxon words from the cab and the Tiger rounded the corner clearly in neutral.
Tom pulled in and stopped just past the bus stop where upon
Ron informed him of his opinion of his lack of driving skills, his inability to listen and his doubtful parentage.
Tommy listened patiently till Ron had finished then calmly handed the gear lever,which had snapped off at floor level, through the sliding window and said something like.
'Er, see if you can ********* do it.!'
I shall never forget the look on Ron's face, a moment that in a ideal world should have been caught on camera.
Then of course we had to wait to be towed back to Selly Oak
as there was no way of getting the thing into gear.
Happy Days, oh, and we both passed our test when it came.
Selly Oak Depot
Birmingham
Early 60s
Operation AVRO is a forcewide initiative that delivers a surge of extra resources and specialist officers to a different part of Greater Manchester each month.
This month saw the operation take place on the region's transport network.
The operation targets crimes that members of the public in that district have told us give them the most concern.
Members of the press and key partners, including local representatives, are invited to attend Operation AVRO deployments to see results first-hand and conduct important multi-agency work, such as welfare visits.
More details on AVRO can be found by visiting gmp.police.uk and following us on social media.
You should call 101, the national non-emergency number, to report crime and other concerns that do not require an emergency response.
Always call 999 in an emergency, such as when a crime is in progress, violence is being used or threatened or where there is danger to life.
You can also call anonymously with information about crime to Crimestoppers on 0800 555 111. Crimestoppers is an independent charity who will not want your name, just your information. Your call will not be traced or recorded and you do not have to go to court or give a statement.
You can access many of our services online at www.gmp.police.uk
This is a great bicycle picture! I'm surprised my cousin didn't follow his true calling and become an artist. This picture is so expressive: I have a red bicyle and I'm going places. Get out of my way!
I might have the year wrong...Kari must have been at least seven, so maybe it's a couple of years later.
The picture suffered a lot of damage when it was removed from the surface it had been glued to, but auntie Aino did a great job when she put it back together. It's dedicated to Kaisa and Mauno, our aunt and her husband, may they rest in peace!
Is it me or is every Allegro that you see nowadays (and I guess you don't seem many) a Vanden Plas? Maybe if you like these cars you only want the 'best'
Nikon FM2, Nikkor 18-35/f3.5-4.5D, Fuji PRO400H
This is a photograph from the East of Ireland Marathon held at Lusk, Co. Dublin, Ireland on Easter Saturday, 19th April 2014 at 09:00. The race started and finished in the grounds of Lusk United Soccer Club (goo.gl/maps/luVz1). The marathon route followed four loops of a route around the back roads north of Lusk village. The rural roads were perfect for the marathon as there was very little traffic except some movement of agricultural machinery between various farms. This area of Co. Dublin is famous for it's vegetable growing industry. A water and feed station was provided at the end of the loop [here goo.gl/maps/A1JU1]. This was almost the perfect day for marathon running. There was little or no breeze. However temperatures were unseasonably high with temperatures close to 18C (64F) during the race.
The East Of Ireland Marathon Series aims to make marathons affordable and convienient for the runners of Ireland. The serires organisers aim to promote marathon running and to make the process as stress free and enjoyable as possible. All courses are measured to full AAI standards and have a minimum of 10 Entrants. The marathons are self sufficent to a degree although there are limited supplies of water available on the day of the race. There will be no extra frills like chip timing and finish gantrys. However all finishing times are accurately and officially recorded. This is to keep the price down and keep the races as affordable as possible. The East of Ireland Marathon series is all inclusive and welcomes runners who are new to marathon running as well as experienced veterans.
This photograph is part of a Flickr set of photographs we took at this event. The Flickr set is available here [https://www.flickr.com/photos/peterm7/sets/72157644148125334/]. This set includes photographs from the start, in-race, and finish of the race.
Viewing this on a smartphone device?
If you are viewing this Flickr set on a smartphone and you want to see the larger version(s) of this photograph then: scroll down to the bottom of this description under the photograph and click the "View info about this photo..." link. You will be brought to a new page and you should click the link "View All Sizes".
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
How can I download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
How can I get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
This is for studiozoe in response to her photo www.flickr.com/photos/studiozoe/43980580/in/set-325640/
It's just the thing. Nothing like a decent breakfast on a Saturday moning after a week of commuting to London and getting back home after 9pm most nights. Ah... and nothing like eggs from your own chickens either!
This is a set of photographs from the start, 8.5KM mark, and finish area of both of the races in the 10th annual Longwood Village 10KM and 5KM Road Races and Fun Runs which were held in Longwood Village, Longwood, Co. Meath, Ireland on Sunday 20th October 2019 at 11:00. The races are held annually to support the development of the local GAA club while also supporting local charities. The race has support from Trim AC which sees the race have full AAI premit status. These races have grown steadily over the years and this year again almost 600 participants took part in the two races. This is an impressive statistic given that a very large number of local runners will be preparing for the Dublin City marathon 7 days from now. The number of entrants in both races have grown steadily over the years. Both races provide marathon runners and all other runners, joggers and walkers with an ideal opportunity to race on a very fair course in a beautiful rural setting. Barry Clarke of Longwood GAA and Trim AC and his very large group of volunteers deserve the highest of praise for the very high standard of organisation immediately apparent to anyone taking part in the race. Overall the whole day was a great success with the hard work put in by the organising committee ensuring that participants enjoyed their race experience. Both routes were accurately measured, kilometer points clearly marked, junctions well stewarded, and electronic timing provided. The event provided many local runners, joggers, fun runners and walkers with a local event to support whilst at the same time providing runners preparing for events such as the Dublin marathon with an opportunity to race a short, fast, distance in the lead up to marathon day. The GAA club provided excellent stewarding and traffic management all around the course. The race had a professional feel to it and as before it gets better year on year given the very positive feedback from many of the participants each year. The weather was reasonably good for racing with bright, crisp, sunny Sunday morning with high temperatures for this time of year of around 11 or 12c.
We have an extensive set of photographs from all of the races today in the following Flickr Album: www.flickr.com/photos/peterm7/albums/72157702660163805
Timing and event management was provided by PopUpRaces.ie. Results are available on their website at www.popupraces.ie/
Our photographs from Longwood 5KM and 10KM 2018: www.flickr.com/photos/peterm7/albums/72157702660163805
Our photographs from Longwood 5KM and 10KM 2017: www.flickr.com/photos/peterm7/albums/72157661720601468
Our photographs from Longwood 5KM and 10KM 2016: www.flickr.com/photos/peterm7/albums/72157672030705623
Our photographs from Longwood 5KM and 10KM 2015: www.flickr.com/photos/peterm7/sets/72157660017638535
Our photographs from Longwood 5KM and 10KM 2014: www.flickr.com/photos/peterm7/sets/72157648845224981/
Our photographs from Longwood 5KM and 10KM 2013: www.flickr.com/photos/peterm7/sets/72157636477484093/
Our photographs from Longwood 5KM 2012: www.flickr.com/photos/peterm7/sets/72157631820426332/
Our photographs from Longwood 5KM 2011: www.flickr.com/photos/peterm7/sets/72157627782257481/
Our photographs from Longwood 5KM 2010: www.flickr.com/photos/peterm7/sets/72157625058772687/
Longwood is a small village in South East Co. Meath and is close to the town of Enfield with access to the M4 Motorway.
5KM Course: The 5KM started in Longwood village. Runners then took a left turn in the Village down St. Oliver's Road. This straight section of road brings runners to a left turn onto a very well maintained boreen road for less than one kilometer. The race then emerges and joins with the 10KM at Stoneyford where the runners take a left and then another left before arriving back at the finish line in Longwood GAA club. Overall this is a very fast and flat 5KM with no hills to speak of.
10KM Course: The 10KM event begins in Longwood Village outside Dargan's Pub and proceeds westward out of the village. There are some interesting points along this part of the course. At the 2KM point the runners will run under the double bridges - an aquaduct for the Royal Canal and a bridge carrying the Dublin Sligo Railway line. The race then enters county Kildare just before the 3km and after taking a right turn at the four-cross roads known locally as Lally's Cross it returns to County Meath on top of the River Boyne Bridge (Ashfield Bridge) which forms the county boundary. The race follows a straight road for the next 2KM until runners encounter Blackshade bridge which is the toughest climb on the route. As a point of interest Blackshade bridge brings runners back over the Royal Canal and the Railway line. The race then crosses the River Boyne again at Stoneyford before taking a right which will bring runners on a testing two kilometer stretch with some short hills. The 10KM course then joins with the 5Km course for the final 1.5KM back to Longwood GAA club for the finish.
Colonial Williamsburg is the historic district of the independent city of Williamsburg, Virginia. It consists of many of the buildings that, from 1699 to 1780, formed colonial Virginia's capital. The capital straddled the boundary of two of the original shires of Virginia, James City Shire (now James City County), and Charles River Shire (now York County). For most of the 18th century, Williamsburg was the center of government, education and culture in the Colony of Virginia.
Colonial Williamsburg is meant to be an interpretation of a Colonial American city, with exhibits including dozens of authentic or accurately-recreated colonial houses and relating to American Revolutionary War history. Prominent buildings in Colonial Williamsburg include the Raleigh Tavern, the Capitol, The Governor's Palace, and Bruton Parish Church. However, rather than simply an effort to preserve antiquity, the combination of extensive restoration and thoughtful recreation of the entire colonial town facilitates envisioning the atmosphere and understanding the ideals of 18th century American revolutionary leaders. It was here that Thomas Jefferson, Patrick Henry, James Monroe, James Madison, George Wythe, Peyton Randolph, and dozens more helped mold democracy in the Commonwealth of Virginia and the United States.
The Historic Area is located just east of the College of William and Mary, founded at Middle Plantation in 1693, just prior to the establishment of the town as capital of Virginia and its renaming. The university's historic Wren Building stands at the west end of Duke of Gloucester Street.
Colonial Williamsburg is a major source of tourism to Williamsburg, as well as a touchstone for many world leaders and heads of state, including U.S. Presidents. The United States hosted the first World Economic Conference at Colonial Williamsburg in 1983. It is the centerpiece of the surrounding Historic Triangle of Virginia area, which has become a popular tourist destination for visitors domestic and foreign. The other two points of the Historic Triangle are Jamestown and Yorktown.
Contents
Early in the 20th century, the restoration and recreation of Colonial Williamsburg, one of the largest historic restorations ever undertaken, was championed by the Reverend Dr. W.A.R. Goodwin and the patriarch of the Rockefeller family, John D. Rockefeller, Jr., along with the active participation of his wife, Abby Aldrich Rockefeller, who wanted to celebrate the patriots and the early history of the United States.
Many of the missing Colonial structures were reconstructed on their original sites during the 1930s. Other structures were restored to the best estimates of how they would have looked during the eighteenth century, with all traces of later buildings and improvements removed. Dependency structures and animals help complete the ambiance. Most buildings are open for tourists to look through, with the exception of several buildings that serve as residences for Colonial Williamsburg employees.
Notable structures include the large Capitol and the Governor's Palace, each carefully recreated and landscaped as closely as possible to original 18th century specifications, as well as Bruton Parish Church and the Raleigh Tavern.
The major goal of the Restoration was not to merely preserve or recreate the physical environment of the colonial period, but to facilitate education about the origins of the idea of America, which was conceived during many decades before the American Revolution.
In this environment, Colonial Williamsburg strives to tell the story of how diverse peoples, having different and sometimes conflicting ambitions, evolved into a society that valued liberty and equality.
The Pashupatinath Temple (Nepali: पशुपतिनाथ मन्दिर) is a famous, sacred Hindu temple dedicated to Pashupatinath and is located on the banks of the Bagmati River 5 kilometres north-east of Kathmandu Valley in the eastern city of Kathmandu, the capital of Nepal. This temple is considered one of the sacred temples of Hindu faith. The temple serves as the seat of the national deity, Lord Pashupatinath. This temple complex is on UNESCO World Heritage Sites's list Since 1979. This "extensive Hindu temple precinct" is a "sprawling collection of temples, ashrams, images and inscriptions raised over the centuries along the banks of the sacred Bagmati river" and is included as one of the seven monument groups in UNESCO's designation of Kathmandu Valley as a cultural heritage site. One of the major Festivals of the temple is Maha Shivaratri on which day over 700,000 devotees visit here.
The twelve Jyotirlinga (in India) are the body and the Jyotirlinga at Pashupatinath in Kathmandu (Nepal) is the head over this body.
The temple is one of the 275 Paadal Petra Sthalams (Holy Abodes of Shiva) on the continent. Kotirudra Samhita, Chapter 11 on the Shivalingas of the North, in Shiva Purana mentions this Shivalinga as the bestower of all wishes.
HISTORY
The temple was erected anew in the 15th century by Lichhavi King Shupuspa after the previous building had been consumed by termites. Countless further temples have been erected around this two -storied temple. These include the Vaishnav temple complex with a Ram temple from the 14th century and the Guhyeshwari Temple mentioned in an 11th-century manuscript.
LEGEND ABOUT THE TEMPLE ORIGIN
Pashupatinath Temple is the oldest Hindu temple in Kathmandu. It is not known for certain when Pashupatinath Temple was founded. But according to Nepal Mahatmaya and Himvatkhanda, the deity here gained great fame there as Pashupati, the Lord of all Pashus, which are living as well as non-living beings. Pashupatinath Temple's existence dates back to 400 A.D. The richly-ornamented pagoda houses the sacred linga or holy symbol of Lord Shiva. There are many legends describing as to how the temple of Lord Pashupatinath came to existence here. Some of them are narrated below:
THE COW LEGEND
Legend says that Lord Shiva once took the form of an antelope and sported unknown in the forest on Bagmati river's east bank. The gods later caught up with him, and grabbing him by the horn, forced him to resume his divine form. The broken horn was worshipped as a linga but overtime it was buried and lost. Centuries later an astonished herdsmen found one of his cows showering the earth with milk. Digging deep at the site, he discovered the divine linga of Pashupatinath.
THE LINCHCHAVI LEGEND
According to Gopalraj Vamsavali, the oldest ever chronicle in Nepal, this temple was built by Supuspa Deva, a Linchchhavi King, who according to the stone inscription erected by Jayadeva 11 in the courtyard of Pashupatinath in 753 AD, happened to be the ruler 39 generations before Manadeva (464-505 AD).
THE DEVALAYA LEGEND
Another chronicle states that Pashupatinath Temple was in the form of Linga shaped Devalaya before Supuspa Deva constructed a five storey temple of Pashupatinath in this place. As the time passed, the need for repairing and renovating this temple arose. It is learnt that this temple was reconstructed by a medieval King named Shivadeva (1099-1126 AD). It was renovated by Ananta Malla adding a roof to it. Thousands of pilgrims from all over the world come to pay homage to this temple, that is also known as 'The Temple of Living Beings'.
OTHER BELIEFS
There are several complex stories involving the origins of Pashupatinath. One story goes, in brief, that Shiva and Parvati came to the Kathmandu Valley and rested by the Bagmati while on a journey. Shiva was so impressed by its beauty and the surrounding forest that he and Parvati changed themselves into deers and walked into the forest. Many spots in the Kathmandu Valley are identified as places where Shiva went during his time as a deer. After a while the people and gods began to search for Shiva. Finally, after various complications, they found him in the forest, but he refused to leave. More complications ensued, but ultimately Shiva announced that, since he had lived by the Bagmati in a deer's form, he would now be known as Pashupatinath, Lord of all animals. It is said that whoever came here and beheld the lingam that appeared there would not be reborn as an animal.
FINDING OF SHIVA LINGA AT PASHIPATINATH TEMPLE
It is said that the wish-fulfilling cow Kamadhenu took shelter in a cave on the Chandravan mountain. Everyday Kamadhenu went down to the place the lingam was sunken into the soil and poured her milk on top of the soil. After ten thousand years some people saw Kamadhenu pouring milk on that same spot everyday, and started to wonder what that would be. So they removed the soil and found the beautiful shining lingam and started worshiping it.
TEMPLE COMPLEX
The area of Pashupatinath encompasses 264 hectare of land including 518 temples and monuments. Main pagoda style temple is located in the fortified courtyard within the complex guarded by Nepal Police and has a police outpost post along with living quarter within. In front of the western door there is a huge statue Nandi bull, in bronze. Along with many temples and shrines of both Vaishnav and saiva tradition.
TEMPLES AND SHRINES IN THE INNER COURTYARD
Vasuki nath temple
Unmatta Bhairav temple
Surya narayan temple
Kirti mukh bhairav shrine
Budanil kantha shrine
Hanuman shrine
184 shivaling shrine
TEMPLES AND SHRINES IN THE OUTER COMPLEX
Ram mandir
Virat swaroop temple
12 jyotirlingha and Pandra Shivalaya
Guhyeshwari Temple
MAIN TEMPLE ARCHITECTURE
This main temple is built in the Nepalese pagoda style of architecture. All the features of pagoda style is founded here like cubic constructions, beautifully carved wooden rafters on which they rest (tundal). The two level roofs are of copper with gold covering. The temple resides on a square base platform with a height of 23m 7 cm from base to pinnacle. It has four main doors, all covered with silver sheets. This temple has a gold pinnacle (Gajur). Inside are two Garbhagrihas, outer and inner. The inner garbhagriha or sanctum sanctorum is where the idol is placed and outer sanctum is an open corridor like space.
THE DEITY
The sacro sanctum, or the main idol is a stone Mukhalinga with a silver yoni base bound with silver serpent. The lingam is one metre high and has faces in four directions. These faces represents various ascepts of Shiva; Sadyojata (also known as Barun), Vamdeva (also known as Ardha nareshwor), Tatpurusha, Aghor & Ishana (imaginative). Facing West, North, East, South and Zenith respectively representing five primary elements namely earth, water, air, light and ether. Each face has tiny protruding hands holding rudraksha mala on right hand and a kamandalu on the other.Unlike other shiva lingams in India and Nepal this pashupati shiva lingam is always Dressed in its golden vastra except during abhishakam, so pouring milk and ganga jal is only possible during abhishakam through the main priests.
PRIESTS
Daily rituals of Pashupatinath are carried out by two sets of priests ;one being the Bhatt priests and other Bhandari. Bhatta or Bhatt are the one who performs the daily ritual and can touch the lingam, where as Bhadaris are the helper and temple care taker priests but are not qualified perform pooja rituals or to touch the deity.
Bhatta or Bhat are highly educated Vedic bhramin Scholars from Brahmin family from South Indian State Karnataka.Unlike other Hindu temples priesthood of Pashupatinath is not hereditary. Priests are selected from a group of scholars educated by Shri Shankaracharya Dakshinamnaya Peeth Sringeri on Rig Vedic Recitation, initiated in Pashupata Yoga by Kashi Math,Shiva Āgama and learned Recitation of Samaveda from Haridwar.After qualifying and fulfilling all those criteria they will be selected for Priesthood by Raj Guru of Pashupatinath Temple undergoing strict examination on Vedas and Shiva Agamas and then the qualifies are sent to Kathmandu for performing Puja and Daily Worship of Lord Shri Pashupatinath This tradition is reported to have started by the request of Adi Shankaracharya in the 8th century, who sought to unify the different states of Bharatam (Unified India) by encouraging cultural exchange. This procedure is also followed in other temples around Bharata-varsa which were sanctified by Adi Shankaracharya. The unique feature of this temple is that only 4 Bhatta priests can touch the deity.Current Bhatt priests of the temple are;
Ganesh Bhat (15th head priest of the Pashupatinath Temple aka Mool Bhat) from Udupi.
Ram Karanth Bhat from Mangaluru.
Girish Bhat from Sirsi.
Narayan Bhat(Recently appointed) from Bhatkal
Raghavendra Bhat (Priest for Vasuki Nath temple only)
Bhandaris or Rajbhandari are the treasurers, temple caretakers, and assistant priest of the temple.
These Bhandaris are the descendants of helper priests brought up by early Bhatts, but were allowed to settle in Kathmandu valley and later assimilated in existing Newar caste of Rajbhandari - a high-caste Chathariya/Kshatriya clan of Kashyapa gotra. Their main function is to help the Bhatta priest and perform maintenance of the inner Garbhagriha. They can have little or no Vedic knowledge but still qualify as assistant priests if they belong from the same family lineage and undergo some basic criteria like caste, gotra, lineage purity, educational qualification, etc. They work in set of four and change in every full moon day. There are a total of 108 Bhandaris.
ENTRY AND DARSHAN
Temple courtyard has 4 entrances in all directions.The western entrance is the main entrance to the temple courtyard and rest three entrances are only opened during big festival . Temple security (Armed Police Force Nepal) is selective regarding who is allowed entry into the inner courtyard . Practicing Hindus and buddhist of Indian and Tibetan descendent are only allowed into temple courtiyard . Practicing Hindus of western descent are not allowed into the temple complex along with other non Hindu Visitors. Sikh and Jain groups are allowed into the temple compound if they are of Indian ancestry. Others can look at the main temple from adjacent side of the river and has to pay a nominal fee of $10 (1000 Nepali rupee) for visiting hundreds of small temples in the external premises of the temple complex . The inner temple courtyard remains open from 4 am to 7 pm for the devotee but the Inner Pashupatinath Temple where the Lingam of lord Pashupatinath is established is open from 5am to 12 pm for the morning ritual and viewing and from 5pm to 7 pm for evening ritual. Unlike many other Saiva temples devotees are not allowed to enter in the inner-most Garbhagriha but are allowed to view from the exterior premises of the outer Garbhagriha.
FESTIVALS
There are many festivals throughout the year .Thousands of people attend these festival.The most important festival is the Maha Shiva Ratri .Bala chaturthi and Teej.
CONTROVERSY OF 2009
In January 2009, after the forced resignation by the chief priest of Pashupatinath temple, the Maoist-led government of Nepal "hand picked" Nepalese priests to lead the temple, thus bypassing the temple's long-standing requirements. This appointment was contested by the Bhandaris of the temple, stating that they were not against the appointment of Nepalese priests but against the appointment without proper procedure. After the appointment was challenged in a civil court, the appointment was overruled by Supreme Court of Nepal.However, the government did not heed the ruling and stood by its decision. This led to public outrage and protests over a lack of transparency. The paramilitary group of the CPN (Maoist), called YCL, attacked the protesters, leading to over a dozen injuries. Lawmakers and activists from opposition parties joined protests, declaring their support for the Bhatta and other pro-Bhatta protesters. After long dissatisfaction and protest by Hindus both in and outside Nepal, the government was forced to reverse its decision that had been declared illegal by the Supreme Court of Nepal and reinstate Bhatta priests.
2015 EARTHQUAKE
The main temple complex of Pashupatinath and the sanctum sanctorum was left untouched but some of the outer buildings in the World Heritage Site were damaged by the April 2015 Nepal earthquake.
WIKIPEDIA
This is a shot of our 10 year old Bichon Frise, Buddy. He barks all the time, begs for food, digs in the trash if you forget to close the door, eats mud and is spoiled rotten.
BUT, he's full of unconditional love, he loves to cuddle, understands a hundred words or so, has the patience of a saint, has never bitten anyone (even my kids when they were little and hyperactive). We wouldn't trade him for the world. Dogs just become part of the family, and if you'd like a perpetual 2 year old, get one! :)
R.I.P. Buddy 8/04/18 ❤️
Vanessa Amorosi singing her first number 1 single This is who I am from her upcoming Hazardous album!
"This Is Who I Am"
On 28 August 2009 Amorosi's new song "This Is Who I Am" was serviced to Australian radio. On 31 August 2009 Universal Music Australia released a press release for Amorosi's new single with details of new single and album.
The first single to spawn from her forthcoming album is the fierce pop-rock song "This Is Who I Am". The undoubtable hit single was produced by MachoPsycho (Pink) and mixed by Chris Lord-Alge (Green Day) and was serviced to Australian radio this week. The video for "This Is Who I Am" was recently shot in Los Angeles and directed by Christopher R Watson who is better known for his work on the international hit TV series "CSI New York" and horror film "Hostel". The video was predominately shot on green screen and will launch on September 14. - Universal Music Australia
"This Is Who I Am" debuted at number 1 on the ARIA Charts for the week beginning October 18, 2009. This is Amorosi's first number 1 single. The single holds the top spot for the second week in a row - becoming the first Australian artist to debut at #1 and hold #1 single since Silverchair's "Straight Lines" in 2007. "This Is Who I Am" has achieved Gold sales in Australia.
Her new album Hazardous is set for release on November 6, 2009.
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The Today team have galloped into Melbourne to kick off festivities for the biggest racing event on the social calendar, the 2009 Melbourne Cup Carnival.
To celebrate the Carnival, TODAY is broadcasting LIVE from Bourke Street Mall this Thursday and Friday. Karl and Lisa, along with Cam, Georgie, Richard, Steve and Richard Reid, are bringing all the fun, fashion and excitement of TODAY to the streets of Melbourne.
On what looked like the worst Saturday's weather forecast in ages, we had planned a family day at Al's sister's for a beer festival held at most of the local pubs in Dronfield near Sheffield, with the added bonus of a free shuttle bus between them all.
We'd had a couple of hours of pleasant sunshine having been drenched at lunchtime on our way to the first pub. We were even saying how we'd been lucky really considering the bad forecast...
...BUT the last pub we went to had a local rock group on, the Lizard Kings. The minute the band started the rain poured down, the wet knocked the group's power out a couple of times and we just gritted our teeth and stayed out in it through two separate downpours. Beautiful double rainbow made up for it a little bit!
This is Al watching the group and having his beer watered down at the same time!
Cheap shelf from IKEA with a clear IKEA shower curtain stapled in place to work as a greenhouse.
Shelf is HYLLIS, which costs $14.99 or £5.86 or 79SEK
Plastic is the shower curtain NÄCKTEN which is $1.79 or £0.87 or 12 SEK
All in all this cost us 91 SEK while buying one of these greenhouses made out of plastic from a store would have been about 500 SEK. Win!
This is a photograph from the 4th Annual Meath Spring Half Marathon and 10KM Road Races hosted by Bohermeen AC on the 8th March 2015 at 12:00 at Bohermeen, Ardbraccan, Navan, Co. Meath, Ireland. A 10KM race was also held and started one hour before the half marathon. This event has grown quickly in popularity over the past few years with this year's entry of 1,168 with this being a record for both races. The half marathon had 843 entrants while the 10KM race had 325 entrants. This half marathon event is perfectly placed in the Irish running calendar as it provides runners of all levels and abilities an opportunity to test the half marathon distance in preparation for a Spring Marathon or as the first serious running goal in 2015. Bohermeen AC is steeped in Irish athletics history since 1927 and it is this experience and exceptional community spirit and volunteering which has made this event today so successful.
Want to use this photograph or share it? Please read/scroll down a little further to find out how - it's very easy!
The weather was very suitable for road racing with the exception of a strong headwind at certain parts of the course. However the cool, dry sunny conditions were suitable for fast times and PB performances from runners.
Our full set of photographs from today's event are available on Flickr at the following link https://www.flickr.com/photos/peterm7/sets/72157648897769373/. This set of photographs is mostly of the Half Marathon race but there are some from the 10KM event.
Don't forget to scroll down to see more information about the race and these photographs!
Event Management and Timing was provided by PRECISION TIMING. The results from today's events can be found on Precision Timing's website at this URL [www.precisiontiming.net/result.aspx?v=2457]. You can checkout their facebook page at www.facebook.com/davidprecisiontiming?fref=ts
The Satellite Navigation Coordinates to Bohermeen are [53.650882,-6.77989] and is accessible using the M3, N2 and N52
Some useful links to other web-resources related to this race
Bohermeen AC Facebook Page: www.facebook.com/bohermeen.ac?fref=ts
2015 Spring Half Marathon Route: www.runningmap.com/?id=641747
2015 Spring Half Marathon 10KM Race Option Route: www.runningmap.com/?id=641752
Google Streetview of the Race Start: goo.gl/maps/rtj1X
Google Streetview of the Race Finish and Race Headquarters: goo.gl/maps/qVttR
Internet Homepage for the Spring Half Marathon [www.meathspringhalfmarathon.com/]
Results from 2014 from Precision Timing: www.precisiontiming.net/result.aspx?v=1684
Results from 2013 from Precision Timing: www.precisiontiming.net/result.aspx?v=1115
Photographs from previous events
Our Flickr Photograph set from the 3rd Spring Marathon 2014: www.flickr.com/photos/peterm7/sets/72157641717197563
Our Flickr Photograph set from the 2nd Spring Marathon 2013: www.flickr.com/photos/peterm7/sets/72157632906920970/
Our Flickr set from the 1st Spring Marathon (2012) www.flickr.com/photos/peterm7/sets/72157629146137284/with...
Photographs from the 2013 event from our friend Paul Reilly [pjrphotography.zenfolio.com/p670974697]
USING OUR PHOTOGRAPHS - A QUICK GUIDE
Can I use these photographs directly from Flickr on my social media account(s)?
Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.
We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.
This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.
I want to download these pictures to my computer or device?
You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.
I want get full resolution, print-quality, copies of these photographs?
If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.
Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.
In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.
I would like to contribute something for your photograph(s)?
Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.
We use Creative Commons Licensing for these photographs
We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?
The explaination is very simple.
Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.
ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.
Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/
I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?
As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:
►You were hidden behind another participant as you passed our camera
►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set
►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone
►We simply missed you - sorry about that - we did our best!
You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.
Don't like your photograph here?
That's OK! We understand!
If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.
I want to tell people about these great photographs!
Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets
Hum is considered the smallest town in the world. It is within the town of Buzet, in central Istria, Croatia. The elevation is 349 m. On its western side, the town is enclosed by walls and on the remaining sides houses are built into the defensive walls. The town's church is the Assumption of Mary, built in 1802 on the site of an earlier church which was built by the local master Juraj Gržinić.
this is my newest desktop setup as we head into winter.
the pic is courtesy of another flickr user:
www.flickr.com/photos/berntln/4190340774/sizes/o/
the geektools scripts running are uptime, hard disk space free and the time.
at the bottom is a yahoo widget called widescape weather and below that is bowtie showing that I'm listening to a dj daps1 mixtape.
This is Abraham, my 51st stranger in the 100 stranger project. I was sitting next to him on the train. I asked where he was going and he said the doctor for his hand. I looked down and saw he was missing three fingers. He told me that he was an Italian carpenter and while working he sliced off his fingers. He can no long work as a carpenter and now he is struggling to find work. I was so sad for him. He had such a soft spirit that was kind and sweet.
Lesson learned from this stranger: Life is hard and sometimes throws you horrible surprises. Don't allow them to harden you.
Find out more about the project and see pictures taken by other photographers at www.100Strangers.com</a
Westminster Abbey is perhaps the most significant church in English History, site of the coronation of monarchs since it was founded by Edward the Confessor, and burial place of the majority of them, along with many other historical figures of note. It is first and foremost a superlative work of medieval architecture, from its soaring 13th-14th century nave, transepts and choir (all in a curiously French inspired version of Decorated Gothic) to the masterpiece of English Perpendicular, the incredibly lacy fan-vaulted Henry VII's chapel at the east end.
The Abbey is also a treasure house of ecclesiastical art, most of it monumental sculpture on the numerous tombs and effigies of almost every date ranging from the entire medieval period through to the 20th century; a somewhat cluttered interior, crammed full of interest, there is simply nothing else quite like it, no other church contains so many monuments.
The Abbey's monastic ranges partially survive, most notably the cloisters and superb chapter house; a short summary of the Abbey's riches is simply impossible. The monastery itself was shut down during the Dissolution, after which the Abbey briefly became a cathedral until its diocesan rank was revoked merely a decade later. Today it is designated a 'Royal Peculiar' owing to its unique status.
The Abbey is a textbook in stone of British history, and thus a hugely popular tourist attraction. It currently has more limited opening hours in the post-Covid recovery period and entry is not cheap, but happily after decades of a strict prohibition against photographers the rules have now been relaxed at last and visitors are now welcome to fully enjoy this marvellous building with their cameras!
For further details (and restrictions) see below:-
This is an original headline that was used to remix a new photo in my series, What If the Media Started Telling It Like It Really Is?
The Chancellor Jeremy Hunt is interviewed by CNBC at G20 in Bengaluru. Photo by Zara Farrar / HM Treasury
Stokesay Castle is a fabulous 13th century stone manor house with a stunning yellow and black half-timbered 17th century gatehouse. It was built by a very wealthy wool merchant, Laurence of Ludlow, between 1285 and 1291 after Edward I’s conquest of Wales in 1284. Laurence was wealthy enough to lend money to Edward I, as well as many of the great lords of the Welsh borderlands. He drowned when his ship transporting wool to Flanders sank in a storm in 1294 but his descendants remained lords of the manor at Stokesay until 1498.
The Great Hall is the earliest part of the castle, with its oak roof and staircase dating to its original construction in the 1280s, making it one of the oldest such structures surviving in Britain. The fabulous gatehouse was added in 1640-41 just before the Civil War when it was in the ownership of William Craven, a Royalist. The castle surrendered peacefully in 1645 and was left largely intact except for the curtain wall which was demolished.
William Craven recovered all his estates after Charles II’s restoration in 1660 but he did not return to Stokesay. It was occupied by tenant farmers, the Baldwyn family, who remodelled the Solar (living room) in the 1660s with wood panelling and the elaborately carved wooden fireplace overmantle which was originally brightly painted. The Baldwyns left in the early 18th century and subsequent tenants let the buildings deteriorate, the Solar, for example, being used as a granary. In 1869 John Derby Allcroft, a successful London glove manufacturer, bought the estate, and began an extensive and unusually sympathetic programme of repairs which restored the main structure of the castle to its original state.
"Bolton Hill is a neighborhood in Baltimore, Maryland, with 20 blocks of mostly preserved buildings from the late 19th century. It is listed on the National Register of Historic Places, preserved as a Baltimore City Historic District, and included within the boundaries of Baltimore National Heritage Area. The neighborhood is bounded by North Avenue, Mount Royal Avenue, Cathedral Street, Dolphin Street, and Eutaw Place. Bolton Hill is a largely residential neighborhood with three-story row houses with red brick, white marble steps, and high ceilings. There are also larger more ornate originally single-family houses, many houses of worship, parks, monuments, and a few large apartment buildings. Many significant residents have lived in the neighborhood, including F. Scott Fitzgerald, Woodrow Wilson, the Cone sisters, and Florence Rena Sabin.
Bolton Hill is within easy walking distance of the State Center station on the Baltimore Metro Subway and the University of Baltimore/Mt. Royal and Cultural Center stations on the Baltimore Light Rail.
Baltimore (/ˈbɔːltɪmɔːr/ BAWL-tim-or, locally: /bɔːldəˈmɔːr/ bawl-da-MOR or /ˈbɔːlmər/ BAWL-mər) is the most populous city in the U.S. state of Maryland, fourth most populous city in the Mid-Atlantic, and the 30th most populous city in the United States with a population of 585,708 in 2020. Baltimore was designated an independent city by the Constitution of Maryland in 1851, and today is the most populous independent city in the United States. As of 2021, the population of the Baltimore metropolitan area was estimated to be 2,838,327, making it the 20th largest metropolitan area in the country. Baltimore is located about 40 miles (64 km) north northeast of Washington, D.C., making it a principal city in the Washington–Baltimore combined statistical area (CSA), the third-largest CSA in the nation, with a 2021 estimated population of 9,946,526.
Prior to European colonization, the Baltimore region was used as hunting grounds by the Susquehannock Native Americans, who were primarily settled further northwest than where the city was later built. Colonists from the Province of Maryland established the Port of Baltimore in 1706 to support the tobacco trade with Europe, and established the Town of Baltimore in 1729. The first printing press and newspapers were introduced to Baltimore by Nicholas Hasselbach and William Goddard respectively, in the mid-18th century.
The Battle of Baltimore was a pivotal engagement during the War of 1812, culminating in the failed British bombardment of Fort McHenry, during which Francis Scott Key wrote a poem that would become "The Star-Spangled Banner", which was eventually designated as the American national anthem in 1931. During the Pratt Street Riot of 1861, the city was the site of some of the earliest violence associated with the American Civil War.
The Baltimore and Ohio Railroad, the oldest railroad in the United States, was built in 1830 and cemented Baltimore's status as a major transportation hub, giving producers in the Midwest and Appalachia access to the city's port. Baltimore's Inner Harbor was once the second leading port of entry for immigrants to the United States. In addition, Baltimore was a major manufacturing center. After a decline in major manufacturing, heavy industry, and restructuring of the rail industry, Baltimore has shifted to a service-oriented economy. Johns Hopkins Hospital and Johns Hopkins University are the city's top two employers. Baltimore and its surrounding region are home to the headquarters of a number of major organizations and government agencies, including the NAACP, ABET, the National Federation of the Blind, Catholic Relief Services, the Annie E. Casey Foundation, World Relief, the Centers for Medicare & Medicaid Services, and the Social Security Administration. Baltimore is also home to the Baltimore Orioles of Major League Baseball and the Baltimore Ravens of the National Football League.
Many of Baltimore's neighborhoods have rich histories. The city is home to some of the earliest National Register Historic Districts in the nation, including Fell's Point, Federal Hill, and Mount Vernon. These were added to the National Register between 1969 and 1971, soon after historic preservation legislation was passed. Baltimore has more public statues and monuments per capita than any other city in the country. Nearly one third of the city's buildings (over 65,000) are designated as historic in the National Register, which is more than any other U.S. city. Baltimore has 66 National Register Historic Districts and 33 local historic districts. The historical records of the government of Baltimore are located at the Baltimore City Archives." - info from Wikipedia.
The fall of 2022 I did my 3rd major cycling tour. I began my adventure in Montreal, Canada and finished in Savannah, GA. This tour took me through the oldest parts of Quebec and the 13 original US states. During this adventure I cycled 7,126 km over the course of 2.5 months and took more than 68,000 photos. As with my previous tours, a major focus was to photograph historic architecture.
Now on Instagram.
Banteay Srei or Banteay Srey (Khmer: ប្រាសាទបន្ទាយស្រី) is a 10th-century Cambodian temple dedicated to the Hindu god Shiva. Located in the area of Angkor in Cambodia. It lies near the hill of Phnom Dei, 25 km north-east of the main group of temples that once belonged to the medieval capitals of Yasodharapura and Angkor Thom.[1] Banteay Srei is built largely of red sandstone, a medium that lends itself to the elaborate decorative wall carvings which are still observable today. The buildings themselves are miniature in scale, unusually so when measured by the standards of Angkorian construction. These factors have made the temple extremely popular with tourists, and have led to its being widely praised as a "precious gem", or the "jewel of Khmer art."
HISTORY
FOUNDATION & DEDICATION
Consecrated on 22 April 967 A.D., Bantãy Srĕi was the only major temple at Angkor not built by a monarch; its construction is credited to a courtier named Yajnavaraha / Yajñavarāha (modern Khmer: យជ្ញវរាហៈ), who served as a counsellor to king Rajendravarman II (modern Khmer: ព្រះបាទរាជេន្រ្ទវរ្ម័ន).The foundational stela says that Yajnavaraha, grandson of king Harsavarman I, was a scholar and philanthropist who helped those who suffered from illness, injustice, or poverty. His pupil was the future king Jayavarman V (r. 968- ca. 1001). Originally, the temple was surrounded by a town called Īśvarapura.
Yajñavarāha's temple was primarily dedicated to the Hindu god Śiva. Originally, it was carried the name Tribhuvanamaheśvara—great lord of the threefold world—in reference to the Shaivite linga that served as its central religious image. However, the temple buildings appear to be divided along the central east-west axis between those buildings located south of the axis, which are devoted to Śiva, and those north of the axis, which are devoted to Viṣṇu.
The temple's modern name, Bantãy Srĕi—citadel of the women, or citadel of beauty—is probably related to the intricacy of the bas relief carvings found on the walls and the tiny dimensions of the buildings themselves. Some have speculated that it relates to the many devatas carved into the walls of the buildings.
EXPANSION & REDICATION
Bantãy Srĕi was subject to further expansion and rebuilding work in the eleventh century. At some point it came under the control of the king and had its original dedication changed; the inscription K 194 from Phnoṃ Sandak, dated Monday, the 14th or 28 July 1119 A.D. records (line B 13) the temple being given to the priest Divākarapaṇḍita and being rededicated to Śiva. It remained in use at least until the fourteenth century according to the last known inscription K 569, dated Thursday, 8 August 1303 A.D.
RESTAURATION
The temple was rediscovered only in 1914, and was the subject of a celebrated case of art theft when André Malraux stole four devatas in 1923 (he was soon arrested and the figures returned). The incident stimulated interest in the site, which was cleared the following year, and in the 1930s Banteay Srei was restored through the first important use of anastylosis at Angkor whereby a ruined building or monument is restored using the original architectural elements to the greatest degree possible. Until the discovery of the foundation stela in 1936, it had been assumed that the extreme decoration indicated a later date than was in fact the case. To prevent the site from water damage, the joint Cambodian-Swiss Banteay Srei Conservation Project installed a drainage system between 2000 and 2003. Measures were also taken to prevent damage to the temples walls from nearby trees.
Unfortunately, the temple has been ravaged by pilfering and vandalism. When toward the end of the 20th century authorities removed some original statues and replaced them with concrete replicas, looters took to attacking the replicas. A statue of Shiva and his shakti Uma, removed to the National Museum in Phnom Penh for safekeeping, was assaulted in the museum itself.
MATERIALS & STYLE
Banteay Srei is built largely of a hard red sandstone that can be carved like wood. Brick and laterite were used only for the enclosure walls and some structural elements. The temple is known for the beauty of its sandstone lintels and pediments.
A pediment is the roughly triangular space above a rectangular doorway or openings. At Banteay Srei, pediments are relatively large in comparison to the openings below, and take a sweeping gabled shape. For the first time in the history of Khmer architecture, whole scenes of mythological subject-matter are depicted on the pediments.
A lintel is a horizontal beam spanning the gap between two posts. Some lintels serve a structural purpose, serving to support the weight of the superstructure, while others are purely decorative in purpose. The lintels at Banteay Srei are beautifully carved, rivalling those of the 9th century Preah Ko style in quality.
Noteworthy decorative motifs include the kala (a toothy monster symbolic of time), the guardian dvarapala (an armed protector of the temple) and devata (demi-goddess), the false door, and the colonette. Indeed, decorative carvings seem to cover almost every available surface. According to pioneering Angkor scholar Maurice Glaize, "Given the very particular charm of Banteay Srei – its remarkable state of preservation and the excellence of a near perfect ornamental technique – one should not hesitate, of all the monuments of the Angkor group, to give it the highest priority." At Banteay Srei, wrote Glaize, "the work relates more closely to the art of the goldsmith or to carving in wood than to sculpture in stone".
THE SITE
The site consists of three concentric rectangular enclosures constructed on an east-west axis. A causeway situated on the axis leads from an outer gopura, or gate, to the third or outermost of the three enclosures. The inner enclosure contains the sanctuary, consisting of an entrance chamber and three towers, as well as two buildings conventionally referred to as libraries.
THE OUTER GOPURA
The gopura is all that remains of the outer wall surrounding the town of Isvapura. The wall is believed to have measured approximately 500 m square, and may have been constructed of wood. The gopura's eastern pediment shows Indra, who was associated with that direction, mounted on his three-headed elephant Airavata. The 67 m causeway with the remains of corridors on either side connects the gopura with the third enclosure. North and south of this causeway are galleries with a north-south orientation.
THE THIRD (OUTER) ENCLOSURE
The third enclosure is 95 by 110 m; it is surrounded by a laterite wall breached by gopuras at the eastern and western ends. Neither pediment of the eastern gopura is in situ. The west-facing pediment is now located in the Musée Guimet in Paris.[18] It depicts a scene from the Mahabhārata in which the Asura brothers Sunda and Upasunda fight over the Apsara Tilottama. The east-facing pediment is lying on the ground. It depicts a scene from the Rāmāyaṇa in which a demon seizes Rama's wife Sita. Most of the area within the third enclosure is occupied by a moat divided into two parts by causeways to the east and west.
THE SECOND ENCLOSURE
The second enclosure sits between an outer laterite wall measuring 38 by 42 m, with gopuras at the eastern and western ends, and a brick inner enclosure wall, measuring 24 by 24 m. The western gopura features an interesting bas relief depicting the duel of the monkey princes Vāli and Sugriva, as well as Rāma's intervention on Sugrīva's behalf. The inner enclosure wall has collapsed, leaving a gopura at the eastern end and a brick shrine at the western. The eastern pediment of the gopura shows Śiva Nataraja; the west-facing pediment has an image of Durga. Likewise, the laterite galleries which once filled the second enclosure (one each to north and south, two each to east and west) have partially collapsed. A pediment on one of the galleries shows the lion-man Narasiṃha clawing the demon Hiranyakashipu.
THE FIRST (INNER) ENCLOSURE
Between the gopuras on the collapsed inner wall are the buildings of the inner enclosure: a library in the south-east corner and another in the north-east corner, and in the centre the sanctuary set on a T-shaped platform 0.9 m high. Besides being the most extravagantly decorated parts of the temple, these have also been the most successfully restored (helped by the durability of their sandstone and their small scale). In 2010, the first enclosure is open to visitors again, but the inner temples are roped off and inaccessible.
THE LIBRARIES
The two libraries are of brick, laterite and sandstone. Each library has two pediments, one on the eastern side and one on the western. According to Maurice Glaize, the four library pediments, "representing the first appearance of tympanums with scenes, are works of the highest order. Superior in composition to any which followed, they show true craftsmanship in their modelling in a skilful blend of stylisation and realism."
The east-facing pediment on the southern library shows Śiva seated on the summit of Mount Kailāsa, his mythological abode. His consort Umā sits on his lap and clings anxiously to his torso. Other beings are also present on the slopes of the mountain, arranged in a strict hierarchy of three tiers from top to bottom. In the top tier sit bearded wise men and ascetics, in the middle tier mythological figures with the heads of animals and the bodies of humans, and in the bottom tier large animals, including a number of lions. In the middle of the scene stands the ten-headed demon king Rāvaṇa. He is shaking the mountain in its very foundations as the animals flee from his presence and as the wise men and mythological beings discuss the situation or pray. According to the legend, Śiva stopped Rāvaṇa from shaking the mountain by using his toe to press down on the mountain and to trap Rāvana underneath for 1000 years.
The west-facing pediment on southern library shows Śiva again seated on the summit of Mount Kailāsa. He is looking to his left at the god of love Kāma, who is aiming an arrow at him. Umā sits to Śiva's right; he is handing her a chain of beads. The slopes of the mountain are crowded with other beings, again arranged in a strict hierarchy from top to bottom. Just under Śiva sit a group of bearded wise men and ascetics, under whom the second tier is occupied by the mythological beings with the heads of animals and the bodies of humans; the lowest tier belongs the common people, who mingle sociably with tame deer and a large gentle bull. According to the legend, Kāma fired an arrow at Śiva in order to cause Śiva to take an interest in Umā. Śiva, however, was greatly angered by this provocation, and punished Kāma by gazing upon him with his third eye, frying Kāma to cinders.
The east-facing pediment on the northern library shows the god of the sky Indra creating rain to put out a forest fire started by the god of fire Agni for purposes of killing the nāga king Takshaka who lived in Khandava Forest. The Mahābhāratan heroes Kṛṣṇa and Arjuna are shown helping Agni by firing a dense hail of arrows to block Indra's rain. Takṣaka's son Aśvasena is depicted attempting to escape from the conflagration, while other animals stampede about in panic.
The west-facing pediment on the southern library depicts Kṛṣṇa slaying his wicked uncle Kamsa.
THE SANCTUARY
The sanctuary is entered from the east by a doorway only 1.08 m in height: inside is an entrance chamber (or maṇḍapa) with a corbelled brick roof, then a short corridor leading to three towers to the west: the central tower is the tallest, at 9.8 m. Glaize notes the impression of delicacy given the towers by the antefixes on each of their tiers. The six stairways leading up to the platform were each guarded by two kneeling statues of human figures with animal heads; most of those now in place are replicas, the originals having been stolen or removed to museums.
WIKIPEDIA
This is one of the greatest things I've ever seen inside of a store. It is a cart escalator, in the Target store in Nashua, New Hampshire. You really need to see it in person to feel the impact. (see also)
Changed her eyes and she is starting to feel more like my doll. I was thrilled when I won the Kyoto HDP lottery to bring her home last year, but then I had so much difficulty bonding with her that I seriously contemplated letting her look for a new home. I think the issue was that I was so in love with the image in her Volks promotional photos and had intended to keep her in her default wig and eyes, and so when something didn’t click when she arrived I didn’t know what to do. I’m still looking for a suitable wig for her(something more cream, less yellow), will go through the wigs I have before buying anything as I really should start selling some wigs to make space instead of buying more.
While everybody is allowed inside the facilities, the people from Luxembourg are confined to a small pool area within the main pool area. They are not allowed to talk to the other tourists.
Z-XTrim is a total body workout designed by our very own Edmee Cherdieu d’Alexis and combining two main elements of fitness: endurance and strength. This class is the perfect balance! The class version of Z-XTrim is normally 30 minutes of high energy and heart pumping Zumba® Fitness dance moves to warm up and loosen your body, and 25 minutes of conditioning exercises using your own body’s weight.
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EP120 is one of four airworthy examples of the Mk V Spitfire anywhere in the world, although there are others undergoing restoration at the moment. The machine was taken on charge to the RAF in 1942 and spent time with 501 Sqn, where she accounted for a Do 17 at the hands of the Wing Commander.
She then spent some time in Cornwall with 19 Sqn and was later taken on to the strength of 402 RCAF Sqn. At the same time the Sqn commander changed and the new boss adopted EP120 as his machine, although other squadron pilots flew her during the period she was with 501. Sqn Ldr Geoffrey Northcott accounted for seven German aircraft over the year or so following his joining 501 Sqn, six of them whilst he was flying EP120. At seven kills, she is the most credited Mk V in existence - and maybe the most credited WWII fighter.
An accident cut short her career with 501 squadron, and she returned to Castle Bromwich for repairs. After service with 19 sqn and 402 she was allocated to an OTU, a ground instructional role and several gate guard posts in the following years.
She was a static aircraft in the Battle of Britain film - in 1967/68, and then found her way back on to the gate at RAF Wattisham in Suffolk where she was lovingly cared for and restored until the RAF reconsidered the long term fate of all their Spitfires. She joined all the remaining RAF Spitfires in store at RAF St Athan, in South Wales, until she was liberated by the Fighter Collection in 1993.
EP120 was airframe overhauled by Historic Flying at Audley End, a stones throw from Duxford, and actually flew again in September 1995.
She starred in the Flying Legends show at Duxford in July 1996. She has flown on a regular basis since that time, proving popular with both the crowds and the pilots.
In 2000, EP120 was the lead Spitfire in the major feature film Pearl Harbour.