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This is a photograph from the start third annual running of the Renault Mullingar Half Marathon which was held on Friday 17th March 2017 St. Patrick's Day Lá Fhéile Pádraig 2017 in Mullingar, Co. Westmeath, Ireland at 10:30. Following on from the incredible success of the first two years of the race this year the total numbers participating rose from just under 600 in 2015, 900 in 2016 to over 1200 in this year 2017. As was the case last year the nominated charity was Childline. The roots of the successs of the event last year was the perfect running weather, excellent organisation and a very flat and fast route. All of these characteristics were repeated this year.

Last year's weather was not repeated. Indeed the race could be described as a race of two halves in terms of weather. The first half participants had the strong, fresh westerly wind on their backs. However, turning for home along the Royal Canal this became a very strong headwind for 3 - 4 miles. Participants travelled from all over Ireland with a very large participation from runners around Mullingar and the midlands. The race has an AAI permit. The race's early start time was to facilitate the annual St. Patrick's Day parade which brings a large number of local visitors to the town on an annual basis. Parking is free in Mullingar town for the entire day. A small change to the course configuration seen the race cross the M4 Motorway at The Downs via a winding pedestrian footbridge.

 

The race began on Pearse Street/Austin Friar's Street in the town and proceeds North East out of the town to the N52 Delvin/Dundalk road towards Lough Sheever. The course then follows beautiful rural country roads out to The Downs at the M4. The only significant hill or rise on the course occurs here at about 7 miles when runners cross a pedestrian footbridge over the M4 near Junction 14 Thomas Flynn and Sons The Downs. The race then joins the now local access route of the old N4 road and then joins the Royal Canal at Great Down. The remainder of the race follows the Royal Canal back westward to Mullingar town. The towpath on the Canal is perfectly flat and in excellent condition. Runners will notice how the level of the canal changes dramatically along the route - at points the canal is level with the towpath. In other places the canal is at least 3 meters lower than the canal path. However the path is perfectly flat and firm the whole way. The course then leaves the Royal Canal at the Ardmore Road/Millmount area of the town and finishes in the Mullingar Town Park on Austin Friar's Street beside the Annebrook Hotel which is the Race Headquarters. The park provides a very nice setting for the finish of the race and runners and their families can mix and congregate around the finish area and the hotel.

 

Timing and event management was provided by http://www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.

 

Our Full Set of photographs from today's race is at www.flickr.com/photos/peterm7/albums/72157679566202191

  

Useful Links:

Our Flickr Photo Album from the 2016 Mullingar Half Marathon www.flickr.com/photos/peterm7/albums/72157665831236062

Our Flickr Photo Album from the 2015 Mullingar Half Marathon www.flickr.com/photos/peterm7/sets/72157651394365962

 

The Annebrook House Hotel (Race HQ) www.annebrook.ie

Offical Race Facebook Page www.facebook.com/mullingarhalfmarathon/

Google Maps Location of the Start/Finish www.google.ie/maps/@53.5253133,-7.3369538,18z

  

USING OUR PHOTOGRAPHS - A QUICK GUIDE AND ANSWERS TO YOUR QUESTIONS

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Instagram, Snapchat, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

  

This is one of the many reasons I love living on the prairie. Out in the middle of North America you come across the remains of an ancient sea bed. The ledge over the bank is composed of thousands of sea shells, while below it, in the sandstone, are swallow nests. Thanks to a parishioner for inviting me to go out for a hike on her land to see this extraordinary beauty. God is indeed good!!!!!

 

If you view this at the original size, you can see the sea shells in the bank:

farm5.static.flickr.com/4026/4547408488_a3bf426231_o.jpg

and the final prize is for the orange elephant in the room. The Colossal Fossil.

 

Make America Colossal

 

The time has come to both award the Colossal Fossil and to finally call out those who deserve it the most!

 

While we have had some strong contenders (shout out to the Australian bullies), there seems to be only one clear choice. Only one who has been the absolute, hands-down, uncontested worst – the US administration.

 

Not really that much of a surprise, is it?

 

I am sure you all remember it well. When Donald Trump announced on June 1st that he intended to pull the US out of the Paris Agreement, he isolated himself on the global stage, turning his back on the rest of the world. Now that Syria has ratified, the Trump administration is completely, 100% alone in its rejection of this vital global agreement.

Super sad!

 

Let’s just remember that the US is still in the Paris Agreement for at least a few more years. But there is no doubt about the administration’s position on climate action. They’re attacking domestic climate policies such as the Clean Power Plan and fuel efficiency standards.

 

They’re propping up dirty energy by proposing a bailout for coal. They’re attempting to censor science, deleting any mention of climate change from documents and websites and issuing gag orders to government scientists. Last but not least, they sent fossil fuel cronies to represent the U.S. at COP. In other words, they are acting in direct opposition to the spirit of the Paris Agreement.

 

The Trump team tried to bring their backwards agenda to Bonn. The US administration’s only official side event was to promote fossil fuels. But the world was there to send them a message: You can’t sell coal at a conference to stop climate change!

 

Prompted by a journalist’s question, two of the four panelists explicitly said they disagree with Trump’s effort to pull out of the Paris Agreement. When even your fossil-fuel-funded panelists don’t agree with your decision, you know you’re on the wrong side of history. (As if there was any doubt before.)

 

But there is a ray of light. US mayors, governors, business leaders, university presidents, and committed individuals from all fifty states and every walk of life are standing by the Paris Agreement and with the world against the climate crisis. More than 100 of them came to Bonn and camped out in the funny looking igloos outside the Bula Zone to showcase their commitments, and many others mobilized for a Day of Action across the US to send the message that they are still in, too. They all give us hope.

Trump may have abandoned the world, but the rest of us haven’t. As young people from across the globe sang when they disrupted the US fossil fuels event on Monday: “We the people of the world unite, and we are here to stay.”

 

Unfortunately, this ray of hope does not replace the need for action from the U.S. federal government. All their bad behavior at home and here at COP should be widely and loudly condemned, they are truly deserving of the Colossal Fossil – the undisputed best of the worst.

 

Watch the Facebook Video

   

Canon EF 28-135mm f/3.5-5.6 IS USM + red rubber band = faux L lens

Latin Inspiration is considered to be one of Chicago's finest in Modern Latin Jazz, Salsa,Afro Cuban and Puerto Rican Bomba/Plena. The Band has an extensive career performing for the City Of Chicago and abroad. Considered to be one of the most solicited bands in the city, they recently performed for the Jazz Institute Jazz in The Park, Chicago Summer Dance, Logan Square Art Festival, Evanston Art Festival, Palmer Square Art Festival, Northern Trust Bank, National Puerto Rican Coalition Inc. and many other Corporate and Jazz club venues. This Band also performs original Latin Jazz and Salsa music with a Chicago Sound. And the Emphasis is Chicago Sound! Their Recent C.D. release is getting Lots of air play through out Chicago and abroad. Victor Garcia - Trumpet

Francisco Merced - Piano

Bret Bentler - Bass

Osvaldo Merced - Congas

Jean-Claud Leroy - Drums/ Timbal

David Velez - Bongo

Franklin Paz ( Optional ) - Singer

John Rodriguez - Trombone

Eddie Ramos - Tenor Sax

“What is art but life upon the larger scale, the higher.

When, graduating up in a spiral line of still expanding and ascending gyres, it pushes toward the intense significance of all things, hungry for the infinite?”

 

~ Elizabeth Barrett Browning

The Market Hall is an impressive red sandstone building in the centre of Ross, dating to 1660-74. The ground floor - still used for markets - is open, while the rooms above contain the Ross Visitor Centre, which has a small museum, displays explaining the history of the town, and visitor information. The Visitor Centre is accessed by the 17th century wooden staircase or, for less mobile visitors, by the modern lift tucked discreetly alongside.

The Market Hall is said to have been built by Frances, the wife of William, second Duke of Somerset. At the east end of the building is a medallion of Charles II (1660-1685). In the 17th century, the upper floor was used for Manor Courts, which were held three times a year. Other uses of the Market Hall have included a boys school, a ballroom, the town library, a Magistrates' Court, and the Council Chamber.

The hall is in the middle of the medieval market area of the town. Early evidence suggests that the market area originally stretched westwards along High Street as far as St Mary's Street and northwards along Broad Street as far as New Street. By the 14th century the temporary market stalls had become permanent shops.

This is the best advertising/marketing campaign I've seen in years. Brunel's glorious 1854 railway terminus is reward enough for any traveller, but then to see this ad campaign - it stopped me in my tracks.

 

The campaign celebrates the 13 July 2006 World Heritage Site award designation to the Cornwall and West Devon Mining Landscape. Paddington station was chosen as it is the London terminus for trains to/ from Cornwall. The campaign is stretched along platform 8 on twelve massive piers. The print and production quality is superb; photographs stunning; graphics and composition excellent; and brevity of text perfect (I mean "Tin Did, Because Tin Can" - how brilliant is that?!).

 

Each time I go through Paddington (every 10 days or so) I make sure I see these. I'm not Cornish but the text and images create a surge of pride for the legacy of the miners and their industry. For an ad campaign to create that type of response within the viewer is rather remarkable I think. It's been 8 years since my last visit to Cornwall which is a shame because it is a remarkable landscape.

 

The Paddington campaign launched 2 November 2006. The Credits pier lists the following: Absolute Design; August One; Barry Gamble; Consumer Connection: Excessive Energy Communication; Fifteen Cornwall; First Great Western; Hard Working Words; N3 Display Graphics; Nector Events & Publicity; Nework Rail.

It is unlikely that any of you have visited this historic cemetery because it has been closed to the opening of new graves for close to 150 years and over that period there was a very limited number of new burials. My understanding was that the cemetery had been closed to visitors [except by appointment] since the 1900s.

 

I had a chat with a very helpful member of staff and he explained that the cemetery was very badly neglected and that a large number of graves had been vandalised but that the restoration staff had been able to restore the majority of them as the gravestones had not been shattered.

 

However, the anti-social activity has been serious and ongoing. For example I came across the following report dated March 16 2016: “Up to 13 gravestones were vandalised at a cemetery in Dublin in the last week, including that of W.T. Cosgrave. The Trust said. Cosgrave’s gravestone was previously destroyed in October 2014.” [ NOTE: W.T. Cosgrave served as president of the Executive Council of Irish Free State (the first Prime Minister of Ireland].

 

Another report dated August 14 2015: “Up to 27 monuments at the Goldenbridge cemetery in Dublin have been destroyed in recent days by vandals who knocked over headstones smashing some into pieces.”

 

Goldenbridge is a 19th century ‘garden’ cemetery. After the passing of the 'Act of Easement of Burial Bills' in 1824 a committee was established to administer the proposed cemetery. The cemetery was purchased in 1828 and the first burial took place on the 15th October of that year.

 

Last weekend it was reopened and family graves are now available if you wish to be buried there.

 

There are 4,250 graves in the cemetery of which 498 have been identified as available for purchase at this time. Goldenbridge cemetery has been designated by Glasnevin Trust as a conservation cemetery. In order to preserve the character and ambience of the cemetery, there are rules apply to the type of monument that can be placed on family graves.

Vabuatu is a Y-shaped country that is part of the Melanesian part of the South Pacific. Melanesia comes from the Greek from 'Black Islands' in reference to the people skin colour. Vanuatu is culturally very close to the Solomon Islands and Papua New Guinea, but Fiji and New Caledonia are also part of Melanesia. Fiji has also been heavily influenced by Polynesia and New Caledonia by France. This is a very simplified history of the region but here we go: the first people came to the region around 50 000 years ago (that is very early, the first cities and agriculture only appear about 8000 years ago in the Middle East). Some of them went to Australia and became the Australian Aborigines and other on the big islands of New Guinea where they became Papua. The Papua started sailing from islands to islands colonizing some of the island but they didn't have the technology to go very far. When the Polynesian arrived, there was a cultural exchange and the new culture that emerged was distinct from the Papua one: they became Melanesians and colonized the western part of the South Pacific. On this map are the two main islands I've visited in Vanuatu: Efate, in the North the most developed where the capital Port Vila is, and the more isolated Tanna island in South. / Vanuatu est un archipèle en forme de Y qui fait partie de la Mélanésie dans le Pacifique-Sud. La Mélanésie vient du mot grècque pour "Îles noires" en référence à la couleur de la peau des habitants. Vanuatu est culturellement près des les Îles Solomons et de la Papousie-Nouvelle-Guinée, mais Fiji et la Nouvelle-Calédonie font aussi partie de la Mélanésie. Fiji a aussi été beaucoup influencé par la Polynésie et la Nouvelle-Calédonie par la France. Ceci est une version vraiment simplifié de l'histoire de la région mais voilà: les premiers humains a avoir arrivé dans la région sont arrivé il y a 50 000 ans (c'est très tôt, les premières villes et l'agriculture sont apparus il y a 8000 ans au Moyen-Orient). Certains sont allé en Australie où ils sont devenu les Aborigènes Australiens et les autres sont allés sur la grande île de Nouvelle-Guinée où ils sont devenu Papou. Les Papous ont voyagé d'îles en îles pour les colonisées mais ils n'avaient pas la technologie pour allé très loin. Quand les Polynésiens sont arrivés, il y a eu un échange culturel et une nouvelle culture distincte a émerger de la culture papoue: Ils sont devenus mélanésiens et ont colonisé toute la partie ouest du Pacifique-Sud. Sur cette carte sont les deux principales îles que j'ai visité à Vanuatu : Éfaté, dans le nord, l'île la plus dévelopée où la capitale Port Vila est située et l'île plus isolé de Tanna dans le sud.

Fatehpur Sikri (Hindi: फ़तेहपुर सीकरी, Urdu: فتحپور سیکری‎) is a city and a municipal board in Agra district in the state of Uttar Pradesh, India. The city was founded in 1569 by the Mughal emperor Akbar, and served as the capital of the Mughal Empire from 1571 to 1585. After his military victories over Chittor and Ranthambore, Akbar decided to shift his capital from Agra to a new location 37 km WSW on the Sikri ridge, to honor the Sufi saint Salim Chishti. Here he commenced the construction of a planned walled city which took the next fifteen years in planning and construction of a series of royal palaces, harem, courts, a mosque, private quarters and other utility buildings. He named the city, Fatehabad, with Fateh, a word of Arabic origin in Persian, meaning "victorious." it was later called Fatehpur Sikri. It is at Fatehpur Sikri that the legends of Akbar and his famed courtiers, the nine jewels or Navaratnas, were born. Fatehpur Sikri is one of the best preserved collections of Indian Mughal architecture in India.

 

According to contemporary historians, Akbar took a great interest in the building of Fatehpur Sikri and probably also dictated its architectural style. Seeking to revive the splendours of Persian court ceremonial made famous by his ancestor Timur, Akbar planned the complex on Persian principles. But the influences of his adopted land came through in the typically Indian embellishments. The easy availability of sandstone in the neighbouring areas of Fatehpur Sikri, also meant that all the buildings here were made of the red stone. The imperial Palace complex consists of a number of independent pavilions arranged in formal geometry on a piece of level ground, a pattern derived from Arab and central Asian tent encampments. In its entirety, the monuments at Fatehpur Sikri thus reflect the genius of Akbar in assimilating diverse regional architectural influences within a holistic style that was uniquely his own.

 

The Imperial complex was abandoned in 1585, shortly after its completion, due to paucity of water and its proximity with the Rajputana areas in the North-West, which were increasingly in turmoil. Thus the capital was shifted to Lahore so that Akbar could have a base in the less stable part of the empire, before moving back to Agra in 1598, where he had begun his reign as he shifted his focus to Deccan. In fact, he never returned to the city except for a brief period in 1601. In later Mughal history it was occupied for a short while by Mughal emperor, Muhammad Shah (r. 1719 -1748), and his regent, Sayyid Hussain Ali Khan Barha, one of the Syed Brothers, was murdered here in 1720. Today much of the imperial complex which spread over nearly two mile long and one mile wide area is largely intact and resembles a ghost town. It is still surrounded by a five mile long wall built during its original construction, on three sides. However apart from the imperial buildings complex few other buildings stand in the area, which is mostly barren, except of ruins of the bazaars of the old city near the Naubat Khana, the 'drum-house' entrance at Agra Road. The modern town lies at the western end of the complex, which was a municipality from 1865 to 1904, and later made a "notified area", and in 1901 had a population of 7,147. For a long time it was still known for its masons and stone carvers, though in Akbar time it was known and 'fabrics of hair' and 'silk-spinning'. The village of Sikri still exists nearby.

 

ARCHITECTURE OF FATEHPUR SIKRI

Fatehpur Sikri sits on rocky ridge, 3 kilometres in length and 1 km wide, and palace city is surrounded by a 6 km wall on three side with the fourth being a lake at the time. Its architect was Tuhir Das and Dhruv Chawla and was constructed using Indian principles. The buildings of Fatehpur Sikri show a synthesis of various regional schools of architectural craftsmanship such as Gujarat and Bengal. This was because indigenous craftsmen were used for the construction of the buildings. Influences from Hindu and Jain architecture are seen hand in hand with Islamic elements. The building material used in all the buildings at Fatehpur Sikri, palace-city complex, is the locally quarried red sandstone, known as 'Sikri sandstone'. It is accessed through gates along the five-mile long fort wall, namely, Delhi Gate, the Lal Gate, the Agra Gate, Birbal's Gate, Chandanpal Gate, The Gwalior Gate, the Tehra Gate, the Chor Gate and the Ajmere Gate.

 

Some of the important buildings in this city, both religious and secular are:

 

Buland Darwaza: Set into the south wall of congregational mosque, the Jama Masjid at Fatehpur Sikri, this stupendous piece of architecture is 55 metre high, from the outside, gradually making a transition to a human scale in the inside. The gate was added some five years later after the completion of the mosque ca. 1576-1577 as an 'victory arch', to commemorate the Akbar's successful Gujarat campaign. It carries two inscriptions in the archway, one of which reads: "Isa, Son of Mariam said: The world is a bridge, pass over it, but build no houses on it. He who hopes for an hour may hope for eternity. The world endures but an hour. Spend it in prayer, for the rest is unseen".

The central portico comprises three arched entrances, with the largest one, in the centre, is known locally as the Horseshoe Gate, after the custom of nailing horseshoes to its large wooden doors for luck. Outside the giant steps of the Buland Darwaza to left is deep well.

Jama Masjid: It is a Jama Mosque meaning the congregational mosque, and was perhaps one of the first buildings to come up in the complex, as its epigraph gives AH 979 (AD 1571-72) as the date of its completion, with a massive entrance to the courtyard, the Buland-Darwaza added some five years later. It was built in the manner of Indian mosques, with iwans around a central courtyard. A distinguishing feature is the row of chhatri over the sanctuary. There are three mihrabs in each of the seven bays, while the large central mihrab is covered by a dome, it is decorated with white marble inlay, in geometric patterns.

Tomb of Salim Chishti: A white marble encased tomb of the Sufi saint, Salim Chisti (1478–1572), within the Jama Masjid's sahn, courtyard. The single-storey structure is built around a central square chamber, within which is the grave of the saint, under an ornate wooden canopy encrusted with mother-of-pearl mosaic. Surrounding it is a covered passageway for circumambulation, with carved Jalis, stone pierced screens all around with intricate geometric design, and an entrance to the south. The tomb is influenced by earlier mausolea of the early 15th century Gujarat Sultanate period. Other striking features of the tomb are white marble serpentine brackets, which support sloping eaves around the parapet.

On the left of the tomb, to the east, stands a red sandstone tomb of Islam Khan I, son of Shaikh Badruddin Chisti and grandson of Shaikh Salim Chishti, who became a general in the Mughal army in the reign of Jahangir. The tomb is topped by a dome and thirty-six small domed chattris, and contains a number of graves, some unnamed, all male descendants of Shaikh Salim Chisti.

Diwan-i-Aam : Diwan-i-Am or Hall of Public Audience, is a building typology found in many cities where the ruler meets the general public. In this case, it is a pavilion-like multi-bayed rectangular structure fronting a large open space. South west of the Diwan-i-Am and next to the Turkic Sultana's House stand Turkic Baths.

Diwan-i-Khas: the Diwan-i-Khas, or Hall of Private Audience, is a plain square building with four chhatris on the roof. However it is famous for its central pillar, which has a square base and an octagonal shaft, both carved with bands of geometric and floral designs, further its thirty-six serpentine brackets support a circular platform for Akbar, which is connected to each corner of the building on the first floor, by four stone walkways. It is here that Akbar had representatives of different religions discuss their faiths and gave private audience.

Ibadat Khana: (House of Worship) was a meeting house built in 1575 CE by the Mughal Emperor Akbar, where the foundations of a new Syncretistic faith, Din-e-Ilahi were laid by Akbar.

Anup Talao: A ornamental pool with a central platform and four bridges leading up to it. Some of the important buildings of the royal enclave are surround by it including, Khwabgah (House of Dreams) Akbar's residence, Panch Mahal, a five-storey palace, Diwan-i-Khas (Hall of Private Audience), Ankh Michauli and the Astrologer's Seat, in the south-west corner of the Pachisi Court.

Hujra-i-Anup Talao: Said to be the residence of Akbar's Muslim wife, although this is disputed due to its small size.

Mariam-uz-Zamani's Palace: The building of Akbar's Rajput wives, including Mariam-uz-Zamani, shows Gujarati influence and is built around a courtyard, with special care being taken to ensure privacy.

Naubat Khana: Also known as Naqqar Khana meaning a drum house, where musician used drums to announce the arrival of the Emperor. It is situated ahead of the Hathi Pol Gate or the Elephant Gate, the south entrance to the complex, suggesting that it was the imperial entrance.

Pachisi Court: A square marked out as a large board game, the precursor to modern day Ludo game where people served as the playing pieces.

Panch Mahal: A five-storied palatial structure, with the tiers gradually diminishing in size, till the final one, which is a single large-domed chhatri. Originally pierced stone screens faced the façade, and probably sub-divided the interior as well, suggesting it was built for the ladies of the court. The floors are supported by intricately carved columns on each level, totalling to 176 columns in all.

Birbal's House: The house of Akbar's favorite minister, who was a Hindu. Notable features of the building are the horizontal sloping sunshades or chajjas and the brackets which support them.

 

Recent excavation done by ASI in 2000 led to unearthing of an ancient jain city very near to the fort complex.

 

Other buildings included Taksal (mint), 'Daftar Khana (Records Office), Karkhanas (royal workshop), Khazana (treasury), Turkic styled Baths, Darogha's Quarters, stables, Caravan sarai, Hakim's quarters etc.

 

DEMOGRAPHICS

Fatehpur Sikri has a population of 28,757. Males constitute 53% of the population and females 47%. Fatehpur Sikri has an average literacy rate of 46%, lower than the national average of 74%: male literacy is 57%, and female literacy is 34%. In Fatehpur Sikri, 59% of the population is under 6 years of age.

 

ADMINISTRATIVE ESTABLISHMENT

Fatehpur Sikri is one of the fifteen Block headquarters in the Agra district it has 52 Gram panchayats (Village Panchayat) under it.

 

The Fatehpur Sikri, is a constituency of the Lok Sabha, Lower house of the Indian Parliament, and further comprises five Vidhan Sabha (legislative assembly) segments:

 

Agra Rural

Fatehpur Sikri

Kheragarh

Fatehabad

Bah

 

In all there are 12 villages of Sisodia Rajputs near Fatehpur Sikri fort in Agra district. These are Daultabad, Nayavas, Satha, korai, Behrawati, Byara, Undera, Kachora, Singarpur, Vidyapur, Onera, Arrua.

 

TRANSPORT

Fatehpur Sikri is about 39 km. from Agra. The nearest Airport is the Agra Airport (also known as Kheria Airport), 40 km from Fatehpur Sikri. The nearest railway station is the Fatehpur Sikri Railway Station, about one km. from the city centre . It is suitably connected to Agra and neighbouring centres by road, where regular bus services of UPSRTC ply, apart from Tourist buses and taxies.

 

WIKIPEDIA

Autumn is back, but winter in on the way...

 

View large on black

vacker iskonst på sjön

Bray is a town in north County Wicklow, Ireland. It is a busy urban centre and seaside resort, with a population of 31,872 making it the fourth largest in Ireland (excluding the five cities) as of the 2011 census. It is situated about 20 km (10 mi) south of Dublin on the east coast.

 

Bray is home to Ireland's only dedicated film studios, Ardmore Studios, where films such as Excalibur, Braveheart, and Breakfast on Pluto have been shot.

 

In medieval times, Bray was on the border of the coastal district, governed directly by the English crown from Dublin Castle, known as the Pale.

 

During the 17th and 18th centuries, Bray was still a small fishing village, but during the latter part of the 18th century, the Dublin middle classes began to move to Bray to escape city life, while still being relatively close to the city.

 

The Dublin and Kingstown Railway, the first in Ireland, opened in 1834 and was extended as far as Bray in 1854. With the railway, the town grew to become the largest Irish seaside resort.

 

The outbreak of World War II put the industry 'on hold' for its duration. However, during the 1950s tourists from England, Scotland, and Northern Ireland returned to Bray in great numbers to escape the austerity of post-war rationing. The town's career as a resort declined from the 1960s onwards when foreign travel became an option for large numbers of people.

"Life is really simple, but we insist on making it complicated " Confucius

 

I didn't think I had time for a shot today so had nothing planned when bizarrely a large bolt appeared on my desk. Not the sort of thing that turns up on a primary school desk really. Turns out it was from a quite big box of nuts and bolts left over from a recent build at school, kept for future use!! Began thinking about the term 'nuts and bolts' so found a quote about the simplicity of life, the "nuts and bolts" and how we often make things more complex than they need to be.

Architectural shot which represents a kitchen dinning area that has a balcony with a great view.

This is a photograph from the start of the Tullamore Harriers AC "Quinlan Cup" Half Marathon which was held on Saturday 26th August 2017 in Tullamore, Co. Offaly, Ireland at 11:00. This is the fifth year of the event. The race is organised and promoted by Tullamore Harriers AC. The race starts on the Charleville Road just outside the entrance to Tullamore Harriers. The race proceeds south along the R421 and onto the N52 before taking a route onto local back roads. The race then completes a large rural road route before it joins to the R421 again and the final 1.5 miles are the same as the first mile of the race. The runners enter Tullamore stadium and complete one lap of the tartan track before the finish line. The course is challenging in places with some undulations along the route. But overall it is fair course. 2013 seen the first year of the event as the club commemorated the 60th Anniversary of the formation of Tullamore Harriers AC which today is one of Ireland's best known athletics clubs.

 

We have a large set of photographs from the start and the finish of today's race on our Flickr Photostream: www.flickr.com/photos/peterm7/albums/72157685695893933

The race was chip timed by MyRunResults - their website is www.myrunresults.com

 

The race was perfectly organised. The weather was good for racing but there was warm summer weather for the entire race which made for warmer than usual running conditions There were stewarts all along the route, 3 drink stations with bottled water, superb facilities, and great after-race refreshments. The stewards along the route provided great encouragement to all of the runners. Tullamore Harriers and the local community really worked together to make this is a wonderful event. There was also a relay option where teams of two can run approximately 10.5km each.

 

As mentioned above this race half marathon started in 2013 and celebrated the 60th Anniversary (a Diamond Anniversary) of the foundation of Tullamore Harriers AC. The club was formed in the town in November 1953. However, it was almost 1979 before facilities close to what we see today open in the present day site. Over 50 provincial and national athletics meetings are held at Tullamore Harriers every year. The facilities available combined with it's central geographical location joining routes from North, South, East, and West make it a very attractive venue. The half marathon today firmly brings competitive national road racing back to "The Harriers". The Quinlan Cup which will be awarded to the winning club team. For more than 40 years the Harriers Quinlan Cup was the most prestigious event on the road racing calendar. Having started as a cross-country race back in 1957, it became a road race in 1967 and remained so until 2000 when the race was last held. During its reign as a blue-ribband event the Quinlan Cup was won by the likes of John Treacy and Eamonn Coughlan.

 

Today, the facilities at Tullamore Harriers are the envy of many athletics clubs in Ireland. The facilities provided by Tullamore make it one of the premier venues for local and national level athletics in Ireland. There is an Olympic standard tartan track, a fully equipped gym, changing facilities, press and media facilities, meeting room spaces, etc. The club also provides a social center and niteclub which makes "The Harriers" a very well known on the local social scene. Esssentially, the town of Tullamore would be a different place if it weren't for the presence of Tullamore Harriers AC.

 

Our photographs from the 2016 Half Marathon on Flickr www.flickr.com/photos/peterm7/albums/72157669860212434

 

Our photographs from the 2015 Half Marathon on Flickr. www.flickr.com/photos/peterm7/albums/72157655560294853

 

Our photographs from the 2014 Half Marathon on Flickr. www.flickr.com/photos/peterm7/sets/72157646587496250/

 

Our photographs from the 2013 Half Marathon on Flickr: www.flickr.com/photos/peterm7/sets/72157635307620452/

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share directly to: email, Facebook, Instagram, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

BUT..... Wait there a minute....

We take these photographs as a hobby and as a contribution to the running community in Ireland. We do not charge for our photographs. Our only "cost" is that we request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, VK.com, Vine, Meetup, Tagged, Ask.fm,etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us or acknowledge us as the original photographers.

 

This also extends to the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download this photographic image here directly to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. Have a look for a down-arrow symbol or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting takes a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

Let's get a bit technical: We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Above all what Creative Commons aims to do is to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

Although this is a Murphy (British) radio, about 500mm wide, I believe it originates in Germany, rebadged as a Murphy. The two acrylic panels hinge up/down to reveal the dial and knobs on a white, acrylic face. It should have a pedestal and separate speakers, also on pedestals. The case is white painted wood.

It is my junior year, 1978, when disco and Rocky movies are the cultural rage. We are in an unusual sociology class at Brandeis, something Morrie calls "Group Process." Each week we study the ways in which the students in the group interact with one another, how they respond to anger, jealousy, attention. We are human lab rats. More often than not, someone ends up crying. I refer to it as the "touchy-feely" course. Morrie says I should be more open-minded.

 

On this day, Morrie says he has an exercise for us to try. We are to stand, facing away from our classmates, and fall backward, relying on another student to catch us. Most of us are uncomfortable with this, and we cannot let go for more than a few inches before stopping ourselves. We laugh in embarrassment.

 

Finally, one student, a thin, quiet, dark-haired girl whom I notice almost always wears bulky white fisherman sweaters, crosses her arms over her chest, closes her eyes, leans back, and does not flinch, like one of those Lipton tea commercials where the model splashes into the pool.

 

For a moment, I am sure she is going to thump on the floor. At the last instant, her assigned partner grabs her head and shoulders and yanks her up harshly.

 

"Whoa!" several students yell. Some clap. Morrie finally smiles.

 

"You see," he says to the girl, "you closed your eyes. That was the difference.

Sometimes you cannot believe what you see, you have to believe what you feel. And if you are ever going to have other people trust you, you must feel that you can trust them, too--even when you're in the dark. Even when you're falling."

 

[ Tuesdays With Morrie ]

Remembrance Sunday, 11 November 2018

 

In the United Kingdom, Remembrance Sunday is held on the second Sunday in November, which is the Sunday nearest to 11 November, Armistice Day, the anniversary of the end of hostilities in the First World War at 11 a.m. on 11 November 1918. Remembrance Sunday is held to commemorate the contribution of British and Commonwealth military and civilian servicemen and women in the two World Wars and later conflicts.

 

Remembrance Sunday is marked by ceremonies at local war memorials in most cities, towns and villages, attended by civic dignitaries, ex-servicemen and -women, members of local armed forces regular and reserve units, military cadet forces and uniformed youth organisations. Two minutes’ silence is observed at 11 a.m. and wreaths of remembrance poppies are then laid on the memorials.

 

The United Kingdom national ceremony is held in London at the Cenotaph in Whitehall. Wreaths are laid by principal members of the Royal Family, normally including the Prince of Wales, the Duke of Cambridge, the Duke of Sussex, the Duke of York, the Princess Royal, the Earl of Wessex and the Duke of Kent, the Prime Minister, leaders of the other major political parties, the Secretary of State for Foreign and Commonwealth Affairs, Commonwealth High Commissioners and representatives from the Royal Navy, Army and Royal Air Force, the Merchant Navy and Fishing Fleets and the civilian services, and veterans’ groups.

 

In 2017 Queen Elizabeth and Prince Philip, for the first time, did not lay wreaths themselves but viewed the parade from the Foreign and Commonwealth balcony. In 2018 the Queen again viewed the parade from the balcony whilst Prince Philip did not attend. Other members of the British Royal Family watched from the balcony of the Foreign and Commonwealth Office.

 

11 November 2018 marked the 100th anniversary of the end of the First World War. The President of the Federal Republic of Germany Frank-Walter Steinmeier laid a German wreath at the Cenotaph for the first time. Normally wreaths are only laid by British persons and organisations and Commonwealth governments. Wreaths have been laid by leaders of Commonwealth and Allied countries when they attended as guests. In 2003 the Prime Minister of Australia, in 2006 the Prime Minister of New Zealand and in 2015 the King of the Netherlands laid wreaths.

 

Two minutes' silence is held at 11 a.m., before the laying of the wreaths. This silence is marked by the firing of a field gun on Horse Guards Parade by the King’s Troop, Royal Horse Artillery, to begin and end the silence, followed by Royal Marines buglers sounding Last Post in Whitehall.

 

The parade consists mainly of an extensive march past by veterans, with military bands playing music following the list of the Traditional Music of Remembrance.

 

After the ceremony, a parade of veterans and other related groups, organised by the Royal British Legion, marches past the Cenotaph, each section of which lays a wreath as it passes. Only ticketed participants can take part in the march past. In 2018 this was followed by a "people's procession" of some 10,000 people who streamed past the Cenotaph in honour of the war dead.

 

From 1919 until the Second World War remembrance observance was always marked on 11 November itself. It was then moved to Remembrance Sunday, but since the 50th anniversary of the end of the Second World War in 1995, it has become usual to hold ceremonies on both Armistice Day and Remembrance Sunday.

 

Each year, the music at the National Ceremony of Remembrance remains the same, following a programme finalised in 1930:

 

Rule, Britannia! by Thomas Arne

Heart of Oak by William Boyce

The Minstrel Boy by Thomas Moore

Men of Harlech

The Skye Boat Song

Isle of Beauty by Thomas Haynes Bayly

David of the White Rock

Oft in the Stilly Night by John Stevenson

Flowers of the Forest

Nimrod from the Enigma Variations by Edward Elgar

Dido's lament by Henry Purcell

O Valiant Hearts by Charles Harris

Solemn Melody by Walford Davies

Last Post – a bugle call

Beethoven's Funeral March No. 1, by Johann Heinrich Walch

O God, Our Help in Ages Past – words by Isaac Watts, music by William Croft

Reveille – a bugle call

God Save The Queen

 

Other pieces of music are then played during the march past and wreath laying by veterans, starting with Trumpet Voluntary and followed by It's A Long Way To Tipperary, the marching song of the Connaught Rangers, a famous British Army Irish Regiment of long ago.

 

The following is complied from press reports on 11 November 2018:

 

“The Prince of Wales has led the nation in remembering those who gave their lives in the First World War as he laid the wreath at the Cenotaph.

 

For the first time ever he was joined the German President Frank-Walter Steinmeier, marking a historic act of reconciliation between the two nations.

 

The Queen watched from the balcony of the Foreign and Commonwealth Office along with the Duchess of Cambridge and Duchess of Cornwall.

 

Remembrance services have been taking place all over Britain and Europe, which is an hour ahead, to mark the Armistice that ended the hostilities 100 years ago.

 

It is estimated that nine million military personnel were killed between 28 July 1914 and 11 November 1918.

 

The armistice, which was signed by German and Allied generals at 5am GMT, came into effect six hours later at 11am. Every year since then the country has paused at 11am for two minutes to remember the men and women who lost their lives in the conflict.

 

The Palace announced this morning that the Duke of Edinburgh could not attend the service and a wreath was laid on his behalf by an equerry.

Later this evening, the Queen, the Prince of Wales, the Duchess of Cornwall, the Duke and Duchess of Cambridge, and the Duke and Duchess of Sussex will attend a special service at Westminster Abbey, alongside Mr Steinmeier.

As part of event, two B-type buses which served as military vehicles between 1914 and 1918 - and are the last surviving models from the period - will be on The Mall. This will mark the contribution of bus drivers during the First World War and will be the first time they have appeared in an Armistice Day parade since the 1960s.

 

As well as the parade, civilians across the country will ring church bells in unison across the country on Sunday; it is expected that 1,700 people will take part in the event. Church bells across the UK remained restricted throughout the course of the war and only rang freely once Armistice was declared on November 11, 1918.

 

At that moment, bells erupted spontaneously across the country, as an outpouring of relief that four years of war had come to an end.

The French President, Emmanuel Macron, led the ceremony in Paris to mark the 100th anniversary of Armistice Day.

 

Around 70 world leaders were in attendance, including Donald Trump, Vladimir Putin, Angela Merkel, Recep Tayyip Erdogan and Jean-Claude Juncker, for a ceremony at the Arc de Triomphe.

 

President Trump and his wife Melania arrived in the French capital yesterday, and were greeted at the Elysee Palace in Paris by the French President and his wife Brigitte.

 

The President of Germany made history today appearing at the Cenotaph.

Following the Prince of Wales who laid a wreath on behalf of the Queen, Frank Walter-Steinmeier laid a wreath at the foot of the Cenotaph and stood with his head bowed.

 

He is the first German dignitary invited to the Cenotaph and was watched by his wife Elke Budenbender who accompanied the Duchess of Sussex on the Foreign Office balcony.

 

The Queen was accompanied by the Duchess of Cornwall and Duchess of Cambridge although the Duke of Edinburgh was absent having retired from official duties last year.

 

Commemorations had begun before dawn, as beach drawings and bag pipers added to the beautiful ways the centenary has been marked around the country.

 

In Paris, the leaders of France, Germany, Russia and the USA joined together for a special international service.”

 

debbie is hot@slainte irish pub. por mariah daher.

One of the most appealing qualities of Vancouver-based Spirit of The West is that their songs are very easy to like. Many you just have to listen to it once and you’re hooked. It is not that they are familiar to the ears. They are not but that endearing Celtic instrumentation certainly helps. Like Sadness Grows for example, which is very catchy and of course, Home For A Rest which was so well-known among the concert crowd that lead singer John Mann let the audience sang part of it as he picked his guitar on stage and later dubbed them as the PNE choir. Save This House shows a more edgy side of the band.

 

In VIDEO 2, Spirit of The West played two very different songs. Geoffrey Kelly sang The Old Sod which was a pub number about being a Scot oversea eager to cut old ties and yet couldn’t shake that Scottish-ness ingrained in himself. In Political, lead singer John Mann sang about a romantic relationship that had gone sour because every little thing about the couple had to be so ‘political’. The work of Mann and Kelly comes from the heart and they are felt rather than heard. Future CDs and concerts by this Vancouver-based folk alternative band is not to be missed. The Spirit of The West concert at the PNE 2010 was on Aug 29, 2010 in Vancouver.

 

VIDEO 1 - Sadness Grows, Home For A Rest www.youtube.com/watch?v=EgxFxMpsn-o

 

VIDEO 2 - The Old Sod & Political www.youtube.com/watch?v=cY1Uew7UbsE

 

[Photos and Videos by Ray Van Eng] www.vancouver21.com

This is a photograph from finish of the fourth annual running of the AON Mullingar Half Marathon which was held on Saturday 17th March 2019 (St. Patrick's Day Lá Fhéile Pádraig 2018) in Mullingar, Co. Westmeath, Ireland at 10:30. This photograph was taken at at the 13 mile mark in the home straight within Mullingar Town Park. Following on from the incredible success of the first three years of the race this year the total numbers participating rose from just under 600 in 2015, 900 in 2016, over 1200 in 2017 and yet again over 1200 this year. Proceeds raised by the AON Mullingar Half Marathon will go directly to T.E.A.M (Temporary Emergency Accommodation Midlands) finding safe & secure accommodation for homeless women and children. The roots of the successs of the event last year was the excellent organisation and a very flat and fast route. All of these characteristics were repeated this year except for the weather. This was a bitterly cold day with air temperatures struggling to get above 4C and a severe wind chill from an easterly breeze making it for very difficult running conditions. Indeed the race could be described as a race of two halves in terms of weather. The first half participants had the strong, cold easterly wind at their faces. However, turning for home along the Royal Canal this became a very strong tailwind for 4 - 5 miles from around Flynn's Machinery/Junction 14 M4. Participants travelled from all over Ireland with a very large participation from runners around Mullingar and the midlands. The race has an AAI permit. The course reverted to its original route this year. Last year saw a small change to the course configuration when the race crossed the M4 Motorway at The Downs via a winding pedestrian footbridge. This was not included this year.

  

The race began on Pearse Street/Austin Friar's Street in the town and proceeds North East out of the town to the N52 Delvin/Dundalk road towards Lough Sheever. The course then follows beautiful rural country roads out to The Downs at the M4. The only significant hill or rise on the course occurs here at about 7 miles when runners cross a pedestrian footbridge over the M4 near Junction 14 Thomas Flynn and Sons The Downs. The race then joins the now local access route of the old N4 road and then joins the Royal Canal at Great Down. The remainder of the race follows the Royal Canal back westward to Mullingar town. The towpath on the Canal is perfectly flat and in excellent condition. Runners will notice how the level of the canal changes dramatically along the route - at points the canal is level with the towpath. In other places the canal is at least 3 meters lower than the canal path. However the path is perfectly flat and firm the whole way. The course then leaves the Royal Canal at the Ardmore Road/Millmount area of the town and finishes in the Mullingar Town Park on Austin Friar's Street beside the Annebrook Hotel. The park provides a very nice setting for the finish of the race and runners and their families can mix and congregate around the finish area and the hotel.

  

Timing and event management was provided by www.myrunresults.com/. Their website is here [www.myrunresults.com/] and will contain the results to today's race.

Our full set of photographs are available at: www.flickr.com/photos/peterm7/albums/72157664768562807

This is a photograph from the Longwood GAA 10KM and 5KM Road Races and Fun Runs 2014 which were held in Longwood Village, Co. Meath, Ireland on Sunday 19th October 2014 at 11:00. This is the fifth year which Longwood GAA have hosted race events. This year's event was an outstanding success with the number of participants doubling over last year's final numbers. There were almost 400 participants in both events with 224 in the 10KM and 166 in the 5KM. In the first three previous years the club had organised a 5KM road race. The events were organised as fundraisers for both the adult and juvenille teams at Longwood GAA club. The event also provided a fundraising opportunity for the local St. Vincent de Paul charity. Overall the whole day was a great success with the hard work put in by the organising committee ensuring that participants enjoyed their race experience. Both routes were accurately measured, kilometer points clearly marked, junctions well stewarded, and electronic timing provided. The event provided many local runners, joggers, fun runners and walkers with a local event to support whilst at the same time providing runners preparing for events such as the Dublin marathon with an opportunity to race a short, fast, distance in the lead up to marathon day. The GAA club provided excellent stewarding and traffic management all around the course. The race had a professional feel to it and it is sure to grow next year given the very positive feedback from many of the participants today.

 

This is a photograph which is part of a larger set of photographs taken at the event. There were photographs taken at the start of the races and the finishes of both races in Longwood GAA. The full set is available at this link www.flickr.com/photos/peterm7/sets/72157648845224981/

 

Longwood is a small village in South East Co. Meath and is close to the town of Enfield with access to the M4 Motorway.

  

Timing and event management was provided by Precision Timing. Results are available on their website at www.precisiontiming.net/result.aspx?v=2100 with additional material available on their Facebook page (www.facebook.com/davidprecisiontiming?fref=ts) See their promotional video on YouTube: www.youtube.com/watch?v=c-7_TUVwJ6Q

  

Overall Race Summary

Participants: There were about 400 participants over the two events.

Weather: The weather was very breezy but dry. The temperatures around 10C.

5KM Course: The 5KM started in Longwood village. Runners then took a left turn in the Village down St. Oliver's Road. This straight section of road brings runners to a left turn onto a very well maintained boreen road for less than one kilometer. The race then emerges and joins with the 10KM at Stoneyford where the runners take a left and then another left before arriving back at the finish line in Longwood GAA club. Overall this is a very fast and flat 5KM with no hills to speak of.

 

10KM Course: The 10KM event begins in Longwood Village outside Stoney's Pub (goo.gl/maps/Of4fW) and proceeds westward out of the village. There are some interesting points along this part of the course. At the 2KM point the runners will run under the double bridges - an aquaduct for the Royal Canal and a bridge carrying the Dublin Sligo Railway line. The race then enters county Kildare just before the 3km and after taking a right turn at the four-cross roads known locally as Lally's Cross it returns to County Meath on top of the River Boyne Bridge (Ashfield Bridge) which forms the county boundary. The race follows a straight road for the next 2KM until runners encounter Blackshade bridge which is the toughest climb on the route. As a point of interest Blackshade bridge brings runners back over the Royal Canal and the Railway line. The race then crosses the River Boyne again at Stoneyford before taking a right which will bring runners on a testing two kilometer stretch with some short hills. The 10KM course then joins with the 5Km course for the final 1.5KM back to Longwood GAA club for the finish.

 

Location Map: Longwood GAA club (Race Finish and Race Head Quarters - goo.gl/maps/4a8iQ Google StreetView)

 

Joining point of the two courses (Google Streetview goo.gl/maps/ICUvs)

 

Some Useful Links

 

RESULTS 2014: www.precisiontiming.net/result.aspx?v=2253

www.facebook.com/longwoodroadrace?fref=ts (may require Facebook logon)

Longwood GAA Facebook: www.facebook.com/longwoodgaa (may require Facebook logon)

 

Our photographs from Longwood 5KM 2013: www.flickr.com/photos/peterm7/sets/72157636477484093/

Our photographs from Longwood 5KM 2012: www.flickr.com/photos/peterm7/sets/72157631820426332/

Our photographs from Longwood 5KM 2011: www.flickr.com/photos/peterm7/sets/72157627782257481/

Our photographs from Longwood 5KM 2010: www.flickr.com/photos/peterm7/sets/72157625058772687/

 

Garmin GPS Trace for the 5KM Event in 2013: connect.garmin.com/player/238527691

Garmin GPS Trace for the 10KM Event in 2013: connect.garmin.com/activity/387453099

  

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.

 

This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

I want to download these pictures to my computer or device?

 

You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

I want get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

 

It is Yodobashi Camera multimedia Akiba in front of Akihabara Station. It is famous as a large-scale camera shop, but can enjoy a restaurant or the golf school here, too. The camera sales floor is only 1 floor among 9 floors.

On February 26, 2012 in Akihabara.

-----

秋葉原駅前のヨドバシ カメラ マルチメディア アキバです。ここは大規模カメラ店として有名ですが、レストランやゴルフスクールなども楽しめます。9フロアのうちカメラ売り場は1フロアのみです。

2012年2月26日、秋葉原にて。

 

Emmanuel is one entrepreneur who is seeing the benefit of progress in CAR. The rebuilt bridge near to his home – part of the work DFID is funding through partner Première Urgence – means he can now walk directly to his fields, rather than the long way around the river.

 

And now he is investing. As well as his own produce, Emmanuel and his wife have started a new enterprise, buying a plant called sorghum to make a traditional home brew to sell.

 

Credit: DFID / Simon Davis

Barong is a lion-like creature and character in the mythology of Bali, Indonesia. He is the king of the spirits, leader of the hosts of good, and enemy of Rangda, the demon queen and mother of all spirit guarders in the mythological traditions of Bali. The battle between Barong and Rangda is featured in Barong dance to represent the eternal battle between good and evil.

 

Barong animal mask dance, together with sanghyang dance are considered native Balinese dances, predating Hindu influences. The native Indonesians of Austronesian heritage often has similar mask dances that represent either ancestral or natural spirits; an example is Dayak's Hudoq dance. The term barong derives from the local term bahruang, which today corresponds to Indonesian word beruang which means "bear". It refers to a good spirit, that took the form of an animal as the guardian of forest.

 

In Balinese mythology, the good spirit is identified as Banas Pati Raja. Banas Pati Raja is the fourth "brother" or spirit child that accompanies a child throughout their life, which is a similar concept to guardian angels. Banas Pati Raja is the spirit which animates Barong. A protector spirit, he is often represented as a lion. The Barong is often portrayed accompanied by two monkeys.

 

Barong is portrayed as a lion with red head, covered in white thick fur, and wearing gilded jewelry adorned with pieces of mirrors. The shape of lion Barong is somewhat similar to a Pekingese dog. The origins of the Barong are far a back in time and quite uncertain. Its origins could be from animist worship, before Hinduism appeared, when villagers still believed in the supernatural protective power of animals.

 

CALON ARANG

On the other hand, Rangda is Barong's opposite. While Barong represents good, Rangda represents evil. Rangda is known as a demon queen, the incarnation of Calon Arang, the legendary witch that wreaked havoc in ancient Java during the reign of Airlangga in the 10th century. It is said that Calon Arang was a widow, powerful in black magic, who often damaged farmer's crops and caused disease to come. She had a girl, named Ratna Manggali, who, though beautiful, could not get a husband because people were afraid of her mother. Because of the difficulties faced by her daughter, Calon Arang was angry and she intended to take revenge by kidnapping a young girl. She brought the girl to a temple to be sacrificed to the goddess Durga. The next day, a great flood engulfed the village and many people died. Disease also appeared.

 

King Airlangga, who had heard of this matter, then asked for his advisor, Empu Bharada, to deal with this problem. Empu Bharada then sent his disciple, Empu Bahula, to be married to Ratna. Both were married with a huge feast that lasted seven days and seven nights, and the situation returned to normal. Calon Arang had a book that contained magic incantations. One day, this book was found by Empu Bahula, who turned it over to Empu Bharada. As soon as Calon Arang knew that the book had been stolen, she became angry and decided to fight Empu Bharada. Without the help of Durga, Calon Arang was defeated. Since she was defeated, the village was safe from the threat of Calon Arang's black magic.

 

RANGDA

Another version holds that Rangda was actually linked to historical queen Mahendradatta or Gunapriyadharmapatni, a Javanese princess sister of Dharmawangsa of East Javanese Isyana Dynasty of late Medang Kingdom period. She was the queen consort of Balinese king Udayana and Airlangga's own mother. Mahendradatta is known for her devotion to the worship of Durga in Bali. The story goes that Mahendradatta, the mother of Airlangga, was condemned by Airlangga's father because she practiced black magic. After she became a widow (Rangda in old Javanese means: 'widow'), hurt and humiliated, she sought revenge upon her ex-husband's court and whole of his kingdom. She summoned all the evil spirits in the jungle, the leyaks and the demons that caused plague and death in the kingdom. Airlangga face his own mother to save the kingdom. A fight occurred, but she and her black magic troops were so powerful that Airlangga had to ask for the help of spirit king, Barong in order to defeat her. Barong came with Airlangga's soldiers, and the fight ensued. Rangda cast a spell that made Airlangga soldiers all want to kill themselves, pointing their poisoned keris into their own stomachs and chests. In response, Barong cast a spell which caused the soldiers body's to be resistant to the sharp keris. At the end, Barong won, and Rangda ran away.

 

BARONG DANCE

The lion is the popular one, as it comes from the Gianyar region, where Ubud (the home of tourist's Balinese dance ritual viewing) is located. Within the calon arang, the dance drama in which the Barong appears, the barong responds to Rangda's use of magic to control and kill her to restore balance. In traditional Barong dance performances, he is portrayed in his struggles against Rangda, it is the popular part of Balinese culture. The mythical creature would dance along the street to the calon arang dance. A priest would throw holy water at it.

 

- The dance opens with two playful monkeys teasing Barong in a peaceful environment.

- The next scene is popularly known as "Keris Dance". The Rangda character appears and wreaks havoc. She casts black magic upon male dancers, who represent Airlangga's soldiers, and orders them to commit suicide. In a trance, these men stab themselves on their chest with their own kris. Meanwhile, Barong and the priest cast protective magic on these men, which makes them invulnerable to sharp objects.

- The dance ends with the final battle between Barong and Rangda, concluding with the victory of Barong over Rangda. Rangda runs away, the evil is defeated, and the celestial order is restored.

 

The lion barong is one of five traditional Barongs. In Bali each region of the island has its own protective spirit for its forests and lands. Each Barong for each region is modeled after a different animal. They are:

- Barong Ket: lion barong, the most common Barong, it is the symbol of a good spirit.

- Barong Landung: giant barong, the form is similar to Betawi Ondel-ondel

- Barong Celeng: boar barong

- Barong Macan: tiger barong

- Barong Naga: dragon (or serpent) barong

 

WIKIPEDIA

This is Latourell Falls near Portland, Oregon. Despite the rain we had a blast on our extended weekend trip in Portland and the surrounding areas. The falls are one of the first stops on the famous Columbia River Highway drive eastbound from Portland.

 

From the photoblog at www.shutterrunner.com.

 

Follow me on Twitter: www.twitter.com/ShutterRunner

 

Friend me on Facebook: www.facebook.com/ShutterRunner

This is a photograph from the 34th ABN AMRO Marathon Rotterdam which was held in Rotterdam, The Netherlands on Sunday 13th April 2014 at 10:30 (CET). This photograph is one of a larger set of photographs which were taken at the start, the 17 mile mark, and the finish of the marathon. The official website of the Rotterdam Marathon is at www.marathonrotterdam.org/.

 

Please note: These are completely unofficial photographs. These photographs or their Flickr set are in no way affiliated with the ABN AMRO Marathon Rotterdam or any of it's partners.

 

We use Creative Commons Licensing for these photographs

We use the Creative Commons Attribution-ShareAlike License for all our photographs here in this photograph set. What does this mean in reality?

The explaination is very simple.

Attribution- anyone using our photographs gives us an appropriate credit for it. This ensures that people aren't taking our photographs and passing them off as their own. This usually just mean putting a link to our photographs somewhere on your website, blog, or Facebook where other people can see it.

ShareAlike – anyone can use these photographs, and make changes if they like, or incorporate them into a bigger project, but they must make those changes available back to the community under the same terms.

 

Creative Commons aims to encourage creative sharing. See some examples of Creative Commons photographs on Flickr: www.flickr.com/creativecommons/

 

Can I use these photographs directly from Flickr on my social media account(s)?

 

Yes - of course you can! Flickr provides several ways to share this and other photographs in this Flickr set. You can share to: email, Facebook, Pinterest, Twitter, Tumblr, LiveJournal, and Wordpress and Blogger blog sites. Your mobile, tablet, or desktop device will also offer you several different options for sharing this photo page on your social media outlets.

 

We take these photographs as a hobby and as a contribution to the running community in Ireland. Our only "cost" is our request that if you are using these images: (1) on social media sites such as Facebook, Tumblr, Pinterest, Twitter,LinkedIn, Google+, etc or (2) other websites, blogs, web multimedia, commercial/promotional material that you must provide a link back to our Flickr page to attribute us.

 

This also extends the use of these images for Facebook profile pictures. In these cases please make a separate wall or blog post with a link to our Flickr page. If you do not know how this should be done for Facebook or other social media please email us and we will be happy to help suggest how to link to us.

 

How can I download these pictures to my computer or device?

 

You can download the photographic image here direct to your computer or device. This version is the low resolution web-quality image. How to download will vary slight from device to device and from browser to browser. However - look for a symbol with three dots 'ooo' or the link to 'View/Download' all sizes. When you click on either of these you will be presented with the option to download the image. Remember just doing a right-click and "save target as" will not work on Flickr.

 

How can I get full resolution, print-quality, copies of these photographs?

 

If you just need these photographs for online usage then they can be used directly once you respect their Creative Commons license and provide a link back to our Flickr set if you use them. For offline usage and printing all of the photographs posted here on this Flickr set are available free, at no cost, at full image resolution.

 

Please email petermooney78 AT gmail DOT com with the links to the photographs you would like to obtain a full resolution copy of. We also ask race organisers, media, etc to ask for permission before use of our images for flyers, posters, etc. We reserve the right to refuse a request.

 

In summary please remember when requesting photographs from us - If you are using the photographs online all we ask is for you to provide a link back to our Flickr set or Flickr pages. You will find the link above clearly outlined in the description text which accompanies this photograph. Taking these photographs and preparing them for online posting does take a significant effort and time. We are not posting photographs to Flickr for commercial reasons. If you really like what we do please spread the link around your social media, send us an email, leave a comment beside the photographs, send us a Flickr email, etc. If you are using the photographs in newspapers or magazines we ask that you mention where the original photograph came from.

 

I would like to contribute something for your photograph(s)?

Many people offer payment for our photographs. As stated above we do not charge for these photographs. We take these photographs as our contribution to the running community in Ireland. If you feel that the photograph(s) you request are good enough that you would consider paying for their purchase from other photographic providers or in other circumstances we would suggest that you can provide a donation to any of the great charities in Ireland who do work for Cancer Care or Cancer Research in Ireland.

 

I ran in the race - but my photograph doesn't appear here in your Flickr set! What gives?

 

As mentioned above we take these photographs as a hobby and as a voluntary contribution to the running community in Ireland. Very often we have actually ran in the same race and then switched to photographer mode after we finished the race. Consequently, we feel that we have no obligations to capture a photograph of every participant in the race. However, we do try our very best to capture as many participants as possible. But this is sometimes not possible for a variety of reasons:

 

     ►You were hidden behind another participant as you passed our camera

     ►Weather or lighting conditions meant that we had some photographs with blurry content which we did not upload to our Flickr set

     ►There were too many people - some races attract thousands of participants and as amateur photographs we cannot hope to capture photographs of everyone

     ►We simply missed you - sorry about that - we did our best!

  

You can email us petermooney78 AT gmail DOT com to enquire if we have a photograph of you which didn't make the final Flickr selection for the race. But we cannot promise that there will be photograph there. As alternatives we advise you to contact the race organisers to enquire if there were (1) other photographs taking photographs at the race event or if (2) there were professional commercial sports photographers taking photographs which might have some photographs of you available for purchase. You might find some links for further information above.

 

Don't like your photograph here?

That's OK! We understand!

 

If, for any reason, you are not happy or comfortable with your picture appearing here in this photoset on Flickr then please email us at petermooney78 AT gmail DOT com and we will remove it as soon as possible. We give careful consideration to each photograph before uploading.

 

I want to tell people about these great photographs!

Great! Thank you! The best link to spread the word around is probably http://www.flickr.com/peterm7/sets

The Financial District is a neighborhood in San Francisco, California, that serves as its main central business district. It is home to the city's largest concentration of corporate headquarters, law firms, insurance companies, real estate firms, banks, savings and loans, and other financial institutions.

 

The area is marked by the cluster of high-rise towers in the triangular area east of Grant Avenue, south of Washington Street, west of the Embarcadero that rings the waterfront, and north of Market Street. The city's tallest buildings, including 555 California Street and the Transamerica Pyramid, and many other tall buildings, such as 101 California Street and 345 California Street are located there. Montgomery Street ("Wall Street of the West") is the traditional heart of the district. All seven San Francisco Fortune 500 companies—McKesson, Wells Fargo, PG&E Corporation, Gap, URS Corporation, Visa and Charles Schwab—are located in the neighborhood.

 

en.wikipedia.org/wiki/Financial_District,_San_Francisco,_...

 

en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...

The Rotunda of Galerius is 125m northeast of the Arch of Galerius at 40°37'59.77"N, 22°57'9.77"E. It is also known (by its consecration and use) as the Greek Orthodox Church of Agios Georgios, and is informally called the Church of the Rotunda (or simply The Rotunda). The cylindrical structure was built in 306 AD on the orders of the tetrarch Galerius, who was thought to have intended it to be his mausoleum. It was more likely intended as a temple; it is not known to what god it would have been dedicated.

 

The Rotunda has a diameter of 24.5 m. Its walls are more than 6 m thick, which is why it has withstood Thessaloniki's earthquakes. The walls are interrupted by eight rectangular bays, with the south bay forming the entrance. A flat brick dome, 30 m high at the peak, crowns the cylindrical structure. In its original design, the dome of the Rotunda had an oculus, as does the Pantheon in Rome.

Uses of the Rotunda

The altar view of the Rotunda of Galerius, initially a Mausoleum of Roman Emperor Galerius, later a Christian church, and then a mosque. It is now the Church of the Rotunda and a UNESCO World Heritage Site.

View of the interior with remnants of the mosaics.

 

After Galerius's death in 311, he was buried at Gamzigrad (Felix Romuliana) near Zajecar, Serbia. The Rotunda stood empty for several years until the Emperor Constantine I ordered it converted into a Christian church in 326. The church was embellished with very high quality mosaics. Only fragments have survived of the original decoration, for example, a band depicting saints with hands raised in prayer, in front of complex architectural fantasies.

This is fuckin' BADASS!!! Whatever this is waited above an entrance to my clothesline pole (where there is a hornets nest in which I was about to spray) and I saw this thing go after one. Caught it, flew back onto the cross pole and went about eating it. Just for comparison, that is a full grown hornet it has underneath it. I would have to guess that it is the size of my thumb.

 

Update: It is a Robber Fly (Dasylechia atrox)

Charlestown is a village and port on the south coast of Cornwall, England, United Kingdom, in the parish of St Austell Bay. It is situated approximately 2 miles (3 km) south east of St Austell town centre.

 

The port at Charlestown developed from what was in the late 18th century the fishing village of West Polmear. Whereas other areas within the conurbation of St Austell have seen much development during the 20th century, Charlestown has remained relatively unchanged within this expansion. There are deposits of china clay in the area. Particles of mica quartz in the sea near Charlestown give it a turquoise-blue colour. The same colour is imparted to flooded china clay quarries.

 

Poldark: Masquerading as Cornwall’s capital Truro in episode two Charlestown’s character filled Grade II listed harbour with its tall ships perfectly captured the 18th century character of Winston Graham’s novel.

114 Pictures in 2014. 49.The Weather Outside is Frightful!

Taken at The Regency, Laguna Woods, California. © 2014 All Rights Reserved.

My images are not to be used, copied, edited, or blogged without my explicit permission.

Please!! NO Glittery Awards or Large Graphics...Buddy Icons are OK. Thank You!

Blue skies may be delightful at times but in the midst of severe drought, they are frightful. I took these images off the television at lunchtime today ~ unusually warm temperatures, gusting Santa Ana winds, not a drop of rain in sight. We're under Red Flag warnings, which means severe fire danger. I hope I don't see any fire more devastating than the two pictured. These are frightening enough!

 

I'm going to be scarce this week, my Flickr friends! I'm spending the next three days with Amy, my daughter, I'm happy to say!

Thanks so much for showing up and for your support! Have a wonderful week, yourselves! I'll get back to you again after Friday!

Bump measures the same as if I was pregnant with a singleton at 29 weeks - no wonder I feel huge :)

Starting to feel more movements from the babies now which is lovely.

Get very tired though and have carpal tunnel in my right wrist and oedema and SPD. Fun huh? Can't wait to meet them though.

So, I've been a bad flickr person. I take a long time to respond to comments, I rarely comment on other peoples streams. In general, I suck. However, I have been ruling my job lately.

 

This is the SproutCore team at MobileMe, to whom I am an engineering project manager (one of my teams). We just hosted our first day (of two) of company wide training where people were flown in from the far corners of the earth to learn our sweet-ass web platform framework. It went swimmingly, and I am super pleased. I'm in the back, because 'I got their backs, yo'.

 

I set up this shot, and Ramiro (who is awesome) pulled the trigger for me. Faruk (also lovely) was kind enough to play human light stand.

 

Strobist info: Nikon SB900 on 1/2 power, bouncing through a 43" umbrella, hand held by Faruk, in front of team in the middle, about 2ft above our heads and 2ft to the front.

 

Rotterdam Dutch is the second largest city and municipality in the Netherlands. It is in the province of South Holland, at the mouth of the Nieuwe Maas channel leading into the Rhine–Meuse–Scheldt delta at the North Sea. Its history goes back to 1270, when a dam was constructed in the Rotte. In 1340, Rotterdam was granted city rights by William IV, Count of Holland. The Rotterdam–The Hague metropolitan area, with a population of approximately 2.7 million, is the 10th-largest in the European Union and the most populous in the country.

 

A major logistic and economic centre, Rotterdam is Europe's largest seaport. In 2020, it had a population of 651,446 and is home to over 180 nationalities. Rotterdam is known for its university, riverside setting, lively cultural life, maritime heritage and modern architecture. The near-complete destruction of the city centre in the World War II Rotterdam Blitz has resulted in a varied architectural landscape, including skyscrapers designed by architects such as Rem Koolhaas, Piet Blom and Ben van Berkel.

 

The Rhine, Meuse and Scheldt give waterway access into the heart of Western Europe, including the highly industrialized Ruhr. The extensive distribution system including rail, roads, and waterways have earned Rotterdam the nicknames "Gateway to Europe" and "Gateway to the World".

Kom Ombo is home to one of Egypt's most picturesque ruins, the Temple of the crocodile-god Sobek and Haroeris (Horus the Elder). The temple was built during the Ptolemaic dynasty in c180-47 BC in an elevated position overlooking the Nile, giving the site one of the most attractive of locations amongst Egypt's ancient monuments.

 

The temple is unique in being dedicated as a twin sanctuary to two patron gods, southern half belonged to the crocodile-headed Sobek (or Sobk) and the northern half to the falcon-headed Haroeris. The twin shrine is often referred to simply as the Temple of Sobek owing to the fame of the crocodile cult here, where live crocodiles were once kept as living embodiments of the god and to whom offerings were made. Several of these crocodiles can still be seen in mummified form in the small museum that was recently built adjacent to the site (alas no photography allowed in the museum).

 

The structure is less complete and more ruinous than many of the best known Egyptian temples, but this does at least make it a more picturesque, photography friendly site than some. The main core of the temple is fairly well preserved with the columns (with richly carved capitals) of the hypostyle hall and successive chambers and sanctuaries still standing at full height. The main courtyard is partially preseved but the original main facade with its pylon towers and gates has long since tumbled into the Nile as a result of erosion caused by the site's proximity to the river.

 

One of the most rewarding aspects of the temple is its relief decoration, with figures of the exotic, animal-headed deities and kings in unusually high relief (for Egyptian art) on every wall and pillar.

 

Frustratingly our arrival here had been delayed by the lengthy return from our morning excursion, thus we only managed to catch the temple in rapidly dwindling light. Conditions became quite limiting, though to see the structure illuminated in the darkness was a bonus.

 

For more on this fascinating temple see below:-

en.wikipedia.org/wiki/Temple_of_Kom_Ombo

 

The We're Here! gang is examining abstracts of everyday items today.

Here is a collection and 5 single DVD’s. Semifinal and final meeting. In the team event at the London Olympics of judo, the Russian team took 1st place. Having beaten such favorites as France (2nd place), South Korea (3rd place) and Japan (4th place). How it was you will see on these DVD’s. At the end of each film you'll see the best moments of the Olympic judo.

 

DVD 1. Arsen Galstyan (Russia). 60 kg 28 min.

 

DVD 2. Mansur Isaev (Russia). 73 kg 32 min.

 

DVD 3. Nifontov Ivan (Russia). 81 kg 49 min.

 

DVD 4. Tahir Haybullaev (Russia). 100 kg 48 min.

 

DVD 5. Mihailin Alexander (Russia).+ 100 kg 45 min.

あなたはこれと他の映画を買うことができます www.ebay.com/itm/Judo-2012-Olympiad-A-Galstyan-M-Isaev-I-...

kfvideo.ru/

kfvideo.com/

  

Product Features

 

Standard PAL DVD.

Production Kallista Film. Russia.

Release year 2012

Direction Olympic games.

Delivery Russian mail anywhere in the world.

Duration 5DVD-202min.

Filming location London. UK.

Language London. UK.

Het internet is stuk. Hoe kunnen we het weer repareren? Daarover vertelde Marleen Stikker, auteur van 'Het internet is stuk', op 23 januari tijdens de Privacyrede 2020. Met de 50e verjaardag van het internet is dit hét moment om terug te blikken en vooruit te kijken.

 

Marleen Stikker (1962) is internetpionier van het eerste uur. In 1993 richtte ze De Digitale Stad op, de eerste Nederlandse internetprovider die gratis toegang gaf tot het web. Vijfentwintig jaar geleden startte ze Waag Society, een onderzoeksinstituut voor kunst, technologie en samenleving. Daarnaast was ze onder meer betrokken bij de ontwikkeling van de duurzame Fairphone.

 

De Privacyrede biedt een podium aan personen die een vernieuwende blik werpen op de maatschappelijke gevolgen van technologie. De Privacyrede is een jaarlijks evenement georganiseerd door SETUP | MediaLab Utrecht en SURFnet, in samenwerking met TivoliVredenburg. Dit is de zesde editie.

 

A houseplant is a plant that is grown indoors in places such as residences and offices. Houseplants are commonly grown for decorative purposes, positive psychological effects, or health reasons.

 

In the late '80s, NASA and the Associated Landscape Contractors of America studied houseplants as a way to purify the air in space facilities. They have found several plants that filter out common volatile organic compounds (VOCs). Yes, plants can even clean and keep our home look fresh, which is typically far more polluted 

 

than outdoor air.

 

 

 

Few Houseplants

 

 

 

1. Aloe (Aloe vera) - Aloe is a smart choice for a sunny kitchen window. Beyond its air-clearing abilities, the gel inside an aloe plant can help heal cuts and burns.

 

2.Spider plant (Chlorophytum comosum) - the spider plant battles benzene, formaldehyde, carbon monoxide and xylene, a solvent used in the leather, rubber and printing industries.

 

3. Gerber daisy (Gerbera jamesonii) - This bright, flowering plant is effective at removing trichloroethylene, which you may bring home with your dry cleaning. It’s also good for filtering out the benzene that comes with inks.

 

4. Snake Plant - Also known as mother-in-law’s tongue, this plant is one of the best for filtering out formaldehyde, which is common in cleaning products, toilet paper, tissues and personal care products.

 

5.Golden pothos (Scindapsus aures) - Another powerful plant for tackling formaldehyde, this fast-growing vine will create a cascade of green from a hanging basket.

 

6.Chrysanthemum - The colorful flowers of a mum can do a lot more than brighten a home office or living room; the blooms also help filter out benzene, which is commonly found in glue, paint, plastics and detergent.

 

 

 

More to continue... about gardens

 

is what I want from whole the world

 

~~~

دریا؛ یک نیمکت و بودن هردومان

چیزیست که من میخواهم از این دنیا

Monaco is only 2,02km2 big and holds 30.510 inhabitants, making it the second most densly populated country in the world. To accomodate all those people everything is packed and stacked. If you want privacy Monaco is not the place to go.

 

Monaco is famous for its Grand Prix street circuit and the Monte Carlo Casino. Allthough still very well known for its luxerous and expensive inhabitants, most of the really rich have moved away to more private places, tourism is the number one income source for this little country.

 

Only a minority are trully a Monagask, a bit over 50% is Italian.

This is the documentation of WHITEvoids video projector based digital stage lighting system. The system was initially commissioned for the theater play "Fanny and Alexander" by theater director Sebastian Hartmann. The piece inspired by Ingmar Bergmans movie premiered in September 2011 at Leipzigs Central Theater and will be on show until May 2012.

 

WHITEvoid designed a projector based digital lighting system with integrated depth camera tracking to pixel map the whole stage area of about 120m2. This includes a large scale Neo Rauch painting as a backdrop. Since the theater play used a flexible scene order, we enabled the lighting designer to select or deselect actors on the fly via remote. This way making them active or inactive as triggers for digital light follow effects and generative visuals. Multiple effects can be assigned to individual actors in almost infinite combinations. Additionally virtual "light agents" are autonomously interacting with the real actors on stage.

 

www.whitevoid.com

centraltheater-leipzig.de

Her name is Noelle.

I had a dream about her.

She rings my bell.

I got gym class for half an hour.

Oh how she rocks.

in Keds and tube socks.

 

But she doesn't know who I am.

And she doesn't give a damn about me.

 

Cause I'm just a teenage dirtbag, baby.

Yeah, I'm just a teenage dirtbag, baby.

Listen to Iron Maiden baby, with me.

 

Her boyfriend's a dick

and he brings a gun to school.

He'd simply kick

my ass if he knew the truth.

He lives on my block

and he drives an Iroc.

But he doesn't know who I am

And he doesn't give a damn about me

 

Cause I'm just a teenage dirtbag, baby.

Yeah, I'm just a teenage dirtbag, baby.

Listen to Iron Maiden maybe with me.

 

Oh yeah, dirtbag. No, she doesn't know what she's missing.

Oh yeah, dirtbag. No, she doesn't know what she's missing.

 

Man, I feel like mold.

It's prom night and I am lonely.

Lo and behold, she's walking over to me.

This must be fake, my lip starts to shake.

How does she know who I am?

And why does she give a damn about me?

 

(In girl's voice)

" I've got two tickets to Iron Maiden, baby.

Come with me Friday don't say maybe.

I'm just a teenage dirtbag baby, like you [uuuuuh. uuuuuuuuh.]"

 

Oh yeah, dirtbag. No, she doesn't know what she's missing.

Oh yeah, dirtbag. No, she doesn't know what she's missing.

This is a commissioned piece for one of my most faithful customers, supporters and great friend. Leader Class Scale Megatron does not transform, but stands a towering 11" tall to the top of his head. A big thanks to RA88 for his rendition of Megatron and the inspiration. I based Megatron off movie stills combined with Josh Nizzi's Dark of the Moon concept artwork. Megatron is LOADED with details and articulation. Huge thanks to fakebuster for the shapeways 3d printed movie accurate shotgun and Megatron's right hand.

 

Megatron's articulation includes : ball jointed head, shoulders, upper arms (joint and swivel), elbows, forearm swivel, ball jointed wrist (right), double jointed fingers (right), ball joint wrist (left), claw fingers on hinges (left), hips, upper les swivel, kneeds, feet on giant strong ball joints, and toe articulation (yes...toe)

 

Megatron's eyes and head lights up brightly thanks to 2 3mm red LED bulbs which both lead to a simple on/off switch on his back, and easy-access battery right next to the switch. Megatron's shotgun fits snugly on his back and into a 5mm peg post in his right hand. His cloak was made using linen found at a nearby fabric store (they are worse than AC Moore & Michael's combined) tempered, cut up, and aged, then painted with many coats of clear coat which ensure it's form is kept (it's stiff!)

 

On a personal note : I can't thank Alfie (client) enough for this help and support during an extremely difficult time in my life. He's literally been there every second and continuously asks how things are going, a genuine guy. We are all blessed he is such an avid supporter of customizing.

  

Is it just me or does this bunny taste fuzzy?

This is a still frame from a video I made and put on YouTube.

 

The truck is an International / Petersen Industries Grapple (or boom or clam) truck and is used for bulk pick ups. This driver did an excellent job of removing a huge pile of yard waste. As you can see her experience shows! Inexperienced drivers tend to dig up the lawn. This lawn is still perfectly intact.

 

You can see the video at:

www.youtube.com/watch?v=V6R0EV3y-zM

This is Cromer Parish Church in Cromer, Norfolk, a Grade I listed building. Also known as the Parish Church Of St Peter And St Paul.

 

On Church Street in Cromer.

 

Church doors.

 

Fabric C15. Restored late C19 with rebuilding of chancel by Sir Arthur Blomfield in 1887-9. Flint, partly knapped flint, stone dressings and slated roofs. Comprising: tall nave with 6 perpendicular clerestory windows. C19 chancel. North and south aisles with 7 large perpendicular traceried windows, and buttresses between with niches. 2 storeyed north and south porches, the north porch vaulted, both with flushwork-panelled stair turrets, and flushwork panelling on side walls. Very tall west tower, 160 ft, 4 stages, pinnacles and ornate battlements, tall 2-light bell-openings on each side, set back buttresses, 5-light west window. West porch of knapped flint, niches either side of entrance, battlements, vaulted and elaborate inner doorway. Lofty interior with very tall tower arch, arcades and chancel arch. Stained glass in south aisle by Morris circa 1874. Traceried south door. Brass of 1518 in chancel wall.

 

Parish Church of St Peter & St Paul, Churchyard Boundary Wall, War Memorial and Monument to J H Earle form a group.

 

Cromer Parish Church - Heritage Gateway

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